Latest Posts

BIG FRED Shares Single Off <3pals<3

March 16, 2016

Incoming! It’s no secret that Rochester’s local music scene is teeming with top-qual bands of all genres (personally, I like to call Roc city the “indie rock capital of the state”); best make room for one more. Meet BIG FRED, one of the scene’s fresher additions. Composed of Conor McCann (guitar/bass/vox) and Dylan Vaisey (drums), the duo’s fuzzy, spastic sonic creations are nothing short of interesting. Lead single “Worm” mixes a Pedro the Lion-like lyrical longing with an explosiveness akin to the ever-inventive Wolf Parade. It sounds like throwing a firecracker at a beehive and the subsequent ‘get-the-fuck-outta-there’ that follows—fun-and-games right into life-or-death. The rest of the five-track debut, titled <3pals<3, follows suit with intermittent blasts of sludgy fuzz (the band’s self-coined “trash pop” classification makes almost too much sense), spastic and creative rhythms, and healthy portions of wonderfully janky riffage throughout. Cassettes are available here via the Poughkeepsie-based Sad[...]

Tonight: Marian McLaughlin

March 3, 2016

Equal parts chamber-folk songstress and classically-charged eccentric, DC musician Marian McLaughlin will make her way to Buffalo’s Ninth Ward at Babeville tonight for the first stop on her string of East Coast tour dates. The thing about Marian is—unless you’re already familiar with her unique musicianship—chances are slim that I’ll be able to accurately describe her craft with words alone. Think… Joanna Newsom-esque vocal explorations over a backdrop of intricate classical guitar pickings and orchestra-tinged string arrangements (by collaborator and double bassist Ethan Foote). Her cathedral folk offerings are already entrancing to begin with, but in the intimate confines of the Ninth Ward? A rare treat. A wildly suitable match is found in Buffalo’s buzzing indie folk quintet Tiny Rhymes (whose Katie Weissman doubles as McLaughlin’s touring cellist) to open tonight’s show. Doors open at 7pm with a $10 admission, storytelling vibes in full force.

Difficult Night – In a Blackhole at the Listening of Distant Harpers in the Dim Gloam of Evening

February 29, 2016

Difficult Night is somewhat of an anomaly.  An anomaly in the fact that the unique Buffalo quartet is fundamentally unclassifiable. The oft-coined “slacker rock” designation only goes so far, “indie rock” is an even broader cop out. Classifications (or lack thereof) aside, I can concretely say that the band does what they want, a project unburdened by the shackles of expectation. Their latest album, In a Blackhole at the Listening of Distant Harpers in the Dim Gloam of Evening (inhales), lays foundation on that sentiment, making the collection of songs deliciously raw and unapologetically soaked in truth. Blackhole seems to shine brightest in its elements of observation and introspection. “I used to believe in signs / before I knew how to read ‘em,” sings Shane Meyer on midtempo number “Turn My Back,” track two of the 9-track album. Many of the songs feel like face-to-face conversations with Meyer, an unfiltered[...]

Strange Acres Deliver New Single/Video

February 24, 2016

The music video is not dead. MTV may have done away with them in favor of dramatic hour long  blasts of teenage pregnancy and whatever else, but to the few who keep this underrated art form alive and breathing: I salute you. Salutations to Strange Acres, the mood rock pioneers of East Aurora, who have teamed up with local rock photographer / videographer Andy DeLuca to bring us the video for “Parlor Girls”—the band’s first single since 2013. “Parlor Girls,” recorded at Quiet Country Audio, mixes a fresh, ambient electronica vibe with the almost cinematic-esque mood-setting prowess Strange Acres is known for. Chillingly seductive, dark, and a total midnight simmerer, “Parlor Girls” mashes moodcraft likeness with Zero 7 and Blonde Redhead. The video follows perfect suit, matching the swirling ambience with hazy filters and light effects to create a cohesive and affecting multimedia experience. If you’ve been waiting patiently for new[...]

Attic Abasement Drops First Single of Forthcoming LP

February 17, 2016

Preceding a highly-anticipated LP release via Father / Daughter Records, Rochester DIY rockers Attic Abasement have given the masses a taste of said LP—titled Dream News—with “Guarantee Jesus,” the first single of the record. Sauntering through jangly chord progressions, bumbling bass lines, and the passionate sounds of AA centerpoint Mike Rheinheimer (holy shit @ 1:16, 2:15), the track is without question an extension of Attic Abasement’s aching indie rock aesthetic—music for the rest of us. The sounds have matured a bit from the lower-fi recordings of previous albums, but all of that unassuming charm remains. You’ll find “Guarantee Jesus” streaming below, and preorders for the new album are available now via Father / Daughter. Dream News hits shelves on 5/27/16. [soundcloud url=”https://api.soundcloud.com/tracks/246094758″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

The Fig Mints Reveal First Single From Forthcoming Split

February 11, 2016

In preparation for another well-anticipated split release via Dadstache Records, the Rochester tape label has graced us with a single on the forthcoming cassette from The Fig Mints (ongoing lo-fi indie rock project of ex-Comfy guitarist Bobby Rogan) / The Real Burnouts (Utica’s premiere psychedelic bedroom warriors). The track, titled “And So On” and delivered from The Fig Mints’ side of the tape, cashes in on the joys of lo-fi fuzz, bearing resemblance the likes of Sebadoh and Violent Femmes. The song leaves behind some of the bedroom vibes of The Fig Mints’ earlier material, but the indie charm still flows forth, blue and true. Screeching guitars, handclaps, and tambourine—what more could you ask for? The split, titled “Revitalized Parts / Halo Lacerations” drops on 3/25, and preorders for the tape are now active over at Dadstache. Slam play below to stream The Fig Mints’ “And So On,” and keep[...]

Moody Cosmos Reveals New Single

February 9, 2016

Last week, Moody Cosmos–the neo-psyche garage project of Mooses frontman Peter Cahlstadt—dropped a new single, making our early spring a bit more exciting. The explosive track, titled “Old Sarge’s Drop Zone,” is a departure from the outfit’s first single, the soulful “Rocky” (which, unfortunately, has disappeared from the depths of the internet). The new track is a psyche-glam cornucopia of instrumentation, opening with a tonky piano riff that eventually explodes into a liberal serving of fuzz, organ, trumpets and sax, recommended for fans of Foxygen, Sleepy Jackson, and Supergrass. The whole track listens like a grand psychedelic rock opera–politically tinged, wild and huge. Worth a spin. Downloads are available here on the Moody Cosmos’ bandcamp page, and it’s worth mentioning that any proceeds made from the track will be donated to Charity:Water, which aims to provide clean water to developing nations. More info on that at charitywater.org. Check out “Old Sarge’s[...]

Skirts – What Do You Wanna Do?

February 4, 2016

So, break’s over. January saw some fantastic releases, and although our blog activity may have waned through the month, that doesn’t mean we weren’t paying attention. One of those releases happened to be What Do You Wanna Do?, the new record from Rochester surf-poppers Skirts. We’ve been patiently waiting on this one since the quintet premiered the album’s lead single “Swimming” last summer by way of a live session at Rochester’s 1809 studios. The band also made their Buffalo debut at Nietzsche’s last fall, having played an electrifying set that included a couple of these tracks. WDYWD? polishes Skirts’ heart-throb beach pop formula into a catchy collection of songs with a particular focus on album cohesion and its tightly-knit arrangements. A single spin through the album yields a bit of fuzziness in the chest, a warmth most welcome in chilly February. You get tracks like the slow-burning “Golden Era,” which[...]

Tomoreaux – At Peace, Overlook

February 1, 2016

Welcome back, readers! This week marks the return of buffaBLOG’s Album of the Week series—our weekly dose of recommended local music that we find to be worthy of commendation. We here at buffaBLOG have primarily covered Buffalo and Rochester over the past 6 years, and while both music scenes are brimming with talent worthy of mention, this year we will be expanding our coverage to include bands that call home to the farther reaches of the state. So with the new year, and our broadened range of coverage, the Album of the Week slot becomes the best of the best of the best of local music. With that said, it seems only fitting that the first Album of the Week of 2016 comes at you right from the snowy confines of good ol’ Buffalo. Enter At Peace, Overlook, the debut release from post-rock shoegazers Tomoreaux. The album—though only 8 tracks[...]

Jacob Peter & Shauna Presto Team Up for “Wander”

December 22, 2015

‘Tis the season for merriment and friendship, and in the spirit of such togetherness (and apparently in my case, cheesy intros), we have a nice collaboration for you before the year comes to a close. Solo musician Jacob Peter has been all over the music scene lately, from the lush synthscapes of Humble Braggers to the axe-in-lap simplicity of his bluesy solo material. This time around finds Peter arranging and producing a track written and sung by buffaBLOG’s own Shauna Presto. In essence, the song, titled “Wander,” is a true collaboration; elements of both artists are easily discernable within the work, but not without an obvious symbiosis. Whimsical mandolin and Presto’s smoky-sweet vocals open the track, initially conjuring vibes of Swedish folk duo First Aid Kit and the wilderness simplicity of Eddie Vedder’s solo material. Peter’s influence arrives later in the song with an evolving eclecticism in the instrumentation and[...]

Tonight: Comfy

December 18, 2015

Comfy visits Buffalo tonight for the third and final time this year, and if either of the Utica garage pop outfit’s other Buffalo shows are any testament to their ability to get the dance floor churning, it will be a banger once more. Gritty folk act Mr. Boneless and Mothers will also be gracing the stage of Dreamland tonight, where the show is set to take place. The show begins at 8pm (21 and up only please), and while the Facebook event lists no cover charge, it’d be a good idea to bring some cash for either a surprise cover (worth it), or some bomb merch. Pillowhugger by Comfy

Tonight: Painted Zeros

December 3, 2015

Hot off the release of their debut full length Floriography (Don Giovanni Records), Brooklyn-based dream fuzz trio Painted Zeros is set to hit Mohawk Place tonight on one of the coolest bills of the dwindling year. Floriography, written and recorded by Zeros frontwoman Katie Lau, is a beautifully textured record with a wide dynamic range–sometimes sweet and delicate, other times in-your-face gritty and explosive. Think Mazzy Star meets Smashing Pumpkins. The onstage iteration of the project is rounded out by drummer Jared Kaner and bassist Jim Hill, the latter formerly of Cottage Jefferson (Rochester!) fame. To make the show particularly homecoming-y, we have the Buffalo-bred, now Brooklyn-based Bethlehem Steel back in town, also hot off a fresh effort that snagged a slot as our Album of the Week last month. Can tonight’s show get any better? Yep. To top it all off, we have three of the best locals Buffalo’s punk scene[...]

Gypsy Freight – I’ll hold this close

November 30, 2015

Ariel Piazza is not your run-of-the-mill college rock musician. Writing and performing under the pseudonym Gypsy Freight, Piazza paints emotional sonic portraits in a vein of ambient folk all her own. Her newest release, a full length titled ‘I’ll hold this close, ‘ bleeds with emotionalism, twelve tracks of ethereal folk atmospheric music worth swimming in. The thing about Gypsy Freight is that it’s not far off from what you’d expect if you were to imagine what the project sounds like based on name alone. That’s not to say the tracks aren’t striking (because they are), but the fact that many of the songs sound as if they were recorded in a halfway-haunted grand cathedral is remarkably suiting. Piazza’s voice is both sweet and powerful; this prowess is especially prominent in tracks like “I don’t know what I’m doing but I’m okay” and “building homes,” her Daughter-esque delivery riding the dark[...]

North Collins – North Collins

November 23, 2015

You know the saying—“Another day, another rad album of the week from Rochester.” Pretty sure that’s how it goes. At any rate, it holds true this week; Rochester pop-folk duo North Collins having dropped a wonderfully-composed nine tracks of lush experimental folk. With its uplifting male-female harmonies and striking, appropriate orchestration, the self-titled debut fits nicely on a shelf between an Illinois-era Sufjan Stevens and indie-folk contemporaries Mates of State. When Mac first sent me the link to the duo’s bandcamp, I thought perhaps he was making reference to the project’s name; North Collins is also the name of a town neighboring my hometown of Eden, a Buffalo suburb. “Heh, a suitable listen for an Edenite,” I thought, as I opened the link and plugged in my headphones. All novelty aside, North Collins is the real deal. From the very first track, “Western Sky,” I was drawn immediately to the[...]

A Relative Term – The Quiet End of the Space Age

November 16, 2015

Atmosphere isn’t an easy aspect to apply to folk music. The predicament almost becomes a matter of mathematics; include too many layers, and the ambiance detracts from the songwriting itself. But for A Relative Term—the musical project of Mark Longolucco—a sound atmospheric ratio comes naturally. When that ratio is applied to the contemporary folk songs on the project’s latest LP, The Quiet End of the Space Age, we’re left with an immersive collection of tracks that melds thoughtful musicianship with a warm-hearted nature of songwriting that makes it difficult to remain unaffected by. Mathematics aside, The Quiet End of the Space Age has an alarmingly natural feeling to it, despite the lush offerings of keyboard often found filling out the ten tracks. It’s a pretty unique balance—think the rusticity of an early Iron and Wine meets the haunting ambiance of the latest Sufjan Stevens album. Folk contemporaries Mutual Benefit strike[...]