Album of the Week

Plain Brown Envelopes – Love In A Plain Brown Envelope

March 21, 2016 Ronald Walczyk

Alright Buffalo, let’s slow it down a bit. This week’s AOTW comes from a fresh collaboration between songwriter Bill Nehill (TMMC, Poison Arrows) and arranger Katie Quider (Space Is Haunted, The Patterns). The new project, titled Plain Brown Envelopes, channels low-tempo dark folk vibes, Nehill’s brooding songwriting conjuring Jeff Mangum in his darker moments and at a significantly lessened BPM. Quider’s backup vocals and arrangements provide a ghostly edge to the gothic-tinged folk project, whose eight-track debut Love In A Plain Brown Envelope offers a deceptively powerful collection of tracks perfect for the last gasp of a long winter. At the core of Plain Brown Envelopes sits the enduring songwriting of Bill Nehill. The craft is juxtaposed nicely with elements of both stoicism and desperation, tonalities spread throughout the album like a hand of fanned-out playing cards. The strange thing about this album is the fact that it was recorded[...]

Joywave – Swish

March 14, 2016 Shauna Presto

One straight half hour listen through later and I can totally see why after only a few days of availability, Swish has taken the world by storm. There’s no doubt that Joywave’s newest 10 song release will take you on a ride. Not necessarily a roller coaster ride, more like a gentle lift on the back of a golf cart while doing donuts in a parking lot at ten miles per hour (this is a compliment because it is a very fun time doing golf cart donuts!!!). Though the title of the release utilizes one of Kanye West’s discarded album name ideas, the band boldly claimed the appellation for themselves and made it every bit their own. It’s clear that they wanted to stick with the aesthetic of the How Do You Feel Now? era based on the cover artwork, and how could they not? After expressing his fond attachment[...]

Difficult Night – In a Blackhole at the Listening of Distant Harpers in the Dim Gloam of Evening

February 29, 2016 Ronald Walczyk

Difficult Night is somewhat of an anomaly. An anomaly in the fact that the unique Buffalo quartet is fundamentally unclassifiable. The oft-coined “slacker rock” designation only goes so far, “indie rock” is an even broader cop out. Classifications (or lack thereof) aside, I can concretely say that the band does what they want, a project unburdened by the shackles of expectation. Their latest album, In a Blackhole at the Listening of Distant Harpers in the Dim Gloam of Evening (inhales), lays foundation on that sentiment, making the collection of songs deliciously raw and unapologetically soaked in truth. Blackhole seems to shine brightest in its elements of observation and introspection. “I used to believe in signs / before I knew how to read ‘em,” sings Shane Meyer on midtempo number “Turn My Back,” track two of the 9-track album. Many of the songs feel like face-to-face conversations with Meyer, an unfiltered[...]

Hawker M. James – Long Playing Lo-Fidelity

February 15, 2016 Cliff Parks

The bedroom recording is catnip, nay, manna for music bloggers, but Long Playing Lo-Fidelity by Rochester wunderkind multi-instrumentalist Hawker M. James hits so many sweet spots, it’s almost ridiculous. A brilliantly curated four track recording that successfully summons the gorgeous ear candy sounds of The Flaming Lips 1999-2006, I’m From Barcelona, Mercury Rev and Brian Wilson, it’s another tremendous record from our neighbors to the east, and our Album Of The Week. Right off the bat it has to be noted that the mix by Al Carlson at Gary’s Electric is beyond superb. Everything on the album has a scale and sense of space to it, helping HMJ’s home recordings operate in the sonic sandboxes of Phil Spector, Brian Wilson, Steve Drozd and Dave Friddman. The sense of density that permeates Long Playing Lo-Fidelity makes it feel timeless yet immediate and showcases the talent and ambition that’s been part of Longwave and done production work for (blog favorites)[...]

Muler – Unlikely Soldiers

February 8, 2016 Nick Sessanna

If there’s one thing I have learned thus far in life, it’s that there is no substitute for experience. In terms of being a musician, there’s a certain type of maturity that comes with two and a half decades of playing music together. It’s an unbreakable but tumultuous bond that controls the subtle nuances that take a band from being good to being nuanced. Rochester’s Muler has been a band since 1992 – that’s a lot of life experience. Unlikely Soldiers is Muler’s triumphant second full length since reforming five years ago. The songs are tightly wound, catchy, and earnest, comparable to The Get Up Kids in their Guilt Show-era. In fact, the vibes while listening to Unlikely Soldiers are enough to bring me back about 15 years in time. This is welcome nostalgia; a listen through Unlikely Soldiers feels like 2002 surging through my ears. This batch of 10 songs would sit nicely upon a shelf next[...]

Tomoreaux – At Peace, Overlook

February 1, 2016 Ronald Walczyk

Welcome back, readers! This week marks the return of buffaBLOG’s Album of the Week series—our weekly dose of recommended local music that we find to be worthy of commendation. We here at buffaBLOG have primarily covered Buffalo and Rochester over the past 6 years, and while both music scenes are brimming with talent worthy of mention, this year we will be expanding our coverage to include bands that call home to the farther reaches of the state. So with the new year, and our broadened range of coverage, the Album of the Week slot becomes the best of the best of the best of local music. With that said, it seems only fitting that the first Album of the Week of 2016 comes at you right from the snowy confines of good ol’ Buffalo. Enter At Peace, Overlook, the debut release from post-rock shoegazers Tomoreaux. The album—though only 8 tracks[...]

Parade Chic – One And Only Secret Dream

December 14, 2015 Cliff Parks

One of the most exciting developments for Buffalo’s music scene has been the emergence of progressive and vibrant art spaces like Sugar City and Dreamland as music venues. These spaces are not only excellent for shows, intimate and immediate; they bring the city’s art and music scenes together in a search for mutual liberation and survival, and foster a more open ethos for both artist and audience that makes bands like Parade Chic, whose debut One And Only Secret dropped on Bandcamp last week, more possible. Our Album of the Week, One And Only Secret Dream finds the previously lo-fi art rockers embracing a richer, almost chamber pop sound that’s preserves the Belle and Sebastian vibe while introducing an early of Montreal influence. Colin Griffin’s vulnerable and searching voice guides the whole effort, with standout cuts like the surging yet delicate “The Birds,” the simultaneously minimalist yet soaring melancholic title track, and[...]

Susanna Rose – Snowbound

December 7, 2015 Shauna Presto

Though this album was written during and inspired by last winter’s brutal reign (as detailed by Susanna Rose’s Bandcamp), there is something inherently warm and inviting about Snowbound. It takes a minimalistic look at some of life’s most tender moments — parting with a lover, suppressing a broken heart, convincing yourself of your own independence. Susanna possesses an incredible ability to be conversational through her writing. It almost feels as though a longtime friend is seated next to you, sharing her worries and shedding small wisdoms. On “Working Girl,” the opening track to the album, she sings “Oh, I want to go home / where the wind blows / and I’m not in an office every day / I can’t live this way…It’s time to go / because I’m going crazy here in my troubled mind / I need natural light / I need loving at night / I need a passionate life”. I’m sure every 9-to-5’er[...]

Gypsy Freight – I’ll hold this close

November 30, 2015 Ronald Walczyk

Ariel Piazza is not your run-of-the-mill college rock musician. Writing and performing under the pseudonym Gypsy Freight, Piazza paints emotional sonic portraits in a vein of ambient folk all her own. Her newest release, a full length titled ‘I’ll hold this close, ‘ bleeds with emotionalism, twelve tracks of ethereal folk atmospheric music worth swimming in. The thing about Gypsy Freight is that it’s not far off from what you’d expect if you were to imagine what the project sounds like based on name alone. That’s not to say the tracks aren’t striking (because they are), but the fact that many of the songs sound as if they were recorded in a halfway-haunted grand cathedral is remarkably suiting. Piazza’s voice is both sweet and powerful; this prowess is especially prominent in tracks like “I don’t know what I’m doing but I’m okay” and “building homes,” her Daughter-esque delivery riding the dark[...]

North Collins – North Collins

November 23, 2015 Ronald Walczyk

You know the saying—“Another day, another rad album of the week from Rochester.” Pretty sure that’s how it goes. At any rate, it holds true this week; Rochester pop-folk duo North Collins having dropped a wonderfully-composed nine tracks of lush experimental folk. With its uplifting male-female harmonies and striking, appropriate orchestration, the self-titled debut fits nicely on a shelf between an Illinois-era Sufjan Stevens and indie-folk contemporaries Mates of State. When Mac first sent me the link to the duo’s bandcamp, I thought perhaps he was making reference to the project’s name; North Collins is also the name of a town neighboring my hometown of Eden, a Buffalo suburb. “Heh, a suitable listen for an Edenite,” I thought, as I opened the link and plugged in my headphones. All novelty aside, North Collins is the real deal. From the very first track, “Western Sky,” I was drawn immediately to the[...]

A Relative Term – The Quiet End of the Space Age

November 16, 2015 Ronald Walczyk

Atmosphere isn’t an easy aspect to apply to folk music. The predicament almost becomes a matter of mathematics; include too many layers, and the ambiance detracts from the songwriting itself. But for A Relative Term—the musical project of Mark Longolucco—a sound atmospheric ratio comes naturally. When that ratio is applied to the contemporary folk songs on the project’s latest LP, The Quiet End of the Space Age, we’re left with an immersive collection of tracks that melds thoughtful musicianship with a warm-hearted nature of songwriting that makes it difficult to remain unaffected by. Mathematics aside, The Quiet End of the Space Age has an alarmingly natural feeling to it, despite the lush offerings of keyboard often found filling out the ten tracks. It’s a pretty unique balance—think the rusticity of an early Iron and Wine meets the haunting ambiance of the latest Sufjan Stevens album. Folk contemporaries Mutual Benefit strike[...]

Bethlehem Steel – Docking

November 9, 2015 Nick Sessanna

This isn’t the first time we’re writing about Bethlehem Steel (BS), so by now, Becca Ryskalczyk’s move to Brooklyn has been well-publicized. We like to take care of our own, even when they move out of town after all. In case you’re unfamiliar, Becca was Buffalo-born and educated at SUNY Fredonia. You may have caught her several years ago on a solo trek across the US with fellow Buffalonians A Hotel Nourishing. Either way, we consider Becca an honorable Buffalonian, even as she’s busy making waves in the Brooklyn independent scene. Docking is the new EP (out via Brooklyn’s Miscreant Records) from this talented three-piece. Though they’ve always had a knack for fuzzy indie-pop (see “Guts” from their last EP, Grow Up), BS has really stepped up their fuzz game on Docking. Opening track “One Giant Fuck Machine” is a poppy, apt introduction to this EP, showcasing the groups’ loosely-wound, borderline lo-fi tunes. Most notable is Becca’s[...]

The Naturalists – Home Honey, I’m Hi

November 2, 2015 Shauna Presto

If you’ve ever seen The Naturalists live, you might know what I mean when I say their live set feels like a party scene straight out of a cult classic 90’s movie. They’re gritty, loud as heck, there’s a lot of fearless guitar riffs and hair being flipped back and forth. This three piece, grunge-soaked Buffalo band is the perfect lovechild of that golden era of 90’s alt-rock and modern, fuzzy garage rock. Lead singer and guitarist Craig Perno has this unique Raine Maida quality to his voice that is equally piercing as it is haunting. He has a solid grasp of when to kick it into high gear and when to hold back for a mysterious, brooding effect. The rest of the band, consisting of Zach Russell on bass and Perno’s twin brother Travis on drums, exudes the same confidence and dark allure when performing. The camaraderie between these[...]

Andrew Biggie – Mementos from the Living World

October 26, 2015 Ailsa Forlenza

The description for Mementos from a Living World by Andrew Biggie states that this EP has made Anselm Kiefer’s children dance. Investigating this fascinating artist (and bold claim), I discovered a quote by Kiefer that resonated with me, “Art really is something very difficult,” he says. “It is difficult to make, and it is sometimes difficult for the viewer to understand … A part of it should always include having to scratch your head.” Drawing from several ever-changing and cyclical sources, many have tried to pin down Kiefer’s art with no avail. This rings true for Andrew Biggie. Outside of producing solo material, he participates in the spoken word Bourbon and Coffee series and the freak-folk band Helen. Biggie’s album appears on the bandcamp page for “Super Rad Great Times,” which doubles as a blog, showcasing music, writing and art books. Some songs are straightforward. You know what they’re trying to[...]

Glenwood – Long Days, Lonely Nights

October 19, 2015 Ronald Walczyk

Winter is coming. I realize it might sting a little to read that, but just know that you have options. You can pretend it’s not coming, approach the chilly days with an air of nostalgic denial, imagining yourself back at (the now endangered) Canalside concert series under the Thursday sun or swimming at your own risk in the chancy waters of Lake Erie. Or, if you’re like me, you deal with the cold snap and find something to warm yourself up. The acoustic songs found on Long Days, Lonely Nights, the October debut from Rochester folk outfit Glenwood, deliver a certain loneliness—as the title suggests—but at the core of each track are the warm embers of something that once was. Those embers serve as the perfect heat source for the chilly seasonal shift, songs self-proclaimed as “whisky-drinking tunes that are there for you on those rough nights.” The description holds[...]