Latest Posts

Ben Frost – A U R O R A

June 3, 2014

With his new album, A U R O R A, electronic musician/composer Ben Frost sheds a new light on the genre, merging experimental minimalism with a modern rock sensibility. Finding a middle ground between artificial sound and live instrumentation, the record stands alone as a piece of art while providing a crossover sound sure to attract punk rockers and trance listeners alike. Mixing the best elements of both electronic and rock music is not an easy task, and few artists have managed to do so without delving into the unforgiveable realm of dubstep. Frost chooses to use mostly electronic instruments with anthemic rock song structures, but does so in a way that sounds natural. The result is something is best described as electronic post-rock, with melancholy buildups into climatic chaos. Frost aligns a different noise or instrument to their post-rock equivalent, sounding as if Explosions in The Sky were being[...]

Yesterday vs. Tomorrow Releases “Mark Rothko” Single

June 3, 2014

Yesterday vs. Tomorrow peaked our interest since we caught a glimpse of their discography via an early leak for this year’s Infringement lineup (which by the way, is set to blow the previous years out of the water). The duo’s single, “Mark Rothko,” is a soaring mix between whiney Taking Back Sunday and melodic Muse anthem rock. Currently in the studio working on their upcoming double album titled Aurora Borealis, Yesterday vs. Tomorrow will be keeping busy this summer with a string of June gigs.  Check out the building single “Mark Rothko” below.

Clap Your Hands Say Yeah – Only Run

June 3, 2014

“How can I open up?” asks Clap Your Hands Say Yeah’s Alec Ounsworth on “As Always”- the opening track of the band’s latest release. He seems to have answered his own question, as the song- a cosmic cascade of phaser synths and Ounsworth’s signature howl- introduces the soaring, synthetic atmosphere of Only Run– the band’s first LP since 2011’s Hysterical. CYHSY has come a long way since their humble beginnings as a DIY-oriented indie band, but the overly electronic Only Run seems to lack that idiosyncratic energy that made them so buzzworthy in the first place. 2012 marked the departure of guitarist/keyboardist Robbie Guertin and bassist Tyler Sargent, which could offer explanation to such a wild reinvention of their sound. Lineup changes aside, the new album lacks substance, and left my appetite for classic Clap Your Hands hooks completely intact. However, Only Run does not come without its merits. “Impossible[...]

Fat Africa – Monroe

June 2, 2014

Fat Africa’s Monroe is a weekend album for malcontents. Get stoned, bitter and fired Friday afternoon; hopeful in the evening just to be left alone; hopeless, hungover and depressed by Saturday morning, just to laugh at yourself in the afternoon and stare cavalierly into the night as soon as the sun sets, with no place, in particular, to go. At least, that’s how I chose to read it. Noah Masters, the mind behind Fat Africa, would probably tell me I am wrong, and he is probably right. My impulse is to stretch the album over a weekend, but in real life, it took three years to put Monroe together. The first track recorded, the heartbreaker “Inch,” was put to tape in 2011, and the rest were jammed out on a loop pedal from the bottom up over the next few years. In the mean time, Masters moved around quite a[...]

Mario Bee Releases New Jhnson & Jhnson EP

May 30, 2014

Brooklyn-via-Buffalo-via-Rochester DJ/producer Mario Bee has showed his combined influence of both North American and UK club music on his various soundcloud demos and the Tomb EP, released last December on Austrian label Tiefparterre Records. The latest collection from the artist comes via media brand Toats Orig and is a two-tracker aptly titled Jnson & Jhnson.  Lead cut, “BabyPowder,” brings a raucous three minutes of grime, trap, and southern-rap, with a menacing, detuned bassline. Bringing to mind producers like Darq E Freaker and Royal-T, the stripped-down, raw aesthetic combines elements of Jersey club and hip hop, making for an inventive sound still strongly rooted in club music culture. The B-side, “BabyOil,” brings a similar vibe, with a faster tempo and break beats scattered throughout. Listen below and check out the Malt Disney edited video for “BabyPowder.” [soundcloud url=”https://api.soundcloud.com/tracks/149713354″ params=”color=ff5500&auto_play=false&hide_related=false&show_artwork=true&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] [soundcloud url=”https://api.soundcloud.com/tracks/149714232″ params=”color=ff5500&auto_play=false&hide_related=false&show_artwork=true&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]  

Meyhem Lauren & Buckwild – Silk Pyramids

May 30, 2014

“So Queens that you could feel me, so dope that you could deal me.” That’s what NYC rapper Meyhem Lauren asserts on the opener of his latest album Silk Pyramids with producer Buckwild, and that’s the script that he sticks to for the length of this impressive project. Lauren doesn’t break any ground with his subject matter on this, but he does a great job rapping about rap stuff. Action Bronson, a past collaborator with Lauren, assists him on the album’s intro, and he really kills it. The beat Buckwild crafts is straight up Bronsolino’s alley, a female vocal loop that sounds like it’d fit right in with with Bronson’s “9.24.11” and “9.24.13” series. Action always comes through with the ridiculous braggadocio bars. He provides the album’s first rewindable moment with the line “Cross your motherfuckin ass in basketball wearing sandals.” Murked. One of the album highlights for me, and I[...]

Sparklebomb Releases “Moldavite”

May 30, 2014

Buffalo electronic act Sparklebomb (aka Angie Conte) just dropped a fresh new song on her soundcloud page yesterday, titled “Moldavite.” Backed by soothing synths, the song feels like communication from distant planets that Conte managed to catch on tape. Sometimes chilling, but mostly beautiful, the track reminds me of some of Apparat’s more tender moments, and, for some reason, “Jed the Humanoid” from Grandaddy had Jed written the song rather than Jason Lytle. You can listen (and download) “Moldavite” below.

The Orwells – Disgraceland

May 29, 2014

After getting mocked on Letterman for their dozy on-stage theatrics, The Orwells seem poised for the big time with their second LP. “Who Needs You” is already making its radio rotation rounds with gusto, and the Pixies punch of its rockabilly-garage-punk-Fourth-of-July-parading makes for a snappy firecracker of a single. For fans of the sound, Disgraceland serves up eleven tracks in the same needle-prodded vein. Disgraceland revels in the raunchy, undignified, balls-out rock its title embraces. Its scuzzy, drugged, sometimes psychotically violent party anthems are out to restore a jagged dangerousness to rock n’ roll. In an interview with Rolling Stone magazine, guitarist Matt O’Keefe complains about the “safe and soft” tendencies of synthesizer-dominated modern rock. The Orwells blatantly pursue an old school classic rock set-up, infusing the standard model with wicked rebel energy. From the beginning, the record is hungry and horny, teeth sharpened and bared, eager to devour. “Southern[...]

Baked – “Mick Jagger”

May 28, 2014

Titus Andronicus is returning to the Tralf on Saturday, June 7th, and with them, the Jersey punks are bringing the very intriguing band Baked. The Brooklyn act’s new single “Mick Jagger” just received a Stereogum seal of approval. Think jagged Grizzly Bear melodies, along with some easy going Local Natives’ bass lines, and maybe a touch of Yeasayer’s sultry rhythms, and you have “Mick Jagger.” Check out the single below, in particular that burst of drums around the 3 min mark, and if you like what you hear, head over to the Tralf in a couple weeks for the real thing.

Wooden Waves Debut New Track In “It’s Only Sky”

May 28, 2014

Hey remember last fall when we were really excited about the upcoming Wooden Waves album that was right around the corner? Well, its nearly June and we are still waiting. BUT, that wait is finally nearing its end as just yesterday, the band announced that their Wilder Dreams LP will be released this July via One Percent Press. And wouldn’t you know it, this morning, OPP dropped the album’s first tease in the song “It’s Only Sky.” The single follows the Wooden Wave’s previous established modus operandi – late 90’s style indie rock with dueling male/female vocals led by Ray Fulton as well the pair of Joey and Nikki McIntosh. Listen to “It’s Only Sky” below and keep an eye out for Wilder Dreams this summer. For real this time.

Hundred Waters – The Moon Rang Like A Bell

May 28, 2014

I am afraid that my fingers will have kelp on them from my time spent in the sea. The humid tendrils of wind make me crave a fresh, cold drink. Immersed in the salty water, I hear an echo of a glorious sound, coming closer with each vibration. After I raise my head above water to breathe in air, I am relaxed. Floridian quintet Hundred Waters’ music can be described as Aphrodite music. Singer Nicole Miglis’ voice is a luminescent, deep cry, soaring above the production that Trayer Tryon, Paul Giese, Zach Tetreault, and Allen Scott compose from found sounds and precise electronic instruments. Their first self-titled album, Hundred Waters LP, was released on the Elestial label in 2012 and heard by Skrillex, who immediately signed them to his label OWSLA. Say what you want about Skrillex, the guy has taste. Two years have flown by and their latest release,[...]

The Roots – …And Then You Shoot Your Cousin

May 27, 2014

For a legendary hip-hop band with nearly three decades of legendary albums, it is only natural for The Roots to eventually hit a wall in terms of creative output. With mostly underwhelming production style, their new record …And Then You Shoot Your Cousin is not much more than a hurried concept album with vague moments of continuity. A good representative for the album is the track “Never,” a dreary jazz beat accompanied by Patty Crash’s shrill voice. The song follows a gradual buildup as the instruments become busier, only to be cut off quickly before reaching any sort of climax. This is the atmosphere for most of the album, the music and verses sounding just below the brink of their full potential. With an average song length of 2-3 minutes, it appears there is not enough time given to address the album’s complex issues of teenage angst in an unprivileged[...]

Tijuana Panthers – “Cherry Street”

May 27, 2014

SoCal garage punk trio, Tijuana Panthers, have made quite the name for themselves since their 2010 inception by routinely delivering high-energy performances ranging from sold-out concert halls to drop ceiling basements shows. Their latest single, “Cherry Street,” off of the upcoming June release Wayne Interest (Innovative Leisure), is a testament to the band’s staying power, both as a group and in your ears. “Cherry Street,” sounds like a mix between melody friendly Thee Oh See’s with early Drums riffs. The video is even more grabbing, highlighting a homicide detective’s appetite for blood and donuts at some vague time period in the 1980s. Check it out below.

Faux Leather Jacket Releases Debut EP, Sorry, Bud

May 27, 2014

On slow blog days like this, we thank the tireless Rochester musician Ben Morey for giving us some quality music to write about. Morey stepped into the producer role this time around to mix, master, engineer, shoot the cover photo, and who knows, maybe cooked a four course meal, for the recording of the new EP from Rochester act Faux Leather Jacket. Featuring songwriter Trevor Courneen and former Cottage Jefferson guitar player Erick Perrine, among others, the sextet’s four track Sorry, Bud is a laid back collection of jangly alt-country, full of sunny harmonies and a touch of 90s college rock. Fans of Uncle Tupelo, Beachwood Sparks, the Old 97s (Courneen sounds a bit like Rhett Miller), and even Buffalo acts like Roger Bryan & the Orphans and the Old Sweethearts (RIP) should be downloading this right about now. You can check out the full Sorry, Bud EP here and[...]

American Stories – Horse Beard

May 26, 2014

American Stories is an interesting band. Their new album Horse Beard is a mashup of genres, namely psychedelic, folk, punk, americana, and emo. The opening track, and perhaps Horse Beard‘s strongest, is “Programmed.” The song is reminiscent of something Beck would have written in the late 90s, or even blissful indie rock like Built to Spill. At times, it dips into something 60s influenced, but it maintains  the sort of loose slacker vibe you would expect from a musician like Beck, or the fuzzy warmth from a jangly BTS jam. “All The Same” takes these already strong sensibilities and wraps them in a shroud of the kind of emo you’d come to expect from Sunny Day Real Estate. I’m only two songs in but if you’re guessing you might find a pattern here, you’re right. American Stories are genre hoppers, and typically, it would make an album sound like it lacks direction. That[...]