Album Reviews

SUKH – Heading East

Fun-fact, singer/songwriter SUKH may be the first bona fide doctor/musician that we’ve ever had the pleasure of reviewing here at buffaBLOG. In his decade-plus career, SUKH has drawn from his experiences in the medical field to create a hopeful and uplifting brand of pop rock. His latest offering is the eight-song LP Heading East, and we think you’ll agree – it’s exactly the kind of music I’d want my doctor creating. If Heading East is your introduction to SUKH, a listen through his impressive catalog might surprise you – his 2022 album Age of Strangers is dark, almost anxious at times, with spiraling guitars, introspective lyrics, and minor-chord mentalities (see the jaunty blues-inspired “Don’t Fall Behind” or the crushing crescendo of “Rendezvous”). Heading East feels like a genuine shift in both tone and mindset, full of lighthearted pop rock songs that go down with ease. Let’s just say while Age of[...]

Wexford – Silent Key

Who knew?! There’s more to Sandusky, Ohio than a bevy of excellent roller coasters. In this case, we’re talking about Wexford, a quartet with a veritable laundry list of expertise and talent. Their latest offering is Silent Key, a 13-song collection that combines their backgrounds in hardcore and metal with a reverence for alternative, post-hardcore, and OG emo. A listen through Silent Key is a peep hole into their varied influences, ranging everywhere from Social Distortion, to Fugazi, all the way to System of a Down. With said influences, it should be pretty obvious that this is an aggressive, guitar-forward album. Lucky for its listeners, it’s one that feels like a happy amalgam of its influences, rather than a reproduction of them. Wexford kicks off Silent Key with a verified banger, “Change Your Mind.” Here, we’re introduced to the mainstays of their sound – chugging guitars and blistering beats that absolutely bleed[...]

Fuzzrod – III

Rochester’s Fuzzrod is a no-nonsense kind of band. In a world full of twinkly and ethereal lo-fi beats to study and chill to, Fuzzrod’s latest EP, III, might function as the exact opposite. Sure, there’s a time and a place for mood music, but there’s no substitute for heading out to the Bug Jar on a Friday night and having your eardrums destroyed by a dimed Big Muff. Fuzzrod aims for a happy medium – produced by drummer Stephen Roessner (as always), III is a rare, fuzzed-out record that focuses on songwriting as much as its fun, punked-0ut live energy. It’s intentionally five (5) songs in length – a “healthy dose to support daily use” for those of us relegated to our nine to fives. “Map of Outside” kicks off the album with a spitty guitar riff, spring-loaded with plenty of retro punk energy. The sludgy tones here are masterfully captured[...]

Bee Eigen – Sanguine

Nevada City-based singer/songwriter Bee Eigen is fresh off the release of her latest EP, Sanguine. A short-and-sweet four-song offering, Eigen specializes in heartfelt, bare-bones compositions that are lyrically driven. These songs are stuffed with clever verbiage that conjures razor-sharp imagery, leaving you feeling breathless and dewy-eyed. There’s no disguising anything here and that approach feels intentional – these songs are stripped-down to mostly acoustic guitar and Eigen’s winsome vocal character. With such a personal-sounding release, it’s best to hear a bit from the artist themselves – here’s an aside from Bee about where the inspiration from Sanguine came from: “The bliss of nothing. Uncertain footing and mourning old identities. The disgusting need for external validation. Life and all of its bittersweet qualities. These are some of the themes explored in my debut EP, Sanguine. Written over a span of 3+ years, these songs explore the ways in which my identity has[...]

Lily Meola – Heartbreak Rodeo

There’s something wild about Americana greatness coming from someone born outside the continental US, but Hawaii-born Lily Meola is busy putting out perfectly twangy pop. Her latest offering, the five-song Heartbreak Rodeo, is obviously Americana-inspired, but also flirts with country and pure-pop flavors, running the gamut between saloon-inspired balladry to straight-up hook factory pop songs. Lily was smart to kick Heartbreak Radio off with the most overtly catchy song on the EP, “Cowboy.” An indie-pop acoustic guitar progression bounces into your eardrums while a subtle shaker chicka-chickas in the background. The intro of the song is pretty enough, but around the thirty second mark, Meola unleashes an insane vocal run – it’s ruthlessly catchy and acts as a motif through the rest of the song. There aren’t many cowboys in Buffalo, NY (well, maybe in the suburbs), but it’s not hard to imagine “Cowboy” appealing to the Swifties of the world, especially[...]

Harmony With Hunter – Different Kind of Strong

Harmony With Hunter (HWH) started like many current projects… COVID. We all became rather resourceful during the pandemic, especially musicians. Whether you mailed your tracks back and forth through the mail like The Postal Service, hosted live Zoom sessions to collaborate, or finally wrote that solo EP you’d been talking about forever, songwriters found a way to keep creating. Hunter is no exception – with no safe way to collaborate with others, Hunter embraced the forced lockdown and learned how to loop. He studied and perfected the art of looping until he became a one man act – even going as far as to learn how to record and mix his music and make his own music videos. We’re a few years removed from COVID now, but Hunter has finally dropped an uncompromising album, the 11-song Different Kind of Strong. “Easy Answers” kicks off the album with the hallmarks of[...]

Increased Damage – Spark

Increased Damage – no, we’re not talking about min/maxing your latest MMORPG build, we’re highlighting the songwriting vehicle for Cleveland-based artist Robert Carrick. His latest offering is called Spark, a ten song album full of blistering pop-punk layered with tinges of emo, alternative, and pop. Sugary, spicy, and energetic, Spark is reminiscent of the great music that came out of the late ’90s and early ’00s. Since most of us are now viewing that era through rose-colored glasses, Spark comes at a perfect time, bringing to mind bands like The Starting Line, Blink 182, and Saves the Day without completely aping their signature sounds. Produced over a nine-month period, the album is an introduction of sorts for Carrick – he’s “finally found [his] sound,” and now, “it’s time to find [his] tribe.” Here’s a bit about Spark from Carrick himself: “I write music that is familiar but also evokes emotion. Lyrics that[...]

The Singer and The Songwriter – Dreams! The Dead! Ghost! Future

Oakland, CA probably isn’t the first city that comes to mind when you think “modern folk,” but The Singer and The Songwriter (TSTS) seem to be the type of act to eschew categorization. This award-winning, queer, mixed-race duo, composed of singer Rachel Garcia and Thu Tran, specialize in songs inspired by “grief, late-stage capitalism, and their enduring 18-year friendship.” Their latest offering is the 12-song Dreams! The Dead! Ghost! Future; the title of which was inspired by an abandoned storefront in McDermott, NV. This album often feels desperate in a hopeful way, but also feels like home, cataloguing loss, love, dreams, hope, and everything in between. The album opens with “Dreams,” and immediately we’re introduced to the backbone of TSTS’s sound. Make no mistake, this is barebones folk at its finest – raw, gentle, and heartfelt. There is no distortion to hide behind, no wall of sound to disguise any[...]

Modern Wildlife – Cost of Living

Minneapolis-based act Modern Wildlife formed in the summer of 2023 – they craft simple but intriguing songs that range from dark and moody to energizing and fast-paced. Their debut album is called Cost of Living, a 10-song offering that looks at the various anxieties and woes that plague our collective existences. As a trio, the group outputs a surprising amount of sound, opting to utilize unique chord structures and ear-catching bass in their own personal versions of punk rock, post-punk, and the spaces in between. Opening song “Another Place” rings strongly of Big Muff-soaked guitars a la Siamese Dream-era Smashing Pumpkins. The three-piece keep things simple and digestible, with a pleasant ride-cymbal-driven beat, fun bass licks, and the aforementioned fuzz sputtering pleasantly in your ears. While the entire album doesn’t smack of early 90s grunge glory, “Another Place” certainly does… Billy Corgan would be proud of this one. Even the longing[...]

You Fool! – What is the Meaning of This?

Newly-minted indie rockers You Fool! come from Washington D.C. Their debut album is called What is the Meaning of This? (WITMOT moving forward) and it spans the complete spectrum of indie rock, ranging from effervescent fun and danceable indie pop; all the way through post-rock; and even some dark, synth-pop moments. Between their exclamation point-laden band name and the could-only-be-an-inside-joke album title, it’s clear the fourteen (!) songs offered here come from a group of musicians who love what they are doing and are having fun doing it. After all, they started after an impromptu jam session inspired by karaoke performance of “Colors in the Wind” from Pocahontas. Guitarist and songwriter Josh Ryan explains the meaning of their album title below: “The album title has sort of a double meaning… On the one hand, it reflects the introspective and contemplative nature of some of the tracks on the album. But[...]

Kayze – Decadence

Decadence (n.) – moral or cultural decline as characterized by excessive indulgence in pleasure or luxury. Arizona-based Kayze is back with his fourth official release, the seven-song offering Decadence. As the spiritual successor to his previous releases Mutually Assured Destruction and Katharsis, Decadence is a cool blend of trap and hip-hop that takes aim at instant gratification, AI, digital culture, and our increasingly online-lived lives. “No Tomorrow” opens the album as a perfect demonstration of Kayze’s instrumental and vocal stylings. Tight electronic drums are bolstered by twinkling guitars, whistling synths, and a late-night drive vibe that begs for midnight cruising below neon lights. Kayze’s delivery is closer to a monotone drawl than a full-fledged rapper – think the disassociating drawl from Wicca Phase Springs Eternal/ex-Tigers Jaw frontman Adam McIlwee. Lightly autotuned, Kayze drops surprisingly catchy melodies with inspired rhyme schemes that touch on deeper societal issues. Track two, “For a Night,” has[...]

Brock Davis – Everyday Miracle

“… there’s a beauty and power in wrestling with the mystery of life, and in the yearning for there to be something bigger than ourselves. I don’t claim to know what’s out there, but I’m fascinated by songs about a greater purpose in life, like love and art, that try to answer the essential question of why we are here.” It’s not often that you find a positivity-packed album labeled as “agnostic gospel,” but that’s exactly what Santa Cruz-based singer/songwriter Brock Davis has created on his latest offering, the 13-song Everyday Miracle. Backed by a smattering of world-renowned, Nashville-based session artists, Davis’ work is a blend of folk, country, rock, and pop stylings with a refreshing and uplifting message. Subtitled Backstage Sessions – Part 1, these 13 songs consist of the first half (!) of a set of songs that Davis laid down over a grueling two-day recording session. Prolific, positive, and[...]

Restroyer. – Restroyer.

When thinking of Salt Lake City, what typically pops into your mind? The 2002 Olympics? Great big salty… lakes? At any rate, punk rock wasn’t my first thought (and it probably isn’t yours either)… That may change, however, with a listen to the new album from Restroyer. The SLC-based quartet specializes in the punk rock that you may remember from the late nineties or mid-aughts – think a mixture of the political approach of Anti-Flag, the upbeat skate punk of Lagwagon, and a bit of grizzled Rancid energy. It’s tied up in an aggressive but digestible ten-song package that highlights its crusty punk rock roots without sacrificing a studio quality that begs for repeat listening. The album opens with the upbeat power chord onslaught of “Rager.” Immediately, Restroyer. hits you with the hallmarks of their sound – chunky power chord buzz, octave-based guitar leads, huge percussion and bass presence, and[...]

Extra Space – Green Season

Extra Space is one of those literal and figurative band names – the Brooklyn-based duo of Joey Puleio and Chris Kyle got together to de-clutter and re-situate their shared practice space. Lo and behold, when two musicians get together in a room with common goal, you can expect a little more than generic cleaning to get done. The two songwriters developed a unique chemistry and their friendship and musicianship both grew significantly over time. We’re now blessed with their debut album, Green Season, a seven-song offering informed by twinkly Midwest emo meanderings and the sighing steel guitars found in twangy folk music. “Puddles” kicks off Green Season with a splash of heart-on-your-sleeve acoustic energy. Immediately, nimbly-picked guitar work rings out, backed by a vocal take laden with gentle vibrato. “Puddles” (and much of the rest of the album) brings to mind the work of Mike Kinsella, specifically Owen, matching ultra-descriptive lyrics[...]

Baby Said – Who Gives A Rock EP

Portsmouth-based sister duo Baby Said have just released their debut EP, Who Gives A Rock. The Punjabi/Italian sisters, teenagers Veronica and Jess Pal to be specific, offer a fiery blast of pop rock energy reminiscent of Paramore, Olivia Rodrigo, and their favorite act Måneskin, from who they borrowed their namesake. Rock comes and goes quickly at just nine minutes, but it’s full of chunky power chord guitars, bombastic drum energy, and a particular limelight on the duo’s feisty vocals. A grungy bass guitar plucks out the initial notes of standout single “Panic Attack.” Ghostly effects help to give this a mysterious beginning before launching into one of the catchiest moments on the EP. The sisters lay into dramatic effect as they audibly gasp before the chorus, giving a tangible flavor to what it truly feels like to have a panic attack. Moreover, the song itself crescendos purposely, as they tried their best to[...]