Album Reviews

Bat Ring – A Spectre Prepares

Brianna Battista, frequent Little Cake collaborator and former Skirts co-lead, has released her debut album under new solo-project Bat Ring. With production by Bran Schlia (Steak & Cake Records), A Spectre Prepares introduces a beautifully creative sound into the world of experimental post-rock. In addition to the haunting vocals by Battista, this album utilizes synths and distortion in a truly unique way.    The five tracks are inspired by a series of painful experiences Battista summated in a personal essay regarding the album. After a poor-fit college program, her creativity was stunted by an inability to express herself the way that she wanted. As Battista continued to experience a power imbalance between herself and her classmates, she began to question her reasons for creating. She writes, “My goal was directly tied to everything these men in my acting program thought of me, and said about me, and said TO me,[...]

We Were Blank – “Summer Bones”

Local pop-punk/emo quartet, We Were Blank, are back with a one-off single “Summer Bones.” The new track hits a bit more on the punk realm than the band’s usual catalog, with comparisons to heavier pop-punk acts like Microwave and PUP. Lyrics-wise, this track is about the pains of getting older and feeling listless. There is a yearning to go back to the times of having summer bones, which is a younger, fresher, and ultimately more exciting time than having these aging autumn bones. Check out the band’s resume on Spotify and keep a look out for We Were Blank, because they are always gigging around the city.

Wylie Something – Picnic

Buffalo local, Wylie Something, the songwriting vehicle for musician Jacob Smolinksi, is inviting you to a BBQ of freshly grilled tunes for the soul, with an all new record titled Picnic.   For an appetizer, we’re served our first track “Feel Like Jake.” For listeners looking for a classic taste, they may find that the jam-band like vibes of this song call back to the sounds of The Grateful Dead or the bluesy swing of Bob Dylan, while more modern-day listeners might enjoy the heavy indie-psych influence. “Jake” listens like a blue sky with whisky clouds on a slow day, where the smiles are warm and drinks are iced cold. This feeling is captured perfectly in the slow swaying guitar strums, the woozy bongo blips, and Jake’s soulful baritone belting – feeling like a hazy meditation without a care in the world.   This feeling continues into track two, “Stuck[...]

Sleep Debt Ceiling – Demo EP

Buffalo-based project Sleep Debt Ceiling has released their debut, Demo EP. The four song folk punk album, written and performed by James Stephenson, dives into the harsh realities of mental illness, drugs, and imposter syndrome. The status of band membership is unconfirmed as SDC claimed via Instagram, “This is maybe a solo project. It might be a band. No one is entirely sure of this.” The demo was written in April and recorded in May of 2024, as a result of Stephenson’s self-isolation. Through a perfect mix of raw acoustics, thought-provoking lyrics, and grungy vocals (see the spiraling chorus of “Self-Obsessed and Miserable” or sporadic bridge of “Guarantee”), Sleep Debt Ceiling is “guaranteed to make strangers ask if you’ve talked to anyone lately.”    Inspired by Stephenson’s upbringing, “Narcan Supernova” opens up the demo on a rough but poignant note. The track depicts the hardships of watching someone struggle with[...]

Pilot-Field – Songs From South Buffalo

There’s no shortage of great punk rock bands in Buffalo – Pilot-Field joined that canon earlier this year (and also last year) and has continued to create fun and excitable nuggets of pop-punk with intent. The band of two McCormicks and two Brennans has just released a two-song EP, Songs From South Buffalo, continuing a trend of simple-but-effective punk rock songwriting that focuses heavily on big melodies set to fast tempos. The album kicks off with “Sweet Home,” an ostensible double-meaning title that references both the very-shoutable chorus refrain and a Buffalo-adjacent locale… And while Sweet Home (the locale) is more of a North Buffalo haunt (I digress). “Home sweet home, home sweet home, far from you’s where we belong” The track is all about being content with your circle. It suits the blasting drums and full-throated guitar of “Sweet Home” perfectly. They continue this same energy on song two, “I[...]

Dr. Boat – “Catch A Foul”

Dr. Boat, a four piece from NYC, purportedly a ‘Medically Accredited Dreamboat Experience,’ recently released their newest single “Catch A Foul.” While I’m not sure which governing body decides on accreditation for dreamboat experiences, I am sure that this is definitely one of the rockingest tracks I’ve heard in a minute. Not only that, the band has a Buffalo connection in drummer Max Kalnitz, who hails from our fair city. This is glam rock through and through; with the guitar turned up to 11, slick as fuck bass riffs, drum kit on fire, and a singer who clearly has some swagger. I really couldn’t describe it any better. If you enjoy The Darkness, Wolfmother, or think Jack White’s love of the guitar should be shared by everyone… This do be the band for you. You can hear “Catch A Foul” below from YouTube, Apple Music, or Spotify. Be sure to[...]

Hundred Plus Club – “4/19 (Demo)”

Hundred Plus Club recently released a freshened version of their first song ever (!), affectionately titled “4/19 (Demo).” Ostensibly a working title or the file’s original name, the group used a ten-year-old idea of the first music they ever wrote that could be considered a fully fleshed-out tune. The trio kept the original recording of the drum track, a tight, jazzy snare-forward beat from drummer Burak Spoth, while adding mysterious lyrics and spindly guitar from singer/guitarist Zain Shirazi. There’s something special about demos recorded in a “tin can basement,” and it’s a fun little development that HPC had the wherewithal to polish this into a proper release. We’ve embedded a Spotify player below for convenience, but be sure to check out all the different ways to support HPC via this helpful Linktree link.

Rodagues – Made Men

Buffalo alternative hip hop trio, Rodagues create an experimental yet catchy modern rap sound. Their fizzing sonic concoction fuses many different strains of hip hop, whether that be old school boom bap, houston’s chopped and screwed sound, southern trap, as well as a plethora of related subgenres.  The group’s three man weave of artists is composed of WizzleDaWzRd, puh-GEEZ, and Be_Daylight. To get to know an individual member’s catalog, check out our review for puh-GEEZ’s project LEVELS. Rodagues’ latest release “Made Men” is a collaboration between WizzleDaWzRd and Be_Daylight. The beat, crafted by Wizzle, combines a vaporwave-like, cloud rap aesthetic with a smooth-as-butter west coast bounce. He said of the track:  “I guess for the hook part the inspiration was the Jermaine Dupri and Jay Z song, ‘Money Ain’t a Thang.’ I always say I’m the modern version [of] JD with how my beats [are] sounding.” Wizzle’s gravely voice floats[...]

Nolo the Slayer – Bottega

There’s a funny story behind the way Buffalo rapper, Nolo the Slayer got his name. Early on in his music career, while he was going under the name Nolo, he randomly decided to change his Instagram handle to “@nolotheslayer.” On his first official feature, the artist who he had worked with saw his Instagram, assumed that was his artist name and released the feature as just that, “Nolo the Slayer.” At first Nolo was a bit upset about the situation, as it wasn’t his chosen name, but before he knew it, the moniker had already stuck with those around him. He ended up continuting to use it and the word “Slayer” has even become a common adlib for him.  The addition of “The Slayer” gives the name and interesting and unique edge, sounding like the title of some ancient exalted medieval knight. Furthermore, after he’s released and promoted 2023 projects like I[...]

Turnup and GRXZZ – Racin

Buffalo alt-rap trio, SPACEBOUND is back with a new single titled “Racin,” a collaboration between two of the members Turnup and GRXZZ. The song features a bustling, noisy instrumental influenced by both old-school Memphis rap and modern southern hip hop. A spiny phonk-inspired cowbell melody gives the hard-hitting song a dark edge. On SPACEBOUND’s louder songs like this one, Turnup often plays the slugger role out of the group taking their tracks to the next level with his hyperaggressive delivery. He draws first blood on “Racin,” yelling his brains out in the tense and repetitive chorus. His following verse introduces the song’s topic, as “Racin” is a risktaker’s ode to living fast or dying young: Jump outta the whip Got the bag on me I ain’t bring no bread If he gotta clip he aint getting all I got Gotta use your head Walking up to the house I was[...]

Wife and Kids – Magnesium

Wife and Kids, a newer name in the scene (with some familar faces), have been gaining traction with their candid alt-folk balladry and sweet sense of melody. The duo is composed of Alex Behrens and Joe Morganti (also in SPACED and gas station.) and a quick stream or two of their music shows these guys are downright talented. Wife and Kids’ tender yet poppy strain of indie-folk and strong singer-songwriter chops are on full display in their first two singles, “Possible” and “Way Back When.” Even still, the duo’s latest, “Magnesium,” might be their best yet. The lyrics on “Magnesium” have a real, personal, and weighty quality to them. The singer touches on brief yet sentimental ideas throughout the track, giving the feeling of flipping through a scrapbook of related but separate memories. Despite the lyrical ideas feeling somewhat disparate at times, them being together feels quite important to the songwriter’s[...]

Jesse & the Spirit – a

Buffalo to NYC transplant, Jesse James’ experimental project Jesse & the Spirit is back with a new single titled “a” set to release on April 26th. Their Bandcamp bio breaks down Jesse & the Spirit’s sound well: With collaboration from an unexplainable presence known simply as “The Spirit,” Jesse James creates emotional soundscapes in a maelstrom of electronic and acoustic drums, ambient synths, classical guitar, and otherworldly samples, touching on a variety of genres from trip hop, cold wave, and witch house to folk, noise, and raw atmospheric metal.” It’s a true melting pot of cross-genre collusion. If you’re looking to get a good idea of James’ chaotic musical combinations, compare their 2018 gothic avant-folk project, Clairvoyance to the grating experimental noise and dark electronic psychedelia on their project, also from 2018, When the Spirit caught up, I laid face down in the crossroad, clutching the ground with every ounce[...]

the niagara river – complain to the creators

This just in, naming yourself after a well-known local landmark may be a cheatcode for getting people to check out your experimental electronic project. You’d have to ask Buffalo-Brooklyn ambient duo, the niagara river if that’s a legit strategy. The two musicians, James Lotterer (Auxcab, Cylo) and Jesse James (Jesse & the Spirit, Dolly Sods) share the name James, as well as an aptitude for creating standout, off-beat electronic music, both in different capacities. Check out our review for Jesse & the Spirit, to get to know the related project’s sound. The niagara river’s recent release, complain to the creators, is a two-song EP that starts with the sprawling, over 17-minute track, “did she exist?” In the first part, a chiming sound that sounds like a reversed piano note acts as the track’s foundation. A cycling key melody and contemplative bell-like synth part creep overtop. At the three-minute mark, a foggy ambient[...]

Luno J and Neftali – The Dramatic

Rapper Neftali and producer Luno J have an intriguing history in the local music scene, prior to releasing their recent six-song collaborative project, The Dramatic. Neftali, who started in the scene seven years ago, was a member within the now defunct alternative hip-hop group, FREAK THE MIIGHTY. Lately, he’s releasing solo music as well as fronting Buffalo hardcore band, JEWELTONE. Luno J, a recent transplant to the city in 2021, joined local powerhouse rap group Free Music Party soon after. He began making a name for himself with his unique production style fusing influences from EDM, R&B and hip hop.  Luno said of a specific musical inspiration for The Dramatic, “I really like Flume and in particular the tracks he does with rappers because it’s kind of an untapped genre of EDM-influenced experimental tracks with rapping over top.”  This influence is evident in the intro track, “Too Late,” which combines hip hop[...]

Gatto Black – “Escape You”

A recent poster for a show at Amy’s Place in Buffalo described Gatto Black as SSRI post-hardcore and it’s pretty spot on. Sal Mastrocola, the group’s main songwriter, has an anxious and very emo take on hardcore. Mastrocola popped onto the scene a few years back with two 2021 singles and the 2022 EP, 2 Stressed 2 B Blessed, released through local label, Triple Hammer Records. The group’s sound is nostalgic for the emo side of 2000s skramz, but takes it to the next level by moshing it with modern sounds of hardcore, post-hardcore, and even alt-metal. The group’s latest release “Escape You,” explores the apathy of enduring toxic relationships, especially those that find pleasure in the pain of overstaying their welcome. In the song’s opening verse, Mastrocola demands the listener’s attention with an emotionally charged vocal delivery that trembles with palpable rage. Listening to Mastrocola stutter, yell and cry his way[...]