Latest Posts

Jon Lewis – Out of Lunch

July 18, 2016

Named by 585 Magazine as an “Artist to Follow” in 2016, Jon Lewis fronts a John Ralston-like musical style begging for local, perhaps even statewide attention. Lewis partakes in a practiced indie rock act from Rochester coming at us as both a solo performer and as a full band. This time around, Lewis (guitar and lead vocals) and his band – Dave Drago (vocals and bass), Shawn Brogan (guitar), and Jacob Walsh (drums) – gift us a delicate EP entitled Out to Lunch. The six-song release is chock-full of solid alternative folk compositions, lush mixes, a general warm but lost feel. “Everyone Wants to Know,” Song 1, opens the release with tremolo guitar and soft group vocals. “Left his job, left for dead – no one heard what he said,” tells Lewis of the song’s protagonist. One should wonder if Lewis is cooing about his own endeavors. This tune is relatively simple.[...]

Aaron & the Burrs – A Burr for All Seasons (and Other Tunes)

July 12, 2016

Named after one of the most controversial historical Americans (the Vice President under Thomas Jefferson who killed Alexander Hamilton in a duel and allegedly sided with the Confederates after allegedly evading the law in the unexplored Western Frontier), Aaron & the Burrs stage a coup aimed at reclaiming Buffalo a stake in surf rock for listeners to enjoy  when visiting Lake Erie. Released June 23, A Burr for All Seasons (and Other Tunes) marks Aaron & the Burrs’ third LP. At under sixteen minutes, this vocal-less quickie keeps you entertained with its repetitious beach-y vibes. “Reprise,” the starting track, is a sixteen-second saga with a delightful guitar lick. The song explodes into existence with a fast snare drum roll, and before you know it, reverb from various instruments sees you out. “The Winter Solstice” blazes a trail like Dick Dale and the Deltones’ “Miserlou.” There is a mysterious shade accompanying the song.[...]

Super Defense – Sinking/Anything

July 8, 2016

I know what you’re thinking: “That picture is hilarious – Dwight Schrute-esque.” Well, that pretty portrait is of Super Defense, an indie/lo-fi/power pop solo project hailing from Syracuse. Andy Horvath, the man behind the music, has been writing tunes for this act since fall of last year. As of recent, Horvath teamed up with label Ghoul Tapes and utilized recording palace Converse Rubber Tracks of Brooklyn. His lates endeavor,  Sinking/Anything, is a two-song take on wanting to feel… forgotten at best. Luckily, Super Defense offers its listeners the best recordings and compositions its released to date. “Sinking” is an explosive song with a light mix. In other words, it’s fast like a punk song, yet gentle on the ears. Perhaps the best description is it’s like Cloud Nothings’ soft-spoken sibling. Regardless, the song carries an interesting mix. The bubbly bass bounces about the fretboard. Frantic guitars attack both ears (sometimes offense[...]

Scope & Figure – Gardiner Park

June 27, 2016

Brimming with new life is Scope & Figure, touring in support of their latest release, Gardiner Park. Tour dates can been seen on their Facebook page, hyperlinked above. Originally formed in 2013, the band spent their time playing shows, sifting through a multitude of members, and putting out numerous EPs and singles with which to dazzle their fans. Gardiner Park is their first full-length LP. The album demonstrates the band’s learned versatility and instrumental expertise. Track 1, “First & Last” is a low rumble pushed forward by modest synth and guitar, and prominent vocals delivered by frontman Thomas Varner. A distorted lead meshes seamlessly with falsetto ohs. Again, the low rumble of the drums and bass keeps the song swaying before mere whispers see the listeners out. “Sophia” is the next song. A clean guitar riff entertains the right ear before the rest of the band jumps in to support it.[...]

Dreambeaches – Habits

June 5, 2016

I’ll cut to the chase: These guys are good. Let’s just say I listened to them a few times for fun. Dreambeaches is a colorful quartet that’s barely a year old. Habits’ cover art does them justice, as does their Facebook promo photo take on fruit salad. This extended play is one that takes you on a trip. The music is unique, serene, and psychedelic. You’ll find yourself indulging in the bass-heavy, rhythmically-inclined songs. RIYL The Shins, Snowmine, Foals, and (at times) Tame Impala. Habits, the four-piece’s debut release, begins with “Tiny Spirits.” The track starts off with chirping birds. The band follows suit with some chirping of their own. “I’m tired of looking at life through a window,” is sung as the band plays in melodic and rhythmic symmetry. A wet-sounding deep synth keeps the band grounded through the ongoing tumult. Next, “Habits,” is decidedly beach pop. The catchy composition forces your[...]

Secret Pizza – Nothing Needs to Happen

May 29, 2016

Rochester’s Secret Pizza doesn’t sound cheesy like their name might imply. Instead, they embody badassitude, something the sweet, old lady with sunglasses on the black and white cover of SP’s upcoming release, Nothing Needs to Happen, carries. Nothing Needs to Happen is the group’s first proper LP, wrangling in tracks from previously released EPs and sessions, and man does it hit home. The albums starts of with “Where do we go from here?” a roaring, feedback-filled swarm of music. “No, I’m not that steady,” sings Phil Shaw, admitting to a feeling many know well. The song continues by raveling you into a fuzzy blanket of guitars, keeping you awake with a kickass bassline. “Where do we go from here?” is answered by, “Anywhere!” The screams and fighting of the instruments turn the listener into a well-understood pile of mush. “Oh my my,” is hushed at first, at least before Secret Pizza[...]

Petite League – “Zookeeper”

May 24, 2016

Bursting out from the Syracuse scene is Petite League with some new, noisy music. “Zookeeper” fronts zipping guitar leads on top of a dense block of jangly indie rock. The drums find themselves at the forefront, with hissing cymbals and a woody snare. The chorus claims, “[There are] no saints/gods in the animal kingdom” before interestingly cutting out. “Zookeeper” kicks back in with the same shredding guitars and bopping rhythm section until the song tires itself out. “Zookeeper” is available (only) for stream below, and you can find Petite League’s other discography here. [soundcloud url=”https://api.soundcloud.com/tracks/262189834″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

The Nigh – Fluorescent Sun

May 16, 2016

The Nigh is secretly sneaking into your midnight streams, already too close for comfort, of course. Hailing from Buffalo, New York, The Nigh does our music scene certain justice with their dark release, Fluorescent Sun. The LP as a whole is grey, bleak, and watery. The cover art depicts a “white hole” rather than black, prompting the onlooker/listener to wonder if, sarcastically, that bright something was something always to be out of reach. “…” ushers the wondering wanderer from that thought to a blissfully black fifty-second track that ends in an exciting synth flourish. Quieted, “I’ll Go Missing” kicks in. It’s a spacious, slightly funky track. The vocals bounce between each headphone. “We could run away just long enough to say I’d go missing,” is the lyrical lick of the song. It’s delivered as if the singer’s ready to run. The chorus is a solid mix of distorted guitar, ringing[...]

Sixties Future Release New Single

May 10, 2016

I’m not sure exactly what Sixties Future‘s name eludes to, but I believe “the future of 60s music” is a safe bet. With a lead singer Chris Couche sounding like The Boss himself, this group fronts a powerful, unabashed, Americana rock and roll that makes you want to hop on the loud, happy bandwagon. Mellow organ, big guitars, warm bass, and wispy slide guitar meld together forming the various body parts of “Bulletproof.” Opposite to the name, a common theme within the tune is the fear of dying alone. For a song that begins with distant calls from guitars and vocal chords, “Bulletproof” confidently strides forward until the end, leaving the listener “stoking the fire,” ready and wanting more. Have a listen to the single below. [soundcloud url=”https://api.soundcloud.com/tracks/262563933″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Evil Wizardry – The Garden

May 4, 2016

On April 25, Evil Wizardry released the condensed, electronic beauty that is The Garden. Evil Wizardry is a Utica-grown ambient, dream pop, noise band. A summary of those genres is: Though there are vocals and lyrics to this 5-song EP, don’t try to listen close without a lyric sheet, or your head might explode. It’s spacious vibes can certainly be appreciated, but everything needs to be taken with a grain of salt. Try to think your way through these songs and you’ll find yourself strangled by the racket rather than cozied in its trippy waves. “Trance Path” begins with a trance drum beat and jangly nineties guitar. Soon, expressive vocal phrases show their heads, though altogether, the song is a warped, making you bend over to listen closer to the somehow distant music. “Trance Path” ends with guitar bouncing up and down from the speakers. Song Two, “Gordon’s First Informal[...]

The Loner(s) / Drive Me Home Please Release Split

March 29, 2016

Rochester’s The Loner(s), Drive Me Home Please, and label, Bangkok Blend combined efforts to release a split last Friday, aptly titled the loner(s)/ drive me home please. For new listeners, The Loner(s) is a more lo-fi, sometimes strictly instrumental version of All-Time Quarterback or Secret Stars, while Drive Me Home Please combines simple synth pop mixes with depressed, Jordan Dreyer-like (La Dispute), self-conscious spoken word poetry. The mixing of the two artists proves fruitful, displaying the bands’ likenesses and potentials for further opportunity in the music industry. Stand out track from The Loner(s)  is “How To,” a song driven by the lonely despair that accompanies all loners. A kind acoustic guitar riff supporting a two-note analog synth flourish provides a chill environment. Unfortunately, the singer’s low coo croons of unrequited, incommunicable love – “I like you, but I don’t know how to.” “Drive Me Home Please” by Drive Me Home Please is[...]

Tonight: BAMBARA

March 28, 2016

Brooklyn’s BAMBARA are finishing up their largely southern and midwestern SWARM-promoting tour circuit within the Empire State. This noisy three-piece plays punk, noise rock with a bluesy, southern twang. BAMBARA, at its core, sounds like a less sibilant METZ mashed with Dads’ ballsy instrumentals. Their songwriting and live performances earned them a spot in this year’s SXSW roster, and they achieved a third place rating in Paste Magazine’s “The 20 Best Bands We Saw at SXSW 2016.” This might make up for fellow SXSW buzzband, Bethlehem Steel, and their bad luck last weekend by being unable to play at Nietzsche’s due to van trouble. Tonight’s show is at The Glitterbox. Supporting acts include Pretty Girls Make Graves-like Alpha Hopper, the garage delinquents in Hot Tip, and the punk rockers forming Facility Men. Doors are at 6. Bring $6.

Kvlt Ddy – Springing Graves

March 22, 2016

Kvlt Ddy (pronounced “Cult Daddy”) is a band native to Syracuse that issued their fifth release, extended play Springing Graves, a little more than a week ago. The EP’s cool color schemed cover art looks like a beautifully violent fuse of Avatar‘s prettiest foliage and The Terminator’s skinless skull –  an accurate visual for the music, oddly enough. Kvlt Ddy’s self-proclaimed pop bummer rock and lo-fi emo genres justly portray their songs. Kyle Beam, Alex Palumbo, and friends composed shoegaze with two different stylistic foci: synth-heavy, effect-drenched shoegaze, and a fuzzy, distant, noisy variant. Admittedly, the group’s duality helps give the three song-EP an overall lost feel. Springing Graves makes it easy for you to keep your head down and bob about half-wittingly, forgetting your troubles. “Lingering Will” is the first song off this boisterous crew of recordings, the name providing effortless foreshadowing for what is to come. The tune begins with a clean,[...]

PineSheets – Casual Frustrations

March 16, 2016

… Think a completely synthetic Elvis Depressedly meshed with the trippy-ness of Youth Lagoon. The previous ellipse is necessary as it reflects Casual Frustrations‘ tendency to slow your breathing as you become entangled in its dizzying churn. For PineSheets’ new EP, sole songwriter/producer, Joseph Vita, wrote six cohesive songs, their simplicity bordering on nothingness. The songs as a whole represent the stale depression Vita experiences throughout his daily affairs. Via R&B, soul, and experimentation, PineSheets succeeds in creating an attractive EP. Casual Frustrations kicks off with the whimsical, fluttering “Can’t Wait.” About a minute in, the piece transforms into a noticeably jazzier mix, in which Vita sensually creeps forth eventually singing about his excitement to give his love some sugar. The lead single, “Sunday Afternoon,” takes you on a twisting journey through the latter half of the weekend (typically the less exciting half). Vita exclaims, “I need to find something to occupy[...]

Kimmy Reveals Debut EP

March 11, 2016

Pear, by Kimmy, is a recent release by the Buffalo group deeply immersed in the thrashing indie rock scene.  With vocals that sound like a punk-y Kevin Drew (sometimes even King Krule), the band sports an interesting dynamic for listeners here, there, and everywhere.   Instrumentally, Kimmy is the younger brother of The Blood Brothers, and a cousin to Pissed Jeans.   Unafraid of technical dynamics and rhythms, the newly formed band teamed up to record with Steak & Cake Records’ head honcho/producer, Brandon Schlia.  Kimmy writes mosh-worthy tunes meant to shake off whatever parasite’s within.  One listen through will make you wonder why the pear on the album cover isn’t skinned and leafless. The EP kicks off with “Parasite,” which cuts like a dirty, rusted blade.  The artwork continues onto “Mutt,” a six-and-a-half minute song with plenty of intense instrumentals.  The lyrics, “… sometimes, this is not enough,” give the musical piece[...]