Buffalo

Jacob King – Drink From a Fox’s Head

Buffalo-based music scene staple Jacob King released two singles under his solo name earlier this month and it’s full to the brim with freak-folk psych-pop elements. Jacob King may be a familiar face/name, as he’s been gaining much buzz with his project T.T.T.T., as well as numerous stints in different bands throughout the local scene (most recently with Hal & Pals and Cramps tribute act, Side Stitches). The new batch of singles highlights King’s dexterity as a musician and ability to chameleon his style.   The first song, “Drink From A Fox’s Head,”  has a sun-soaked start that leans heavily into the more psych-y elements of the release, showcasing a bit of a Blind Melon tinge with some Burger Records parallels. Let’s hope the lyrics are a metaphor, as the chorus has King wailing “I drink my tea from a Fox’s head…” That’s just gross if it’s true and it’s[...]

Mark the Aquarius – “SEV ONE SIX”

Buffalo’s very own Mark the Aquarius is back on the scene with “SEV ONE SIX” – a timely anthemic single for the city as we rebound from a particularly disappointing end of season. Filled with swagger, Mark’s venomously delivers himself and the city as the “Us” in an “Us Against the World” conflict. His intense wordplay is the strength of the track, dropping fervent city, wrestling, and Sway references in the same breath. “SEV ONE SIX” features bombastic production – giant MOP-style horns and swirling strings, matching and elevating the intensity. The “SEV ONE SIX” music video features vintage Buffalo scenes intermixed with Mark’s local performances – check it out for a nice nostalgic experience. Listen to more from Mark the Aquarius on Spotify and check out him and more up and coming artists on our Underground Hip Hop Playlist. 

Autoignition – “Plummet / Picking Daisies”

Buffalo based pop-punk quartet Autoignition just released “Plummet / Picking Daisies,” a two-track ripper that’s already found its way into our regular rotation. With anthemic choruses and their heart on their sleeve, these songs hit like a freight train. “Plummet” sees the band come out swinging, with blistering drums setting the stage. The earnest vocals have a sense of pleading, underscored with a slow-moving guitar countermelody. The energy captured on this track is very raw, that is undoubtedly reflective in band’s live performance.   “Picking Daisies” opens with a little more space, but no less energy. With a hooky guitar line, and driving drums, the track churns under the vocals. With echoes of early Blink-182, this is the perfect foil to ‘Plummet.”  High-impact release from a band that is getting a lot of well-deserved buzz. All in all, these tracks are a snippet into the project’s promising future in the[...]

Ian McCuen- As the Oceans Rise and the Empire Falls

Buffalo singer-songwriter Ian McCuen combines bedroom folk with jazzy synth pop in their latest album, As the Oceans Rise and the Empire Falls. Highlighting their personal struggle with understanding the socio-political state of the world, each of the 22 tracks speaks to a different emotion. From capitalistic nature to grief and search for individuality, this record has something for everyone.   Track one, “The Overture,” sets the overall tone with a haunting instrumental. It is unsettling and anxiety-inducing in a way that horror films have perfected and wonderfully portrays the turmoil expressed in later tracks. In addition to “The Overture,” nine other tracks act as ‘tone-shifters.’’ These instrumentals divide the album based on feeling and topic – going from unsettling depth (see “Indoctrinated, Propagandized”) to contemplative closure (see “Outerlude” and “Encore”) – with a unique utilization of piano, acoustics, Omnichord, and many others.   The first lyrics are seen in[...]

Romcom Victims – Rainy Days

Buffalo’s resident jangly powerpop group Romcom Victims have released their sophomore EP Rainy Days – a buzzy, four-song ripper that has found itself on a shortlist of the best Buffalo releases of the year.   The EP opens with “Absent Minded,” which sets a fun, surfy pace right out of the gate. Anchored by floating guitar lines over a tight rhythm section, the vocals instantly command your attention with their light and airy delivery. Dipping in and out of the spaces present in the reverbed-soaked textures, “Absent Minded” is an immediate earworm. The second track “Street Rat” is a churning offering, led by earnest vocals recalling a hypocritical scumbag, or more appropriately, a rat.   The EP is anchored by the title track “Rainy Days.” A definite EP standout, “Days” is a bouncy two-stepper that alternates through slower orchestrated parts with blasts of shuffling drumbeats and an impossibly nimble bass[...]

Makeout Tactics – Skunk House

Buffalo indie-pop outfit Makeout Tactics has released their first EP, Skunk House. Waxing philosophical, we are presented with a slice of life view of a group of friends in their 20s. Seemingly mundane, these stories and experiences are elevated through their eyes, creating a compelling story that captures our attention.   The EP opens with “311,” laced with a heartfelt urgency that draws you right in. Anchored by the haunting vocals of Akasya Croiser, lyrics float ethereally over the jangly and enveloping guitar lines. The banality of placing a 311 call becomes a plea; a call to action. Second is the driving “Laundromat Thief” which opens with guitars that could play against a gunslinger showdown in a Western. We are then presented with a scenario in which someone has stolen our narrator’s underwear (amongst other things). “Laundromat Thief” is a driving track that underpins our narrator’s struggles. While the drums[...]

the Old Sweethearts – “Miles”

Coming off the heels of their hotly anticipated reunion at the 20th Anniversary of Harvestsum Records, The Old Sweethearts have dropped an alternate version of their song “Miles.”   Originally appearing on their 2005 record Arms of the Town, “Miles” is a a radio-ready single with buzzy verses and anthemic choruses. This previously unreleased version stands in stark contrast, stripping things back and slowing it down. Roger Bryan’s vocals sit in the front of the mix, giving an earnest and pleading quality to the previously uptempo song which remains anchored by Mark Nosowicz’s hypnotic synth lines. The toy piano interludes call back to early Wilco, particularly Yankee Hotel Foxtrot’s “I Am Trying to Break Your Heart.”   The release also includes two tunes previously on 2005’s Harvest Sum B-Sides collection. “Lost You” plays perfectly alongside “Miles,” leaning into the stripped back production that really lets the delicate instrumentation shine. The[...]

Urge Surfer – “Happy Xmas (War is Over)”

Buffalo electro-pop duo Urge Surfer are back with their take on a holiday mainstay, the John Lennon & Yoko Ono classic “Happy Xmas (War is Over).” Featuring singer Chelsea O’Donnell’s distinctive voice in the forefront; bandmate Jordan Smith’s tasteful backups; and a bevy of modular synths and percussion; this particular version of “Happy Xmas” is a delightfully fresh take on a well-worn standard. Born out of the innocent desire to just put out a Christmas cover, the duo pumped this out in just about a week, harnessing the ramshackle and jangly energy of the original and giving it a fun, electronic spin.   You can purchase Urge Surfer’s version of “Happy Xmas (War is Over)” via bandcamp (below) for a very reasonable “name your price” rate.   Happy Xmas (War is Over) by Urge Surfer

Ashford – Pictures of Places I’ve Been

Buffalo pop punk/emo rockers, Ashford, close out the year on a high note with their dynamo debut LP, Pictures of Places I’ve Been.   The record is a nine-track patchwork of new material and singles released earlier this year including the tracks “Temperance,” “Gorilla Glue” and “The Painter & the Patient.” Expect a variety of clean yet rough-around-the-edges vocals; powerful, overdrive guitars; and hefty, punctuative drums for a listen that will make your hair stand up.   Variety is what Ashford does best on this album. Like a pop punk buffet, the band cooks up a deeply satisfying mix of tones, textures and tempos that keeps Pictures of Places I’ve Been fresh and engaging. You’ve got your choice of softer, more poignant songs like “Bliss,” or heavier, crunchier songs like “Crown.” No two songs sound the same with each having their own distinct flavors to chew on for hours.  [...]

Gatto Black – (Not) Ready to Die

The cat’s out of the bag with (Not) Ready to Die, the bombastic new sophomore EP from feline-friendly Buffalo post-hardcore project, Gatto Black.   Featuring singer-songwriter, Sal Mastrocola (EXNATIONS, No Net), this 7-song collection is a powder keg of emotions triggered by screamo vocals, chaotic drum beats, and third-rail riffs that will shock your system.   “But the thing about cats… they’re never afraid of their shadows,” and neither is Mastrocola, as he wails introspectively on the opening track, “Bitch I’m a Cat.” The singer-songwriter wears his heart on his sleeve and spills his guts via snotty emo-punk vocals that shake with anger and sadness. Each song is impressively unique, robust and layered, and runs a gamut of feelings that wallow in angst and insecurities.   You can feel these difficult, dizzying emotions on tracks like “No One Can Ruin Me.” This absolute tornado of a tune lashes out with[...]

JEWELTONE – Visions of Heaven

Buffalo hardcore trio, JEWELTONE, bring the pain with their new EP, Visions of Heaven. Following up their demo release last year, this bruising EP features four new tracks of stripped-down, no-frills hardcore punk that will have you two-stepping and stagediving.   With an endearing band statement of unity and inclusivity, JEWELTONE have spent the last year building a name for themselves in the city’s hardcore scene. At their shows you’ll find a melting pot of all ages and backgrounds pinballing off heavy riffs, punishing drums, and howling vocals.   Consisting of Christian Adams on bass/guitar, Jordan Walker on drums and Neftali on vocals, each member brings their own unique perspective and influences to the project. These influences, acting as their north star, are wide-ranging and far-reaching, especially Nef’s whose roots are firmly planted in Buffalo’s hip-hop community.   Their spotlighted single “IDFWY,” puts all these influences in a blender for[...]

Black & White Cat / Black & White Cake – S/T

Throw on a leather jacket and mirror shades and let Buffalo deathrockers Black & White Cat / Black & White Cake be the soundtrack for your cemetery dance party with their debut self-titled album.   Inspired by the 1977 horror flick, The Sentinel, and formed six years ago by vocalist Dan Oh and guitarist John Toohill, this gothic five-piece delivers lo-fi melodic post-punk that’s cloaked in darkness and apathy. Rounding out the group and helping to bring their sound back from the dead are guitarist Dave Ward, bassist Paul Morin and synthesist Kelly Morduant.   Opening up this brooding collection of songs is the track “Useless” that encapsulates B&W Cat / B&W Cake’s macabre spirit. Oh’s cold, near-death vocals play perfectly against Toohill and Ward’s warm-blooded guitars; perfectly reflecting of the duality of life and death. It’s a great and catchy introduction to the band and their brand of punchy[...]

Hundred Plus Club – “Get Away From Me Jack”

The Hundred Plus Boys are at it again. Fresh off a sweet streaming success in their previous single “Gobsmacked,” Buffalo’s post-punk outfit drops their follow-up “Get Away from Me Jack.” HPC’s has featured bright guitars and earworm hooks taking influence from the great acts of 2000s indie rock, but lately things have gotten darker. “Gobsmacked” started down a gothy-er path that’s continued with the rollout of “Get Away from Me Jack.”   On this single, frontman Zain Shirazi’s baritone vocals hide within a heavy bottom half featuring some pounding bass guitar and a drum section that flips between understated live playing and New Order in-your-face “Blue Monday”-styled drum machine, continuing the band’s experimentation with percussive elements. Shirazi’s brooding vocals menacing backing voices compound the feeling of being under a sinister spell, as Zain tries to resist:   “You want people to come to your show … / But I don’t[...]

Elemantra – “The Problem”

Perpetually-whirring Buffalo shoegazers Elemantra are back with a fresh new single, “The Problem.” Their impeccable pedalboard curation is on full display here, ranging everywhere from ghostly clean guitars to monstrous blasts of fuzz. Elemantra’s patented brand of all-consuming ambiance is on full display here, lush with nimble basslines, tight drumming, and those far-off vocals that make your favorite ‘gazers sound so mysterious – think Slowdive or MBV. Fans of all waves of emo, anywhere from Appleseed Cast to Citizen, will also enjoy “The Problem,” for its excellent execution of somber emotions and quiet/loud dynamics.   You can find “The Problem” via Bandcamp below, or, stream it via your preferred listening service – Spotify or Apple Music. The Problem (single) by elemantra

Bat Ring – A Spectre Prepares

Brianna Battista, frequent Little Cake collaborator and former Skirts co-lead, has released her debut album under new solo-project Bat Ring. With production by Bran Schlia (Steak & Cake Records), A Spectre Prepares introduces a beautifully creative sound into the world of experimental post-rock. In addition to the haunting vocals by Battista, this album utilizes synths and distortion in a truly unique way.    The five tracks are inspired by a series of painful experiences Battista summated in a personal essay regarding the album. After a poor-fit college program, her creativity was stunted by an inability to express herself the way that she wanted. As Battista continued to experience a power imbalance between herself and her classmates, she began to question her reasons for creating. She writes, “My goal was directly tied to everything these men in my acting program thought of me, and said about me, and said TO me,[...]