Latest Posts

Howlo – Howlo

As many-a musician will attest to, putting out a full-length is hard work. Howlo has been hard at work. That claim goes beyond basic syllogism; the work is plainly evident in the music itself. The Rochester four-piece just put out its s/t full-length debut, 11 tracks of unadulterated feel-good indie pop, and it was worth the wait. Howlo, musically speaking, continues on the catchy indie-rock sentiments of singer/songwriter Ben Morey’s solo material, namely 2013’s aptly-titled Pleasant. Fellow Howlonians Christine Benincasa (bass), Jane Bryant (drums / vox), and Justin Pulver (guitar / vox) round out the sound with inviting male/female harmonies with serious melting power, and song contributions that add to the record’s air of dynamicity. Some of the album’s scrappier moments conjure Pixies comparisons while the vibe-ier, docile tracks call up the soft exactness of Yo La Tengo, but in the grand scheme of things, Howlo is an entity all[...]

The Huckleberry Fins – Pipe Dreams

Surf rock. It’s becoming harder and harder to avoid the corny blues based riffs and clean reverberating guitars of the brand. So it’s no surprise that our album of the week is a pure surf rock band out of Rochester. The Huckleberry Fins had a release party this past Friday for their debut LP, Pipe Dreams (Dadstache Records), and all I can say about it is this: Pure. Surf. Rock. That’s it. There’s your review. Another hard day of work here at the buffaBLOG office! But seriously. If you don’t have a soft spot for surf rock, you have no idea what is cool, and you probably don’t like to have fun. This album is not for you if that’s the case. It’s almost completely made up of instrumentals. It’s the soundtrack to any cool guy’s life, whether he be driving his hot rod with a hot babe in the passenger[...]

The Loner(s) – I Wish Shit Would Stop Spinning

To a certain degree, there is something voyeuristic about any deeply personal album that someone decides to put out in the open. But it’s the combination of James Keegan’s forthright lyricism and “bedroomy” sound quality that provokes something especially voyeuristic. I Wish Shit Would Stop Spinning is the recent full length release from The Loner(s), a one man band out of Rochester. You can put this album on and have it totally stitch itself into the background while simultaneously feeling like your ear is pressed to James’ wall, listening to him play muffled guitar and grapple with some form of despondency. There are little foot notes under all 10 songs on Bandcamp that detail what day each song was recorded and how the song was recorded — all have been recorded on a digital portastudio or 4-track cassette recorder. I don’t get the immediate sense that perfect sonic balance is[...]

Soft Cough – Soft Cough

Geneseo’s Soft Cough has been hard at work. Their tunes may be slackish (deliciously so, I might add), but I wouldn’t jump to call them slackers. The garage-pop quartet takes a well-deserved pride in the flourishing Geneseo music scene that they support, and that support does not go unrequited. Over the past year the band has developed quite a following in the college town to which they call home base, following a barrage of house/living room/basement/campus/other shows, many of them self-organized. There is a commendable DIY ethic surrounding these guys, and it is that ethic that shines through and makes their fresh self-titled debut such a charming effort. Now, on to the music. Recorded by the band members themselves in the living room of Mute City (their house), and mixed by Ben Freiman (their drummer), the sound is naturally lo-fi in nature. And lo-fi is as lo-fi does. But let[...]

Newish Star – His Excellent Ray

I was pleasantly surprised to receive an email from bandcamp the other day, noting that a band that I follow had a new release, and even more pleased when I saw that band was local indie/punk tinged act Newish Star. I don’t think I’ve ever talked to someone at buffaBLOG that wasn’t into NS, and that is for a good reason. Since its beginning, the trio has been able to produce some of the catchiest tracks that I have heard out of a local band, and with each release, the band has managed to show an extreme amount of progression. With that being said, it comes as no surprise that I love His Excellent Ray as well. The band’s description for its latest EP is “six songs inspired by ‘Dr. Dude and His Excellent Ray.'” No big surprise here given the trio’s bumper fondness, but “Dr. Dude and his Excelent[...]

Pleistocene – Space Trap

I probably shouldn’t even be surprised anymore; at this point it’s safe to say that Rochester has officially raised the bar. Our I-90 neighbors have been churning out quality release after quality release, and their latest surge of fresh local music has given no sign of relent. This week we bring your attention to Space Trap, the latest EP from jangle pop superunit Pleistocene. The EP, officially released earlier this month via Cherish Records, finds itself amongst some of the best material in Pleistocene’s growing discography and proves itself worthy of inclusion with a confident bite to back up its bark. For those of you unfamiliar with Pleistocene as anything other than the ice age epoch of mammoths and sabretooths, it’s in your best interest to refamiliarize. The band’s jangly surf pop/shoegaze blend frequents our blog often (their 2014 song “Secular” snagged a top 3 spot on our ‘best of’[...]

Humble Braggers – Disposable Friends

Buffalo’s summer album of jams might have arrived at this past Saturday’s release show for Disposable Friends, the latest EP from synth-pop darlings Humble Braggers, out now on Admirable Traits Records. With an abundance of delightful hooks, soaring vocals, a full bodied sound, and intensely listenable tunes, Disposable Friends is a terrific salvo from Tom Burtless and company, and an easy pick to be Album of the Week. The funky guitar licks, understated post new wave atmospherics, and the yearning vocals of Burtless gets everything started perfectly on “How It Starts,” the EP’s lead single. Immediately, the synthesis of the various elements and heavy hooks hit you upside the head via your aural system. The ear candy continues with “All Alone,” a plaintive ballad featuring spacey yet restrained synth lines and a clean, melodic guitar that holds it all together. The attention to detail is most impressive. Disposable Friends really lifts off,[...]

Mink – After Hours

Though many Buffalo show goers (myself included) may have been heartbroken having to say goodbye to Mink, the band’s posthumous EP, After Hours, could not be a better send off into the graveyard of local bands that were put to rest entirely too soon. Mink has a knack for easing you into a tune then turning you completely upside down. Just when you think you have the layout of a song figured out, they take you on an entirely different route. Between the impressively riffy guitar work from Brandon Schlia and the equally technical drum parts of Ken Culton, a raucous blend is created — one that pleases you and riles you up at the same time. Singer Jaz Frazier’s vocals are perfectly in sync with every change the music experiences. They are smooth and docile when needed, and piercing and powerful when there is an abrupt upsurge in attitude.[...]

Darksleep – Obviate

The imaginative soundscapes of Buffalo producer Darksleep have been among the most otherworldly to emerge from the local underground electronic scene over the past year. With the release of his debut album, 電効営み, the artist caught our attention with a vivid, experimental style reminiscent of avant-garde synth virtuoso Oneohtrix Point Never and Venezuelan producer/Bjork collaborator Arca. This sound-art approach to making tracks is conveyed clearly from a glance at the abstract artwork for the latest release from the enigmatic producer, Obviate.  From the onset of the album’s lead track, “Precursor,” with it’s glitchy vocals and washes of digital chaos, Darksleep creates an unsettling, yet mesmerizing atmosphere complete with playful arpeggiating synth tones and eerie droning textures. As a listener, the effect can be imagined as being transported into alternate universe where what follows is an eloquent glimpse at a wildly conceptual world of sonic visions. On “Spectre,” another unearthly loop begins the[...]

Hania Yiska – The Beauty Within

You could be listening to one of two different artists if you’re giving our latest album of the week a spin. Well, kind of. One of Rochester’s primo electronica artists, Jeffery Hull, writes under a slew of various pseudonyms, his name contingent upon the style and mood under which he is writing. For the purpose of this article, which highlights his latest release The Beauty Within, I’ll be focusing on two: Hania Yiska, which explores his sonic creations with vocals layered on top, and Mad Hugs, which is the artist’s instrumental side of things. It should come as no surprise that Hania Yiska and Mad Hugs are actually very similar; both projects are brainchildren of the same brain. Yet, where there are obvious and innate similarities, there are also small differences that mark an interesting variety in Hull’s electronic craft. While Yiska delves into vocal territory with a pseudo-experimental fervor[...]

OHS – Long Legs

It stands to say that Sam Snyder is about as DIY as they come. The Rochester-based musician, commonly referred to as “Overhand Sam” on the local band circuit, is the emblematic jack-of-all-trades—writing, playing, recording, and engineering his own sonic outpourings. But his musicianship is not the only facet that defines him—Snyder also runs a local record label / production team hybrid called Turtle Phonic that records artists in his attic studio and subsequently promotes the shit out them. (Have a look at #turtlephonic on Instagram.) Snyder’s latest release under his OHS moniker—a “mini LP” titled Long Legs— is a stylistic potpourri, drawing influence from a grand multitude of artists and ultimately cohering into his most stimulating material to date. It’s tough to lay down an all-encompassing classification on such an eclectic bunch of tracks, though most of the songs share elements of psychedelia at its most basic of definitions. Sam[...]

Space Cubs – The Fire And Things Forgotten

The Fire And Things Forgotten, the celestial debut full-length from Buffalo born electronic musician Suzanne Bonifacio (who records as Space Cubs), is the result of what the artist refers to as a “journey of creative reflection and change” that included a move to Chicago before settling in Charlotte, North Carolina. Drawing comparisons to experimental pop artists like Bjork, Grimes, and Jessy Lanza, Bonifacio’s strength as a songwriter lies in her ability to forge melodic, blissful sounds from underneath an uneasy, murky veil of reverb and restless percussion. Mostly recorded during a period where the artist found herself living in the middle of Pisgah National Forest, the album successfully conjures the remote, ruminative circumstances of its creation, as is apparent from the atmospheric opening cut, “Back Lies,” with its siren-like vocals and inviting melodic elements. The following track and lead single, “The Eye,” is perhaps the strongest display of Bonifacio’s classically trained vocal[...]

Joey Mason – Lazy Beach Baby

There’s a romantic charm to being lazy, especially when it involves sunshine, warm sand, and an expanse of blue ocean an arm’s length away. It’s one that we all lust after, on our busiest of days, on our not-so-busiest of days. This is the charm that Joey Mason has managed to capture on his latest 18-song release, Lazy Beach Baby. The title characterizes the overall theme and sound of the album pretty darn well. With fuzzed out vocals, reverb-laden guitar riffs and the occasional smooth tenor sax line, you are transported to a breezy landscape. Think down tempo surf rock with a little more spaciness. Stylistically, the instrumentals share the same pep that a band like A Great Big Pile of Leaves has, and the vocals bear a pretty apparent similarity to a more mellow Julian Casablancas. The beach aesthetic is plenty mentioned. On the song “Baby Baby” Mason sings[...]

Joywave – How Do You Feel Now?

Since the band’s inception, Joywave has been somewhat of a buoyant hot air balloon, steadily gaining altitude with every move they make. These Rochester natives can more-than-safely say that they’ve stepped beyond the realm of the local music scene, and even the regional music scene. They’ve saturated the alt-rock airwaves, successfully pinned a number one song on the alternative Billboard charts, been name dropped by Tony Hawk on Twitter, and have late night TV performances on both Seth Meyers and Jimmy Kimmel tucked neatly under their belts. The explanation for this rapid emergence is simple. Joywave is a lure that will reel you in one way or another — if the incredibly catchy synth lines don’t get you, the adrenalizing dance beat or the slick mystique of singer Daniel Armbruster’s falsetto will. Their recently released full length album, How Do You Feel Now?, strongly supports this claim. The album opens[...]

Amateur Radio Club – The Laughing Vulcan and Her Dog

Rochester’s got some new digs. Ian Egling, formerly of the band SPORTS, and now performing solo under the moniker Amateur Radio Club, just released his debut late last March. The eight track album, titled The Laughing Vulcan and Her Dog, is heavy on the electro pop stylings and draws influence from the synthy jams of yesteryear; snap judgements conjure Bowie and Depeche Mode. Further critical listens reveal a certain modern charm that, when paired with the unambiguous vintage flair, gives this release a unique sound worth diving into. The Laughing Vulcan and Her Dog is our Album of the Week. Vulcan opens strong with the catchy and intimate “SOMEWHERE SUMMER,” making the most of a cheeky synth line layered with electric piano and bouncy drum beat. The synth solo towards the latter half serves as the sweet icing on an already delicious cake. “On and on, on and on…” sings[...]