Latest Posts

Jon-Olov Woxlin – JUNK TRUNK

June 18, 2023

When you hear the Americana-soaked music coming from Jon-Olov Woxlin, your initial impression might be that of a man living in the southern United States (think Mississippi or Louisiana or something like that). In actuality, Jon-Olov is from Gothenburg, Sweden, making his distinctive brand of mile-a-minute folk all the more unique. His latest offering, the 12-song JUNK TRUNK, highlights Jon-Olov’s penchant for cleverly-worded folk rock with an onus placed on spontaneity. Expect bouncing basslines, plenty of acoustic guitar strumming, and Jon-Olov’s ear-catching baritone throughout – each track on this album is simply three instruments and Jon-Olov’s vocals. It’s stark and it’s simple, but it works for Jon-Olov & co. Album opener “Exit Sign Explicit” finds Jon-Olov borderline rapping overtop an acoustic guitar backbone. Are his songs political? Are they religious? It’s hard to tell while he’s spitting lyrics at a surprisingly brisk pace… What’s even more surprising is that this[...]

Shep Treasure – s/t

February 19, 2020

Sunday morning, a few hours after a long night out, I lay flat on my back in my new, sparsely furnished apartment, the snow-reflected Sunday light streaming through the windows – a big departure from the glass-block filtered sun of a previous basement apartment. I zoned out with my eyes glued to the wall above my bookcase, and “Nothing” by Shep Treasure was stuck in my head. The next night, wrapped up in a quilt, I once again found myself spacing out, this time toward a cat toy on the floor, and “Friday” was playing in my mind. Rochester indie pop trio Shep Treasure’s debut, self-titled EP is our Album of the Week, and it won’t leave me. Frontwoman Sabrina Nichols has been narrating my thoughts for a few years now. This is her second time landing Album of the Week, the former being in the days of a previous[...]

Green Slime – 2

February 11, 2019

Buffalo trio, Green Slime, are back and in full effect with their new speaker blowing and truly excellent 10-track stoner garage rock album, 2. Their sophomore full-length can best be described as the perfect combination of heaviness and melody. It’s the kind of songs Rivers Cuomo circa the Blue Album would have wrote had he snorted a mountain of coke and bit the head off a bat. The wonderfully raw and crunchy garage grooves from guitarist Eric Ellman and bassist Mike Euscher are so thick they practically ooze from their amps. The two shred at their heaviest and doomiest on “Survival,” a boisterous track that will possess you to throw up your lighter while headbanging deeply and lethargically along. Ellman also works double-duty as Green Slime’s lead singer with crooning vocals reminiscent of the ones you’d hear on a nostalgic 90’s alt-rock single. They’re an absolute blast to sing along[...]

SLUGS – Cool World

September 4, 2018

Los Angeles-based band SLUGS have released their second EP titled Cool World, and it may just be the perfect summer album. A refreshing take on the classic rock sound our parents taught us to love, Cool World demonstrates an appreciation for the origins of the genre, as well as its promising future. From front to back, this 6-track album will have listeners’ full attention with little effort. There are elements reminiscent of well-known bands such as Dead Sara, Royal Blood, and Weezer (check out “Curveball” specifically for this reference) in choices of guitar tones and vocals. However, the interpretation of the genre itself is something we see developing in upcoming bands (some local examples include Cooler, Ellsworth). At its foundation, the music is still rock. Yet, there’s something wholly different about the songs by these emerging artists. To accurately depict this difference is challenging, because the distinction seems to entirely[...]

Chill Ali – FREE YA MIND

July 23, 2018

Rising Buffalo-based emcee, Chill Ali, earns his moniker with his latest, long-gestating project, FREE YA MIND. This nine-track offering, which Chill served as both rapper and producer, is two years in the making. The thought and dedication that went into the process is obvious, but as a result Chill has created a superbly cerebral and zen indie-rap album that shows promise of the spitter’s budding signature sound. As a producer, Chill’s productions are spotlight stealing and mess with your senses and perceptions in the best way possible. Hypnotizing beats reverb, melt and ungulate with the syrupy influence of the Houston and cloud surfing hip-hop scenes. The closing title track in particular will massage your brain and get your head nodding in euphoric satisfaction. As a wordsmith, Chill floats over his dreamy beats with a cool and assured flow. His subject matter varies from Buffalo street raps, personal anecdotes and third-eye[...]

Saturn V - LP

Saturn V – s/t

May 21, 2018

Buffalo three-piece, Saturn V have been making all the right moves following their EP, two songs, released last November. Since then the band has been blowing away crowds as they make a name for themselves in the local punk circuit. Saturn V dropped their first self-titled LP earlier this month that’s full of brash energy and a killer tempo from start to finish. The record opens up with the song, “weight,” which begins deceptively tame before Saturn V presses on the gas midway through and launches into a breakneck punk flourish. There’s a small moment right before the band really speeds things up. It isn’t a revolutionary musical breakthrough and only involves a quick 4 count on the sticks, but it just sets the tone for “weight” and Saturn V’s self-titled as a whole. The record is stripped of any unnecessary chaff and instead, gets right down to it. Over the course of[...]

Mammoth Grinder – Cosmic Crypt

February 21, 2018

It’s been five long, painfully quiet years, but Austin death metal trio, Mammoth Grinder, is back via Relapse Records with a new album, Cosmic Crypt, that will haunt your dreams. Since coalescing in 2006, Chris Ulsh (Power Trip, Impalers), Mark Bronzino (Iron Reagan) and Ryan Parrish (Iron Reagan, Darkest Hour) have plagued the world with their awesomely unholy and bangover-inducing punk infected death metal. Cosmic Crypt, their sophomore full-length, is a non-stop, bruising and frenetic 11-track offering that casts a macabre spell on your eardrums. Each chaotic song bears the weight of crushing blackness as the album propels you faster and faster through an infinite abyss fueled by an evil that transcends space and time. It’s fast, it’s heavy and it’ll give you whiplash. The songwriting and musicianship behind Cosmic Crypt is thrilling and amplified by the band’s crisp self-recordings and Arthur Rizk’s (Power Trip, Sepultura, Inquisition) mixing. Ulsh’s doomy[...]

John Toohill

The Midnight Vein – s/t

January 15, 2018

The Midnight Vein, the first solo record from Buffalo punk rocker, John Toohill recently was self released. You may be familiar with Toohill from one of his many bands like, JOHNS, Radiation Risks, Night Slaves, or Alpha Hopper. The Midnight Vein is a slight departure from his other works, focusing more on the acoustic side of things. The album opener, “When Palm Readers Lie to Fools” is a an eerie start down the winding path that makes up this first solo outing work. The Midnight Vein has a bit of something for everyone. The opener rolls in, like a morning fog with a strong allusion towards 70s pysch folk with its modulated vocals. The Midnight Vein flows on effortlessly into the second track, “The Awaited”. It’s the kind of acoustic track that only Toohill could put out. The first moments are a slicing electric guitar riff that sets up the skeleton of[...]

Brat’ya –Desire

December 21, 2017

2017 is almost history (thankfully) but former Buffalo-based electronica artist/producer Aleksander Ogadzhanov (aka Brat’ya) isn’t done with us yet, with a sophomore album Desire that’s beguilingly one of the most outstanding albums from an expat this year. A luminescent expression of synthwave and 90’s R&B, Desire is a bold and soulful work that showcases a confident artist fearlessly out there vulnerably searching for love/beauty/truth/freedom/sumptuous sonic bliss with 80’s synthesizers and an expressive, honest falsetto that definitely gets the job done. Achingly minimalist, “Fog” provides Desire with a yearning, confessional start that finds a seductive groove that gives Ogadzhanov a chance to channel his inner Passion Pit and showcase his assured falsetto early to achieve early lift off before diving into the seedy and darkish underworld of title track “Desire” about the tyranny of our never-ending quest for satisfaction. “Girl” is straight up one-man band boy band R&B, with irresistible breakbeats, sly lyrics, and treated[...]

Tart Vandelay – Flow

December 20, 2017

Rochester indie pop rock act Tart Vandelay have released their second EP. Aptly titled Flow, it is a jazzy and tranquil four song trip. Originally a duo, the now four-piece group is building off of their 2016 debut, which featured more of a loop-based pop inflection. On Flow, the band is blending ethereal and polished tones together, achieving a smooth and breezy sound. Lead singer Katie Halligan’s voice shifts just as well as the music does; as light and airy as the most laid-back jazz moments, and as full-throated as the heavier rock moments. The EP opens with “High Noon Haze,” a vibey slow burn tune that casually floats along. “Lonely Girl” is a shuffling indie jazz-rock tune reminiscent of early John Mayer. The pace starts to pick up slightly on “Cloudy Doubts,” which rides a beachy vibe and syncopated groove. By the closing track, “Drifting,” they’ve reached full fusion,[...]

Hundred Plus Club – Everybody’s Friend

December 11, 2017

Everybody’s Friend, the recently released album from Cheektowaga indie rockers Hundred Plus Club, gets going right from the start, with the frenetic opener “Twice the Pride, Double the Fall” bringing forth all the attitude one might expect from a tune about dismissing a relationship on the brink of toxicity, not to mention employment of a thrilling guitar sound similar to something one might hear on a Sleater-Kinney record. Despite its title seeming somewhat silly, the second song in the tracklist, “Grilled Cheese for Stephanie,” changes tones from its predecessor, deceptively acting as an emotional and romantic reveal of fervent feelings for the eponymous girl. “Exit” is a catchy-as-can-be track built upon unrestrained rhythm and a guitar line evocative of surf rock. The ensuing song, the subtle display of confidence “Cooler,” is engaging and soothing, with its guitar line trickling down like raindrops. It reaches an epoch two and a half[...]

Passed Out – The Aforementioned and How It Pertains to Absolutely Nothing…

December 8, 2017

The Aforementioned and How It Pertains to Absolutely Nothing…, the new 18-minute album from Buffalo indie punk quintet Passed Out, is a no-holds-barred effort laced with fast-paced rhythms and clever turns of phrase. The opener, “Bukowski and Brautigan” is a single minute in length, but it should manage to touch any listener lyrically or at least make them jitter around the room. It’s carried into the next tune, a more subdued track, by way of feedback. This one, entitled “…and in Doing So” is a clever song speaking of a relationship under the guise of an endless, extremely cold winter. “Aimless Endeavor” is another less turbulent song, save for a brief guitar solo and the last 30 seconds, which consists of heavy blows of instruments and vocals. “Summer Thing” shows traces of both The Cure and The Clash in its tough exterior but vulnerable core, as thinly veiled jabs are[...]

Small Smalls – Things Can Only Get Worse

November 27, 2017

Time freezes in an eighties neon haze on Things Can Only Get Worse, the debut full length album from Buffalo synth pop trio Small Smalls, accompanied with a bittersweet awkwardness  that keeps it vulnerable and new. The bright lo-fi synth lines always lift off, but never drift too far from the emotional core that holds Colette Montague’s lyrics and vocal performances together on a set of songs that encompasses New Wave, sixties pop, noise rock, and surprisingly in the end, surf punk. “Brave Bird” is a perfect album opener with it’s beguilingly shiny and upbeat synths and vocals and  fuzzed out guitar, which give way to the angular yet pensive New Wave of “Falling Blossoms” and pleasing atonal robotic textures of “Polystyrene Girl,” both of which play beautifully off of Colette Montague’s warm and airy soprano. The offbeat sonic textures continue on “Hamster Lunch,” featuring vox from guitarist Stephen Malczewski, punk rhythms from Dave Borden,  and[...]

Malarchuk EP

Malarchuk – s/t

November 17, 2017

Emerging from a dark cavern somewhere beneath the earth, one of the top groups in Buffalo’s metal scene, Malarchuk have unleashed their new self titled EP. It’s a winding journey that carries you through heavy riffs, some 70s prog rock goodness, and doom rock passages that are held together strong by engaging melodic progressions. Making up Malarchuk are guitarist, Tim Domes, Patrick Johnson on bass and vocals, and drummer,  Adam Hinckley. An important thing to note is that although this is coming out as Malarchuk’s EP, as a kind of throwback to prog rock of years gone by, this album is the length of some band’s LPs. Coming in at over 35 minutes of rock, but with only four tracks on the record, prog fans will know what that means. The track, “Night Tear’r (Longjammer)” comes in at over 15 minutes for instance. In that span of time, Malarchuk really show off[...]

Bruiser and Bicycle – You’re All Invited

November 8, 2017

Bruiser and Bicycle are something else to say the least… The Albany quartet has just released an other-wordly EP, aptly titled You’re All Invited… Maybe it’s because it was released on Halloween, but they self-describe YAI as “spooky.” While they’re certainly right, they are just-as-certainly not a scary, one-trick-pony. Their particular brand of indie rock sounds delicate, almost as if it’s ready to fall apart at any turn… and yet it’s obvious how carefully crafted this EP is. It’s an eerie adventure through five songs, a journey that guides the listener through multiple twists and turns as they careen through the unpredictable course of this sprawling EP. “Trading Paint for Kisses” is an explosion of an opener – immediately, the listener is hit with a wall of noise-rock, chock-full of roaring fuzz tones and near-atonal guitar screeching. The band meanders constantly; first, a bouncy riff that would please any 90’s emo enthusiast. They casually[...]