Latest Posts

Frog – “DOOM SONG”

New York-based duo Frog (composed of brothers Danny & Steve Bateman) are back on the grind with their latest release, the 11-song GROG. We’d like to highlight the discordant fervor of single “DOOM SONG;” with it’s cacophonous guitar-driven jangle and droning vocals, “DOOM” brings to mind genre luminaries like Pile or even Modest Mouse with a touch of swampy twang. Its ascending, chromatic chord progression also brings to mind the haunting and soul-crushing crunch of Alice in Chains’ “Them Bones” without ever dipping into grunge territory. About the album, Danny further elaborates: “There are really exciting places we were able to get to on this record, places that I didn’t know existed before I found them. It feels both gothic and cartoonish to me, big gargoyles, dark skies, storms, but the statues are of ‘Aaahh!!! Real Monsters.’ Every song is a step deeper into the abyss.” Be sure to check out[...]

ALIAS – “Cursed”

French act ALIAS is here to crush your soul with the menacing indietronica of their latest single, “Cursed.” Propelled by an ultra-distorted bass thump, “Cursed” gradually transforms into a neurotic indie-rock tinged banger that seems tailor-made for dancing around your living room. Fans of the smart-but-smarmy stylings of LCD Soundsystem or the synthed-out pulse of CHVRCHES are gonna love this one. About the song, ALIAS says: “CURSED is the sweet spot where everything goes wrong.” Check out the music video for “Cursed” below, or, add it to your favorite Spotify playlist.

Day Video – “Needles and Pins”

Day Video is a solo project from David Yeend of Atlanta, Georgia and “Needles and Pins” is his latest track off of his extended play the Day Video EP. A soulful indie rock song with an infectious guitar lick, the lyrics a play awkward part of a relationship when you fuck up and are stuck walking on… wait for it… pins and needles (or needles and pins). Formed during the worst parts of the pandemic for many and finally seeing a proper release, this project is Yeend’s way of telling his own stories separate from his other project, the equally impressive (non-solo) Hearts on Speed. Mainly showcasing Yeend’s vocals, “Needles and Pins” keeps it simple with a steady backing drum beat and a warm guitar tone with an occasional background solo guitar. Fans of Pinback, Buck Meek’s less folksy tracks, or boygenius’ pop sensibilities would find a lot to enjoy here,[...]

Fan Girl – “American Cowboy Song”

Australian-based indie rock outfit Fan Girl brings us their latest track “American Cowboy Song,” and it’s a rollicking banger, to be sure. Coming in just over 2:30, it’s a perfect sandwich of blistering guitar glued betwixt (comparatively) a subdued intro and a boisterous outro. The drums, lead guitar, and synth form the crux of the aforementioned “blistering” portion of the song, giving me pleasant reminders of bands like Tired Lion, or, Jet and The Hives at their rawkiest. Speaking to the track, the band had this to say: “The song started as a silly, glitchy beat that we saw something in, and decided to flesh out and overcomplicate. In true Fan Girl spirit, we turned it into something more colourful, obnoxious and cheeky.” You can find “American Cowboy Song” on Spotify along with the equally catchy “MCF” – although a complete changeup from the zany controlled chaos of the former. If Spotify[...]

Razor Braids – “She”

Brooklyn-based Razor Blades brings us their newest track, “She,” and it’s a fun garage rock tinged banger. A vocal-forward track with non-stop (fuzzy and clean) guitar riffs, singer Hollye Bynum sings about meeting that special someone and how positively uplifting that can be. Queer, female, and non-binary identifying members gracing the lineup make this a well rounded group, able to bring their voices to a chronically underserved listenership – as well as just rocking the f*ck out for all. Fans of Alanis Morrissette, Pom Pom Squad, or The Cranberries would find a lot to enjoy here, along with anyone who enjoys a well executed garage rock romp. “She” is available on Soundcloud or Spotify, as well as a fabulously done music video embedded below. Be sure to check out their equally impressive backlog of songs as well! Razor Braids · She

Found Space – “What’s Yours Is Mine”

Found Space jangled their way into our hearts with the dreamy goodness of new single, “What’s Yours is Mine.” Co-Produced by Day Wave (Jackson Phillips), you can really hear the bedroom-pop, well, pop, in this sparkly and washy new tune. Pulling from strong (and timeless) 80s and 90s influences, “What’s” nods respectfully to its forefathers without ever sounding dated or trite. Fans of The Pains of Being Pure at heart, The Radio Dept., or the aforementioned Day Wave are going to vibe on this immediately. You can find “What’s Yours Is Mine” on Spotify. Found Space · What’s Yours Is Mine

Brookside Mall – “NNNYN”

Brookside Mall is bringing us their first new release in over five years with No More Fragrant Thoughts which is due January of 2024. Our first sniff of the project is their new song “NNNYN,” a shaggy indie rock jam that throws haymakers at listless uncertainty. Warbly guitar lines burble and glorp over one another sounding like it’s pouring out of concrete piping while a thumping drum rhythm impacts your chest with an industrial cadence. “Being twenty eight and still chasing contract work /Makes me a foster dog, my life a firework” is the growling preamble that echoes with dissatisfied acrimony, setting the scene for the chest-emptying chorus coming to combat the building exasperation. That leads in a teeth gnashing chorus that will have you howling “Give me something I can hit” as you thirst for that circumstance of empowering adequacy in the face of a vexing and bewildering existence in[...]

teddy<3 - "i belong here"

L.A. based, Grammy nominated songwriter Teddy Geiger, under her moniker teddy<3, just released her new album Teresa. She is coupling that release with her new single “i belong here,” an indie cut that is bursting with momentous atmosphere and layered shoegaze influences. Teresa formed itself out of a formative journey through Madrid that had the artist expressing her deepest vulnerabilities and innermost feelings, pouring her heart and soul onto the page, using the act of writing as a method for both personal healing and spiritual purification. That earnest catharsis is felt throughout “i belong here”, as a pulsing driven rhythm creates a heart filling momentum that galvanizes the layered, reverb soaked guitar textures that change from a laconic melancholy to a feeling of a head rush that would be brought upon by night air of a enchanted Madrid night. The interplay of the lush textures and dynamic rhythm that fades[...]

Shuttle – “One More Job”

Shuttle’s newest single just hit, and it’s our first taste of their upcoming EP. “One More Job” is a laid back psychedelic indie-pop cut whose off-kilter charms hook you indefinitely (check our previous feature on them here). Nostalgia dripped guitar lines strum before tripped-out synths take you to extraterrestrial planes and a groovin’ bass locks into a tight drum beat striking you with danceable effects. Shuttle grounds the psychedelic elements of his synths, vocals, and reverbed guitars with rich velvety bass and fat drum slaps that really take the pop track to new heights at the chorus. Here, Shuttle coo’s in falsetto “One more job to do/Then I’m done/Nothing left to lose/If you’re gone” showcasing that all too familiar brain space of chasing an elusive happiness in the promise of the future. The track has some gorgeous builds with synths blooming into a dispersion field before Shuttle cuts them with[...]

Rangleklods – “Alien”

Copenhagen-based musical maverick Rangleklods, aka Esben Nørskov Andersen (check our previous feature on them here), has a new full length, titled Breathe In, Breathe Out slated for Feb 9th 2024. The latest glimpse into the electronic wizard’s upcoming project is the single “Alien” which combines his signature sonic experiments with a heavy, groovy beat, creating a captivating and paradoxical experience. Andersen’s mind-bending perspective is on full display with “Alien” as the songwriter pitches his vocals to a guttural low level to simulate the effect of hearing his voice inside the stomach of his pregnant wife, as the “Alien” here is the growing creature that would be his first child that was born last year. Andersen stretches his synths and lets the tension coil them back in on themselves creating a bouncing, undulating melody that is filled with head turning textures and production wizardry. He pairs mesmerizing production with songwriting that[...]

Juno Dunes – “Dissolve”

New Orleans *maybe* solo act Juno Dunes, so-called “Louisiana beach music (or tropical shoe-gaze),” is the latest spin on the genre you didn’t know you needed to hear. “Dissolve” is their latest and it immediately brought my blood pressure down by twenty points and truly brought some much needed relaxation to my evening. Bringing the calm tones of bands like Real Estate or Goth Babe, you’re immediately transported by the warm guitar and laid back drum fills that feel like they’re fading into a sunset. Brought to life by Connor James Reever and a backing band, you’ll find nothing but chill vibes here with his whisper singsong voice. For us yanks in the north in November, you’ll appreciate the feeling Reever brings to our frosty lawns and hearts. Give “Dissolve” a listen over on Spotify or Sound Cloud, especially if you’ve had to scrape frost off of your windshield at any point[...]

PEPTALK – “Long Haul”

Australia-based three piece PEPTALK brings us their latest track “Long Haul” and it’s a delightful pop jam, showcasing the band’s sugary songwriting credentials. Having collaborated with artists the world over, most notably with fellow countryman LDRU, they are here to kick ass and are undoubtedly succeeding. Running a gamut of melodies and excellent lyrical pop with some great beats, it’s impossible not to find yourself to feel the vibe from this upbeat, coming-of-age banger. Citing artists such as Remi Wolf and HAIM as influences, you can start to get an idea of their vibe but it’s best experienced straight from the source. Give “Long Haul” a spin over on Spotify or Sound Cloud and be sure to check out the rest of their impressive catalogue if you (undoubtedly) like what you hear! PEPTALK · Long Haul

LOR – “The Same Shit”

LOR is the project of Taylor Harrison, who, if not for a LinkedIn profile, has me convinced he’s a deep dark electronic being singing songs of a dystopian future (think Blade Runner vibes). “The Same Shit” is his latest track and the squelchy indietronica matches up with the spooky fall vibes and the aforementioned Blade Runner aesthetic. Speaking to the track, LOR had this to say: “I went back to my indie electronic roots with this one – I imagined the vibe of the murky alleys of a dystopian world in the midst of rebellion… I tried to paint a picture of resilience and defiance from the shadows.” The best elevator pitch I could think of would be if you crossed the eclecticism Daft Punk with darkness of Trent Reznor, which just barely scratches the surface. Be sure to give LOR a listen on Spotify or Apple Music.

A Days Wait – “Signals”

“Signals” is the newest song from Canadian indie pop band A Days Wait, released ahead of their new album. We previously wrote about them here (thanks Nick), and enjoyed what we heard back in ’22 and haven’t changed our minds. This understated yet mournful sounding jam is filled to the brim with wispy guitar and a slick bass line that form a sturdy backbone but don’t overpower singer Adam Alfano’s dulcet tones. As per the band, the proceeds from (presumably the album) will go to charity, which seems to be a common theme with their music. I’m not rightly sure on the charity, but I’m gonna go with something worthwhile and heartwarming. You can hear “Signals” on Spotify or YouTube. Be sure to let us know your thoughts over on our social media! A Days Wait · Signals

Bad Veins – “Wendy”

Bad Veins is a Cincinnati-based band from the mind of Ben Davis, and “Wendy” is the first single off of their upcoming album Imposter (December 1, Dynamite records). The track itself is a crisp sounding, 80’s-tinged, synth forward track with some robotic auto tune sounding vocals thrown in for good measure. Imagine if Daft Punk was about 60% less electronic and throw in a dash of Grouplove, and you’d have “Wendy” (in a nutshell). Davis plays things pretty close to the vest, as much as a musician can, speaking to that he said: “I am in constant fluctuation back and forth as to whether I want to be a public person, or just keep to myself. I had no career ambitions when I first started Bad Veins. I just enjoyed making music in my attic. So, there is always the feeling of ‘imposter syndrome’ when I have to do music[...]