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The Slums Debut New Song “Craw”

May 18, 2015 Nick Sessanna

Something about the word “craw” reminds me of The Slums – it’s almost as if I can envision them using the word regularly in conversation. Regardless, I think we’ll all be seeing the word “craw” around more often now. Fresh off their show with PILE this Sunday, The Slums have pumped out another half-hardcore, half-garage rock anthem. These dudes have been buzzin’ around town for just about a year now – articles and blogs are mentioning The Slums at every turn. If you’re late to hop on the bandwagon, imagine the dirtiest, sludgiest rock song from the 1950s with a whirling dervish for a front man… I hope that’s an apt enough description. “Craw,” the lead single off the band’s upcoming summer album, is available for your streaming pleasure below. Enjoy.

OHS – Long Legs

May 18, 2015 Ronald Walczyk

It stands to say that Sam Snyder is about as DIY as they come. The Rochester-based musician, commonly referred to as “Overhand Sam” on the local band circuit, is the emblematic jack-of-all-trades—writing, playing, recording, and engineering his own sonic outpourings. But his musicianship is not the only facet that defines him—Snyder also runs a local record label / production team hybrid called Turtle Phonic that records artists in his attic studio and subsequently promotes the shit out them. (Have a look at #turtlephonic on Instagram.) Snyder’s latest release under his OHS moniker—a “mini LP” titled Long Legs— is a stylistic potpourri, drawing influence from a grand multitude of artists and ultimately cohering into his most stimulating material to date. It’s tough to lay down an all-encompassing classification on such an eclectic bunch of tracks, though most of the songs share elements of psychedelia at its most basic of definitions. Sam[...]

The Tallest Man On Earth – Dark Bird Is Home

May 13, 2015 Ronald Walczyk

“Every day a growlin’ storm, but they’re kind somehow…” chirps Kristian Matsson, or The Tallest Man On Earth as he is so endearingly known, on the title track of his newest record Dark Bird Is Home, his lyrics still soaked with the stoic isolation that so beautifully sets the man apart from his contemporaries. While modern ‘folk’ artists (I’m looking at you Mumford and Sons, Lumineers) set their scopes on hand-clappingly accessible sing-along hits, Matsson continues to write songs for himself—unearthing his inner poeticisms and bearing them over songs with increasingly lush instrumentation. Though I’m reluctant to compare Tallest Man to anything that can be considered “modern,” his newest album does re-embrace the full-band jubilance of 2012’s There’s No Leaving Now. That’s not to say Dark Bird is without the profound simplicities that Matsson is known for, but the album does strike an interesting balance between the two. That balance[...]

Snoop Dogg – BUSH

May 12, 2015 Tim Fenster

Snoop Dogg sure is having one hell of a late-career rediscovery. After more than two decades in his revered gangsta rap persona, the D-O-Double-G reinvented himself as a peace-loving, rastacap-wearing reggae crooner for 2013’s Reincarnated. After that he had a brief stint as SnoopZilla, for his one-off 7 Days of Funk album with Dam-Funk, and a longer stint as DJ Snoopadelic, a phase which pretty much explains itself. For his latest project, BUSH, the unlikely hip-hop chameleon teamed up with Pharrell Williams for an upbeat set inspired by old-school funk, disco, and modern EDM music. Think Kanye’s 808s filtered through the jazzy funk amalgam of To Pimp A Butterfly’s production. What you end up with is the funnest, most-focused set of Tha Dogg’s career. The record opens with “California Roll” – a piece of sunny, Golden State-loving funk set over the bass-line and rhythms of “Drop It Like It’s Hot.” It’s[...]

Yes YES Drops Latest Song “Korean girls”

May 12, 2015 Mac McGuire

Buffalo’s most interesting man, Michael Ersing (aka Yes YES), continues to make Korea his new home. The always fascinating folkie has been making the most of his time overseas, appearing on Korean shows Hey Rookie and BalconyTV over the past year, and just last week, Yes YES dropped his latest song, the understated “Korean girls.” Featuring a very Andrew Bird like whistling intro, a melancholy Ersing delivers a bare bones, Jeff Buckley-esque number. Give it a listen below.

Space Cubs – The Fire And Things Forgotten

May 10, 2015 Steven Knapp

The Fire And Things Forgotten, the celestial debut full-length from Buffalo born electronic musician Suzanne Bonifacio (who records as Space Cubs), is the result of what the artist refers to as a “journey of creative reflection and change” that included a move to Chicago before settling in Charlotte, North Carolina. Drawing comparisons to experimental pop artists like Bjork, Grimes, and Jessy Lanza, Bonifacio’s strength as a songwriter lies in her ability to forge melodic, blissful sounds from underneath an uneasy, murky veil of reverb and restless percussion. Mostly recorded during a period where the artist found herself living in the middle of Pisgah National Forest, the album successfully conjures the remote, ruminative circumstances of its creation, as is apparent from the atmospheric opening cut, “Back Lies,” with its siren-like vocals and inviting melodic elements. The following track and lead single, “The Eye,” is perhaps the strongest display of Bonifacio’s classically trained vocal[...]

Mumford & Sons – Wilder Nights

May 5, 2015 Tim Fenster

Though the de facto leaders of the folk revival movement, Mumford & Sons have always been arena rock as much as anything. On songs like 2009’s “Little Lion Man” and “I Will Wait” off their GRAMMY-winning sophomore effort Babel, frontman Marcus Mumford brought a dramatic edge – and of course, huge singalong choruses – that practically demanded a huge starry-eyed audience. For their third effort, Wilder Mind, they embrace their inner pop – and populist – impulses, and, of course, plug in. And while they do deserve a kudos for a radical departure from a very successful formula,the results are anything but bold. With help from The National guitarist Aaron Dessner, the group employs a slow building and moody approach that replicates a watered down approach of that group’s style. They also add Coldplay-esque sentimentality, loads of boring chords that’d find home in a Snow Patrol songs and splashes of[...]

Sixties Future Premieres Debut Tracks

May 5, 2015 Mac McGuire

New to the scene, Buffalo four-piece, Sixties Future, debuted its first two tracks this morning. Featuring Mo Halliday, the former bass player of Sleepy Hahas, the quartet dropped the double single, “Skeleton”/”Shot” via soundcloud. Of the two, “Skeleton” is the stand out track, kicking off with a very “Heroes”-esque melody and featuring bassy National-like vocals and some retro organs. We hear a lot of Teddybears in the song. Both tracks can be streamed over at the band’s soundcloud page. Listen to “Skeleton” below.

The Naturalists Announce New EP, Premiere “Slip” Single

May 4, 2015 Mac McGuire

This past week, Buffalo-based grunge trio, The Naturalists, revealed the first single off its forthcoming EP, Home Honey, I’m Hi. The EP’s lead off track and single, “Slip,” was recorded with Paul Besch at ever busy Quiet Country Audio studio. The band’s brand of raucous and brash garage rock would have fit in nicely during the genre’s revival in the early 2000s. Look for the four-track, Home Honey, I’m Hi EP to drop on July 28th. You can catch the trio next at Mohawk Place on May 23rd with The Retinas and Pale Hound. In the mean time, listen to “Slip” below. Photo by Drew Lazelle

Night Slaves Release Debut Demo “Crown of Walls”

May 1, 2015 Mac McGuire

John Toohill (JOHNS, Alpha Hopper, the Hamiltones) and Dave Kane (Them Jazzbeards) just released the first song from the duo’s new group, Night Slaves. The dark, industrial act immediately recalls Nine Inch Nails on the unnerving demo, “Crown of Walls.” The pair will make its debut performance tonight at Nietzsche’s as part of the eighth installment of ElectroRespect, an evening of music dedicated to the late, local musician/artist/visionary, Mark Freeland. The show kicks off around 10pm. In the mean time, listen to “Crown of Walls” below, which, by the way, can be yours for a mere $100.

Blur – The Magic Whip

April 30, 2015 Nick Muldoon

It’s 2015, and there’s a new Blur album. That phrase itself seems kind of strange, like “Bad Pizza” or “Best Michael Bay film”, but at last, it has finally happened. And there’s no way a release of this magnitude could not feel like an event. Blur was globally one of the biggest bands of the 90s, with a string of #1 hits in almost every country (except the US). It even took an actual act of God for this album to even exist, the product of a series of cancelled shows in 2013, that left the band stranded the in Hong Kong for a week. Over that week, the four members of Blur would reconnect and produce the sessions that led to The Magic Whip. There also is an inherent oddness to The Magic Whip itself, While others have struggled to frame it in among Damon Albarn’s past work or[...]

Raekwon – Fly International Luxury Art

April 29, 2015 Tim Fenster

The Wu-Tang Clan as a collective has unquestionably seen better days, but the group’s most talented member (if not Ghostface Killah) has enjoyed something of a Raekwonaissance as of lately. Buoyed by the 2009 release of the excellent, long-delayed sequel Only Built 4 Cuban Linx Pt. II, Raekwon has been unusually high-profile in recent years, turning in guest verses for the likes of Kanye West and SchoolBoy-Q. Naturally, the Chef tried to build on his success and create music that would appeal to a broader audience than his usual Mafioso rap narratives. At least that was his stated goal in 2013, when he announced Fly International Luxury Art, his sixth studio album. But after two years of push-backs and delays, it’s hard not to feel underwhelmed with much of the final result. Production-wise, the album is yet another return to Raekwon’s roots – specially the first Cuban Linx – with[...]

Gay Angel Releases Second Installment of floral

April 28, 2015 Mac McGuire

As promised back in February, the next installment of floral, the ambitious, 100-track project from Rochester’s chamber folk musician, Gay Angel, has arrived. After about a year of listening to Jake Bellissimo’s Gay Angel recordings, there are always a few things to expect on each release: an overwhelming track list (although once you look at some of the track lengths it becomes much less), an endless list of featured musicians, and some vulnerable, heart on your sleeve lyrics. For floral, pt. 2, Bellissimo didn’t stray to far from what made pt.1 so great, but the new installment does see the musician head in a couple new directions. “growing leaves” finds Gay Angel dipping his toes into folk-punk, while “letter to brazil” may be the closest Bellissimo comes to releasing a doo-wop song. “whose fault is it” even sounds Dirty Projectors’ Amber Coffman doing some vocal warm ups before a show. With the sudden[...]

Space Cubs Readies Debut LP The Fire And Things Forgotten

April 27, 2015 Mac McGuire

Buffalo born electro musician, Suzanne Bonifacio (aka Space Cubs), left town nearly two years ago for Chicago, and later found herself hiking the Appalachian Trail before settling in North Carolina in the late summer of 2014. What followed was a “journey of creative reflection and change” for the former Chromakid member. And after a period of recording, today sees “The Eye,” the first single from Bonifacio’s upcoming, debut LP, The Fire And Things Forgotten, premiere, while the album is set to be released on May 12th through Unspeakable Records. “Some of the recordings are ones I started many moons ago and re-worked entirely, explains Bonifacio. “I produced most of this album while living in the middle of the woods for three months in the Pisgah National Forest during the fall and winter of 2014-2015. I also spent some time recording outside sounds from that area as well as in Charlotte, North[...]

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