Latest Posts

The Huckleberry Fins – Pipe Dreams

Surf rock. It’s becoming harder and harder to avoid the corny blues based riffs and clean reverberating guitars of the brand. So it’s no surprise that our album of the week is a pure surf rock band out of Rochester. The Huckleberry Fins had a release party this past Friday for their debut LP, Pipe Dreams (Dadstache Records), and all I can say about it is this: Pure. Surf. Rock. That’s it. There’s your review. Another hard day of work here at the buffaBLOG office! But seriously. If you don’t have a soft spot for surf rock, you have no idea what is cool, and you probably don’t like to have fun. This album is not for you if that’s the case. It’s almost completely made up of instrumentals. It’s the soundtrack to any cool guy’s life, whether he be driving his hot rod with a hot babe in the passenger[...]

MileHigh Muzik Drops Track Each Day of July

Buffalo’s MileHigh Muzik crew has been producing quality, versatile tracks for a minute now. The great thing about MileHigh is that when they release these songs, they do so at a frenetic pace. As a Christmas present to their listeners, MileHigh dropped a new song every day of December in a series entitled #JUUGcember, and six months later they’ve brought it back for July. #JUUGly is the consistent dopeness we saw in December, if not at a higher level. Milehigh’s ability to cross rap subgenres ensures that each track feels fresh, and contributes to a project that touches on so many sounds. There’s the gothic bangers “Replacement” and “Don’t Worry,” which combine melodic verses with cloudy synth lines and heavy sub bass a la Travi$ Scott. The instrumental from MileHigh figurehead M-A on “10 Chains” is somewhere between the work of ATL’s Zaytoven and Erick Arc Elliott of the Flatbush[...]

Motherhouse Drops Early Demo

Things have been a little quiet with new music lately as Buffalo paces through summer’s humid dog days, but last night, an intriguing new project hit bandcamp. Motherhouse, a collaborative duo featuring current and past members of acts like the Mordant Sisters, the Actors, and Cross Stitch, dropped a 3-track demo dubbed Sessions during Wednesday’s waning hours. The early material from the band is a haunting, yet soothing collection of ambient no-wave that should appeal to fans of Orenda Fink or Buffalo’s Space Cubs. The pair promises that more music will soon come, so enjoy this appetizer and keep an eye out for additional material in the near future. Listen to “Strong” below.

Pitbull – Dale

You hear those three ascending piano notes. You stop what you’re doing and turn your full attention to the wondrous arpeggiation that just tongued your earholes. You hear the same three notes, descend back to where they came from. You start to see spots. You start to sweat. You’re not sure if you’ve just defecated yourself. But you don’t care either way. “Mr. Worldwide” is the first phrase you hear– and then you’re there. You’ve hit nirvana. Then your internet connection cuts out. You spew the following spell of words that garners a small crowd outside of your apartment window– “What the fuck! I just had my moment of inner-most peace and YOU ruined it, Time Warner. YOU are responsible for this sham of a wifi connection that just stopped me from streaming the last three minutes and forty-four seconds of ‘Piensas (Dile la Verdad)’ feat. Gente De Zona, which[...]

Blobs Drop Demo Via More Power Tapes

Blobs probably has the best band name in punk right now. Born out of the Buffalo scene and two fourths comprised of the now defunct hardcore outfit Bad People, Blobs makes an impressive impact with its 7-track debut demo, recently released over on local tape label, More Power Tapes. The short and sweet demo is pure punk, highlighting Amelia Martin’s vocals. With members in many other bands (Newish Star, Aaron & the Burrs) in addition to this project, the varying influences come together to reach a broader audience, kind of like hardcore punk for fans of Space Wolves. Catch Blobs at Hoyt House on August 2nd and give the EP a listen below.

Hieronymus Bogs Releases First Single from The Angel

Man what is in the water in the Genesee River lately? We have been doing this blog for over five years now, and over last couple, expanding our focus past just Buffalo and into other areas of WNY. With that said, I have never seen such a run of quality new music than we have out of Rochester over these last few months (and more is on the way). One of those acts, which until now has sadly flown under our radar, is folk musician Alex Bogs, who performs under the moniker of Hieronymus Bogs. Yesterday, Bogs released the startling first single from his upcoming new album The Angel. “I Wonder” is a wonderfully haunting mix of Devandre Banhart freak folk, subtle touches of Antony and the Johnsons’ theatricality, and the vulnerability of Buffalo’s own Andy Pothier. The Angel should be a nice addition to what is shaping up to be[...]

Wilco – Star Wars

On “Cold Slope,” the 9th song off Wilco’s new album, Star Wars, Jeff Tweedy sings, “Some say you’re never really there, but you still take up space.” That line could be an indictment of the band over the past several years: touring endlessly but producing fewer albums. After a decade of hiring-and-firing, Tweedy and co. have been in cruise control with the same lineup for over 10 years now. What kind of band is Wilco today? They have mostly abandoned their experimental skin (which was really credited to Jay Bennett), and have since been approaching Springsteenian levels with their marathon live shows, pulling from a deep catalog. More and more, after 2009’s Wilco (The Album), which played out like a cheap greatest hits collection, and their last album, the uneven Whole Love, it seemed the band had reached their Grateful Dead moment: their studio albums don’t turn heads anymore, but[...]

Dadstache Releases House Majority EP

It’s easy to play off garage rock as “easy.” Just get a couple of guitars, some loud shitty amps, your friend the drummer, and a buddy’s basement, and boom, you have a band. However it’s not that easy — try and tell that to John Dwyer or Ty Segall. Today, we have a release from House Majority out of Rochester. You see, they’d probably also be offended if you told them that, as their a pretty killer garage rock EP was just released in the physical form via Dadstache Records. House Majority rings true to classic garage rock. All four songs are high energy pieces with no frills. Just straight rock ‘n’ roll, reminiscent of the Stooges. Garage rock is facing a mild revival in some circles with guys like Ty Segall and Parquet Courts seeing the light of day. With songs like “And I Say” (the fourth song off[...]

The Loner(s) – I Wish Shit Would Stop Spinning

To a certain degree, there is something voyeuristic about any deeply personal album that someone decides to put out in the open. But it’s the combination of James Keegan’s forthright lyricism and “bedroomy” sound quality that provokes something especially voyeuristic. I Wish Shit Would Stop Spinning is the recent full length release from The Loner(s), a one man band out of Rochester. You can put this album on and have it totally stitch itself into the background while simultaneously feeling like your ear is pressed to James’ wall, listening to him play muffled guitar and grapple with some form of despondency. There are little foot notes under all 10 songs on Bandcamp that detail what day each song was recorded and how the song was recorded — all have been recorded on a digital portastudio or 4-track cassette recorder. I don’t get the immediate sense that perfect sonic balance is[...]

ASLaaVeNaMeDot Releases “Sacrifices”

Buffalo rapper ASLaaVeNaMeDot, or A Slave Named Dot, is a grinder, and he’s trying to get his smooth flow and reflective bars some recognition. His latest track “Sacrifices” discusses that chase. The thoughtful construction of “Sacrifices” makes more that just a struggle-rap song. The hook “I guess I gotta die to get my shit played” can be interpreted as a double entendre referencing the hard work that goes into “making it,” along with the unfortunate phenomenon we see in music (and hip hop in particular) of romanticizing fallen artists. Recurring gunshot ad-libs create a sense of hype that pairs perfectly with the mellowness of the song’s primary horn sample. This is a pretty cool song, effortless where it could be forced, dynamic when it could get stale.  Peep the song below, and check out ASLaaVeNaMeDot’s Lets Play mixtape, released earlier this year.

Animal Sounds Releases New EP

Animal Sounds is an instrumental quartet out of Rochester. The foursome’s new EP, Fling Mingus, is a three-song, funk-tinged adventure through twinkly guitars and interesting rhythms. Since releasing a debut demo last summer, Animal Sounds seems to have ditched some of its funk background for an “indier” sound. Still, “Money Is A Mind Game” is a great example of AS’s genre-defying tunes, blending mathy, Minus the Bear-like emo with a tinge of classic rock like Blue Oyster Cult and a pinch of start/stop fury of a band like Buffalo’s A Hotel Nourishing. Check it out below.

The Ginger Faye Bakers Drop Latest LP Smoke Signals

Smoke Signals, the second album from Rochester power trio the Ginger Faye Bakers, is a sinful and ridiculously enjoyable slab of instant classic rock that’s ideal for late night reckless driving, going camping with a case of Genny Cream and [redacted], and cutting school to get wasted. It’s also a perfect example of the amazing music floating around the increasingly local-centric internet in the post music industry 21st Century. Driven by a death metal guitar sound that swings between the heaviest Queens of the Stone Age and the glorious Black Sabbath riffage of Tony Iommi, and wild vocals reminiscent of Black Mountain’s Stephen McBean, Smoke Signals is like so many releases from our neighbors on the 90 East — heavy on tunes and riffs, and irresistible. The Baker boys (Nathan, Timothy, and Billy) take it even further however, taking illicit joy in their pleasantly dangerous heavy duty abandon. There’s a[...]

Tame Impala – Currents

Thanks to a Facebook post from my friend Matt, it has come to my attention that “Tame Impala is the Instagram of rock bands.” This comes as a part of a multiple-hundreds of words rant from this album review of Currents. First of all, if you read it, Will Neibergall writes a solid review of the CD, and he makes a point that can be argued for or against. It’s short and to the point, and it sparked a good ol’ Facebook discussion that I’m sure my friend Matt’s going to be notified of for the next couple days. And it definitely has been getting it’s click throughs and complaints. However I’m here to deconstruct it. “Tame Impala is the Instagram of rock bands.” It irks me to hear this bouncing around in my head. There are tidbits of the review and Mr. Neibergall’s analogy that ring true: “Instagram used to[...]

Passion in Constellation Releases Summer Anthem in “Tropical Love”

Alright, I am going to make a bold prediction. Passion in Constellation will be in the top ten for our annual end of the year top twenty countdown for songs coming out of Buffalo in 2015. For buffaBLOG top twenty historians, Passion in Constellation made a blip on our countdown last year at number sixteen with his collaboration with relatively undiscovered singer Cara Doyle. The pair reunited to strike gold once again, releasing the dance track “Tropical Love” this past weekend and it’s been on a 24-hour loop at the blog headquarters. Passion in Constellation is the production moniker for Buffalo-based electro-pop producer Chris Alan. Throughout the past two years under the Passion in Constellation name, Alan has progressively improved (but he started out awesome with the single “Sunlight,” so there was a bit of a lead start), proving the producer has a real ear for what translates. With Passion in[...]

Soft Cough – Soft Cough

Geneseo’s Soft Cough has been hard at work. Their tunes may be slackish (deliciously so, I might add), but I wouldn’t jump to call them slackers. The garage-pop quartet takes a well-deserved pride in the flourishing Geneseo music scene that they support, and that support does not go unrequited. Over the past year the band has developed quite a following in the college town to which they call home base, following a barrage of house/living room/basement/campus/other shows, many of them self-organized. There is a commendable DIY ethic surrounding these guys, and it is that ethic that shines through and makes their fresh self-titled debut such a charming effort. Now, on to the music. Recorded by the band members themselves in the living room of Mute City (their house), and mixed by Ben Freiman (their drummer), the sound is naturally lo-fi in nature. And lo-fi is as lo-fi does. But let[...]