Latest Posts

Anteek Recipes Release B-Sides Collection From Upcoming Debut

May 9, 2014

Self-described “jazzy hip hop heads,” Anteek Recipes, have released The EP, a collection of 11 B-sides that did not make the cut for their forthcoming debut album. The album stays true to the group’s namesake, as the project is littered with the components of traditional, Golden Age-era hip hop music. Mr. Dirty Hairy handles the production for the duration of the project. Each beat appears to be a nod to the early-mid 90s production of artists like A Tribe Called Quest and DJ Premier, complete with the jazz samples and the DJ scratches. Dirty Hairy, all the way from Zagreb, Croatia, continuously demonstrates his understanding of the New York hip hop sound. Buffalo’s own Shuteyes takes care of the vocals on the EP. His deep, gritty voice compliments the production of Dirty and really helps capture that golden age aura that they’re all about. Shuteyes’ lyrics also circle around  the theme[...]

SLPCLSDTH Shows Off Potential On “Brains”

May 7, 2014

Tucked away on a relatively small soundcloud page, Buffalo hip-hop artist SLPCLSDTH (pronounced Sleep Close Death), has been releasing a stream of music over the last two years, and his newest track “Brains,” is probably his best. It’s one of those songs with lyrics where I don’t really know what they are, but at the same time, I know exactly what they mean. It’s an interesting track. SLPCLSDTH jumps from talking about artistry, love, and life in general, all around a chorus of “Nervous as it worsens, person nerves twitch, itch, no service.” SLPCLSDTH does a great job using assonance throughout, as each string of lines seem to revolve around the same sounds. All over a particularly catchy, unique keyboard loop, these elements fused together create a very pleasant listening experience on “Brains.” Check it out here:

New Visuals from Local Rap Trio Nameless

May 2, 2014

Coming off of the Walking on Water EP that dropped back in March is Niagara Falls trio Nameless’ hard hitting track “Milli.” After an intro from the EP’s opening track, the dreamier “In The Air,” the mood switches to the hard-hitting “Milli.” With a backdrop of some gritty western New York scenery, each of the group’s members gets a verse over some pretty dope, murky production. Highlight lines include “I tried to keep it modest but it simply wasn’t honest, what you think I hustle hard for, I studied Reaganomics.” from the second emcee of the group and “Hi Mom, drugs are awesome, so damn high I bet I could Moss em’,” from the third guy rocking the ski mask. I can’t figure out their individual names, but with the name ‘Nameless,’ I think that’s the point. Check it out .

Billy Drease Williams Drops The Long Awaited EDREYS MMIV

April 30, 2014

Billy Drease Williams is a veteran of the Buffalo hip-hop scene. If you’re not familiar with his work you might recognize one of his five songs (as a part of the duo Raw Intel) that made it onto the ESPN NFL 2k5 video game, the ultimate sign of success in the music industry. 15 years out of winning the Buffalo Music Awards Hip Hop Artist of the year award, Billy Drease releases EDREYS MMIV, a full project with an interesting backstory. Per his Bandcamp page, EDREYS MMIV was recorded 10 years ago and kept under wraps until this week in celebration of Billy Drease Williams’ birthday. The title is a nod to his given name, Edreys Wajid, and in Roman numerals MMIV is 2004. With the exception of “If I Should Die,” and “Hold Me Tight,” Billy Drease also handles the production on the whole project. It is really a wonderful piece of[...]

Gucci Mane and Young Thug – Young Thugga Mane La Flare

April 25, 2014

With the release of Young Thugga Mane La Flare, two of the biggest trap stars in the game in Young Thug and Gucci Mane take on a project full of banging club tracks. Young Thug is the up and coming Atlanta artist that has been making waves with hit club singles like “Danny Glover” and “Stoner,” who has received the co-sign from the Trap God himself. Gucci, renowned for his consistency on his free projects, comes through with another solid effort on this tape, exchanging verses and choruses with Thugga throughout. Young Thug’s distinctly unique flow his on display throughout the project, as expected. On the mixtape’s second track “Bricks,” his squeaky sing-songy autotune effort on the chorus contributes to one of the more memorable and catchy songs on the whole tape. He is the shining star on this thing, as his charisma and true originality are impossible to ignore. Simply[...]

Pizza Pizza Comes Through With Some Fresh Slices On Pie I

April 23, 2014

Airy synths, lead bass rhythms, and a variance of drum noises help form an impressive first album for Buffalo electronic hip hop artist DJ Pizza Pizza.  A pitched down “Pizza Pizza” DJ drop spatters throughout the songs, and they are probably the only words that matter on the whole project. The rest of the vocals heard serve as instruments as Pizza Pizza crafts a debut full  of different head-bobbing trip-hop/trap instrumentals.  Pizza Pizza is probably worth looking into due to his image alone. Every picture on his social media accounts is pizza related, and  his logo is of Little Caesar’s mascot holding an MPC and rocking a gold grill in his teeth with some gold on his wrist.  The format of the album, titled Pie 1, is that each song is a numbered slice that makes up the whole pie. The first song, “Slice 1,” is a really hard hitting trap beat[...]

Pharoahe Monch – PTSD: Post Traumatic Stress Disorder

April 18, 2014

Pharoahe Monch’s PTSD provides a nice contrast from the usual super lyrical rap album. Monch has mostly been known for his lyrical dexterity and his technical rap skill, and as expected, that is all on display with this theme album. There is great variety in his flows throughout, and on a variety of songs Monch busts out tongue-twisting internal rhyme schemes similar to something MF DOOM would use. Continuing on themes Monch developed in his previous LP W.A.R. (We Are Renegades), this album paints the picture of an artist who has battled with the music industry, and the aftermath of doing so. He talks of drug addiction, mental health, and even goes as far as to draw parallels between the Trayvon Martin incident and his plight in the music scene. Intermittently between tracks a computerized voice will talk to Monch, guiding us through the steps in his therapy. Each song provides a conceptualized[...]