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Must See Shows (11.27.24-12.4.24)

November 26, 2024

Wednesday, November 27th @ 7pm FINICK @ 9th Ward FINICK is the performing name for 17-year-old singer/songwriter Josie Hasnik. Based out of Minneapolis, the young songstress has been playing live since 2023 with major support from Minnesota indie station Radio K among many others. Finick will be in Buffalo in support of her new single, “Selfish” which came out in October. Fans of Beach Bunny, Clairo, or Mitski should plan on heading down to Delaware Ave. before hitting Chippewa.  ‘ Joining the bill will be Buffalo DIY scene folk-artist Adelaide. Bring all your returning high school friends. $15 cover. Friday, November 29th @ 8pm Ian McCuen (Release Show) @ Mohawk Place Introspective singer/songwriter Ian McCuen has been on the scene for a minute, playing sad/pretty songs at all the local joint throughout Buffalo. This Friday, the delicate songsmith will be celebrating the release of their new album As the Oceans[...]

Ian McCuen – Permanent Ending

March 3, 2022

The ever-so-gentle acoustic tones of Buffalo based multi-instrumentalist Ian McCuen recently brought closure to their project, Songs of Fleeting Permanence, originally started pre-pandemic in April of 2019. Their latest installment, Permanent Ending, features songs such as “Five Year Plan” which is guaranteed to lift every hair on your body from the whispered vocals (which are expertly mixed by the way) reminiscent of Bon Iver or Sufjan Stevens. Ian invented the sonic equivalent of a lazy river with instrumental track “Desultory,” and the final and title-track to the EP, “Permanent Ending,” provides a warm and nostalgic ending to this long-running project. You can find Permanent Ending on Bandcamp (below) or on Spotify. Permanent Ending by Ian McCuen

Ian McCuen – Songs of Fleeting Permanence, Vol. III

January 29, 2020

Beware the quiet man, for when others speak, he plots. Buffalo singer/songwriter with an overflow of empathy, Ian McCuen, has just completed the final step of his greatly laid plans. Volume three of Songs of Fleeting Permanence has been released. The thirty-three song collection spans three separate releases , and chronicles a period in McCuen’s life where isolation lead to great reflection and self-discovery. The album begins with the track “Buried at Sea.” A strummed chord progression played on acoustic guitar drives the song, which starts stripped down until other elements are artfully added to the mix. McCuen’s signature vocal styling, which register above a whisper but pack enough diction and emphasis to level a room, cut straight to the chase. The first lyric, “I went looking for myself/Descended straight into hell,” is as wildly creative as it is poetic, scary, and enticing. As the track progresses a piano and[...]

Heave – Pike

July 8, 2019

When Heave released their debut EP two years ago, it immediately made waves within the local singer-songwriter community. In the short time since, they have risen to become one of the most exciting new bands in Buffalo’s burgeoning indie scene. Initially the project of multi-instrumentalist Emily Finlan, they’re now a four-piece group with a cult of followers. Pike, Heave’s debut full length record, is a confirmation of their status as new standouts. The album opens with a quick instrumental intro track of gliding electric guitar that leads directly into the upbeat basement punk rocker “Boys”. Throughout the rest of the album, Heave churns through genre changes and tonal shifts seamlessly and with expertise. From breezy and bouncing jazz on “Bevels” to winding acoustic rock on “Paradigm” to apathetic bop “Big Shrug,” and all moments in between, the band turns in a masterful performance. Though it is varied and eclectic, Pike[...]

Ian McCuen – Songs of Fleeting Permanence, Vol. II

June 10, 2019

Beware the quiet man. When others speak, he watches. When others act, he plans. When others rest, he strikes. Ian McCuen is our modern day quiet man. He began his journey almost a decade ago when he entered an intense six year period of self-reflection and discovery. The light at the end of that tunnel turned out to be an epic three volume set of indie-folk music entitled Songs of Fleeting Permanence. He recently released Vol. II. Volume II’s lead off track, “Drowning,” sets the emotionally heavy tone that serves as the release’s foundation. A vocal melody, reminiscent of a church choir in terms of depth and haunting feel, bolsters the melancholy lyrics. In a near-whisper, McCuen sings, “Keep your head up/treading water/keep your head up/just stay afloat.” “Facade,” the second track, gives the listener reason as to why one may find themselves struggling to not go under. In a[...]

Ian McCuen – Seasons Fleeting

January 14, 2019

Ian McCuen is a self-proclaimed “purveyor of sorrow,” and now may be a better time than ever to introduce his latest offering. For the depressed and the downtrodden, his somber, three-song EP, Seasons Fleeting, is here to queue in the bleak January blues. What better accompaniment to the false optimism of new year resolutions and the passing of the insincere holiday cheer than McCuen’s acoustic-guitar driven laments about the recently passed “most wonderful time of the year.” Title-track “Seasons Fleeting” is a sleigh-bell tinged ditty about the paradoxical nature of the holidays. Opening line “the tree is covered in twinkling lights” is imagery that directly opposes McCuen’s choice of album cover – a garbage can in a dingy kitchen, wrapped in cheap Christmas lights. Through vibes reminiscent of Bon Iver and Elliot Smith, McCuen gently strums his acoustic guitar and delicately shakes his sleigh bells to describe his hatred of the fleeting seasons. Christmas time[...]

The Shallows Release First Single

December 26, 2018

Members of local bedroom folk acts Heave and Oats Holy Roller have teamed up to form a new group, The Shallows. In anticipation of their debut album, Hold Out For Love, they’ve released their first single. Titled “joan + lily” it’s an excellent foray into delicate and heartfelt Americana. Recorded at Sunwood Recording Studios in, Trumansburg, NY, “joan + lily” pairs multi-instrumentalist and singer-songwriter Emily Finlan of heave with singer-songwriter Joe Myers of Oats Holy Roller. The song is a gorgeous modern folk ballad that chronicles two people who’ve grown apart, getting away from it all and working with your hands, and the feelings associated with trying to piece together a new life. Myers’ low gravelly voice and storyteller prose are the bedrock here, with Finlan providing ethereal backing vocals and haunting cello that gracefully adorn the compositional surface. Overall, its a contemplative and melancholic affair, and a brooding and stirring[...]

Tonight: Seafox

October 18, 2018

Ethereal folk act Seafox is returning from a romp on the west coast for a night of beautiful, intimate music. Seafox (aka William Fortier) specializes in lush compositions that sound beautiful fleshed-out, but could also certainly stand on their own. Support tonight comes from bedroom folk quartet heave and solo-act (and purveyor of sorrow), Ian McCuen. Tonight’s show is $7. Show up early at 7pm – music will end by 10pm. A friendly reminder that Sugar City is an all-ages venue with no drugs/alcohol/bad attitudes.

Tonight: Great Lake Swimmers

October 13, 2018

Tonight, Toronto indie group Great Lake Swimmers stops by Iron Works. The Juno Award nominated band is celebrating its 15th anniversary in 2018, marked by the release of both an EP and full length record earlier in the year. The new album, The Waves, The Wake, was recorded in the 145-year Bishop Cronyn Memorial Church and released via Nettwerk. Opening the show is Newburgh, NY group Native Harrow. The folk duo recently released a 90-minute 2X album, Sorores, expanding their sound into a darker, more avant-garde realm. Doors are open at 8pm, with music at 9pm. Tickets are $18 at the door.

Tonight: Jacob Peter

September 27, 2018

Tonight, the Burchfield Penny Art Center will host an installment of their newly established concert series, ReSoundings. Designed as a live video recording session, the series focuses on providing a unique environment for composers and musicians to explore the acoustics of the Center. The session will be presented in the east gallery, where the ceilings are 28′ high and boasts a five and a half second reverb. Audiences are treated to the opportunity to witness the recording as an intimate performance within an unconventional space. The featured performer this evening is local composer Jacob Peter. A fixture among the Buffalo music scene, the multi-instrumentalist has meticulously crafted a body of intricate and delicate contemporary songs across 3 EPs (all of which are available for free via bandcamp). Jacob Peter will be joined live by keyboardist Harry Graser and drummer Gabriel Wells. Doors will open at 6:30pm with a show start[...]

Jong SL Releases New Track “Driving Away”

September 20, 2018

Alt. pop artist Jong SL is back this year with promising new material. The Toronto via Buffalo singer-songwriter is following up his 2017 EP Ice Cream with a new single, “Driving Away,” foreshadowing an upcoming full length project. Known for his cross-genre blending, the track is Jong’s most fine-tuned and musically diverse release to date. The once light and bouncy air of Jong’s music is now treated with a heavier shade. His previous sound of coffee shop pop meets blue-eyed soul is amplified here with darker and more ambient elements. The tune itself floats through different phases, borrowing from both alt. rock and contemporary R&B, and pairs acoustic guitars with electric ones, and ethereal synth embellishments with a tight modern R&B groove. Even from a lyrically standpoint, “Driving Away” moves in a more melancholic direction, hinting at what is to come from Jong in the future. In regards to the[...]

Tonight: J Roddy Walston and the Business

August 24, 2018

J Roddy Walston and the Business will make their return to Buffalo tonight. Taking the stage at Babeville’s Asbury Hall, the Baltimore rock n rollers bring an energetic bar room sound, bolstered by the rollicking piano of frontman J Roddy Walston. The band is touring in anticipation of their fourth LP, Destroyers of the Soft Light, which is due out on September 29th via ATO Records. Opening the show is Virginia alt rock duo Illiterate Light. The pair posses a commanding stage presence, featuring Jeff Gorman, who simultaneously sings, shreds guitar, and plays synth bass with his feet, and drummer Jake Cochran, who sings harmony vocals and plays drums while standing up. The show begins at 8pm, with doors at 7pm. Day of show admission is $21.

Tonight: Jenny Lewis

July 25, 2018

Celebrated singer-songwriter Jenny Lewis is making a stop in Buffalo tonight. Gracing the stage at Babeville (Asbury Hall), she’ll be bringing along two decades worth of influential music. Initially starting out as a member of indie rock favorites Rilo Kiley, Lewis has gone on to have an acclaimed solo career. In addition, she has appeared on projects by artists ranging from The Postal Service to Ryan Adams, as well as both acting and writing music for several films. Her most recent solo record, The Voyager, was released in 2014. Opening up the show is NYC-based artist Cut Worms, the project of Chicagoan Max Clarke. Their debut LP was released this year via Jagjaguwar. Tickets are $30 at the door with doors opening at 7pm, music at 8pm.

Katie Preston Drops Single “The Art of Falling Apart”

June 12, 2018

Singer-songwriter Katie Preston has officially released her first solo single. “The Art of Falling Apart” comes in advance of a full EP titled Soap Opera, due out later this year. Preston has been a fixture in the Rochester, NY music scene, appearing in various bands, but noticeable for her tenure with rock group Pleistocene. She now embarks on a solo journey, venturing to Nashville to record, both this track and the EP, at Sound Awake Studios and Tiny Tape Room. “The Art of Falling Apart” is melancholic and breezy, dripping in that kind of sunny-yet-sad vibe that dominated California pop in the ’60s and ’70s. There’s also something very modern here, too, with an ambient dream pop sound that cloaks the song’s tuneful, almost Beatles-esque bounce. Harp flourishes and a downward-descending bass line meld with wilting and reverb-soaked guitar and keyboard passages, while Preston’s laidback and understated croon sits perfectly[...]

Darth Nater – A Century Ago

April 30, 2018

Buffalo-based singer-songwriter Nate Noworyta is back with another release under the stage name Darth Nater. Titled A Century Ago, it is his 7th overall release of solo material through this outlet. The new record spins tales inspired by people, places, and events from the year 1917. Musically, A Century Ago is a varied tapestry, weaving elements of folk, Americana, pop, rock, jazz and even emo sounds. Acoustic guitar, banjo, mandolin, and ukulele all engage in passages of melodic, proficient, energetic and stirring instrumental interplay, adding up to a perfect collision of traditional folk instrumentation and contemporary alt. rock riffing. Drums and electric guitar make occasional appearances to supply heft, while flourishes of clarinet, flute and trumpet show up to adorn the surfaces. The vocals are slightly wild, yet smooth and polished, like early 2000s emo. When paired with the acoustic instrumentation, the overall sound is reminiscent of groups like AJJ[...]