Album of the Week

Velvet Bethany – Rock & Roll Vacation!

March 4, 2019

Feminism is punk rock. If you don’t think so, you don’t know punk. Punk rebels against the status quo and focuses angst and anger to inspire change for the better. And in 2019, women have plenty to be pissed off about. Enter Velvet Bethany and their brand new full-length, Rock & Roll Vacation!. The latest is the band’s fifth release and stuffed with ten catchy tracks of garage punk rock that’s an absolute blast from start to finish. What started as singer and guitarist Allison Mitchell’s solo project evolved over the past five years into a four-piece powerhouse with the additions of Vivian on lead guitar, Lux Arnold on bass and Mike D behind the kit. These four bring out the best in each other to create candy-coated, sweet ‘n’ sour punk rock with badass and irreverent feminist attitude. After a brief 8-bit musical masterpiece, the album opens with the[...]

Green Slime – 2

February 11, 2019

Buffalo trio, Green Slime, are back and in full effect with their new speaker blowing and truly excellent 10-track stoner garage rock album, 2. Their sophomore full-length can best be described as the perfect combination of heaviness and melody. It’s the kind of songs Rivers Cuomo circa the Blue Album would have wrote had he snorted a mountain of coke and bit the head off a bat. The wonderfully raw and crunchy garage grooves from guitarist Eric Ellman and bassist Mike Euscher are so thick they practically ooze from their amps. The two shred at their heaviest and doomiest on “Survival,” a boisterous track that will possess you to throw up your lighter while headbanging deeply and lethargically along. Ellman also works double-duty as Green Slime’s lead singer with crooning vocals reminiscent of the ones you’d hear on a nostalgic 90’s alt-rock single. They’re an absolute blast to sing along[...]

VR Sunset – Artifact

February 4, 2019

Planet Three alum and Lesionread co-conspirator Reggie Clark has an electronic solo project under the name VR Sunset and his debut album Artifact is fluffy slice of psychedelic chillwave yacht rock heaven. Produced by Deadwolf’s Cody Morse and featuring tasteful drums from Deadwolf/Passed Out/M.A.G.S. polymath Tyler Mendola, and pretty much everything else from Reggie, Artifact is all in on it’s quest for exquisite ear candy sensations that channel a lot of tasty influences and inspirations including but not limited to Toro Y Moi, Neon Indian, Tame Impala, Flaming Lips, The Human League, The Beach Boys and Pink Floyd, and my ears loved all of it. Concise and to the damn point, Artifact wraps you up in a big fuzzed out hug from the start on “I’m Your Density,” a light bit of tongue in cheek electrofunk that grooves on a perfectly ethereal beat, some Crispin Glover weirdness, and an impossibly elastic synth line before “Clear[...]

Old Fame – s/t

January 21, 2019

Based out Rochester, Old Fame is a new band formed by veteran local musicians Ben Armes (guitar/vocals), Evan Clark (guitar), Jay Asarese (bass), and Doug Kelley (drums).  This four-piece band is bound to catch the attention of many following the release of their self-titled EP on January 7th. Upon initial listen, Old Fame draws comparison to Coheed and Cambria, mainly in vocals and narrative.  Comparatively, “Blue Savage” sounds closest to a Coheed track.  The instrumentals and vocal melodies in this track are similar to those in Coheed’s early works.  However, the two groups are distinctly different.  Building on such an influence, Old Fame crafts their own sound within the genre with this debut EP. Old Fame delivers intensity through methodical guitar riffs in a tone that captures one’s attention.  While brighter on most tracks, the tone has an underlying sense of eeriness between beautifully crafted solos.  It adds a subtle element of drama, driving[...]

Ian McCuen – Seasons Fleeting

January 14, 2019

Ian McCuen is a self-proclaimed “purveyor of sorrow,” and now may be a better time than ever to introduce his latest offering. For the depressed and the downtrodden, his somber, three-song EP, Seasons Fleeting, is here to queue in the bleak January blues. What better accompaniment to the false optimism of new year resolutions and the passing of the insincere holiday cheer than McCuen’s acoustic-guitar driven laments about the recently passed “most wonderful time of the year.” Title-track “Seasons Fleeting” is a sleigh-bell tinged ditty about the paradoxical nature of the holidays. Opening line “the tree is covered in twinkling lights” is imagery that directly opposes McCuen’s choice of album cover – a garbage can in a dingy kitchen, wrapped in cheap Christmas lights. Through vibes reminiscent of Bon Iver and Elliot Smith, McCuen gently strums his acoustic guitar and delicately shakes his sleigh bells to describe his hatred of the fleeting seasons. Christmas time[...]

SMUG – Gorgeous

December 10, 2018

SMUG’s new album, Gorgeous, knows exactly what it is: bratty pop-punk marked by massive, inescapable hooks. Through ten songs, “Gorgeous” never wavers from its goal to get you moshing with your friends now and humming to yourself later. Opener “Robbed Blind” sets the template for most of the songs on the album. A guitar tag and a quieter verse lead into a huge, anthemic chorus; repeat, add a bridge and you’ve made it. It’s a rhythm any listener’s familiar with, but that doesn’t make it less potent – on the contrary, the directness is kind of the point. SMUG doesn’t want to distract you with any frills. They want to upload the hooks directly into your brain. There are songs that break this mold a bit, and they’re the best on the album. “Earworm,” for instance, builds and builds and builds, starting with a calmer, almost power-ballady intro, but roars[...]

Night Slaves – III

December 3, 2018

Local dark electronica duo Night Slaves have returned with a killer live show and sophomore full length album in Night Slaves III that brims with soaring ambition, darkness, and evil, genre defying grooves that lift it above the noise. From start to finish musical polymath David Kane astonishes on III, bending so much to his will to create varied backdrops for his cohort John Toohill to summon some serious mojo, channeling Bowie, Nick Cave, 90’s Michael Stipe and Paul Banks to impressive effect, while the incredible guest vocals from Lucy Bell throughout kind of echo in your soul like ye old fairy magic… if that fairy magic wore boots and kicked ass. III crushes immediately with a bleak yet defiant drive through a post apocalyptic wasteland on “The Last Elephant” that grooves with menace and a Spectoresque wall of sound, layering haunting vocals among the droning guitars, loops, organ, etc to fill your ears.[...]

West Ferry – Bit

November 26, 2018

Sure, the four-song Bit may have come out in July… But what really matters is that West Ferry is back, and they’re ready to hit the ground running now. This emoish/pop-punkish quartet is touting a fresh new lineup and a batch of songs that were recorded by Paul Besch at Quiet Country Audio. There’s certainly a drunk, sad-boy rock approach here (their terms, not ours), but there’s also a surfy, 00’s garage-rock tinge to their songs. It’s an interesting juxtaposition – one that’s certainly worth 15 minutes of your time. “Weed Rage” encapsulates the prototypical twenty-something rage, in this case, induced by a weed coma. Despite the marijuana haze, it’s a surprisingly upbeat guitar-driven number about almost getting in a fight, but bailing at just the right time. Title-track “Bit” is also an EP highlight; again, West Ferry utilizes bright, major chords, complimentary lead guitar riffs, and some bass solo theatrics to get[...]

Feverbox – Political Theater

November 19, 2018

In the interest of fairness I’ve got to preface this review by firmly making the point that I’m not shading anybody else or their art while talking about the bold as brass new EP Political Theater from the beautiful fellas of Feverbox. There’s a number of ways to process these… interesting times personally and through one’s art, and there’s more than a few local acts speaking to the tumult politically and existentially raging in these United States, and representing for what they believe in, and it’s valued and appreciated. But what Feverbox (Griffin Smith, Nico Kelly, Josh Little, Drew Lazelle) is doing on Political Theater is something else altogether because it’s one of the most urgently direct and plaintively honest responses to the Trump era yet. There’s just very little left to interpret when Feverbox kicks off an ep titled Political Theater (featuring our beloved President in photoshopped Queen of Hearts drag)[...]

Carpool – I Think Everyone’s A Cop

October 8, 2018

Rochester quartet Carpool combine the urgency and emotion of emo with the washy bliss of shoegaze. With reference-a-many to smoking, sex, and wearing your heart on your sleeve, their debut LP I Think Everyone’s A Cop perfectly captures a moment in time. It’s a seven-song offering full of strong songwriting and even stronger emotions; see below. Opening track “Cigarette Cough” opens with a short skit before launching into a sloshy, mid-tempo rhythm. Carpool doesn’t skimp on the emo; their songs are certainly full of heartfelt vocals layered over guitar-driven skeletons about love and cigarettes. What really sets this particular group apart is their tasteful use of effects. Guitars are laden with swirls, noisy fuzz tones, and echo-chamber reverb tanks. Sidenote: I think these guys really like cigarettes. Track two, “Another Song About Rachel,” has a surprisingly straightforward fuzz chorus about making love to your s/o and listening to Morrissey. Moments like this particular chorus[...]

Bearhunter – Nothing Further Beyond

October 1, 2018

Buffalo indie rock mainstays Bearhunter have been around for over 10 years. In the life of a local band, that sort of staying power is almost unheard of… But when you’re crafting finely-tuned music like this particular trio, it makes sense to stick around. The trio, brothers David and Mike Calos and bassist Robert Pusateri, have recently released a new album called  Nothing Further Beyond. These nine tracks are a fitting ode to the fading summer, full of airy, danceable indie rock that goes down smooth. Bearhunter’s dynamic immediately brings to mind the sound of modern rock royalty like Arctic Monkeys, Raconteurs, or Spoon. The guitar work from David Calos is impeccably nuanced – his sense of dynamics is truly incredible and helps carve out Bearhunter’s niche in the crowded indie rock scene. What’s more, Calos’ vocals are a tasteful mesh between smooth and rasp without having too much of one or the[...]

Red Heat – Dark Days

September 24, 2018

Seemingly, the biggest outlier on Red Heat’s new album, Dark Days, is the song “Yojimbo.” Most of the songs on the album are very literal and highly political, but “Yojimbo” is a relatively direct recounting of the movie of the same name. In their fierce, subtly technical punk vernacular, Red Heat recounts the story of a masterless samurai who stumbles into a village ravaged by violence and reluctantly saves it from itself. Except, look at the lyrics: “The bodyguard is trying to kill you, Better get your wallet out. This town is a graveyard now, The cooper’s all sold out. The old mayor plays his prayer drum, While the new mayor’s selling silk, ‘Til they burn the silk house down and put a sword in his gut.” What’s missing here? The hero. There’s no change, no action, no resolution. The agent of change has been excised. “Yojimbo” has been reduced[...]

California Cousins – Distant Relatives

September 17, 2018

California Cousins have been kicking around their native Rochester (and far beyond) for a while now… If you’re not familiar, they wield the most noodly riffs known to man stuffed into time signatures that will make your head spin. Distant Relatives (out now on  Chatterbot Records and Deep Sea Records) is their debut LP, a ten-song lesson in emo and skramz virtuosity. There are elements here of heartfelt-emo (The Hotelier) and heavier, vocal-cord-shredding hardcore (Touché Amoré), all wrapped up in a nearly impossible math rock (Tera Melos) package. “Aspirin” is an apt opener; the Cousins opt for a quick-tempo screamer to start things off with a bang. The real treat here (and throughout the rest of the LP) is the attention paid to sheer guitar acrobatics. In general, their songs are packed full of ingenious guitar tricks – squealing harmonics, swelling feedback, nimble bends, and quick licks that will make any musician nod with approval. Lead single “Extendo Weekend”[...]

Humble Braggers – Cycle

September 10, 2018

Cycle, the latest EP from synth-pop quartet Humble Braggers, is excellent, danceable and almost entirely bereft of hope. The cycle that the album title alludes to goes something like this: Feel lonely, feel desire; Take a risk, regret the consequences; Find connection, find out that it’s torturous; End up alone; Repeat. Sounds depressing, right? But it’s not. Even as the lyrics dwell on despair, the songs themselves carve out a euphoric space where pain gets put on hold as we give ourselves over to the music. We start with “Reckless.” In a stripped-down verse, bass and a simple beat drive us forward as vocalist Tom Burtless softly intones: “You’ll never get what you want it’s pointless… It’s rinse wash and repeat. It’s the cycle you wish you could defeat.” But instead of collapsing into despair, the synths bubble up and explode into the chorus, with Burtless chanting “I know, I[...]

Leyda – s/t

August 27, 2018

Leyda evokes the feeling of college. Not Asher Roth’s college, not “Animal House,” but the actual emotional space of the place. You’re constantly two different people. On one hand, you’re hopeful, idealistic, excited to see how life turnedyer hand, day-to-day life is sad and often gross. Everyone seems to harbor a barely-concealed depression, relationships end messily and you spend a lot of time watching other people vomit. Those two layers of life exist simultaneously, both true in their own way but mostly irreconcilable, like two liquids in a suspension. Leyda lives in that tension, makes poetry out of it. “Wren,” the first song on the self-titled EP, sets this tone. It starts with the symbol-laden image of a burying a dead wren in fertile ground, with songwriter, vocalist and pianist Saffi Rigberg’s distinct and lilting voice matching the strange beauty of the moment. But soon, we’re back to reality –[...]