Latest Posts

Gypsy Freight – I’ll hold this close

Ariel Piazza is not your run-of-the-mill college rock musician. Writing and performing under the pseudonym Gypsy Freight, Piazza paints emotional sonic portraits in a vein of ambient folk all her own. Her newest release, a full length titled ‘I’ll hold this close, ‘ bleeds with emotionalism, twelve tracks of ethereal folk atmospheric music worth swimming in. The thing about Gypsy Freight is that it’s not far off from what you’d expect if you were to imagine what the project sounds like based on name alone. That’s not to say the tracks aren’t striking (because they are), but the fact that many of the songs sound as if they were recorded in a halfway-haunted grand cathedral is remarkably suiting. Piazza’s voice is both sweet and powerful; this prowess is especially prominent in tracks like “I don’t know what I’m doing but I’m okay” and “building homes,” her Daughter-esque delivery riding the dark[...]

North Collins – North Collins

You know the saying—“Another day, another rad album of the week from Rochester.” Pretty sure that’s how it goes. At any rate, it holds true this week; Rochester pop-folk duo North Collins having dropped a wonderfully-composed nine tracks of lush experimental folk. With its uplifting male-female harmonies and striking, appropriate orchestration, the self-titled debut fits nicely on a shelf between an Illinois-era Sufjan Stevens and indie-folk contemporaries Mates of State. When Mac first sent me the link to the duo’s bandcamp, I thought perhaps he was making reference to the project’s name; North Collins is also the name of a town neighboring my hometown of Eden, a Buffalo suburb. “Heh, a suitable listen for an Edenite,” I thought, as I opened the link and plugged in my headphones. All novelty aside, North Collins is the real deal. From the very first track, “Western Sky,” I was drawn immediately to the[...]

A Relative Term – The Quiet End of the Space Age

Atmosphere isn’t an easy aspect to apply to folk music. The predicament almost becomes a matter of mathematics; include too many layers, and the ambiance detracts from the songwriting itself. But for A Relative Term—the musical project of Mark Longolucco—a sound atmospheric ratio comes naturally. When that ratio is applied to the contemporary folk songs on the project’s latest LP, The Quiet End of the Space Age, we’re left with an immersive collection of tracks that melds thoughtful musicianship with a warm-hearted nature of songwriting that makes it difficult to remain unaffected by. Mathematics aside, The Quiet End of the Space Age has an alarmingly natural feeling to it, despite the lush offerings of keyboard often found filling out the ten tracks. It’s a pretty unique balance—think the rusticity of an early Iron and Wine meets the haunting ambiance of the latest Sufjan Stevens album. Folk contemporaries Mutual Benefit strike[...]

Cadaver Country Drops Debut EP

This week marks a new album for Cadaver Country, the freak-folk side project of Pine Fever member Jacob Verghese. The six track EP, titled Vain Brain, follows much in the same vein as the album’s first single (released earlier this year), and finds a unique balance between the endearing weirdo-isms of artists like Jeff Mangum of Neutral Milk Hotel and the eclectic folk instrumentation of The Decemberists or The Bowerbirds. Tracks like “Divining Light” and “Good Morning, Morning” capitalize on homey Savannah back porch vibes, both with plucky banjo lines and inviting tambourine, the former capturing an interesting storytelling side a la Lord Huron. My favorite of the six tracks, “The Man With the Teeth,” finds Verghese at his most instrumentally articulate, particularly with his impressive banjo work, while lonely sighs of pump organ surface from the background. The whole EP, written, recorded, and produced by Verghese himself, is an[...]

Tonight: The Multiple Cat

The angular pop mainstays in The Multiple Cat (IA) will make their way through Buffalo tonight on a musically diverse bill presented by Queen City Cartel. As a band, The Multiple Cat has stood the test of time as the ever-evolving project has spanned a nearly 20 year timeframe. Some of their latest material—see “Magic That Doesn’t Work,” below—finds a happy medium between indie rock and alt-country, feel-good tambourine vibes a-rumblin’. Make your way down to The Gypsy Parlor tonight to bask, dance, and maybe bask some more. In the name of true eclecticism, local support tonight will be provided by wild garage punk trio Kharlos and soaring psyche rockers Deadwolf, both acts having released fresh material this year. The party starts at 10pm for a cool $5.

Mr. Will Shares Debut EP Motel Pools

Look out Rochester, a new force is on the radar. Multi-instrumentalist / producer / all-around music man Mr. Will (born Will Smillie) released his impressive debut EP Motel Pools, a sprawling easy-rider of a record blending elements of indie pop and psyche rock, late last month. It’s one of those records that doesn’t take time to warm up to; the warmth is already there—just pull up a seat and get yourself settled in. From the slow-burning balminess of the title track that opens the EP to the fiery fretwork of “Where Does the Light Go,” Motel Pools, produced by Smillie himself, covers a lot of ground and covers it well. After one spin, the listener is treated to hints of wide-ranging influence including My Morning Jacket, Dr. Dog, Mikal Cronin, and more. The hooks are plentiful, the solos could sear a steak, and the resulting package is cohesive, easy to listen[...]

Sufjan Stevens at UB’s Center for the Arts (10/30/15)

So we may not have been treated to a very random cover of Drake’s “Hotline Bling,” but we were still undoubtedly treated. Sufjan Stevens, in his long-awaited return to Buffalo this past Friday, delivered one of the most spectacular live performances the city has seen all year. I thought Carrie & Lowell—Stevens’ 2015 full-length written in dedication to his late mother—was already a masterpiece, but seeing, hearing, and feeling the album performed live at UB’s Center for the Arts Mainstage Theatre brought an entirely different light to the songs, a poignancy so thick it was nearly tangible. I wasn’t sure what to expect from opening artist Gallant; I hadn’t sampled his music before the show, but was confident that an opening slot on a Sufjan Stevens’ tour was already a testament to his ability. I wasn’t wrong—the young R&B singer (23) had an incredible falsetto and exuded a great deal[...]

Tonight: The Bones of J.R. Jones

J.R. Linabury, the one-man creative force behind the era-bending blues tunes of solo project The Bones of J.R. Jones, will take the iconic stage of Mohawk Place later tonight. “Solo” is a word that only goes so far when describing the project; Linabury may be the only body on stage during performances, but somehow he doesnt appear alone. He transcends the one man/one guitar stigma, crafting swirling folk songs using guitar, banjo, hi-hat, and bass drum in a commendably simultaneous fashion. The whole package is astonishingly honest, and shatters the boundaries and limiting capabilities of “solo” projects as they’re typically defined. Joining J.R. on tonight’s bill are the harmony kings in local psyche act Deadwolf and the soulful musings of Jacob Peter (Humble Braggers, Dreambeaches), also of Buffalo. Doors open promptly at 7pm with a $5 cover.

Tonight: Title Fight

For the second stop on their Fall 2015 headlining tour, Wilkes-Barre emo stalwarts Title Fight will be slinging their melodic post-hardcore bliss from the stage of the Studio at Waiting Room tonight. The band’s latest release, February’s Hyperview, takes on a guitar-driven, shoegaze-ish approach—something of a departure from the quartet’s hard-hitting pop-punk of yesteryear. Call it what you will (indie crossover, anyone?), Hyperview hits home in all the right places; expect to hear these tracks tonight. Joining Title Fight on their autumnal adventure is the infinitely eclectic songwriter Alex G, his latest effort Beach Music spanning genres like it’s nobody’s business. Much of it falls into an inimitably glassy vein of indie rock, like a transfixed Elliott Smith with cool kid riffs and spellbound vibes. Check out the new video for “Kicker” below and get there on time to catch this uniquely satiating act. Hometown heroes The Traditional will be[...]

Glenwood – Long Days, Lonely Nights

Winter is coming. I realize it might sting a little to read that, but just know that you have options. You can pretend it’s not coming, approach the chilly days with an air of nostalgic denial, imagining yourself back at (the now endangered) Canalside concert series under the Thursday sun or swimming at your own risk in the chancy waters of Lake Erie. Or, if you’re like me, you deal with the cold snap and find something to warm yourself up. The acoustic songs found on Long Days, Lonely Nights, the October debut from Rochester folk outfit Glenwood, deliver a certain loneliness—as the title suggests—but at the core of each track are the warm embers of something that once was. Those embers serve as the perfect heat source for the chilly seasonal shift, songs self-proclaimed as “whisky-drinking tunes that are there for you on those rough nights.” The description holds[...]

Meric Long of The Dodos

After six full-length albums and 10 years under their belts as The Dodos, Meric Long (guitar, vocals) and Logan Kroeber (drums, percussion) have something to be proud of. The duo crafts a signature strain of rhythmic indie rock, lying heavily on technical proficiency such as intricate strumming patterns and intense polyrhythms. Their latest album, Individ, capitalizes on these aspects to deliver some of the best-rounded Dodos songs to date. We caught up with Meric and snuck in a few questions before the band’s Buffalo visit brings them to the stage of Mohawk Place later tonight. buffaBLOG: Compositionally, did you approach your latest album Individ any differently than your previous work? Meric Lonh: The approach was pretty carefree with the one focus being that the songs be exciting and had parts that would push the limits of our abilities. bB: The interpretative dance in the “Competition” video—did you work with a choreographer? Tell us of your preparations. ML: Katie[...]

Total Yuppies Drops First Single

Freshly-formed Rochester unit Total Yuppies, featuring members of Skirts, Jon Lewis Band, and Full Body, dropped its first single over the weekend. The garage pop quartet channels the dreary vibes of Neva Dinova with an accessibility akin to The Front Bottoms on the new track, titled “Normal Life.” The whole package is lonesome and catchy, highlighted by the song’s pitch-perfect vocal harmonies sung longingly over the sprightly drum work. Keep an eye out for this impressive new formation on the live circuit and an ear to the ground for future releases. For now, relish in the rainy day that is “Normal Life,” streaming below.

Tonight: Rochester Invasion Pt. 2

In what is shaping up to be one of the hottest weekends of local music since Herdfest, there exists a bill so Rochesterian, it just might work. Well—actually—it has worked already once before. Tonight, Nietzsche’s will host part two of our Rochester Invasion series, featuring more of the finest talent our neighboring city has to offer. Joining us tonight we have 60’s-tinged party-all-the-timers Harmonica Lewinski, tongue-in-cheek lounge crooners Passive Aggressives Anonymous, multiinstrumental virtuoso Sam Snyder (or OHS, his endearingly shortened project name), and stone-cold rock and rollers The Ginger Faye Bakers. Each of these four acts bring their very own compelling flavor to the table, so don’t miss out. Swing by after Porchfest, the party doesn’t start until 9pm. This lineup is stacked, so bring five bucks so we can get our Rochester friends home safe and sound after closing time.

Dumb Angel – Antenna

Bands are kind of like stars. A band is born, a band implodes or dissolves, and a new band is reborn. In the local sense, this cycle of dissolution and rebirth happens all the time. In the case of Rochester garage-pop trio Dumb Angel, their star was born four years ago from members of The Instruments Band, and the resiliency of the new project has shone through multiple rebirths (Howlo, Europa & The Great Red Spot, Rochester Chip to name a few) over the span of those four years. This is an impressive bout of longevity considering most of these projects are ongoing, and now, after years of writing, recording, and mastering, Dumb Angel has dropped its debut—an impressive eleven tracks of sunny psychpop titled Antenna. If you’ve listened to Howlo, you should immediately recognize the voice of vocalist Ben Morey; Antenna capitalizes big on soaring vocal harmonies similar to the[...]

Tonight: Murder By Death

If your Wednesday plans involve Netflix and a pizza-induced coma, you’re doing something wrong. Now before you get your jimmies all rustled because I just shit-talked pizza, keep reading. Between this weekend’s MiA festivities, Monday’s of Montreal show, and Mikal Cronin’s visit to Mohawk Place last night, Buffalo has been on somewhat of a hot streak. And that streak continues tonight at Waiting Room with a set from Indiana roots rock outfit Murder By Death. For those unfamiliar, Murder By Death crafts a particularly gothic-tinged vein of Americana; imagine a Decemberists / Deer Tick crossover for a good starting point. The five-piece tour in support of its latest effort, the crowdfunded Big Dark Love, released earlier this year on Bloodshot Records. Tonight’s show features local slots from Sonny Baker (having just released a sizzling full-band EP last month), and The Leones, the fresh folkgaze project of former Crows and Jays frontman[...]