Album of the Week

Newish Star – His Excellent Ray

July 6, 2015

I was pleasantly surprised to receive an email from bandcamp the other day, noting that a band that I follow had a new release, and even more pleased when I saw that band was local indie/punk tinged act Newish Star. I don’t think I’ve ever talked to someone at buffaBLOG that wasn’t into NS, and that is for a good reason. Since its beginning, the trio has been able to produce some of the catchiest tracks that I have heard out of a local band, and with each release, the band has managed to show an extreme amount of progression. With that being said, it comes as no surprise that I love His Excellent Ray as well. The band’s description for its latest EP is “six songs inspired by ‘Dr. Dude and His Excellent Ray.'” No big surprise here given the trio’s bumper fondness, but “Dr. Dude and his Excelent[...]

Pleistocene – Space Trap

June 22, 2015

I probably shouldn’t even be surprised anymore; at this point it’s safe to say that Rochester has officially raised the bar. Our I-90 neighbors have been churning out quality release after quality release, and their latest surge of fresh local music has given no sign of relent. This week we bring your attention to Space Trap, the latest EP from jangle pop superunit Pleistocene. The EP, officially released earlier this month via Cherish Records, finds itself amongst some of the best material in Pleistocene’s growing discography and proves itself worthy of inclusion with a confident bite to back up its bark. For those of you unfamiliar with Pleistocene as anything other than the ice age epoch of mammoths and sabretooths, it’s in your best interest to refamiliarize. The band’s jangly surf pop/shoegaze blend frequents our blog often (their 2014 song “Secular” snagged a top 3 spot on our ‘best of’[...]

Humble Braggers – Disposable Friends

June 14, 2015

Buffalo’s summer album of jams might have arrived at this past Saturday’s release show for Disposable Friends, the latest EP from synth-pop darlings Humble Braggers, out now on Admirable Traits Records. With an abundance of delightful hooks, soaring vocals, a full bodied sound, and intensely listenable tunes, Disposable Friends is a terrific salvo from Tom Burtless and company, and an easy pick to be Album of the Week. The funky guitar licks, understated post new wave atmospherics, and the yearning vocals of Burtless gets everything started perfectly on “How It Starts,” the EP’s lead single. Immediately, the synthesis of the various elements and heavy hooks hit you upside the head via your aural system. The ear candy continues with “All Alone,” a plaintive ballad featuring spacey yet restrained synth lines and a clean, melodic guitar that holds it all together. The attention to detail is most impressive. Disposable Friends really lifts off,[...]

Mink – After Hours

June 8, 2015

Though many Buffalo show goers (myself included) may have been heartbroken having to say goodbye to Mink, the band’s posthumous EP, After Hours, could not be a better send off into the graveyard of local bands that were put to rest entirely too soon. Mink has a knack for easing you into a tune then turning you completely upside down. Just when you think you have the layout of a song figured out, they take you on an entirely different route. Between the impressively riffy guitar work from Brandon Schlia and the equally technical drum parts of Ken Culton, a raucous blend is created — one that pleases you and riles you up at the same time. Singer Jaz Frazier’s vocals are perfectly in sync with every change the music experiences. They are smooth and docile when needed, and piercing and powerful when there is an abrupt upsurge in attitude.[...]

Darksleep – Obviate

June 1, 2015

The imaginative soundscapes of Buffalo producer Darksleep have been among the most otherworldly to emerge from the local underground electronic scene over the past year. With the release of his debut album, 電効営み, the artist caught our attention with a vivid, experimental style reminiscent of avant-garde synth virtuoso Oneohtrix Point Never and Venezuelan producer/Bjork collaborator Arca. This sound-art approach to making tracks is conveyed clearly from a glance at the abstract artwork for the latest release from the enigmatic producer, Obviate.  From the onset of the album’s lead track, “Precursor,” with it’s glitchy vocals and washes of digital chaos, Darksleep creates an unsettling, yet mesmerizing atmosphere complete with playful arpeggiating synth tones and eerie droning textures. As a listener, the effect can be imagined as being transported into alternate universe where what follows is an eloquent glimpse at a wildly conceptual world of sonic visions. On “Spectre,” another unearthly loop begins the[...]

Hania Yiska – The Beauty Within

May 25, 2015

You could be listening to one of two different artists if you’re giving our latest album of the week a spin. Well, kind of. One of Rochester’s primo electronica artists, Jeffery Hull, writes under a slew of various pseudonyms, his name contingent upon the style and mood under which he is writing. For the purpose of this article, which highlights his latest release The Beauty Within, I’ll be focusing on two: Hania Yiska, which explores his sonic creations with vocals layered on top, and Mad Hugs, which is the artist’s instrumental side of things. It should come as no surprise that Hania Yiska and Mad Hugs are actually very similar; both projects are brainchildren of the same brain. Yet, where there are obvious and innate similarities, there are also small differences that mark an interesting variety in Hull’s electronic craft. While Yiska delves into vocal territory with a pseudo-experimental fervor[...]

OHS – Long Legs

May 18, 2015

It stands to say that Sam Snyder is about as DIY as they come. The Rochester-based musician, commonly referred to as “Overhand Sam” on the local band circuit, is the emblematic jack-of-all-trades—writing, playing, recording, and engineering his own sonic outpourings. But his musicianship is not the only facet that defines him—Snyder also runs a local record label / production team hybrid called Turtle Phonic that records artists in his attic studio and subsequently promotes the shit out them. (Have a look at #turtlephonic on Instagram.) Snyder’s latest release under his OHS moniker—a “mini LP” titled Long Legs— is a stylistic potpourri, drawing influence from a grand multitude of artists and ultimately cohering into his most stimulating material to date. It’s tough to lay down an all-encompassing classification on such an eclectic bunch of tracks, though most of the songs share elements of psychedelia at its most basic of definitions. Sam[...]

Space Cubs – The Fire And Things Forgotten

May 10, 2015

The Fire And Things Forgotten, the celestial debut full-length from Buffalo born electronic musician Suzanne Bonifacio (who records as Space Cubs), is the result of what the artist refers to as a “journey of creative reflection and change” that included a move to Chicago before settling in Charlotte, North Carolina. Drawing comparisons to experimental pop artists like Bjork, Grimes, and Jessy Lanza, Bonifacio’s strength as a songwriter lies in her ability to forge melodic, blissful sounds from underneath an uneasy, murky veil of reverb and restless percussion. Mostly recorded during a period where the artist found herself living in the middle of Pisgah National Forest, the album successfully conjures the remote, ruminative circumstances of its creation, as is apparent from the atmospheric opening cut, “Back Lies,” with its siren-like vocals and inviting melodic elements. The following track and lead single, “The Eye,” is perhaps the strongest display of Bonifacio’s classically trained vocal[...]

Joey Mason – Lazy Beach Baby

April 27, 2015

There’s a romantic charm to being lazy, especially when it involves sunshine, warm sand, and an expanse of blue ocean an arm’s length away. It’s one that we all lust after, on our busiest of days, on our not-so-busiest of days. This is the charm that Joey Mason has managed to capture on his latest 18-song release, Lazy Beach Baby. The title characterizes the overall theme and sound of the album pretty darn well. With fuzzed out vocals, reverb-laden guitar riffs and the occasional smooth tenor sax line, you are transported to a breezy landscape. Think down tempo surf rock with a little more spaciness. Stylistically, the instrumentals share the same pep that a band like A Great Big Pile of Leaves has, and the vocals bear a pretty apparent similarity to a more mellow Julian Casablancas. The beach aesthetic is plenty mentioned. On the song “Baby Baby” Mason sings[...]

Joywave – How Do You Feel Now?

April 20, 2015

Since the band’s inception, Joywave has been somewhat of a buoyant hot air balloon, steadily gaining altitude with every move they make. These Rochester natives can more-than-safely say that they’ve stepped beyond the realm of the local music scene, and even the regional music scene. They’ve saturated the alt-rock airwaves, successfully pinned a number one song on the alternative Billboard charts, been name dropped by Tony Hawk on Twitter, and have late night TV performances on both Seth Meyers and Jimmy Kimmel tucked neatly under their belts. The explanation for this rapid emergence is simple. Joywave is a lure that will reel you in one way or another — if the incredibly catchy synth lines don’t get you, the adrenalizing dance beat or the slick mystique of singer Daniel Armbruster’s falsetto will. Their recently released full length album, How Do You Feel Now?, strongly supports this claim. The album opens[...]

Amateur Radio Club – The Laughing Vulcan and Her Dog

April 13, 2015

Rochester’s got some new digs. Ian Egling, formerly of the band SPORTS, and now performing solo under the moniker Amateur Radio Club, just released his debut late last March. The eight track album, titled The Laughing Vulcan and Her Dog, is heavy on the electro pop stylings and draws influence from the synthy jams of yesteryear; snap judgements conjure Bowie and Depeche Mode. Further critical listens reveal a certain modern charm that, when paired with the unambiguous vintage flair, gives this release a unique sound worth diving into. The Laughing Vulcan and Her Dog is our Album of the Week. Vulcan opens strong with the catchy and intimate “SOMEWHERE SUMMER,” making the most of a cheeky synth line layered with electric piano and bouncy drum beat. The synth solo towards the latter half serves as the sweet icing on an already delicious cake. “On and on, on and on…” sings[...]

slackjaw – friendly pestering

April 6, 2015

You’ve got a friend in slackjaw, and not just because their bandcamp URL says so. The Geneseo quartet’s catchy blend of garage punk and slacker rock has a pleasantly affable vibe to it, an air of innate approachability. Their self-appointed description is “weekend rock,” which I think they wear well. Start with the indie charm of Waxahatchee or Lemuria, add a little Pumpkins-esque crunch, and just a dash of late nineties emo influence, and you’ve got yourself some slackjaw. The band just put out their first release a few short days ago, the wonderful friendly pestering EP, already earning a bit of buzz and some heavy rotation here at the blog. I’m happy to crown friendly pestering buffaBLOG’s Album of the Week. It didn’t take very long to warm up to the songs, suffice to say that’s what the band was going for. Singer Ella Mosco delivers lyrics with an[...]

JOHNS – Grift Marks

March 30, 2015

The melodic dissonance of JOHNS’ new album, Grift Marks (released this past Saturday via Peterwalkee Records), comes from a dark, post-industrialized corner of the world. Imagine Joy Division’s Ian Curtis growing up in the rust belt. Still, every track, every note on the newest release demonstrates a high level of precision. JOHNS may conduct a pathos of unbridled terror, but it is with great care, rather than sloppy angst, that quintet does this. Multiple guitars from John Toohill and Nick Gordon leave their trademark scrape on the surface of every song, but with delicate harmony rather than chaotic noise. The dueling leads in “Wasteland,” for instance, intertwine to create a pallet for the track’s chanting, gang vocals. The guitar and bass hits in the chorus of “Erase Them” hit so hard because of the band’s attention to melody and countermelody. While uniform in mood and composition, each track employs a[...]

Lesionread – Lesionread’s Greatest Hits! Vol. 1

March 23, 2015

Just a little shy of two years ago, Lesionread exploded onto the scene opening for Wild Nothing at the Tralf with an experience high on avant-garde mischief and mayhem, and Buffalo frankly hasn’t been the same since. The performing moniker of ever ambitious artist Shawn (Sean?) Lewis (Louis?), Lesionread has been an adventure ever since: staging fun yet challenging happenings, constantly refining his sprawling sound, doing his best to live his “art all day” mantra, and in 2015, he’s compiled two year’s worth of work onto a CD/tape cheekily titled Lesionread Greatest Hits Volume 1, and it’s our Album Of The Week. Still, as cheeky a name as Greatest Hits is for a debut album, it’s not entirely undeserved. From the start, it was clear that he wasn’t thinking about his art strictly in terms of songs, instead focusing on the experiences he’s orchestrating, and Lesionread has always been fine[...]

Newish Star – How Soon We Forget

March 14, 2015

There’s a certain word that comes to mind when I think about the genre of pop-punk: “bratty.” In this context, it’s a compliment, or at least not an insult. Good pop-punk tends to come with a sneer and a stuck-out tongue, the objects of its quasi-ironic, sometimes petty derision usually the self, and then everybody else. That’s not a huge emotional range, and really good pop-punk often cleverly plays with those limits. It’s those kind of moments that make Newish Star’s new tape, How Soon We Forget, especially interesting. Musically, it’s in the same ballpark as their past releases, but past the power chords, the slightly-off vocals, and the driving drums is a level of nuance that serves as evidence of growth. The very first moments of the tape serve as a pretty good metaphor for where the band’s at. It’s a recording of the trio between songs at a[...]