Latest Posts

Andy Pothier Releases Folk EP

July 7, 2016

It is known Buffalo is teeming with talented musicians. There are but a handful of those musicians whose relentless dedication to their craft leads them to explore multiple genre avenues at the same time, trading spare time for practice hours and rehearsal sessions, earning accolades for some of the hardest working musicians in Buffalo. Andy Pothier is one of those musicians. Maintaining roles in an Americana folk band, a psychedelic band, and fronting his own frenetic punk outfit, all while steadily putting out material from his acoustic solo project, Pothier lives right up to that aforementioned accolade. His latest effort, Keep Him On Your Mind, hits us from his most vulnerable but also his most comfortable outfit—the solo acoustic Pothier that many know and love. It is from this project which most of his sonic offerings pour, and KHOYM finds solace in that formula, a fleeting EP of delicate and[...]

Attic Abasement – Dream News

June 14, 2016

So yeah, we slept on this one for a bit. But anticipation has an strange way of making things better—and that was just the case for Dream News, Attic Abasement’s first full-length since 2010’s Dancing Is Depressing. A project once unabashedly saturated in lo-fi singularity, Attic Abasement takes a more polished approach on Dream News; the Rochesterian trio shipped off to New Paltz to record this one in an honest-to-goodness studio this time around. I know what you’re thinking: “Uh oh, lo-fi project in a professional studio?” Well fret not, the bedroom production quality is the only attribute traded—the top-shelf songwriting, puzzle-piece riffage, and the magnetic vocal rawness of frontman Mike Rheinheimer remains in full effect. With that said, it’s nothing short of impressive what the band has done with this record. Now rounded out with a full-time bassist and drummer (Keith Parkins and Joe Parker, respectively), AA’s sonic aesthetic[...]

Tonight: Bethlehem Steel

June 4, 2016

Following a tour van mishap that led the band to cancel its most recent hometown appearance, Brooklyn-based trio Bethlehem Steel will finally make it back to its origin city of (as their bandname may suggest) Buffalo tonight. Sharing cues from Rochester-based fuzz rock contemporaries Pleistocene, the BFF bands are the local(ish) pioneers of their crafted genres. Have a listen to a track from B-Steel’s excellent Docking EP below, released in November via Miscreant Records. Tonight’s NY-centric bill at Mohawk Place includes Bethlehem Steel, lo-fi punk locals Space is Haunted, Slowcooker, and B-Steel citymates Stringer. Get there right around 8pm to catch them all–these bands are bringing more than just volume. $7.

Tonight: Atsuko Chiba

April 11, 2016

Is your Monday in need of a little color? These gray skies have a stranglehold on your morale, you say? Well I’ve got your remedy right here: Atsuko Chiba. The Montreal outfit specializes in dark and gripping experimental prog rock similar to what you’d hear from a collaboration between Mogwai, Balance & Composure, and Pink Floyd, and the quintet is hitting Buffalo’s Dreamland tonight to clear up your Monday blues. Not only will Chiba make your ears happy, but they’ll satisfy your eyes with their live show, which “aims to create immersive sensorial environments by combining sound-based creative practices and live visuals,” according to their bandcamp. Check out the live studio session below and see for yourself. Rounding out tonight’s bill: post-rock tourmates Au Revoir, and locals Elemantra, Slow Cooker, and LA Times. Show starts promptly at 7:30pm with a suggested donation of $5.

The Demos – Paramount Clouds EP

April 4, 2016

Making music is not an effortless endeavor. But Rochester’s The Demos sure make it seem that way. Their polished blend of indie powerpop is unabashedly catchy and clean, and the music just seems to flow from them. It’s been a hot minute since we’ve heard a collection of tracks from this outfit (their last release was 2011’s LP Lovely), but the band is still slinging hooks. Their new EP Paramount Clouds builds on the same indie rock foundation as their 2011 effort, refining the formula and smoothing the edges of their craft. The EP starts as you may expect, a pronounced drumbeat drives a backdrop of synth strings on “I Don’t Mind.” Bass drops in soon after that, but not before vocalist Jason Milton lays a smooth croon down. By the time the chorus hits, you’re left fumbling for the year—the whole package conjures early 2000’s indie rock a la[...]

Tonight: Sheer Mag

April 3, 2016

Philadelphia punk rockers Sheer Mag are more than a fresh voice to the scene. Their freshness precedes them—the 80’s tinged beefy riff slinging, frontwoman Christina Halladay’s Joan Jett-ish tigress growl, exceptionally grooveable rhythms, all of this coalesces into one of today’s hardest hitting punk rock bands still able to churn a dance floor. The quintet is in for a snowy surprise when they make their way to Mohawk Place later tonight (welcome to Buffalo) in support of their latest 4-track release, III, so let’s show them a warm, queen city welcome. Their electrifying live show comes highly recommended. Tourmates Laffing Gas, and locals Radiation Risks and Uniform (OPR) are all set to bring the heat before the Mag, so get there early. Or when the doors open, which is scheduled for 7pm. Presale tickets were $10, so if you plan on getting one at the door, bring some extra cash[...]

Plain Brown Envelopes – Love In A Plain Brown Envelope

March 21, 2016

Alright Buffalo, let’s slow it down a bit. This week’s AOTW comes from a fresh collaboration between songwriter Bill Nehill (TMMC, Poison Arrows) and arranger Katie Quider (Space Is Haunted, The Patterns). The new project, titled Plain Brown Envelopes, channels low-tempo dark folk vibes, Nehill’s brooding songwriting conjuring Jeff Mangum in his darker moments and at a significantly lessened BPM. Quider’s backup vocals and arrangements provide a ghostly edge to the gothic-tinged folk project, whose eight-track debut Love In A Plain Brown Envelope offers a deceptively powerful collection of tracks perfect for the last gasp of a long winter. At the core of Plain Brown Envelopes sits the enduring songwriting of Bill Nehill. The craft is juxtaposed nicely with elements of both stoicism and desperation, tonalities spread throughout the album like a hand of fanned-out playing cards. The strange thing about this album is the fact that it was recorded[...]

BIG FRED Shares Single Off <3pals<3

March 16, 2016

Incoming! It’s no secret that Rochester’s local music scene is teeming with top-qual bands of all genres (personally, I like to call Roc city the “indie rock capital of the state”); best make room for one more. Meet BIG FRED, one of the scene’s fresher additions. Composed of Conor McCann (guitar/bass/vox) and Dylan Vaisey (drums), the duo’s fuzzy, spastic sonic creations are nothing short of interesting. Lead single “Worm” mixes a Pedro the Lion-like lyrical longing with an explosiveness akin to the ever-inventive Wolf Parade. It sounds like throwing a firecracker at a beehive and the subsequent ‘get-the-fuck-outta-there’ that follows—fun-and-games right into life-or-death. The rest of the five-track debut, titled <3pals<3, follows suit with intermittent blasts of sludgy fuzz (the band’s self-coined “trash pop” classification makes almost too much sense), spastic and creative rhythms, and healthy portions of wonderfully janky riffage throughout. Cassettes are available here via the Poughkeepsie-based Sad[...]

Tonight: Marian McLaughlin

March 3, 2016

Equal parts chamber-folk songstress and classically-charged eccentric, DC musician Marian McLaughlin will make her way to Buffalo’s Ninth Ward at Babeville tonight for the first stop on her string of East Coast tour dates. The thing about Marian is—unless you’re already familiar with her unique musicianship—chances are slim that I’ll be able to accurately describe her craft with words alone. Think… Joanna Newsom-esque vocal explorations over a backdrop of intricate classical guitar pickings and orchestra-tinged string arrangements (by collaborator and double bassist Ethan Foote). Her cathedral folk offerings are already entrancing to begin with, but in the intimate confines of the Ninth Ward? A rare treat. A wildly suitable match is found in Buffalo’s buzzing indie folk quintet Tiny Rhymes (whose Katie Weissman doubles as McLaughlin’s touring cellist) to open tonight’s show. Doors open at 7pm with a $10 admission, storytelling vibes in full force.

Difficult Night – In a Blackhole at the Listening of Distant Harpers in the Dim Gloam of Evening

February 29, 2016

Difficult Night is somewhat of an anomaly.  An anomaly in the fact that the unique Buffalo quartet is fundamentally unclassifiable. The oft-coined “slacker rock” designation only goes so far, “indie rock” is an even broader cop out. Classifications (or lack thereof) aside, I can concretely say that the band does what they want, a project unburdened by the shackles of expectation. Their latest album, In a Blackhole at the Listening of Distant Harpers in the Dim Gloam of Evening (inhales), lays foundation on that sentiment, making the collection of songs deliciously raw and unapologetically soaked in truth. Blackhole seems to shine brightest in its elements of observation and introspection. “I used to believe in signs / before I knew how to read ‘em,” sings Shane Meyer on midtempo number “Turn My Back,” track two of the 9-track album. Many of the songs feel like face-to-face conversations with Meyer, an unfiltered[...]

Strange Acres Deliver New Single/Video

February 24, 2016

The music video is not dead. MTV may have done away with them in favor of dramatic hour long  blasts of teenage pregnancy and whatever else, but to the few who keep this underrated art form alive and breathing: I salute you. Salutations to Strange Acres, the mood rock pioneers of East Aurora, who have teamed up with local rock photographer / videographer Andy DeLuca to bring us the video for “Parlor Girls”—the band’s first single since 2013. “Parlor Girls,” recorded at Quiet Country Audio, mixes a fresh, ambient electronica vibe with the almost cinematic-esque mood-setting prowess Strange Acres is known for. Chillingly seductive, dark, and a total midnight simmerer, “Parlor Girls” mashes moodcraft likeness with Zero 7 and Blonde Redhead. The video follows perfect suit, matching the swirling ambience with hazy filters and light effects to create a cohesive and affecting multimedia experience. If you’ve been waiting patiently for new[...]

Attic Abasement Drops First Single of Forthcoming LP

February 17, 2016

Preceding a highly-anticipated LP release via Father / Daughter Records, Rochester DIY rockers Attic Abasement have given the masses a taste of said LP—titled Dream News—with “Guarantee Jesus,” the first single of the record. Sauntering through jangly chord progressions, bumbling bass lines, and the passionate sounds of AA centerpoint Mike Rheinheimer (holy shit @ 1:16, 2:15), the track is without question an extension of Attic Abasement’s aching indie rock aesthetic—music for the rest of us. The sounds have matured a bit from the lower-fi recordings of previous albums, but all of that unassuming charm remains. You’ll find “Guarantee Jesus” streaming below, and preorders for the new album are available now via Father / Daughter. Dream News hits shelves on 5/27/16. [soundcloud url=”https://api.soundcloud.com/tracks/246094758″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

The Fig Mints Reveal First Single From Forthcoming Split

February 11, 2016

In preparation for another well-anticipated split release via Dadstache Records, the Rochester tape label has graced us with a single on the forthcoming cassette from The Fig Mints (ongoing lo-fi indie rock project of ex-Comfy guitarist Bobby Rogan) / The Real Burnouts (Utica’s premiere psychedelic bedroom warriors). The track, titled “And So On” and delivered from The Fig Mints’ side of the tape, cashes in on the joys of lo-fi fuzz, bearing resemblance the likes of Sebadoh and Violent Femmes. The song leaves behind some of the bedroom vibes of The Fig Mints’ earlier material, but the indie charm still flows forth, blue and true. Screeching guitars, handclaps, and tambourine—what more could you ask for? The split, titled “Revitalized Parts / Halo Lacerations” drops on 3/25, and preorders for the tape are now active over at Dadstache. Slam play below to stream The Fig Mints’ “And So On,” and keep[...]

Moody Cosmos Reveals New Single

February 9, 2016

Last week, Moody Cosmos–the neo-psyche garage project of Mooses frontman Peter Cahlstadt—dropped a new single, making our early spring a bit more exciting. The explosive track, titled “Old Sarge’s Drop Zone,” is a departure from the outfit’s first single, the soulful “Rocky” (which, unfortunately, has disappeared from the depths of the internet). The new track is a psyche-glam cornucopia of instrumentation, opening with a tonky piano riff that eventually explodes into a liberal serving of fuzz, organ, trumpets and sax, recommended for fans of Foxygen, Sleepy Jackson, and Supergrass. The whole track listens like a grand psychedelic rock opera–politically tinged, wild and huge. Worth a spin. Downloads are available here on the Moody Cosmos’ bandcamp page, and it’s worth mentioning that any proceeds made from the track will be donated to Charity:Water, which aims to provide clean water to developing nations. More info on that at charitywater.org. Check out “Old Sarge’s[...]

Skirts – What Do You Wanna Do?

February 4, 2016

So, break’s over. January saw some fantastic releases, and although our blog activity may have waned through the month, that doesn’t mean we weren’t paying attention. One of those releases happened to be What Do You Wanna Do?, the new record from Rochester surf-poppers Skirts. We’ve been patiently waiting on this one since the quintet premiered the album’s lead single “Swimming” last summer by way of a live session at Rochester’s 1809 studios. The band also made their Buffalo debut at Nietzsche’s last fall, having played an electrifying set that included a couple of these tracks. WDYWD? polishes Skirts’ heart-throb beach pop formula into a catchy collection of songs with a particular focus on album cohesion and its tightly-knit arrangements. A single spin through the album yields a bit of fuzziness in the chest, a warmth most welcome in chilly February. You get tracks like the slow-burning “Golden Era,” which[...]