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The Get Money Squad – Nothing’s Wrong

July 7, 2014

A spanking-new collaboration from Network’s Quinton Brock and producer Jon Bap keeps it fresh and brings forth a batch of songs with an unexpected new sound. Dubbed The Get Money Squad, the duo gets summery with their debut EP titled Nothing’s Wrong. Think the carefree attitude of Mac DeMarco meets the poetic softness of Shuggie Otis. Bap’s jangly guitar riffs compliment Brock’s smooth vocals nicely, and the combination is cooler than John Stamos double-fisting a pair of large Slurpees. Damn, that’s cool. Nothing’s Wrong is our Album of the Week. “Bohemia” introduces the EP with a quick minute of dialogue before melting away into a hypnotic instrumental section that I wish was much longer. The opener bleeds right into “June666” (my favorite of the five tracks), which chronicles a relationship between the devil and his significant other while a simple drumbeat and a fun bass line carry the song through[...]

Staff Picks: Favorite Albums & Songs (so far) – Part 1

June 26, 2014

With 2014 at its mid way point, the staff here at buffaBLOG has gone over the first six months of the year and picked our favorite tracks and albums. Variety is always nice on lists like this; it shows that we have been blessed with a rich and diverse year of new music, and for the most point, it is reflected on today and tomorrow’s Part 2 lists. Bill Wright Album: Liars – Mess For 15 years, Liars have been tweaking, reworking, and pivoting their sound.  But if there is one thing that has remained constant over the years, it’s that they have always been a little weird. Their front man is even named Angus ,which is a weird name if I’ve ever heard one (apologizes to all the readers out there named Angus). This year, Liars put out their “electronic” album, a record that takes all the beeps and boops they[...]

Clap Your Hands Say Yeah – Only Run

June 3, 2014

“How can I open up?” asks Clap Your Hands Say Yeah’s Alec Ounsworth on “As Always”- the opening track of the band’s latest release. He seems to have answered his own question, as the song- a cosmic cascade of phaser synths and Ounsworth’s signature howl- introduces the soaring, synthetic atmosphere of Only Run– the band’s first LP since 2011’s Hysterical. CYHSY has come a long way since their humble beginnings as a DIY-oriented indie band, but the overly electronic Only Run seems to lack that idiosyncratic energy that made them so buzzworthy in the first place. 2012 marked the departure of guitarist/keyboardist Robbie Guertin and bassist Tyler Sargent, which could offer explanation to such a wild reinvention of their sound. Lineup changes aside, the new album lacks substance, and left my appetite for classic Clap Your Hands hooks completely intact. However, Only Run does not come without its merits. “Impossible[...]