Latest Posts

slackjaw – friendly pestering

April 6, 2015

You’ve got a friend in slackjaw, and not just because their bandcamp URL says so. The Geneseo quartet’s catchy blend of garage punk and slacker rock has a pleasantly affable vibe to it, an air of innate approachability. Their self-appointed description is “weekend rock,” which I think they wear well. Start with the indie charm of Waxahatchee or Lemuria, add a little Pumpkins-esque crunch, and just a dash of late nineties emo influence, and you’ve got yourself some slackjaw. The band just put out their first release a few short days ago, the wonderful friendly pestering EP, already earning a bit of buzz and some heavy rotation here at the blog. I’m happy to crown friendly pestering buffaBLOG’s Album of the Week. It didn’t take very long to warm up to the songs, suffice to say that’s what the band was going for. Singer Ella Mosco delivers lyrics with an[...]

JOHNS – Grift Marks

March 30, 2015

The melodic dissonance of JOHNS’ new album, Grift Marks (released this past Saturday via Peterwalkee Records), comes from a dark, post-industrialized corner of the world. Imagine Joy Division’s Ian Curtis growing up in the rust belt. Still, every track, every note on the newest release demonstrates a high level of precision. JOHNS may conduct a pathos of unbridled terror, but it is with great care, rather than sloppy angst, that quintet does this. Multiple guitars from John Toohill and Nick Gordon leave their trademark scrape on the surface of every song, but with delicate harmony rather than chaotic noise. The dueling leads in “Wasteland,” for instance, intertwine to create a pallet for the track’s chanting, gang vocals. The guitar and bass hits in the chorus of “Erase Them” hit so hard because of the band’s attention to melody and countermelody. While uniform in mood and composition, each track employs a[...]

Lesionread – Lesionread’s Greatest Hits! Vol. 1

March 23, 2015

Just a little shy of two years ago, Lesionread exploded onto the scene opening for Wild Nothing at the Tralf with an experience high on avant-garde mischief and mayhem, and Buffalo frankly hasn’t been the same since. The performing moniker of ever ambitious artist Shawn (Sean?) Lewis (Louis?), Lesionread has been an adventure ever since: staging fun yet challenging happenings, constantly refining his sprawling sound, doing his best to live his “art all day” mantra, and in 2015, he’s compiled two year’s worth of work onto a CD/tape cheekily titled Lesionread Greatest Hits Volume 1, and it’s our Album Of The Week. Still, as cheeky a name as Greatest Hits is for a debut album, it’s not entirely undeserved. From the start, it was clear that he wasn’t thinking about his art strictly in terms of songs, instead focusing on the experiences he’s orchestrating, and Lesionread has always been fine[...]

Newish Star – How Soon We Forget

March 14, 2015

There’s a certain word that comes to mind when I think about the genre of pop-punk: “bratty.” In this context, it’s a compliment, or at least not an insult. Good pop-punk tends to come with a sneer and a stuck-out tongue, the objects of its quasi-ironic, sometimes petty derision usually the self, and then everybody else. That’s not a huge emotional range, and really good pop-punk often cleverly plays with those limits. It’s those kind of moments that make Newish Star’s new tape, How Soon We Forget, especially interesting. Musically, it’s in the same ballpark as their past releases, but past the power chords, the slightly-off vocals, and the driving drums is a level of nuance that serves as evidence of growth. The very first moments of the tape serve as a pretty good metaphor for where the band’s at. It’s a recording of the trio between songs at a[...]

Space Wolves – Space Wolves V

March 9, 2015

There is something honestly comforting about Nick Reynolds’ guitar playing. It suggests an alternate world of infinitely catchy pop rock where everyone is walking down a sun filled street whistling Space Wolves. Given that Reynolds’ lyrics are as angst ridden as his guitar is bright and chipper makes it all the better. On Saturday, Space Wolves released their 5th full length, appropriately titled Space Wolves V, after an almost two year hiatus. The duo has returned as if they never left, with no loss of their original immediate appeal. I find it sometimes very difficult to write a review of music like this,  harboring personal suspicions that magazines that run 4 sentence reviews have it right in general. This is not a dig against Space Wolves, far from it, it is meant to underscore that this tape’s pleasures are simple and immediately apparent (again in my alternate world where everyone[...]

Made Violent – Made Violent

February 25, 2015

The hotly anticipated debut EP from local trio Made Violent has finally landed, and it is definitely our Album of the Week. This fine five song collection is what we’ve been waiting for ever since they exploded onto the scene and began their somewhat wacky, but not surprising upward trajectory towards this big label release. These guys turned heads with a few shows locally with their propulsive downtown NYC meets Manchester guitar rock before essentially disappearing from the local scene and reappearing at the Bowery Ballroom in NYC and in NME write-ups for the band’s UK mini tour before being signed to Columbia Records. Which brings us to Made Violent, one of the tightest EP’s you will ever hear out of Buffalo, a scintillating collection of bottom heavy guitar jams, joyfully louche and nihilistic lyrics, and delightful harmonies. “Two Tone Hair” kicks it off with a perfect distillation of what[...]

M.A.G.S. – Cellophane

February 23, 2015

“Tonight was beautiful.” posts Elliott Douglas, the musical fulcrum behind Buffalo’s hottest new indie rock outfit, M.A.G.S. The three-word post hits Facebook at 3:11 a.m., shortly after (and undeniably in reference to) the band’s highly successful EP release party at Mohawk Place. The show was destined for success from the day it was announced; M.A.G.S. has picked up a noteworthy amount of buzz around Buffalo since self-releasing a handful of demos late last year, and the bill—rounded out with other big Buffalo acts such as Bryan Johnson & Family, The Slums, and Kharlos—was solid gold. Armed with their riot-of-a-good-time Cellophane EP and a fresh spot on the roster of Admirable Traits Records, M.A.G.S. is here to stay. Cellophane, as a whole, is the purest representation of Douglas’ ability to write hook after hook… after hook. Each of the expertly-arranged tracks brims with personality, whether it’s rhythm guitar played with the perfect amount of upstroke pep or a bass shred[...]

Harmonica Lewinski – Naked Brunch

February 16, 2015

Rochester deviant surf rockers, Harmonica Lewinski, are back with a hot new EP Naked Brunch (Reel Time Records) that’s sharp, delightfully nasty, and our Album of the Week. Four hot cuts of off color 60’s inspired psychedelic surf rock engineered to make you feel funny while riding your long board or shaking your thing at a swingers party later that night, Naked Brunch offers some interesting glimpses into what this always entertaining band of misfits might have up their sleeves down the road. While “Titty Citty” and “Black Pussy Blues” are restatements of the HL ethos: wildly careening, off kilter surf rock that’s over the top lewd and sleazily dangerous, “Har Har Bizarre” blows everything up with some superbly wicked vocals and some joyfully licentious lyrics reveling in all manner of bad behavior. Naked Brunch ends with the straight up garage rock of “Boy On Fire,” a super tight single that clocks in[...]

the gifted children – my museum pieces

February 9, 2015

For a band that’s been around for almost 20 years, it’s commendable that the gifted children are still on their A-game. The Rochester art-rock collective is fresh off the release of my museum pieces, a genre-spanning full length that channels the likes of The Decemberists and self-referential influences Guided By Voices. Highlighted by swirling instrumentation, rich harmonies, and the eclectic  songwriting style the band is known for, my museum pieces is not only a noteworthy collection of songs, but a captivating story record that has more than earned buffaBLOG’s Album of the Week. Taking a look at the roster/credits for the album on the band’s bandcamp page is dizzying to say the least; an impressive seventeen musicians contributed in some way to the album’s eleven diverse tracks. Much in the spirit of Broken Social Scene, the gifted children have a perpetually rotating cast of musicians that varies from record to[...]

Sparklebomb – Bring in the Night

February 2, 2015

Last year, I was taken aback by just how haunted I was with Funeral Beats, the debut cassette from Sparklebomb, the alias of Angie Conte, one of the city’s more unique and intriguing electronic musicians. Mixing synth beats and textures with samples from found phone recordings, the mini album was a seance, a conjuring of ghosts that has stayed with me since I heard it. So when I heard there would be a follow up tape, Bring in the Night, I was excited to see what Conte had in store next. As I sit with it now, this new tape is as much a step forward as it is an exciting return to these haunted spaces. On the whole, there is something much brighter about Bring in the Night than the anxious spaces of Funeral Beats. This is not to say the sense of anxiety that hangs over the synth drones has been fully excised nor[...]

Andy Pothier – In Headlights

January 26, 2015

Delighting local music fans and folk lovers alike, Andy Pothier’s new album dropped earlier this month, highlighted by an intimate release show at Mohawk Place soon after featuring the likes of Sonny Baker, Damian, and others in support of the Pine Fever drummer. In Headlights, Pothier’s third release to date, and this week’s Album of the Week, is an heartfelt look at life’s ups and downs, covering everything from what it’s like to be twenty-one to what it’s like to be in (and out) of love. Many of the album’s eight tracks feature pretty, mellow instrumentals that lay a great foundation for Pothier’s earnest vocals. Musicians Billy Fortier and Sharon Mok (Tiny Rhymes) contribute background vocals throughout the album, creating sweet harmonies that make for an enjoyable listening experience. “Twenty-One Years” is notable in this regard. Album highlights, for me, include “The Lucky Ones” for its pretty guitar strumming and “Oh, to[...]

ice bar – ante meridiem

January 19, 2015

There is something to be said about the type of songwriting that doesn’t require a full band to make it work. Making use of just an acoustic guitar and her voice, Rochester singer songwriter Camille Tharp, or ice bar, as she is so endearingly known, has put out ante meridiem, a collection of wonderfully emotional acoustic songs recommended for those who enjoy the likes of Sharon Von Etten or Daughter. Despite their simplicity, each of the EP’s five tracks channel a strong element of genuineness that makes it abundantly clear that a lot more went into ante meridiem than what initially meets the ear. It is that emotional authenticity that makes these songs such heavy-hitters, and with that, I welcome you to our Album of the Week. ante meridiem, in living up to its name, really capitalizes on the mellow vibes of early morning with delicately-plucked acoustic guitar progressions that would[...]

The Traditional – How To Live Without Blood

January 12, 2015

“So I’ll sort through the shorts of this ashtray of my past and smoke one for every time I was happy… I’ll smoke one if I’m lucky.” Harsh, maybe… But it’s just one of many curses that fill How To Live Without Blood, the latest release from Buffalo’s own The Traditional. Singer/bassist Anthony Musior is no doubt this band’s songwriter, filling these songs with powerful personal references and thinly veiled attacks about the heaviest of subject matters. Musior, or “Mewsh” as most of the world lovingly knows him, has been working towards this moment for a long time. That’s not to take any of the onus off of guitarists Ryan Bennett and Mike Bienias, or the pristine backup vocals of drummer Jon Coric… Collectively, The Traditional is one of the hardest working bands in Buffalo. But with only an EP and a split to their name, How To Live Without Blood feels[...]

Teenage Satan – Teenage Satan II

January 5, 2015

After a brief holiday hiatus, buffaBLOG’s Album of the Week feature is back in business. For the first time since the distant days of 2014, we have selected a local (or quasi-local) album, EP, or collection of songs that we find to be worthy of merit, and posted it up here for your listening pleasure. This week, for the first week of the new year, our collective ears were caught by the lo-fi bedroom folk songs on Teenage Satan’s second self-titled EP. Teenage Satan (aka Dan Bauer) doesn’t fully abandon the electronic nature of his first effort earlier last year, but he does take a bit of a departure on Teenage Satan II in the sense that he unplugs and picks up an acoustic guitar. The result is a little experimental, a little electronic, but decidedly folk-tinged this time around. Favoring humble organ tones over unearthly synths, Teenage Satan II[...]

Wooden Waves – Wilder Dreams

December 8, 2014

It’s a cliché to say that a band’s latest release shows “signs of maturation.” On one hand, it usually doesn’t mean anything: you’re just saying they’re older than they were yesterday. On the other hand, it makes an incorrect assumption about progress. It implies that the band was one thing yesterday, is something else today and is working towards becoming some perfected version of itself in the future. This kind of assumption might give us a framework for making sense of things, but it’s not actually how reality works. Seeds grow, fruit ripens, but bands? People? They change, but there’s no perfect end point to work towards that is more valuable than the present. Accepting that realization is closer to maturation than the acquisition of any object or the accomplishment of any goal, and the struggle for that acceptance is at the heart of Wooden Waves’ Wilder Dreams (One Percent Press).[...]