Latest Posts

Hundred Plus Club – Everybody’s Friend

December 11, 2017

Everybody’s Friend, the recently released album from Cheektowaga indie rockers Hundred Plus Club, gets going right from the start, with the frenetic opener “Twice the Pride, Double the Fall” bringing forth all the attitude one might expect from a tune about dismissing a relationship on the brink of toxicity, not to mention employment of a thrilling guitar sound similar to something one might hear on a Sleater-Kinney record. Despite its title seeming somewhat silly, the second song in the tracklist, “Grilled Cheese for Stephanie,” changes tones from its predecessor, deceptively acting as an emotional and romantic reveal of fervent feelings for the eponymous girl. “Exit” is a catchy-as-can-be track built upon unrestrained rhythm and a guitar line evocative of surf rock. The ensuing song, the subtle display of confidence “Cooler,” is engaging and soothing, with its guitar line trickling down like raindrops. It reaches an epoch two and a half[...]

Passed Out – The Aforementioned and How It Pertains to Absolutely Nothing…

December 8, 2017

The Aforementioned and How It Pertains to Absolutely Nothing…, the new 18-minute album from Buffalo indie punk quintet Passed Out, is a no-holds-barred effort laced with fast-paced rhythms and clever turns of phrase. The opener, “Bukowski and Brautigan” is a single minute in length, but it should manage to touch any listener lyrically or at least make them jitter around the room. It’s carried into the next tune, a more subdued track, by way of feedback. This one, entitled “…and in Doing So” is a clever song speaking of a relationship under the guise of an endless, extremely cold winter. “Aimless Endeavor” is another less turbulent song, save for a brief guitar solo and the last 30 seconds, which consists of heavy blows of instruments and vocals. “Summer Thing” shows traces of both The Cure and The Clash in its tough exterior but vulnerable core, as thinly veiled jabs are[...]

Small Smalls – Things Can Only Get Worse

November 27, 2017

Time freezes in an eighties neon haze on Things Can Only Get Worse, the debut full length album from Buffalo synth pop trio Small Smalls, accompanied with a bittersweet awkwardness  that keeps it vulnerable and new. The bright lo-fi synth lines always lift off, but never drift too far from the emotional core that holds Colette Montague’s lyrics and vocal performances together on a set of songs that encompasses New Wave, sixties pop, noise rock, and surprisingly in the end, surf punk. “Brave Bird” is a perfect album opener with it’s beguilingly shiny and upbeat synths and vocals and  fuzzed out guitar, which give way to the angular yet pensive New Wave of “Falling Blossoms” and pleasing atonal robotic textures of “Polystyrene Girl,” both of which play beautifully off of Colette Montague’s warm and airy soprano. The offbeat sonic textures continue on “Hamster Lunch,” featuring vox from guitarist Stephen Malczewski, punk rhythms from Dave Borden,  and[...]

Malarchuk EP

Malarchuk – s/t

November 17, 2017

Emerging from a dark cavern somewhere beneath the earth, one of the top groups in Buffalo’s metal scene, Malarchuk have unleashed their new self titled EP. It’s a winding journey that carries you through heavy riffs, some 70s prog rock goodness, and doom rock passages that are held together strong by engaging melodic progressions. Making up Malarchuk are guitarist, Tim Domes, Patrick Johnson on bass and vocals, and drummer,  Adam Hinckley. An important thing to note is that although this is coming out as Malarchuk’s EP, as a kind of throwback to prog rock of years gone by, this album is the length of some band’s LPs. Coming in at over 35 minutes of rock, but with only four tracks on the record, prog fans will know what that means. The track, “Night Tear’r (Longjammer)” comes in at over 15 minutes for instance. In that span of time, Malarchuk really show off[...]

Bruiser and Bicycle – You’re All Invited

November 8, 2017

Bruiser and Bicycle are something else to say the least… The Albany quartet has just released an other-wordly EP, aptly titled You’re All Invited… Maybe it’s because it was released on Halloween, but they self-describe YAI as “spooky.” While they’re certainly right, they are just-as-certainly not a scary, one-trick-pony. Their particular brand of indie rock sounds delicate, almost as if it’s ready to fall apart at any turn… and yet it’s obvious how carefully crafted this EP is. It’s an eerie adventure through five songs, a journey that guides the listener through multiple twists and turns as they careen through the unpredictable course of this sprawling EP. “Trading Paint for Kisses” is an explosion of an opener – immediately, the listener is hit with a wall of noise-rock, chock-full of roaring fuzz tones and near-atonal guitar screeching. The band meanders constantly; first, a bouncy riff that would please any 90’s emo enthusiast. They casually[...]

Huns – Vom Fruhling

November 3, 2017

The Buffalo trio Huns give you what you need and none of the filler with their eclectic brand of instrumental rock/metal. Finding your fix for instrumental music that strikes a balance between interesting and listenable can be a challenge. Sometimes, that sonic pendulum can swing. A song may simply be a repetition of the same riff or beat or it’ll be an instrumental that’s so far out there, it turns into being different for difference sake. Which is why what Huns are able to do on their album, Vom Fruhling is such a riveting journey. Made up of members, Brandon Schmitt on guitar, Jake Whitefield on bass, and Frank DiMaria on drums, Huns make a huge, interesting sound with a few moving parts. It’s tough to know exactly what their pedal boards might look like, but chances are it’s varied enough to attain the breadth of sounds they’re able to[...]

Dirt War - Loss

Dirt War – Loss

October 26, 2017

Cascading down from some place on high comes falling to earth, hardcore doom rockers Dirt War with  their newly released EP, Loss. Formed from the missing and severed limbs of various Buffalo groups, it’s possible you haven’t heard Dirt War yet. Their last recording was a Demo from 2015. But after giving Loss a listen, it won’t be easy to forget them. In the realm of doom, stoner, metal/rock, things can get both stale and confusing. With multiple different classifications and genres floating around, and a tendency for some bands to simply sit back and hash out a groove for 20 minutes, the realm has its fair share of bands that, well, tend to sound the same. Either by accident or design. But, on Loss, Dirt War go left instead of right. The band uses a dual bass setup and forgets about guitars all together. This isn’t a gimmick, it’s a[...]

Zillion Eyes – Demolished

October 9, 2017

Buffalo sludge rockers, Zillion Eyes are front and center with the release of their latest, Demolished, that came out mid September. Zillion Eyes are no newcomers to the scene either, the project consists of former members of Sonorous Gale and Ancients of Earth.  The trio showcase a solid collection of heavy riffs on this five track outing. For those that may not be familiar with sludge or stoner rock, or for those who have been all over the genre for years, Demolished is a step in a different direction from where the genre usually finds itself. The opening track, “Splendor In The Gas,” sets the pace for the rest of the album and shows some of what sets Zillion Eyes apart. There’s a hint of a 70s space/funk vibe throughout the record that really works in setting off the atmosphere of Demolished. Combined with the slow, crushing riffs, hallmarks of stoner/sludge, the album is chilling experience, in both senses[...]

The Slums – Bloodsucker

September 15, 2017

The Slums describe their band as ‘loud rock ‘n’ roll’ and their music as ‘loud songs,’ a pair of phrases that perfectly describe their latest EP, Bloodsucker. In fact, they’re pretty much the hallmarks of the record. Bloodsucker explodes like a house of fire on the opening title track; a barrage of powerful swagger, cacophonous screams and jarring cymbal crashes.. However, the Slums quickly pump the brakes on the subsequent “Black Dress,” proving they aren’t mere pomp and circumstance by tempering the pace with angular riffs and soaring hooks. This goes until the final 40 seconds or so, when the band brings the noise back to your speakers once the track devolves into a sea of discordant shrieks, wailing guitars and loud percussion. The closing “Eight Months” represents the best of Bloodsucker’s trio of tunes, effectively combining the bands ability to craft stirring melodies and still crank everything to 11[...]

Pink Elephant – Around Your Neck

September 4, 2017

Rochester garage/noise-rock outfit, Pink Elephant are hot off their recently released single, and have dropped a new LP, Around Your Neck on 20 Blood Records. The four piece consists of Eric Witkowski on vocals and guitar, Greg Wilcox rocking the bass, Jeff Thompson banging on the drums, and Nick Walter rounding out the group on guitar. Around Your Neck is a conjoined effort to put out some solid tracks that bridge the gap between pysch-noise and post-rock. What sets Around Your Neck apart from other alt-rock records is with its diversity. There’s so much going on with the record that things never get stale, like week old bread left out on the counter. These songs aren’t a band trying to reinvent themselves, or a band straining to be “different”. Instead, this diversity just shows how strong Pink Elephant are as a band. Songs like the title track, “Around Your Neck”[...]

Manchester Orchestra – A Black Mile to the Surface

August 4, 2017

Indie rock stalwarts Manchester Orchestra have returned with their fifth album, A Black Mile to the Surface. It follows a several year gap that saw the departure of multi-instrumentalist Chris Freeman, the birth of founding member Andy Hull’s daughter, as well as Hull and lead-guitarist Robert McDowell scoring the Daniel Radcliffe-Paul Dano led film Swiss Army Man. The new record is yet another departure in sonic aesthetic, something the band has done with every release throughout their career. Starting out in the emo realm with I’m Like a Virgin Losing a Child in 2006, it has been a meteoric rise the last 11 years, with the band expanding and advancing their sound every step of the way, as they became one of alternative music’s more beloved acts. Each record has been a new experience that both builds on and pivots away from the previous one, first with supercharged alt.-rock (Mean[...]

Slow Dancer - In A Mood

Slow Dancer – In A Mood

July 7, 2017

“Less is more.” It may be one of those little things you’ve heard flutter by you, said on a commercial or by a wise elderly neighbor. So, in trying to be on the lookout for new and exciting music, the idea of “less is more” is sometimes not a criteria that’s really ever considered. The new record titled, In A Mood by Slow Dancer, released on ATO Records on June 9th, wants to make you rethink that notion. Slow Dancer is the stage name for vocalist and multi-instrumentalist, Simon Okely who hails from Melbourne, Austrailia. The strongest element on In A Mood is Okely’s vocals which are smooth yet powerful, like a croon that reaches out to touch you. The vocals are supported by a mix of throwback 60s and 70s folk and blues with strong pop song-writing. Everything is kept in harmony, never letting one element over power another.[...]

Supergoner – A Really Good Friend

July 3, 2017

Buffalo 90s indie rock outfit Supergoner has come back into the light after a break with the release of their album A Really Good Friend. With guitarists Sean Wild and Mike Fuller experiencing fatherhood and drummer Bill O’Connor moving to a farm in Watkins Glen, the band took a bit of a hiatus from Supergoner. The band has been a part of the Buffalo indie scene since 2003, with three of the members coming from the defunct Concubine, and bassist Lisa Yamagishi rounding out the group. A lot of the guitar work on A Really Good Friend pays homage to indie rock in the ‘90s. The guitar solo on “A Lot of Nothing” is reminiscent of the guitar stylings of a Dinosaur Jr. song; loud, smooth and rolling. Heavier guitar work comes out on “White Lines,” with the guitars coming in along the lines of punk, but also returning to the lighter side[...]

Amber Arcades – Cannonball EP

May 29, 2017

Two days may not seem like a lot of time to cut an EP, but Dutch artist Amber Arcades (aka Annelotte de Graaf) finished the Cannonball EP during her time off in New York from touring supporting Nada Surf. The EP follows the release of de Graaf’s debut album Fading Lines last year, which featured members of Real Estate, Quilt, and The Men. Nick Drake’s “Which Will” gets a new twist from de Graaf, trading Drake’s acoustics for an electric punch through the guitars. While it is a different interpretation sonically, the cover still pays homage to the message of the song, carrying a strong feeling of somberness as de Graaf’s vocals light the way through the hazy Krautrock instrumentals. On the third track “Wouldn’t Even Know,” Bill Ryder-Jones adds depth to the track with his somber crooning, which pairs well with the contrast of de Graaf’s lighter voice. The[...]

No, seriously by Hate Club

Hate Club – No, seriously

May 25, 2017

Hate Club is an Albany based band that exhibits all of the raucous and raw energy you’d want to find in an indie pop/slacker group. On April 19, Hate Club released their debut EP titled, No, seriously. It’s a refreshing 4 track outing that packs a punch. The 4 piece, consisting of Audrey Goodemote on vocals/guitar, Noah Bondy on vocals/guitar, Alex Brooks on bass, and Ethan Sullivan filling out the drums, are a relatively new band, only coming together in January 2017. The band describes themselves as Tweemo, a nice sounding portmanteau (unlike most other ones) of twee and emo. Vocalists Goodemote and Bondy trade off vocal duties, striking a balanced approach with neither band member overshadowing the other. Their voices mixed together have a dreamy quality to them, like wisps of smoke from two separate sources weaving in and out of each other. This particular sound quality is aided[...]