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Eminencee – “WWIII on Roller Blades”

Houston’s Eminencee showcases his successful transition from elite athlete to emerging hip hop artist on his latest track, “WWIII on Roller Blades.” Eminencee’s delivery reminds you of some of Kendrick Lamar’s incredulous affectation, giving the rapper an aura to be taken seriously. “Roller Blades” swiftly moves between Em’s faith and steadfast confidence in his superiority over his peers – a hallmark of rap’s finest. The production on this track is appropriately foreboding for Em’s sinister lyricism – slightly off-kilter drums pace you and keep you on edge. “WWIII on Roller Blades” appears on Eminencee’s fresh EP with producer Vystears, Palette Portraits. Check it out on Spotify alongside our Underground Hip Hop 2025 playlist – highlighting some of our favorite new hip hop artists like Eminencee.

Harmonica Lewinski – “Rat Race”

Grab your boogie board and catch a psych-rock wave with Harmonica Lewinski’s beachin’ new single, “Rat Race.” If your new year’s resolution is to listen to more groovy music, this is the perfect place to start as these veteran Rochester scenesters and buffaBLOG mainstays kick off 2025 with a helluva luau. This instrumental track is a punchbowl of surfy guitar riffs and jungle drumbeats spiked with the band’s signature weirdness. Drink it in below and let this fun-loving five-piece bewitch you with the sounds of a party on the wrong side of the beach; the side where you might find skeletons clinking piña coladas or Uncle Fester sunbathing.   Harmonica Lewinski’s “Rat Race” is streaming now on Bandcamp, Apple Music and Spotify.   Rat Race by Harmonica Lewinski

Moschino Jones ft. prod.myles – “HUSTL3 HOUND”

2025’s starting off strong for Motor City emcee Moschino Jones and his producing counterpart prod.myles. This week, the duo dropped “HUSTL3 HOUND.”  continuing the wave of praise the buzzy Detroit rapper received following 2024’s Meet Me on Woodward Too, another collaborative project with prod.myles. Myles’ effort on “HUSTL3 HOUND” is lead by samples of some 80s/90s R+B, grabbing some “ooohs” and “aaaah” and very nostalgic synth and giving the track a retro edge with some bounce to it. Jones is in his bag, finding rhyme pockets within the thumping drums and tinny keys to pose questions about self-worth and ability to rise to the moment. His accessible delivery and myles’ sample-heavy production give this track the flavor of one of those Harry Fraud/Alchemist collabs with guys like Curren$y and Wiz Khalifa – though Jones’ lyrics are a bit more reflective. Check out the single on Spotify and more Emerging 2025[...]

Jean~Baptiste – “Maybe Next Year”

Haitian-American rapper Jean~Baptiste takes a second to reflect on his imperfections on his relatable new track, “Maybe Next Year.” An understated soul sample paces the track – similar to Kanye deep cuts from his early discography and production work. Its thoughtful contribution perfectly ties in with Baptiste’s lyrics – gratitude, regret and a yearning to make sure last year’s lessons mean something. Baptiste captures the insecurities everyone feels intermittently – ends can mean beginnings, you just gotta apply the past to the future. “She told me she’s afraid to fail, I said same here.” Add this track to your conscious hip hop and motivational rap playlists. Listen to more from the Tampa-based artist on Spotify: and check out our underground hip hop playlist. 

Hazael Escobar-Ortiz and Michael Zapawa – “My Girl”

Orlando songmaker Hazael Escobar-Ortiz and Charleston contemporary crooner Michael Zapawa serve up a silky smooth heartwarmer with their latest track, “My Girl.” An ode to the ladies, or more specifically, your lady, “My Girl” puts Zapawa’s vocal talents at the front of the stage, with soaring melodies and layered harmonies adding plenty of depth to this R+B track. Escobar-Ortiz, or “Haz” provides lush production to match Zapawa’s effort, featuring Spanish-flavored guitar lines and twinkling keyboards. “My Girl” is packed with romantic sounds and lyrics to put your partner on a pedestal – pair it with some red wine and a valentine then throw it a playlist with Usher, Bilal and more of your current R+B rotation. Listen to more from Haz and Zapawa on Spotify.

Sublime Pr1me – “Black Jesters’ Revolution”

Rochester rhymer Sublime Pr1me flexes internal rhyme schemes, an off-center flow and expertly used interplay with production on his sharp new single “Black Jesters’ Revolution.” Riding an Adult Swim-flavored boom bap beat, Pr1me rapidly moves between his personal philosophies and others’ he sees truth in, such as Michele Fuko. Pr1me is explicit, insightful, playful and more on this track – relentlessly switching up his cadences and somehow staying on the sampled/flipped/reversed beat. Add this track to your Lupe Fiasco-Aesop Rock-Talib Kweli playlists for when you’re looking for a hip hop track with keen lyricism and a beat that keeps you on your toes too. “Black Jesters’ Revolution” kicks off Pr1me’s Back Forward EP, featuring more of the insightful rapping showed off on this track.

$pence – “Lie2ME”

Ignorance is bliss in a relationship according to Charlotte emcee/producer $pence – who argues against unnecessary honesties in his latest track “Lie2Me.” In his radio-friendly single, $pence lambasts the unnecessary honesties in a relationship – if I don’t need to know, why tell me? “Make something up.” Whether it’s a rich girl problem, or a sincere thought on their relationship, $pence makes the argument for ignorance. “There’s problems in the world, I’m not solving…Why can’t you just lie to me?” It’s lighthearted, ironic in its honesty, and features a familiar radio-friendly cadence to it. Playful, funky keyboards and boom bap drums are the primary production component, gearing you up to hear a track ready to be played on your Jack Harlow/Chance the Rapper/Aminé playlists. $pence has been busy releasing new tracks in 2024 – take a look at his recent output on Spotify. 

Pompeya – “Yes”

Moscow-based act Pompeya might just have the perfect, post-holiday hangover cure. Their new song, “Yes,” is a blast of tropical, poolside energy, impossibly sunny and upbeat with a bassline built to get your body moving and grooving. If you’re feeling the back-to-work grind extra hard this week, give “Yes” a whirl and feel its rejuvenating beat reverberate through your body… Our bet is you won’t be able to help but dance along.   You can check out “Yes” via Soundcloud (below), or on Pompeya’s Spotify. Pompeya · Yes

Shabazz the Disciple & Ed Nodz – “Chant Down Babylon”

Wu-Tang affiliate Shabazz the Disciple sneaks in a heavy verse-of-the-year candidate at the buzzer with the aid of underground-flavored Aussie producer Ed Nodz on their latest track, “Chant Down Babylon.” Shabazz is an emcee’s emcee, combining ridiculous rhyme schemes with sobering lyricism throughout his career. “Chant Down Babylon” discusses conspiratorial trickle-downs in society before launching into a verse-long spotlight on AI in the second verse. Whether it’s AI rap albums, the in-progress loss of jobs, or AIs competing to outsmart other AIs – Shabazz previews a near future that’s inevitable rather than science fiction. Ed Nodz’s production is the ideal partner to the reality of Shabazz’s lyrics, using a melancholic horn as the primary pacemaker on the beat. Pull up the lyrics and listen to more from Shabazz and Ed Nodz on Spotify.

Corrine Jasmine – “enough (so, we’re doomed)”

NYC-based act Corrine Jasmine hit our inbox with her latest offering, “enough (so, we’re doomed)” and we were taken immediately by its understated and mysterious vibe. Driven mainly by Corrine’s innocent vocals and a driving, consistent bassline, “enough” has lo-fi bedroom-pop feels in the best way. The song is further set off by swirling synth ambiance and spindly guitar work – just enough to keep the song charmingly vague.   Check out “enough (so, we’re doomed)” via the Spotify embed below.  

Chizlonies the Lord – “All That I Got”

We got you something! Unwrap the latest holiday-flavored single “All That I Got.” from Nigerian/Chicago rapper Chizlonies the Lord – you were so nice this year. Featuring twinkling piano and jingle bell wordplay, Chizlonies serenades us with a love story perfect for a warm night by the 8-hour-long yuletide log YouTube video. It’s a nice new addition for your non-classics Christmas playlist – with familiar tropes and topics but a fresh sound. Chizlonies’ smooth vocal deliveries alternative from singing and rapping, crafting a particularly catchy hook that’ll sound great after the 25th, too. Give a listen below and check out more from Chizlonies on Spotify.

Makeout Tactics – Skunk House

Buffalo indie-pop outfit Makeout Tactics has released their first EP, Skunk House. Waxing philosophical, we are presented with a slice of life view of a group of friends in their 20s. Seemingly mundane, these stories and experiences are elevated through their eyes, creating a compelling story that captures our attention.   The EP opens with “311,” laced with a heartfelt urgency that draws you right in. Anchored by the haunting vocals of Akasya Croiser, lyrics float ethereally over the jangly and enveloping guitar lines. The banality of placing a 311 call becomes a plea; a call to action. Second is the driving “Laundromat Thief” which opens with guitars that could play against a gunslinger showdown in a Western. We are then presented with a scenario in which someone has stolen our narrator’s underwear (amongst other things). “Laundromat Thief” is a driving track that underpins our narrator’s struggles. While the drums[...]

San Carol – “pay no mind”

San Carol has been dubbed the “French King of Shoegaze” and for good reason – his latest single, “pay no mind,” is a transcendent slice of the blissed-out genre. Pairing siren-sound guitar noise with bongos (which, to my knowledge, is atypical of most shoegaze compositions), San Carol weaves a wild, almost 90s-influenced web, equally reminiscent of both Beck and My Bloody Valentine. The chorus is the real payoff here, with a ruthlessly catchy melody that never sacrifices that far-off, mysterious shoegaze vocal we all love so much.   Check out “pay no mind” via the YouTube embed below, or, add it to your shoegaze-y playlist on Spotify.  

Solid Goold – “I Can See You Clearly”

Solid Goold, led by none other than titular keyboardist/songwriter/composer Albert Goold, just put out the indie-jazz explosion of “I Can See You Clearly.” With equal tinges of 1980s new wave, jazz fusion, and indie pop showing up in his work, Goold smashes interesting chord shapes and wild key changes into this upbeat and jaunty tune. Expect a breakneck and cerebral lyrical delivery with plenty of chorus-soaked keyboard goodness that will appeal to fans of Huey Lewis, Billy Joel, or even Motion City Soundtrack.   Check out the vintage-themed music video for “I Can See You Clearly” via the YouTube embed below, or, add it to your Spotify playlists.  

P4blo – “Pay Me in Dirt”

Canadian artist p4blo combines metallic, industrial pop sounds with a Trapaholics-“Damn son, where’d you find this?” sensibility on his latest track, “Pay Me in Dirt.” This track gives us a lot to chew on – teased in p4blo’s musings at the top of the track that “more layers are required.” We get some of that heavier industrial drum sounds like you’d hear on a clipping. song, into a traditional trap snare section, before things transitions into Kaytranda-styled electronic hip hop feel. P4blo raps, chants, and lets out some hyperpop coos as he continuously taps into his wide range of influences to create an evolving, experimental track you can digest layer by layer. Grab your best paid of headphones and turn the volume up. Check out p4blo on YouTube below and head over to Spotify on Bandcamp to add him to your experimental hip hop/electronic playlists.