Album of the Week

Rosie Quartz – Philophile

June 5, 2023 Brent Casillo

Buffalo-based band Rosie Quartz specializes in guitar-driven songs soaked with luscious reverb. Their surfy vibes and easy-going disposition has resulted in a new, three-song project they’ve titled Philophile (i.e. a lover of loving). Throughout your first listen, you’ll feel like you’re on a bicycle riding a hundred miles an hour on a sunny breezy day, your hair flying wildly through the wind. The drums throughout each song brought by Alex Bogart make your head bop unconsciously along with the smoothness of the guitar brought by Adam Cwynar and the deep bass grooves of bassist Ron Walczyk. When Sean Pratt’s voice first hits in the song “Constellation Prize,” you get a sense of fresh air you didn’t know you needed. Overall, their music has a vibe that is very calming and warm that makes you want to lay back and stare at the stars late at night. The project was produced[...]

Dreamhouse. – violencewave

May 17, 2023 Jordan Budd

The latest release from local electronic artist, Dreamhouse. is titled violencewave. The album is a forlorn stare into the causes and effects of violence in light of the racially motivated 2022 Buffalo shooting. Regarding the tragedy, Jordan Walker, the beatmaker behind Dreamhouse., said: “I was driving around North Buffalo. It’s not really over there, but it’s about a five-minute drive if I took the right streets.” His girlfriend let him know there was an active shooter at Tops, and that was all he knew until he saw the full news coverage. After this intense experience, Walker dove headfirst into the main theme of violencewave, expressing his feelings while discussing humanity-wide violence. While creating this auditory collage, he sourced samples that represent the inescapable anxiety surrounding violence. The ambient intro track, “dreamers intuition,” features an undulating airy melody, glittery sample splashes, and a toaster oven-like dinging sound that signals the palatable[...]

Speed Dial – i, DUMBASS

April 9, 2023 Jordan Budd

Speed Dial bassist, John Carr, comically shout-sings through a low-fidelity telephone crunch, “What up, what up, what up bitch, it’s the dial.” On the other side of the call, the distinguishing lark is met with a gaggle of laughter, a proper greeting to the Buffalo four-piece’s debut EP, i DUMBASS. “Cannonball Waterslide” introduces themes of separation and identity. There is an energetic sense of freedom, but a remaining confrontation as lead singer, Cooper Taylor sings, “I like to think that you don’t know the half of what you claim you do.” Flaunting a newfound sense of self over saucy guitar lines, Taylor is no longer bogged down by “judgements and assumptions.” Even still, a tender moment and some feverish guitar noodling and lyrics about self-improvement, show that moving forward isn’t that simple. In the remainder of the track, gang vocals shout prior lyrics back at Taylor while his head still[...]

bugcatcher – Slacker

March 21, 2023 Jordan Budd

Rochester act, bugcatcher, write big acoustic-indie tunes for little, yet important moments in their debut full length, Slacker. On the intro song, “Roller,” the project’s lead vocalist, songwriter and main member, Jake Denning, questions changes in his life while a tender guitar riff fades in and out. Responding with indifference, Denning’s voice echoes back onto itself with the vacant phrase “well okay, well alright,” as the instrumentation kindles the project’s gentle, slacker rock sound. Denning has multiple meanings for the title, as he feels there is “a malaise to the way the album flow[s], as it’s “generally pretty mid tempo,” yet he also said it took a long time for him to make, “maybe even too long.” He referred to its origins in late 2020, and how he moved around a couple times during its development. A dreamlike short-story-tune, “Daisy Vs The Grim Reaper,” was one of the first completed.[...]

Cooler – Doom Spiral

March 13, 2023 Jordan Budd

Cooler, a Buffalo-based three-piece, creates deeply personal, ethereal indie rock fit for the most intimate of moments. Doom Spiral, the group’s 2023 release, is their best work to date. The album centers around themes of opposition and devotion while persistently shifting between a confessional love story. Throughout the project, distance between people is a constantly developing undulation. Cooler braves this emotional disparity while engaging in intricate heart-to-heart discussions. The group fills out their already-strong sound with layers of carefully-laid, familiar guitar lines, sludgy bass flavors, and newfound sleek electronics, resulting in a sound they describe as “dreamo.” The album’s intro, “Gentleman,” was the first recorded with their current lineup, currently consisting of Alley, Jake, and Nick Sessanna. Breaking through the mist, the song’s flagship guitar line is as sentimental as it is catchy, while Alley’s reserved, melancholic delivery dazzles amidst lyrical dejection. “Succulents” is a meditative groover that aims to[...]

Ex-Pat – We Are All Explosives

February 20, 2023 Jordan Budd

Nostalgia is often guarded by the thick, indeterminate fog of our own memory. Ex-Pat, a Buffalo recording artist, wades through this fog. His time-warping artwork is genuine, soulful, and full of personality. Echoing the most gossamer, faded shades of 90s shoegaze and downtempo, while melting around your ears like a good-as-gold nugget of 50’s doo wop, Ex-Pat is a notable blend, indeed. His sweepingly good 2015 track, “Confusion,” exemplifies his dream pop experimentations (Check out our previous feature on AM 1400). This song excels in a fibrous synthesis of natural and electronic. It offers a soft-on-the-ears mix of creamy synths, while effectively steering into a folksy, way-down-a-country-road harmonica solo. His latest work, We Are All Explosives, is a four-song project halved by recent creations and older archives. The time-capsule of feeling freely drifts through Ex-Pat’s artistic chronology. Its whispery intro track, “The Call to be Happy,” is a minimalist construction[...]

MIMIC – A Thief, Not A Liar.

February 13, 2023 Jordan Budd

Just before Last Call Entertainment’s BJ’s Fest 2022, the now repurposed Eerie Shores Instagram posted a cryptic announcement. The dive-bar event would be the band’s final performance under their original SUNY Fredonia-born title. A following series of posts transitioned the band’s beloved moniker to a new name, MIMIC. With Eerie Shores in the rearview, “The Longest Road,” is a refreshing introduction to A Thief, Not a Liar. The winding acoustic heartwarmer steers into an EP-defining riff. The dramatic debut single, “Careless,” meets deep-seated anxieties with a relentlessly optimistic attitude. Normalizing this way of thinking, the band says that the song is about “finding happiness in areas of negativity; literally seeing rain and walking into it with a smile.” The music video, shot and edited by Brett Ballachino, reinforces these themes. The lead singer, Alex Vasiloff, finds relief from daily stress by making time for friendship. The gang take the wheel,[...]

Carpool – For Nasal Use Only

February 7, 2023 Jordan Budd

Since Carpool’s 2020 release of Erotic Nightmare Summer, the Rochester band has played on Audiotree, added a synth player, toured the country, worked with content creator, hate5six, and yelled “quit a job and fuck every single cop” wherever they went. That’s quite a streak for the underdog emo act, nicknamed Carpy for short. Carpool also became experts on saltines, see tour announcement for more information. The group’s emo-rollercoaster-rock sound oscillates between sugary indie-rock, walloping pop-punk, and derailing math pop fluidity. The moshpit-fuse band throw their weight behind important messages, whether they are handing out police abolition zines or approaching tough lyrical topics like substance abuse, mental health and failing relationships. Their latest work, a five song EP titled For Nasal Use Only, challenges listeners while expanding upon their familiar sound. More danceable than ever, Carpool inject their gravely relatable tunes with upbeat synth ebullience. The lead single and intro track,[...]

Neetchy Band – NO POZER

January 31, 2023 Jordan Budd

Throughout history, art often strikes a delicate balance between humor and depth. We’ve all got that one friend, always authentically themselves, goofy one second, and deep as hell the next. While listening to Neetchy, a sneering chuckle could easily turn sentimental. With no effort to fit in, the boundary-pushing artist has been doing it his way since 2015 with projects like Cotton Candy Mountains, Songs For, and About You, and Jerry, amongst others (see our previous features on both The Old Me and Y’all Need a Drink). Throughout this time, Neetchy has developed a cartoonish pop rap finesse, emphasizing sticky melodies, did-he-just-say-that lyrics, and his own enigmatic character. Unafraid to try new things, the fringe artist’s early discography draws upon cloud rap, southern hip hop, R&B, and dance-pop along with a host of related sounds. After a few years worth of hip hop releases, an alien-autotune-country sound burgeoned within Neetchy’s[...]

Kod!e – Cycle of Man

November 15, 2022 Ryan Sciandra

On October 1st, 2002, an artist named Kod!e was born into a life of makeshift homes & painstaking anxiety. To celebrate making it 20 years through this journey of life he calls the Cycle of Man, Kod!e decided to drop a 13 track album titled just that on his twentieth birthday, October 1st 2022. The alt rock/hyperpop inspired album has distinctive vocal textures. On tracks such as “Burn This Town” and “STAY AWAY,” the Buffalo-based artist’s vocals carry similar timbre to a chainsaw in a horror film. Respectively, on tracks like “What is wrong with me” and “Descending,” Kod!e’s voice floats through the atmosphere he’s engineered for himself. The wide range in dynamics and delivery over Cycle of Man is what distinguishes Kod!e from peers in the Buffalo alt rock/hyperpop demographic. A music video with scenes ranging from a cemetery to a Buffalo loft for track six, “I Knew it[...]

B-rent – Everything For Paige

May 25, 2022 Ryan Sciandra

Somewhere in the up & coming hip/hop scene in Buffalo, a voice can be heard with sounds of sincerity; the voice comes from B-rent on his debut LP: Everything for Paige. The album resembles something like a modern day Shakespeare tragedy reflecting the beauty in despair. He shows his fans what rock bottom has taught him before he reaches the mountain top he’s climbing. The fuel to the flame of “Everything For Paige” was unmistakably gifted from his late sister, Paige Casillo. Tracks like “This Broke” resemble how hollow a heart that was once full still beats with as much purpose as the percussion in his music. While tracks like “Exposed” demonstrate how to run through problems (or brick walls) head-on. The theme of the eleven track LP burns the brightest on track 10, “WITH ME, WITH YOU,” as B-rent belts out lines like “freestyle flows ain’t no need for[...]

Hussalonia – The Somewhat Surprising Re-Recording of Marsupial Garamond Hussalonia

May 18, 2022 Ryan Sciandra

Legend says in the year of 1997, a pop music cult was born via the Nefarico soap company and named Hussalonia. A quarter century later, Hussalonia has given us The Somewhat Surprising Re-Recording of Marsupial Garamond Hussalonia… A project that was dropped about sixteen years ago re-recorded, mixed, and mastered to the complete satisfaction of not only Nefarico & Hussalonia; but their fanbase as well. For those unfamiliar with Hussalonia, the riveting backstory and completely immersive worldbuilding are a part of the charm. In addition to their uniquely-told origins coming from a dystopian (or, surprisingly and unsettlingly current) world, their music is incredibly pristine and well-written. A truly all-around experience from this one-of-a-kind Buffalo-based artist. The album starts with the riveting “Time and Place,” in which Hussalonia bellows for the one he once loved. Conceptually continuing the tale throughout the entirety of the rest of The Somewhat Surprising Re-Recording of[...]

Conway the Machine – God Don’t Make Mistakes

May 2, 2022 Ryan Sciandra

The spirit of Buffalo is a very real concept that only true Buffalonians could understand; a sense of community, validity, and authenticity. The legendary rap group Griselda managed to spread the spirit of Buffalo on an international level – one third of this hip-hop superpower, Conway the Machine, recently dropped what is easily his best work to date, an LP entitled God Don’t Make Mistakes. Conway’s cutthroat delivery intersects the eloquent piano keys laid over his beats with pinpoint perpendicularity. Listening to God Don’t Make Mistakes takes you into a hip hop classroom and Conway the Machine is the coolest teacher you’ve ever had. The diversity of emotion Conway has the power to convey is infinite, especially when comparing the vulnerable “Stressed” to the triumphant “So Much More.” When he says “Don’t let em’ put me in no box, I’m so much more,” it hits hard. It’s a very surreal experience[...]

Katie Morey – Friend of a Friend

April 19, 2022 Ryan Sciandra

About two minutes and thirty two seconds into Friend of a Friend, I downloaded the LP in its entirety. It was at that moment I knew that Katie Morey did not come to just play guitar or sing some songs; she came to create a moment that would last forever. The musical artist from Rochester has had quite the year so far with seven singles, a whole collaborative project with Pleistocene called Ontario Girls, and most recently, her debut LP Friend of a Friend… and it’s only April. She’s given us several years worth of music in the span of three months; Morey is a seasoned musician, but it almost makes rookie of the year sound like an understatement. Album opener, “Hotter Than Heaven” is an excellent distillation of Katie’s work. The song starts with plunking piano chords laid overtop simple electronic drum samples that together, create a warm and[...]

Funeral Coat – Is That So?

April 13, 2022 Ryan Sciandra

Call it alternative, punk, emo, or whatever else you want, but call it correct; Funeral Coat’s debut LP, Is That So, is fire. The gas to that fire might come from professional production from the prominent Jay Zubricky at GCR Audio; but that’s just the tip of the Iceberg. Funeral Coat built up anticipation with a year of singles when they first formed back in 2020, then delivered Is That So? On July 3rd of 2021. Nearly a year has passed and we’re still spinning it – clearly, it has aged with grace. Album opener “Sorry” is the archetypal Funeral Coat song – their songs clearly have a punk edge, but never stray too far into bouncy, light-hearted territory. “Sorry” demonstrates this perfectly, highlighting a beautiful harmonic guitar lead layered thick with effect pedals. The vocals are similarly effected – masking the emotive delivery with a layer of shredded-speaker distortion.[...]