Latest Posts

Jesca Hoop – Memories Are Now

March 3, 2017

Less than a year after the release of her duets album with Sam Beam, Jesca Hoop is back with an album of her own. Memories Are Now is the singer-songwriter’s fourth overall solo studio album, and solo debut for Sub Pop records. The new release is arguably her most realized and finely produced collection of songs to date. The veteran is known for her experimentation across an array of genres, from folk to jazz, rock to pop, blues to electronic and beyond. On Memories Are Now, she weaves her familiar eclectic tapestry, with some added layers. Mantra-like passages draw influence from African rhythms, and ambient overtones round out these compositions. Overtop of it all floats Hoop’s signature mid range voice, ethereal and lilting. Lyrical, she is socially engaged, rooted in the Now, and offers a tinge of political awareness. Her sly, grungy electric guitar licks pair well with the biting[...]

Henry’s Rifle – Arkansas

February 9, 2017

Recording under the alter ego Henry’s Rifle, John Alfred’s music is rooted in backroom Americana and weathered country-blues. The Albany native singer-songwriter’s latest EP, titled Arkansas, is raw and completely stripped down, both in tone and subject matter. With help from members of The Slaughterhouse Chorus and Linear North, the EP was recorded in various houses around Albany as well as the live room at WEQX in Manchester, Vermont. The music of Henry’s Rifle has an innate sadness to it. There is this kind of classic barroom sorrow to it that can be traced back to modern folk’s earliest days in the clubs of Greenwich Village. John Alfred’s rough, half-screamed voice adds another layer of darkness as well. All together, its somewhere in between solo Neil Young and early Avett Brothers. While the sonic focus is tight, the arrangements do vary slightly. The EP starts out with a dirge like[...]

Sleater Kinney – Live in Paris

February 3, 2017

With a career spanning over 20 years, Sleater-Kinney has left an indelible mark on modern alternative music. As pioneers of the riot grrrl movement, they helped usher in a new era of female powered rock that is edgy, raw and empowering. However, even after a long career, there are still some things they haven’t done. Their latest release for Sub Pop is the first ever live album in the band’s tenure. Live In Paris was recorded on March 20, 2015 at La Cigale in Paris, France. It was during the tour in support of their killer eighth studio album, No Cities to Love. Sleater-Kinney’s live shows are highly energetic and all out in your face, and that vibe isn’t lost here. In capturing this sold-out evening, the record showcases the group’s anthemic and abrasive style well. The dynamic between the four women packs a heavy punch, one that’s been cultivated[...]

Flo Morrissey and Matthew E. White – Gentlewoman, Ruby Man

January 25, 2017

Spacebomb Records has made a name for itself developing a polished sound reminiscent of ‘70s psych-soul. On this latest release, label founder Matthew E. White teams up with English singer-songwriter Flo Morrissey to deliver a batch of interesting covers, ranging from a Hare Krishna mantra (“Govindam”) to the theme from Grease. Titled Gentlewoman, Ruby Man, it’s a trip that’s equal parts sun-drenched and fuzzed out. Traditionally, when a female and a male singer get together to tackle an album worth of covers, the songs are usually well-known hits presented as romantic duets. This record is not traditional, and finds Morrissey and White trading singing duties and playing off of each other in unique ways. White’s understated voice has a low whisper to it, and it compliments the lilting and ethereal tone of Morrissey’s. Not to mention, there are a few deep cuts here by lesser-known artists, including tracks originally done[...]

Various Artists – The Hamilton Mixtape

December 19, 2016

There’s no doubt that Lin-Manuel Miranda’s Pulitzer Prize and Tony Award winning Hamilton: An American Musical has been one of the biggest cultural events in recent memory. The musical and its songs have been able to permeate almost every corner of pop culture, both here and abroad. On this new release, Miranda presents his treatment of the historical figure’s story in its originally conceived format: a mixtape. The Hamilton Mixtape, while a far cry from the flawless grandeur of the musical, serves as a suitable companion piece to the Broadway hit. A slew of industry big shots and indie stars come together to spin the well-known songs into a new context. The tracks themselves range from straightforward covers of the songs to completely reworked and reimagined takes on them. Miranda also threw in two new songs, demos of songs cut from the musical (“Valley Forge” and “Cabinet Battle 3″). Most[...]

Staff Picks

December 15, 2016

To begin our Best of 2016 coverage, we asked a handful of our staff writers to submit their favorite albums and songs of the year. Cliff Parks Favorite Album: The Avalanches – Wildflower The joy and pleasure this album gave me this year is incalculable. The elusive Australian DJ collective saved the day with this next level sonic adventure into boom box urban funk and ear tickling psychedelia, featuring a wicked sense of humor, a killer collection of guest stars (Danny Brown, Toro Y Moi, Biz Markie, Mercury Rev’s Jonathan Donahue, Father John Misty..) and some of the greatest crate diving ever, creating a thoroughly satisfying journey into the sounds of summer and of our lives, and an ode to walking down the music filled mythological NYC streets of our shared popular imagination. Favorite Song:  Anderson .Paak “Put Me Thru” This year was far from spectacular, but Anderson .Paak was incandescent,[...]

Childish Gambino – “Awaken, My Love!”

December 8, 2016

Donald Glover has been proving a lot recently that he is one of the more prolific creative minds out there today. He’s a successful stand-up and comedic performer, a skilled dramatic actor, a writer/director/producer/star of an acclaimed new television show Atlanta, and of course, a rapper/hip-hop artist. Under the stage name Childish Gambino he already has a handful of releases under his belt, gaining scores of fans with his unique and frenetic style. His latest offering, however, is completely out of left field. After keeping the recording process a virtual airtight secret, he has surprised everyone with a big departure from his alt. hip-hop style we’ve come to know. His third full-length record “Awaken, My Love!” is steeped in soul, R&B, funk and psychedelic rock. It bares a deep resemblance to the funkadelic movement of the ‘70s that combined the popularity of psychedlia in rock ‘n’ roll music with the[...]

A Tribe Called Quest – We got it from Here… Thank You 4 Your service

November 29, 2016

Of the many “comebacks” this year, A Tribe Called Quest’s is perhaps at the top of them the list. After an 18-year hiatus due to different member conflicts, the legendary hip-hop trio returned with one of its best efforts, titled We got it from Here… Thank You 4 Your service. 2016 has been a year marked by many heartbreaking losses in the music community, and ATCQ were no exception. Founding member and principal MC Phife Dawg passed away earlier this year, but thankfully he had recorded several verses for the album beforehand. After almost two decades apart, you would think that the pioneering group would have some rust to shake off. But on We got it from Here…, they’ve recaptured that same old energy, and sound just as fresh as their mid-90’s peak. It has the vibe of a classic ATCQ record, while still sounding modern; there is not a[...]

Jim James – Eternally Even

November 17, 2016

The mystical lead-singer and principal songwriter of My Morning Jacket, Jim James, has released a new solo album. Titled Eternally Even, it follows his 2013 solo debut Regions of Light and Sound of God and comes just a year after MMJ’s latest The Waterfall. The new record is a groovy and polished trip through multi-dimensional soundscapes. Here, James lets his soul influences shine through more than he has for most of his career. He expands upon the sound MMJ fleshed out on their last record, as well as some elements that, as producer, he helped Ray LaMontagne discover on his most recent effort, Ouroboros. It’s a focused and refined output; one that cohesively and infectiously joins R&B with psychedelia, and funk with prog. Its essentially Marvin Gaye meets Pink Floyd. James has a mesmerizing voice, no matter the lyrical content or musical mood. He sings lower, almost whispering at times,[...]

Connor Oberst – Ruminations

November 4, 2016

Conor Oberst has been around the indie scene for some time now. Most famously, he’s been the lead man of Bright Eyes since the late ‘90s, in addition to a handful of other collaborations and bands under his belt. But he’s been releasing his own solo material since the age of 13, and now Ruminations is his seventh studio full length, and tenth solo release overall. On his latest record, Oberst sounds incredibly alone, both in tone and in subject matter. Musically, Ruminations is stripped down to almost nothing. With his voice dead center, the only instrumental support comes from an acoustic guitar, and occasional piano or harmonica. Written and recorded over the course of a few days in the middle of winter, the music is a perfect companion for the desolate heft of his words. It’s almost startling in its emptiness, employing a classic folk artist’s process, made in[...]

Leonard Cohen – You Want It Darker

October 27, 2016

Beloved Canadian poet and singer-songwriter Leonard Cohen has had a long and illustrious career. The 82-year-old returns with his 14th full-length study album, and possibly a hint at retirement. You Want It Darker is bleak and grim in tone, and exquisite in its execution. Cohen doesn’t shy away from the inevitable: death. The record plays out like he’s preparing himself for it, as he gets his affairs in order. His trademark hushed and low growl is as dark as ever, and truly suits the undercurrent of the music. The arrangements here are carefully constructed, with each production and instrument choice having a precise and integral place. Although it is stylistically eclectic and layered, it is still quite sparse and intimate. The record opens with the title track “You Want It Darker,” a grooving synth-bass driven hymnal that almost sarcastically begs to plunge further into the abyss. Complete with a repeated[...]

Various Artists – Say Yes! A Tribute to Elliott Smith

October 21, 2016

You would be hard pressed to find an artist in the indie realm that hasn’t been affected by Elliott Smith’s music in some way or another. On Say Yes! A Tribute to Elliott Smith, a collection of artists takes on the daunting task of interpreting the formidable singer-songwriter’s catalog. For this record, released through American Laundromat, a diverse group of acts is assembled, from Yuck to William Fitzsimmons. The wide range of Smith’s compositions are well represented, with new takes on everything from his most intimate hushed folk to his more symphonic basement pop. It is impossible to put a singular label on Smith’s songs because of how intricately he interweaves genres. The soul-crushing earnestness of his lyricism is undeniably relatable, providing a broad appeal that transcends just “rock” or “folk” music. Historically, his music is so difficult to cover because it is so complex, and so perfect in the[...]

Shovels & Rope – Little Seeds

October 14, 2016

Charleston-based Shovels & Rope are back with their fifth LP. The husband and wife tandem of Michael Trent and Cary Ann Hearst specialize in an energetic brand of Americana and alt-country. Their new record, Little Seeds, comes just over a year after the birth of their first child, an amazing feat even for this relentless duo. Shovels & Rope’s eclectic sound is rooted in the music found across America: blues, folk, country and rock & roll. Acoustic guitars are met with electric ones, mandolins with organs and wild percussion with thumping bass. The pair sings with an obvious chemistry, and an overt earnestness. Their vocal range is undeniable; both Trent and Hearst can achieve such quiet tenderness, as well as an all-out chaos at the top of their lungs. However, no matter the intensity, at no point do the harmonies ever falter. The fact that they are married only adds[...]

Bon Iver – 22, A Million

October 6, 2016

In 2012, Justin Vernon announced he was putting his musical brainchild, the beloved and acclaimed Bon Iver, to rest on an indefinite hiatus. In the years since, he has been essentially in hiding. There were occasional collaborative efforts with the likes of Kanye West and James Blake, a blues-rock record with The Shouting Matches, and other odd appearances. Now, the silence has been officially broken with Bon Iver’s third record, 22, A Million, a huge leap forward both sonically and creatively for his group. For many die hard fans, the first listen through may be quite jarring, and feel as if Vernon has lost his mind. In some ways, he has. There are many similarities between the events that led to his debut For Emma, Forever Ago, and what led to this new record. The world had broken him down, and he retreated inward. Out of the anxiety and depression[...]

Hamilton Leithauser and Rostam – I Had a Dream That You Were Mine

September 29, 2016

I Had a Dream That You Were Mine is the debut album from the partnership of Hamilton Leithauser and Rostam Batmanglij. Appropriately named Hamilton Leithauser + Rostam, the duo has found a delightful sound together as they venture into solo careers. Leithauser’s band The Walkmen are on an indefinite hiatus, and earlier this year Rostam left his group, the indie darlings Vampire Weekend. This collection of songs the pair has crafted is perfectly representative of their collective musical personas. Rostam possesses a mastery of the American songbook, as well as a penchant for DIY production techniques. Leithauser’s voice is unique and versatile, shifting through moods and tones with charisma. While his vocals take center stage and give the record direction, it is Rostam’s eclectic palette that is the backbone, expertly molding the arrangements. The two match wits, providing thoughtful counterpoint to one another as they dance through different styles and[...]