Latest Posts

The Cast-Iron Canaries – Propagaga

July 31, 2023

It’s hard to believe that the 90s were 30+ years ago, but here we are in 2023… And that means grimy punk rock act The Cast-Iron Canaries are celebrating a milestone anniversary of their 1993 EP, Propagaga. Although the band thought their work had been lost forever, engineer/producer Jonathan Burnside stumbled across the project at Razor’s Edge Studios in the Haight Ashbury district. Since discovering this lost gem, they just put out a special reissue of the album earlier this month (7/14), and we’re lucky enough to have the chance to revisit this fun time capsule of early 90s punk rock. Fans of The Misfits, Manic Street Preachers, Sex Pistols, and even Reel Big Fish (!) can find lots to love about this EP. Song one, “Eternal Prom Queen” starts out with a guttural scream followed by the hallmarks of The Cast-Iron Canaries’ sound. Expect buzzing guitar noise; oi-oi-oi singalongs; and[...]

Shaven Primates – Birds Aren’t Real

July 28, 2023

Shaven Primates are a five-piece from Oxford, UK who hit our inboxes with the “alt thought” experiment of their latest EP, Birds Arent Real. The band exists to push the boundaries of independent rock music, typically challenging both ears and brains simultaneously with a mix of dark wave, art rock, and post punk layered atop of a solid prog bedrock. This latest batch of five continues that trend – a highly conceptual (and borderline conspiratorial) offering with plenty to think about, both musically and lyrically… All it’s missing is an exposé on the moon landing (which is, without a doubt, fake). Album opener “Fade Away” touches on the presence of fascism in social media – as the band explains it, it was: “Inspired by the Louis Theroux interviews with YouTubers Nick Fuentes and Baked Alaska.” The ideas portrayed here are cleverly veiled with pointed (but not finger-pointed) turns of phrase, which helps the[...]

Duster – Stratosphere

July 18, 2023

It’s hard to believe that 1998 was 25 years ago… And it’s even harder to believe that 25 years after the fact, San Jose’s Duster has found viral success on TikTok, of all places. Not to say the band doesn’t deserve it – their mercurial blend of “home recording accidents” and “blown-out 2am studio experiments” clearly resulted in something special, Stratosphere, an iconic and well-deserved milestone in pre Y2K slow core, indie rock, and beyond. The 17-song collection is full of Casiotone meanderings; jangly guitars dripping with emotions; and microphone-in-a-room drum tones that sound as iconic today, potentially even more so, as they did back then. If you’ve been on social media any time over the last few years, you’re probably familiar with the now iconic “Inside Out.” Having racked up an impressive 140 million+ streams on Spotify alone (and 7.2 billion (!) times on TikTok), there’s no doubt Duster[...]

In Search Of – Alice and the Wonderland

July 12, 2023

Our latest feature comes from Los Angeles-based act In Search Of. The eclectic duo is here with a unique take on a literature staple, re-told through the lens of pop rock. It’s called Alice and the Wonderland, and you can listen to it on Spotify right now. You may recognize half of In Search Of from The Voice (team Blake, woo!)… But Michelle Ray’s beautiful voice has been heard all over, including in commercial placements (Bloomingdales, Nickelodeon, Mastercard, Maybellene, just to name a few); on film and television placements; in theatre productions (Alanis Morissette – The Album Project: Jagged Little Pill and American Idiot); as well as live performances throughout her hometown of LA. She’s teamed up with a very special guest, her father and virtuoso guitarist Michael Raitzin, to bring you Alice and the Wonderland, and their unique (but undoubtedly strong) background makes for a wild ride through 13 unforgettable tracks. There’s an[...]

chris portka – trash music

July 6, 2023

California bay area-based artist Chris Portka has always dreamt of being a musician. With his roots dating back to the dirty, blistering grunge of the ’90s, a young portka followed his heart… He fought past crippling stage fright; anxiety attacks during Elliot Smith covers; and a voice that sounds like a “Rhinoceros fighting to befriend an Elephant” (his words not ours) to get where he is today. It’s safe to say that portka has devoted a fair amount of blood, sweat, and tears to make this whole music thing work. And while he makes himself at home in any jam session (whether it be on an acoustic guitar or a synth or a piano), there’s a deeper, stranger fire burning within him. As he puts it: “my roots burrow in this impressionistic improv that reflects a fierce internal conflict.” Enter trash music, portka’s latest offering. It’s a twelve song album[...]

Disco Sam – American Nightlife

July 5, 2023

In this infinite void of new music, few acts have the ability to transport your mind to a world of infectious rhythms, cheeky melodies, and fun bedroom-pop quirkiness quite like Disco Sam. He’s about to release a brand new EP, his 7th (!), one he’s calling American Nightlife. Upon listening, it’s evident that this ain’t Sam’s first rodeo, and the enigmatic frontman once again shows his irresistible appeal in this brand new batch of charming, disco-flavored bedroom-pop compositions. The EP opens with “Draws Me Inside,” and the hallmarks of Sam’s songwriting go-tos start to shine through immediately. The basslines on American Nightlife are absolutely the backbone of these tunes, bobbing and weaving around the fretboard with an itchy sort of bounce. Sam’s vocals also shine through here, a characteristic baritone that sounds like it belongs at a sweaty, sexy basement show. There’s something seductive about Disco Sam, and “Draws” is[...]

ROREY – “Apt 7d”

July 3, 2023

There’s no shortage of NYC-based acts that have changed music… The Strokes, Yeah Yeah Yeahs, Interpol – basically any band you’d have seen or read about in the semi-recent Meet Me In The Bathroom documentary. With The Strokes having won a Grammy for The New Abnormal; Yeah Yeah Yeahs riding high on the success of their new album; and Interpol touring the world and playing stadiums with The Smashing Pumpkins, there’s no doubt the world is ready and willing to hear more NYC-bred, guitar-driven music. Enter wunderkind ROREY, the 23 year old grunge-popper who is turning heads with her palatable blend of ’90s influenced nostalgia triggers. We’ve had the pleasure of reviewing her latest album, Apt 7d, and it itches that deep-rooted scratching that exists in our tired millennial brains for good times (i.e. the aughts) now long past. EP opener “Burned Your Letter” introduces us to the hallmarks of ROREY’s sound –[...]

Anya Baghina – Anya Baghina

June 28, 2023

Anya Baghina, who you may know as a member of the Detroit-based act, Soviet Girls, has called many different places home – Moscow, New Jersey, nearby Ithaca, Detroit, Brooklyn, and then Russia again. Longtime collaborator Jonathan Franco has been accompanying Baghina live and in the studio since their Brooklyn days (and fellow SG bandmate Devin Poisson recorded her first three singles to cassette). Despite being halfway across the world, somehow, someway, Baghina has managed to stay in touch with her OG Detroit crew. She’s now located in Kazakhstan, and since her collaborators are so far away, we couldn’t help but be drawn to Anya’s story. Her latest offering, a self-titled album packed full of eleven jangly, indie-pop songs that highlight Baghina’s skill as a songwriter. It’s clear Baghina has put a lot of herself into these songs, so a title of Anya Baghina feels fitting to say the least. Album opener[...]

Sweet Freedom – Divilmint

June 20, 2023

Lots of bands grind the cover game for years and years, playing the hits to fans in bars, at private parties, or at the state fair. Hours and hours of practice, honing the rough edges of a carefully curated group of songs, all to bring some much-deserved enjoyment to a drunken bachelorette party or someone’s employer’s happy hour event. It’s a good time (mostly, I’m speaking from experience) and you’re making money doing what you love after all. Enter Kilkenny-based band Sweet Freedom (SF), who know all about the cover grind. As they put it, they’ve “completed cover band mode on the Expert setting several times over,” which means they’ve certainly closed out the night with “Hey Jude,” “Desperado,” or maybe even “Closing Time…” Probably too many times to count. They’ve decided it’s time to “take a punt on the originals scene,” so we’ve been gifted with their latest offering, Divilmint. Released[...]

The Last Domino – Two Thirds Of Our Lives

June 19, 2023

Multi-instrumentalist The Last Domino, also known as one-man-band John Orr, has been working on his latest album, Two Thirds Of Our Lives, for the last eleven(!) years. It’s fitting that the long-awaited album has such an aptly-named title – released on its namesake (February 3rd, of 2023 – 2/3 in every sense of the word), the album is a conceptual look at how we spend our lives… Asleep, awake, and alive. The Indianapolis-born, LA-based artist jam packs Lives with ’90s adjacent riffing – heavy buzzsaw guitars; ear-shredding drum bombast; and a thudding, grungy bass presence can be found everywhere. Orr’s menacing vocal presence is omnipresent, sauntering and slinking through his songs like a snake slithering through the shadows before striking at lightning speed. Album opener “One Third: Asleep” channels Nine Inch Nails with it’s haunting delayed guitar and electronic elements. Orr embodies the deep baritone of Trent Reznor and/or Depeche Mode here[...]

Helen Kelter Skelter – Chroma Crawl

June 18, 2023

It’s been an odd and unpredictable few years for Oklahoma-based act Helen Kelter Skelter (HKS). And yet, it’s an all too familiar story. Tours get scrapped, shows get cancelled, trajectory runs askew, and futures seem bleak (I’m talking about the pandemic, in case you couldn’t read between the lines)… Luckily, it hasn’t stopped these psyched-out Oklahomans from doing what they do best. Crafting stonerish, psychedelic-infused, heavy music made for speeding down the highway or deeply enjoying the trip on your substance of choice. A decade into their career, HKS is here with their latest EP, a five-song blast of heavy guitars and droning vibes they’ve entitled Chroma Crawl. Over the course of 19 minutes, you’ll be taken on a trip through the sun-scorched Oklahoma desert. This Buffalonian blogger is wondering aloud if there are even deserts in Oklahoma (we only have endless mountains of snow here), but if there isn’t,[...]

Jon-Olov Woxlin – JUNK TRUNK

June 18, 2023

When you hear the Americana-soaked music coming from Jon-Olov Woxlin, your initial impression might be that of a man living in the southern United States (think Mississippi or Louisiana or something like that). In actuality, Jon-Olov is from Gothenburg, Sweden, making his distinctive brand of mile-a-minute folk all the more unique. His latest offering, the 12-song JUNK TRUNK, highlights Jon-Olov’s penchant for cleverly-worded folk rock with an onus placed on spontaneity. Expect bouncing basslines, plenty of acoustic guitar strumming, and Jon-Olov’s ear-catching baritone throughout – each track on this album is simply three instruments and Jon-Olov’s vocals. It’s stark and it’s simple, but it works for Jon-Olov & co. Album opener “Exit Sign Explicit” finds Jon-Olov borderline rapping overtop an acoustic guitar backbone. Are his songs political? Are they religious? It’s hard to tell while he’s spitting lyrics at a surprisingly brisk pace… What’s even more surprising is that this[...]

Shep Treasure – s/t

February 19, 2020

Sunday morning, a few hours after a long night out, I lay flat on my back in my new, sparsely furnished apartment, the snow-reflected Sunday light streaming through the windows – a big departure from the glass-block filtered sun of a previous basement apartment. I zoned out with my eyes glued to the wall above my bookcase, and “Nothing” by Shep Treasure was stuck in my head. The next night, wrapped up in a quilt, I once again found myself spacing out, this time toward a cat toy on the floor, and “Friday” was playing in my mind. Rochester indie pop trio Shep Treasure’s debut, self-titled EP is our Album of the Week, and it won’t leave me. Frontwoman Sabrina Nichols has been narrating my thoughts for a few years now. This is her second time landing Album of the Week, the former being in the days of a previous[...]

Green Slime – 2

February 11, 2019

Buffalo trio, Green Slime, are back and in full effect with their new speaker blowing and truly excellent 10-track stoner garage rock album, 2. Their sophomore full-length can best be described as the perfect combination of heaviness and melody. It’s the kind of songs Rivers Cuomo circa the Blue Album would have wrote had he snorted a mountain of coke and bit the head off a bat. The wonderfully raw and crunchy garage grooves from guitarist Eric Ellman and bassist Mike Euscher are so thick they practically ooze from their amps. The two shred at their heaviest and doomiest on “Survival,” a boisterous track that will possess you to throw up your lighter while headbanging deeply and lethargically along. Ellman also works double-duty as Green Slime’s lead singer with crooning vocals reminiscent of the ones you’d hear on a nostalgic 90’s alt-rock single. They’re an absolute blast to sing along[...]

SLUGS – Cool World

September 4, 2018

Los Angeles-based band SLUGS have released their second EP titled Cool World, and it may just be the perfect summer album. A refreshing take on the classic rock sound our parents taught us to love, Cool World demonstrates an appreciation for the origins of the genre, as well as its promising future. From front to back, this 6-track album will have listeners’ full attention with little effort. There are elements reminiscent of well-known bands such as Dead Sara, Royal Blood, and Weezer (check out “Curveball” specifically for this reference) in choices of guitar tones and vocals. However, the interpretation of the genre itself is something we see developing in upcoming bands (some local examples include Cooler, Ellsworth). At its foundation, the music is still rock. Yet, there’s something wholly different about the songs by these emerging artists. To accurately depict this difference is challenging, because the distinction seems to entirely[...]