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North Collins – North Collins

You know the saying—“Another day, another rad album of the week from Rochester.” Pretty sure that’s how it goes. At any rate, it holds true this week; Rochester pop-folk duo North Collins having dropped a wonderfully-composed nine tracks of lush experimental folk. With its uplifting male-female harmonies and striking, appropriate orchestration, the self-titled debut fits nicely on a shelf between an Illinois-era Sufjan Stevens and indie-folk contemporaries Mates of State. When Mac first sent me the link to the duo’s bandcamp, I thought perhaps he was making reference to the project’s name; North Collins is also the name of a town neighboring my hometown of Eden, a Buffalo suburb. “Heh, a suitable listen for an Edenite,” I thought, as I opened the link and plugged in my headphones. All novelty aside, North Collins is the real deal. From the very first track, “Western Sky,” I was drawn immediately to the[...]

common rituals Release Debut EP, form

The wistful melodies pervading the music of Rochester Lo-fi/indie pop artist common rituals offer a warm, understated pop sound with alluring instrumentation. form, the musician’s debut EP, includes hazy synth work on tracks like “Spring Break” and “October” which along with spacious percussion make for an immersive listen. The jazzy “Intermission” is reminiscent of French downtempo band Air and provides one of the most atmospheric moments of the release while the acoustic “Maybe (Solar Sky)” leans more towards direct singer/songwriter fare. Listen/download form below.

Mr. Will Shares Debut EP Motel Pools

Look out Rochester, a new force is on the radar. Multi-instrumentalist / producer / all-around music man Mr. Will (born Will Smillie) released his impressive debut EP Motel Pools, a sprawling easy-rider of a record blending elements of indie pop and psyche rock, late last month. It’s one of those records that doesn’t take time to warm up to; the warmth is already there—just pull up a seat and get yourself settled in. From the slow-burning balminess of the title track that opens the EP to the fiery fretwork of “Where Does the Light Go,” Motel Pools, produced by Smillie himself, covers a lot of ground and covers it well. After one spin, the listener is treated to hints of wide-ranging influence including My Morning Jacket, Dr. Dog, Mikal Cronin, and more. The hooks are plentiful, the solos could sear a steak, and the resulting package is cohesive, easy to listen[...]

Genesee Live Releases Latest Installment feat. Drippers

We haven’t checked in with Rochester’s Genesee Live for a minute, so we were happy to see the live session series released its latest installment this morning, this time featuring the psych-rock trio, Drippers. The act may be new to some of our blog readers because as to my best recollection, we have yet to cover them, but I am kicking myself for sleeping the group up until now.  Fans of janky Queens of the Stone Age, retro psych rockers like the Black Angels, or a heavier Ariel Pink may have a new favorite local in Drippers, and Gl’s video is a great introduction. Check out Drippers’ clip below, and for past installments of Genesee Live, visit their Youtube here to catch up.

Howlo & Pleistocene Team Up for Halloween Split

Halloween is always a fun time to track new music out of Western New York as bands get into the holiday spirit and share some new spooky flavored tunes. And right on cue, early this week, two of our favorite Rochester acts, Howlo and Pleistocene, teamed up to release a timely split LP, Ghost Walk. The childlike harmonies on Howlo’s menacing opening cut, “All Hallow’s Eve,” make comparisons to Dead Man’s Bones hard to ignore, while later on, the four piece dips into some 90’s nostalgia on its cover of the Buffy the Vampire Slayer theme. Pleistocene’s half is decidedly lo-fi featuring some eerily haunting and rather sweet cooing from Katie Preston. The quartet’s split contributions feature some surfier vibes than its normal catalog as the LP stand out track, “Natura Combo,” sounds like the band has been hanging out with Harmonica Lewinski a bit as of late. The two bands will be playing cuts[...]

The Front Bottoms

The Front Bottoms carry the unique ability to put listeners through the emotional wringer and have them come out on the other side embracing a limitlessly carefree attitude. Through charm, wit, innuendo, pointed imagery and melodies that nest themselves neatly in your ears for a seemingly infinite amount of time, this four piece has been able to use that ability to develop into a captivating indie-pop force. The band’s recent full length release, Back On Top, is somewhat of a power statement. It’s undoubtedly different than previous releases but it still retains the same characteristics mentioned above. Even people who initially expressed reservation toward the album have come to love it in some way — in almost an exclusive, “this album was written for me” type of way. Tunes like “West Virginia” and “Cough It Out” showcase the creative risks the band is taking instrumentally and melodically, but there’s still this inherent somber hopefulness[...]

Damp Child Releases Debut Album Artism

Rochester trio Damp Child create lush, contemplative tracks with a stream-of consciousness-style that places emphasis on texture and atmosphere above conventional structure. Their debut release, Artism, features reverb-laden vocals, abstract guitar tones, and a dream-like quality with at times unintelligible lyrics that add to its melancholic aura. Opening track “Ironically Tumescent” is perhaps the record’s closest moment to resembling pop with its warm, infectious melody and resonant acoustic guitar strums. Other pieces like “Schizophrenia,” “Before I Die,” and “Underwater Dolphin Factory” present a post-rock style, as the band pensively and patiently unfurl their soulful, experimental sounds. “Inspector 11” blends glitchy, otherworldly percussive elements with celestial guitar lines and hypnotic vocals, making for one of Artism‘s more immersive moments. Despite their free-form, sketch like nature, the songs on Damp Child’s debut are full of instances where captivating ideas come together in a way that’s equally disorienting and ruminant. Listen/download Artism below. Artism by Damp Child

Glenwood – Long Days, Lonely Nights

Winter is coming. I realize it might sting a little to read that, but just know that you have options. You can pretend it’s not coming, approach the chilly days with an air of nostalgic denial, imagining yourself back at (the now endangered) Canalside concert series under the Thursday sun or swimming at your own risk in the chancy waters of Lake Erie. Or, if you’re like me, you deal with the cold snap and find something to warm yourself up. The acoustic songs found on Long Days, Lonely Nights, the October debut from Rochester folk outfit Glenwood, deliver a certain loneliness—as the title suggests—but at the core of each track are the warm embers of something that once was. Those embers serve as the perfect heat source for the chilly seasonal shift, songs self-proclaimed as “whisky-drinking tunes that are there for you on those rough nights.” The description holds[...]

Hawker M. James Shares Latest Track, “Here’s A Love Song”

Hawker M. James, the solo moniker of Demos’ drummer Mike James, is prepping to drop his new, self-titled cassette, set to be a part of this weekend’s Cassette Store Day batch of special edition releases. And to whet the whistle of Hawker fans, the long time Rochester musician shared the first single from the cassette, “Here’s A Long Song.” Whereas James’ previous track “Pleasure Part” teetered more into a moody and atmospheric Roxy Music territory, the catchy “Here’s A Long Song” is led off by some glammy riffs and toe tapping percussion. Fans of Guided by Voices and The Soundtrack of Our Lives should dig the new single. Copies of the limited edition tape, which will be self released on James’ Bête Noire label, can be purchased at Rochester area record shops Record Archive, Lakeshore Record Exchange, and The Bop Shop starting tomorrow, while the digital version of Hawker M. James will hit the webs sometime this[...]

Passive Aggressives Anonymous Release “Ninja” Music Video

Rochester tongue-in-cheek crooners Passive Aggressives Anonymous have premiered the music video to the previously unreleased song, “Ninja.” A heartbreaking tail of a ninja who can’t take a hint, the PAA front man John Valenti and crew deliver the slightly creeper-esque number in the most charming way possible. The clip was shot by Alex Freeman of Studio 73 Productions and directed by Valenti himself, and features cameos by the just-asking-for-it members of Buffalo Sex Change as Valenti’s ninja wisely keeps his stealth skills at bay inside Rochester’s Small World Books. No word on whether the track will show up on a future PAA record, so in the mean time, watch “Ninja” below. Ninja from John Valenti on Vimeo.

midnight Drops XII Labors EP

Rochester singer midnight (or mdnt) has been dazzling of late, feeding his listeners spectacular electronic r&b tracks for much of the past year. Singles like “Adonis” and “Baptize” drew expansive acclaim for midnight, building hype up to his release of debut EP XII Labors. Featuring seven tracks of his crooning falsetto and ear for great production, midnight’s debut is a wonderful introduction to the talented artist. The project kicks off with “Baptize,” produced by Buffalo’s YLXR. The track, indicative of its title, sees midnight birth a new attitude and confidence, “standing up to fears that haunt me, can’t no one stop me now.” On “Floating and Falling,” the singer takes on a surprisingly bright beat. Producer craves’ bouncing, lively instrumental syncs up nicely with midnight’s dark vocals as he pleads with a lover to take whatever he has. “Cool Kids (DFWU)” has more of an edge to it than some of midnight’s[...]

Total Yuppies Drops First Single

Freshly-formed Rochester unit Total Yuppies, featuring members of Skirts, Jon Lewis Band, and Full Body, dropped its first single over the weekend. The garage pop quartet channels the dreary vibes of Neva Dinova with an accessibility akin to The Front Bottoms on the new track, titled “Normal Life.” The whole package is lonesome and catchy, highlighted by the song’s pitch-perfect vocal harmonies sung longingly over the sprightly drum work. Keep an eye out for this impressive new formation on the live circuit and an ear to the ground for future releases. For now, relish in the rainy day that is “Normal Life,” streaming below.

Tonight: Kill The Noise

Tonight After Dark & Factory NightLife present Jake Stanczak, more formally known as Ewun or Kill The Noise. He returns to his hometown Rochester, N.Y. to rock the stage at Anthology. Kill The Noise kicked off his album tour Thursday night in Atlanta, making his hometown show the third stop. The release of his first album Occult Classic is set for Oct. 9 on OWLSA, the record label founded by Skrillex. The ten track album features artists like Dillon Francis, Tommy Trash and rock favorite, Awolnation. His innovation and unique sounds come from inspiration all over the musical charts. In a recent article published by Rolling Stone, Kill the Noise explains how Nine Inch Nails, a favorite of his, gave him the inspiration behind his album. Stanczak has won two MTV Music Video Awards, one in 2012 for his “Kill The Noise Part 1” video and the second in 2013 for his[...]

California Cousins – George’s Bridge

Rochester emos California Cousins are no stranger to buffaBLOG. We’ve been following them and theirs since the dissolution of Keeler last year. Luckily, Cali Cousins are still hanging around, blessing us with a new EP full of noodly emo jams that they’ve christened George’s Bridge. I’m sure you can all reminisce of a time where you and your high school friends jumped off an old derelict bridge or had a clandestine rendezvous by a graffiti-laden abandoned structure. California Cousins tug on your nostalgic heartstrings in that way (and boy am I a sucker for some good emo jams). “Soft Earth” kicks off this EP with some twinkly guitar riffs reminiscent of Snowing, Del Paxton, or Tiny Moving Parts. Guitarist Christian Ortiz is a twinkle daddy for sure (it’s a Facebook group for twinkly guitar-riff lovers, so get your mind out of the gutter). Drummer Juan Ortiz skillfully weaves his rhythms in between  Christian[...]

The Ongoing Concept and ’68

Tonight, Norma Jean are celebrating the 10 year anniversary of the group’s landmark album O’God the Aftermath at the California Brew House in Rochester (402 W. Ridge Rd). To say the album was pivotal in the metalcore landscape would be an understatement. Norma Jean were some of the innovators in a field wrought with imitators, and their impact is felt all over today’s modern metal scene. I’d rather talk about two brilliant and vastly under appreciated bands that will be opening the show, though: The Ongoing Concept and ’68. Former Chariot and Norma Jean frontman, Josh Scogin, has teamed up with Michael McClellan to present a beautifully disjointed rock-hardcore hybrid in ’68. Picture pure-gravel vocals over discordant, violent riffage, and sinewy guitar lines. This here is music that is loose, blue-sy, soulful, and ferocious, all at once. ’68 display a kind of raw aggression that is missing from heavier music these days. And[...]