Latest Posts

Julie Byrne – Not Even Happiness

January 27, 2017

There’s something about the songcraft of downstate-based singer-songwriter Julie Byrne that appeals to more than just the ears. Her music, at once spectral and tangible, whisks the listener to Byrne’s weightless place of soft melodies and personal experience. And it is this very suspension in which Byrne spends most of her latest album, Not Even Happiness. A sprawling musical simplicity contrasts the album’s deepest exploration of feeling, in what can be considered one of the most striking collections of songs so far this year. Musically, Byrne channels artists like Cat Power, Leonard Cohen, and Sufjan Stevens, all of whom with music that shares innate, personal elements. Not Even Happiness uses that element liberally, with tracks that explore the places, namely the Pacific Northwest, and feelings of Byrne’s most recent years. The expansive skies and ebbing tides of this record almost purposefully paint it a faint blue, with songs that breathe[...]

SURVIVE – RR7349

October 11, 2016

The second half of 2016 has been a very good to Austin, Texas electronic band SURVIVE. The preposterous viral success of Stranger Things on Netflix this summer catapulted the largely unknown band into the public’s imagination thanks to adoring articles from Pitchfork, NME, and AV Club, a hot two volume soundtrack album from band members Kyle Dixon and Michael Stein, the show’s obsessive fans, and the band is making the most of it with a national tour and a well timed sophomore album, RR7349. But could it live up to the expectations that come from sudden increases in attention, and could it exist separately from Stranger Things? The answer on both counts is definitely. SURVIVE as a full band trades emotive minimalism for glacial synths and pulsating, widescreen vistas that occupy an entirely different sonic space. The layered sounds of RR7349 conjure 80’s futurism, bleak coldness and human struggle, to create subdued but epic soundtracks for movies[...]

Prince Daddy & the Hyena – I Thought You Didn’t Even Like Leaving

September 7, 2016

Do you like Bomb The Music Industry!? Do you like PUP? Do you like Weezer?  Do you like WEED? If you answered any of those questions, you should probably go put on I Thought You Didn’t Even Like Leaving by Prince Daddy & The Hyena.  Hailing from Albany, NY, the four piece has been ripping it up in the DIY circuit since the release of their two tapes, Skip Cutscenes! Blow Loud! and Adult Summers, which we loved. After signing with emo super label of sorts, Broken World Media, the group really started picking up speed. Simply put, I Thought You Didn’t Even Like Leaving somehow pulls off being a total fucking blast, while still tugging at the heartstrings. From the driving title track to the all too easy to relate to album closer, Really?, P Daddy takes no breaks. The album boasts nine brand spankin’ new tracks, as well as clean sounding re recordings[...]

De La Soul – and the Anonymous Nobody…

September 2, 2016

It isn’t easy being De La Soul. Almost from the start, the struggle has been real for the Long Island trio: instead of enjoying immediate cultural impact of their debut album Three Feet High And Rising and it’s idiosyncratic and irreverently funny explorations of hip hop and it’s possibilities, they got to be sued over a sample not even used in a hit song by the utterly forgotten original artist (Flo and Eddy?). They refused to be pigeonholed by fans and critics, confounding both on subsequent albums De La Soul Is Dead and Buhloon Mind State, and have seen their whole catalog get trapped in legal and record label Hell. After all this there was much rejoicing when the band announced that they were working a new album, their first in eleven years, and more when it arrived last week. Made possible by a resoundingly successful Kickstarter/Go Fund Me/whatever campaign, and the Anonymous Nobody by De La Soul finds Pos,[...]

Governess – (Let Me Be Your) Governess

August 10, 2016

Have you ever partied so hard that you blacked out? If so, think of that last thing you remembered happening when you woke up the next day. Whatever that may be is what Governess sounds like. The bands’ debut album, (Let Me Be Your) Governess is a foul blast of fresh air to purify your poisoned hearts, and gleefully torch your saccharine souls. The concept of “rock n’ roll” has been twisted into so many different forms over the years but at the root of all the best kinds is attitude, energy, and some sort of lust, which this album is soaked in. You can’t fake this; sure you can try, but the kids always suss out the posers and this should pass any test you wanna throw at it. There are many influences heard on Governess’ debut (hard rock, 70’s sleaze, vintage punk, & a sprinkling of metal, in case[...]

The Branch Davidians – Sex, Death, and Things Less Boring

August 3, 2016

The Branch Davidians have released their EP Sex, Death, and Things Less Boring. Based in Rochester, the band began as an indie folk duo, before lead man Ben Stephanus expanded both the size of the group and the scope of its sound. Their five-song release is full of fuzz and shoegazey vibes. The lead guitar’s grimy buzz is a consistent force throughout the EP. They fuse throwback ‘90s tendencies with noise-rock elements to achieve a dissonant pop sound. Stephanus’ vocals are trippy with a dash of reverb, and reminiscent of melodies from underground ‘60s rock. The groovy “Bridges of Madison County” sounds like it could be a pop tune from The Zombies fed through the lens of a Tame Impala rocker. The lead guitar riff on “Your Sex Wants You Dead” is textbook pop punk, but with much more distortion. It’s not until the final track, “Blessed Water,” that the[...]

Mitski – Puberty 2

July 5, 2016

While attending SUNY Purchase, indie-rocker Mitski self released her first two albums. After graduating, she signed with Double Double Whammy to release a third. Now with Dead Oceans Records, her fourth studio album Puberty 2 is an earnest look at growing up. She likens the pain and awkwardness of this major transition into adulthood as a second form of puberty. Though slightly more polished, lo-fi production is still at the heart of it all for Mitski. She neatly combines drum machines with rousing electric guitars, and employs a vocal distortion that brings her rich, mid-range voice to life. This effect perfectly compliments the tone of her lyrics, as she somberly details life’s qualms and inevitable loneliness. The arrangements are raucous and range between delicately sparse and all-out in your face, reminiscent of life’s ups and downs. The overall focus of Puberty 2 can be seen as contemplation of meaning and[...]

The Hotelier – Goodness

June 21, 2016

Massachusetts natives The Hotelier are just a little bit lighter on their latest release. The underground emo revival champions’ third record, Goodness, was prefaced with a statement from lead singer-bassist Christian Holden. In it, he indicated a subtle shift from deep introspection to contemplation of outwardly relations, with people and the world. While the album may not be as dark as its predecessor, it is still thematically heavy and packs an emotional punch. Goodness starts out with just Holden softly delivering a spoken-word poem. From there, thunderous drums and heavy guitars take over. He varies his vocal tone throughout, from barely audible quietness to over the top yelling. It is a pure rock record, but with well-varied dynamics that give it its kick to the gut. There are moments where the music builds to a chaotic crescendo, only to be suddenly stripped away to nothingness. It perfectly mirrors and accompanies[...]

Car Seat Headrest – Teens of Denial

June 8, 2016

Recording under the moniker Car Seat Headrest, Will Toledo has self-released eight albums between 2010 and 2015. He finally made his major label debut last year with Teens of Style, a collection of reimagined tracks from his previous albums, now performed with fuller arrangements. This year, he has a new batch of songs with an even more expansive sound for his second album on Matador Records, and tenth overall. Titled Teens of Denial, it is an epic foray into full-tilt indie rock. Toledo is pumping life back into guitar-driven indie, infusing it with the prog influences of the ‘70s and the catchy tunefulness of the ‘60s. He makes use of overlaid spoken word, screamed backing vocals, ornamental synths and horns, and layers upon layers of heavily distorted guitars. There are no tight 3-minute rockers here, as each song is carefully composed and the arrangements are fully fleshed out. The record has an effervescent ebb and flow to it, twisting seamlessly[...]

Dreambeaches – Habits

June 5, 2016

I’ll cut to the chase: These guys are good. Let’s just say I listened to them a few times for fun. Dreambeaches is a colorful quartet that’s barely a year old. Habits’ cover art does them justice, as does their Facebook promo photo take on fruit salad. This extended play is one that takes you on a trip. The music is unique, serene, and psychedelic. You’ll find yourself indulging in the bass-heavy, rhythmically-inclined songs. RIYL The Shins, Snowmine, Foals, and (at times) Tame Impala. Habits, the four-piece’s debut release, begins with “Tiny Spirits.” The track starts off with chirping birds. The band follows suit with some chirping of their own. “I’m tired of looking at life through a window,” is sung as the band plays in melodic and rhythmic symmetry. A wet-sounding deep synth keeps the band grounded through the ongoing tumult. Next, “Habits,” is decidedly beach pop. The catchy composition forces your[...]

PUP – The Dream Is Over

May 31, 2016

Toronto punk rockers PUP are back with their second full-length album. The title, The Dream Is Over, is apparently a jab at vocalist-guitarist Stefan Babcock’s doctor. After incessant touring following their 2014 self-titled debut, Babcock’s vocal cords were shredded. His doctor informed him that the dream was, in fact, over. Instead of calling it quits, the group defiantly pushed forward, bringing forth a sophomore album full of dark wit and in your face punk rock. The record opens with a gradual ascension into chaos as “If This Tour Doesn’t Kill You, I Will” asserts a severe and earnest sentiment towards life on the road. From there, it’s a non-stop parade of heavy guitars, aggressive drums, yelled gang-vocals, and self-loathing. The riffs are satisfyingly catchy, suggesting a pop inflection on their unapologetic edginess. The album possesses a drunken swagger and laments life’s many failed relationships and endeavors. The Dream Is Over feels like the youthful melancholy of The Front Bottoms combined[...]

Evil Wizardry – The Garden

May 4, 2016

On April 25, Evil Wizardry released the condensed, electronic beauty that is The Garden. Evil Wizardry is a Utica-grown ambient, dream pop, noise band. A summary of those genres is: Though there are vocals and lyrics to this 5-song EP, don’t try to listen close without a lyric sheet, or your head might explode. It’s spacious vibes can certainly be appreciated, but everything needs to be taken with a grain of salt. Try to think your way through these songs and you’ll find yourself strangled by the racket rather than cozied in its trippy waves. “Trance Path” begins with a trance drum beat and jangly nineties guitar. Soon, expressive vocal phrases show their heads, though altogether, the song is a warped, making you bend over to listen closer to the somehow distant music. “Trance Path” ends with guitar bouncing up and down from the speakers. Song Two, “Gordon’s First Informal[...]

ROMP – Departure From Venus

March 14, 2016

When two individuals meet via Tinder, one would be safe to assume that there is a certain “connection” waiting to be made. That swipe to the right might result in a new partner if you catch my drift. In our age of digital love, what does a Tinder swipe really mean? In the case of Madison Klarer and Lucas Dalakian, Tinder was the vehicle that helped them create a completely professional musical relationship, aptly-named ROMP. Stranger things have happened, right? Either way, ROMP specializes in fun, synth-laden pop rock that’s riding the third-wave of nerd-chic acts a la Front Bottoms and Modern Baseball with a female-fronted touch (think Field Mouse or Tancred). In yet another stellar “aptly-named” decision, ROMP decided to name their first LP Departure From Venus. Themes of alienation, confusion, and twenty-something woes permeate the nine-songs on DFV. Opening track “Backfire” is an archetypal example of ROMP’s specialties – bouncy pop-punk about the awkwardness[...]

Macklemore & Ryan Lewis – This Unruly Mess I’ve Made

February 29, 2016

Seattle-based hip-hop duo, Macklemore & Ryan Lewis, have a lot to say on their sophomore album. This Unruly Mess I’ve Made is a hodgepodge of genres, thoughts and stories. A lot of the tracks do actually hit their mark, while others fall short of the massive hype. Musically, the pair continues their brand of underground-cultivated indie-gospel, with heartfelt piano, dramatic strings and joyous choir. Unfortunately, the lyrical content is all over the map. The record starts off earnestly enough, with a song about Ben Haggerty’s (aka Macklemore’s) disdain for award show culture. But after that it begins to wander through a strange assortment of politically charged, inspiring tunes and quirky joke-rap. The contrast between the two doesn’t quite add up to the overall intellectual statement Haggerty would like it to be, instead creating a frustrating ambivalence toward a record that could have been truly great. The silly tracks actually undermine the[...]

Hinds – Leave Me Alone

February 16, 2016

Hinds’ debut album Leave Me Alone is bursting with sunny energy. Direct from Madrid, Spain, these indie rockers come out with a bang. Leave Me Alone was released in the middle of winter and their spin on garage-rock pop is a much-needed doldrums-reliever. From the first echoing, reverb-laden chord of the album, these four ladies have you hooked. The music spouts easygoing vibes and playful mirth, fit to accompany a beach party. Catchy guitar riffs jangle while carefree rhythms achieve the right kind of groove for a summer’s night.  Mix in some old-school punk undertones (a la The Velvet Underground) and you can’t help but get carried away with these tunes. But it’s the vocals that really bring the album to life. Co-singers Carlotta Cosials and Ana Perotte share lead duties, singing most often in unison rather than in harmony. They weave in and out of the melody with an[...]