Latest Posts

She Keeps Bees – Eight Houses

October 1, 2014

She Keeps Bees is a homemade band. Essentially an alias for minivan loving front woman Jessica Larrabee, the act has been self-releasing EP’s and LP’s alike on their own since 2008. Eight Houses, the third LP release from the Brooklynite ex-pats, marks only the second LP released on a proper label. In the past, Bees have glided between folk and blues garnering comparisons to Patti Smith and Cat Power. As flattering as that may be, it is a bit of a lackadaisical nod. A more accurate comparison would be The Heartless Bastards and even Bad Company. What works on this record is its simplicity, with the main focus being Larrabee’s booming and penetrating vocals. Her gentle, supple guitar riffs, and the drumming of Andy LaPlant take side stage to the golden goose that are Larrabee’s vocal chords. She manages to deliver strong mono harmonies, which is a feat on its[...]

Sunny Union Premieres New Single, “Wild Mountain Thyme”

September 30, 2014

Late last week, Rochester born folk act, Sunny Union (the moniker of Sunny Zaman), released the first track from his forthcoming album, Wollstonecraft II, the follow up to the January released Wollstonecraft. Titled “Wild Mountain Thyme,” the rustic number is full of gorgeous, Fleet Foxes harmonies, and contemplative acoustic plucking. The song was originally written by folk singer Francis McPeake and has been covered by White Antelope, the solo project of Robin Pecknold (speaking of Fleet Foxes). The now Brooklyn-based musician plans to release the full album sometime next month, so keep an eye out. Listen to Zaman’s take of “Wild Mountain Thyme” below.

The Architects – Border Wars Episode II

September 30, 2014

The Architects, the four piece who hail from Kanas City, MO, jog back and forth between classic rock and melt-your-faces-off dirty, grimy punk rock on Border Wars Episode II, the latest installment of their elaborate concept album endeavor which comes equipped with a coinciding comic book with art by Mallory Dorn. Its predecessor, Episode I, was more straight forward rock n roll with a few grimy tracks thrown in there. Episode II, though, is the Architects album that you may think twice about taking home to your parents. With songs like the sappy “Killer Crush,” “In the Snow,” and “Criminal,” Episode II really lets the Architects talent shine through, stating “hey, we can write super catchy pop rock songs with depth and substance, but why do that all the time?” The central force behind this record is the vocals of Brandon Phillips, driving song after song up the city on the hill. This album[...]

Machine Gun English – I’m Too Tall For My Time Machine These Days

September 29, 2014

“They” say that rock n’ roll is dead; I think the Stainds and Creeds and Puddle of Mudds of the world are just getting smarter. Rock music is now led by bands like Black Keys and Cage the Elephant – its less about machismo and brain dead guitar distortion and more about bluesy goodness. Machine Gun English is kind of like a mix between the Arctic Monkeys and Wild Beasts. The Rochester three-piece is all about rock n’ roll and good times, and it shows through their music. “Body Shots” is an accurate representation of the band and a great way to open the EP. A chorus chant of “Are you ready to go?” coupled with a classic rock guitar riff is plenty to power through the four-minute banger. The band hits their stride hardest on “Thanks, But No Thanks,” the Wild Beast-iest of their tracks. I am reminded of[...]

Wild Bear Drops New Track, “Bloody Lips”

September 29, 2014

After getting our attention with the Grizzly Bear/CANT-esque debut single, “Glass Ceilings,” the intriguing new electro project, Wild Bear, quickly returned with its follow up track over the weekend.  Titled “Bloody Lips,” the song is eerie and vocalless, with an air of menace that never quite surfaces, reminding me quite a bit of former Buffalo project, Camp Counselors. Check out the song below.

Yung Lean – Unknown Memory

September 26, 2014

This one hurts. This one really hurts. And it hurts because the pieces are there, but it just falls short of what it could’ve been. I do like this album, but I can’t help but listen to it thinking of what I wanted it to be. I would say that I’m crying about this, but with Yung Lean being associated with the Sad Boys, crying might be considered a good thing. I had such high expectations for this project, the debut album from one of my favorite artists Yung Lean-doer. The worst part about reviewing this album is the sincerity behind it. I know listening to it that Lean tried his best to make a really good album. He cut down on the jokes, and cut down on the rapping super hard, instead opting for a lot of autotune singing. I really liked it on “Ghosttown,” but my expectations were[...]

Mags Drops Debut Singles

September 26, 2014

A couple weeks ago, we wrote about The Slums EP, a new group led by The Malones ex-frontman, Steven Floyd. He is not the only former member with the creative bug brewing. Former Malones bassist, Elliott Douglas, formed a new solo project of his own under the moniker, Mags. Unlike the Slums harder, more aggressive sound, Mags continues the crunchy catchiness that the Malones left off with last year. Mixed and mastered with Paul Besch of Quiet Country Audio, “I Won’t Talk,” is an indie rock jam, easily syncable for your fall playlist.

Transfer in Jamaica Releases Speculative Party vol. 1

September 25, 2014

Buffalo producer/mashup artist, Transfer in Jamaica, creates music that, at it’s most compelling, can shift our perception of two seemingly unrelated styles and reveal an unlikely common ground, reminding the listener that genres are dynamic as a result of this eclectic creativity. The artist’s latest release,  Speculative Party vol.1: “Cry If I want To,” is part left-field DJ mix, part mashup album, divided into three parts that spans styles from indie rock to r&b, trip-hop, soul, electronic, and mainstream pop. The first track includes transitions from a pitched-up Beyonce sample to Radiohead’s “Lotus Flower” along with an surprisingly fluid segue from Salt-n-Pepa’s “Shoop” to Pixies’ funky, guitar-led track “Hey.” The third part of the release finds Transfer in Jamaica leaning towards a more hip-hop/club music approach with tracks from Disclosure, Kendrick Lamar, Pusha T, Rihanna, and Kanye West making appearances. Speculative Party Vol. 1 offers a pretty comprehensive snapshot of pop music over the[...]

Kendrick Lamar – “i”

September 24, 2014

Yesterday morning, rap’s current co-president (along with Drake) debuted the first single off of his upcoming album. Titled “i,” the track was pretty much all about good-vibes. Centered around a chorus of “I love myself,” Kendrick fires out short verses with a rapid flow, essentially declaring that in order for him to give love to anything (the hood..music..his city) he first has to give love to himself. Content-wise, it’s probably most similar to his song “Real” off of good kid, m.A.A.d city. It’s note-worthy because “Real” was looked at by many as one of the weakest tracks on the album. With “i,” Kendrick departed from his ghetto commentary (well, it’s an underlying theme) in favor of a feel-good track, and there’s plenty of backlash about this track because of that. As far as production goes, Pharrell brought back to relevance the quick-pluck disco-guitar with Daft Punk on “Get Lucky,” and it[...]

Such Gold Premieres New Single, “Faced”

September 23, 2014

Arguably one of the most popular up-and-coming pop-punk bands in upstate New York, Such Gold released its new single today via Alternative Press. The track “Faced,” is a great sample of what is to come with the band’s upcoming album, The New Sidewalk (Out November 10 via Razor and Tie). Listen to the song below and make sure to catch Such Gold on November 21st as the quartet plays the Waiting Room with Four Year Strong, Transit, and Seaway.

alt-J – This Is All Yours

September 23, 2014

If you’ve already listened to An Awesome Wave (2012), then it should come as no surprise that England-based trio, alt-J, is the farthest thing from generic.  With the release of their latest album, This Is All Yours, their peculiar sound seems only to have intensified, resulting in a compelling listening experience. As is characteristic to alt-J, An Awesome Wave is brimming with harmonies, layering, and, of course, the inevitable struggle to decipher what Joe Newman is actually saying.  This, however, does not distract in any way from the quality of their sound. In fact, it amplifies its strangeness in such a way that is magnetic. The album’s main quirk lies in the fact that there is a large disconnect between the tracks. While some songs (“Arrival in Nara,” “Pusher,” “Warm Foothills”) are almost hauntingly delicate, other songs possess verve and comedic relief.  “Every Other Freckle” particularly speaks to this dynamic;[...]

Hannah Weidner – Comfortable Existence

September 22, 2014

Rochester is having a good September as far as buffaBLOG is concerned. Earlier this month we saw the release of Cottage Jefferson’s fantastic new album B-Side, which deservingly snagged the blog’s first Album of the Week spot of September. This week we have another Rochester artist grabbing the spot—meet singer/songwriter Hannah Weidner. The DIY songbird’s debut album, Comfortable Existence, is a harmony-rich acoustic beaut, drawing comparisons to earlier tracks of sister-songwriter duo First Aid Kit. Now, as aforementioned, Comfortable Existence is an acoustic album at its core, consisting primarily of folksy acoustic tracks with beautifully-crafted vocal harmonies. (Take the ‘love-is-in-the-air’ album-opener “Your Essence” for example.)  A more focused listen reveals a certain intricacy to the songs that adds serious depth to the album, making Hannah Weidner and her songcraft stand out among other folk contemporaries. The subtle inclusion of horns and air organ in a few of the songs adds[...]

Yung Lean – “Ghosttown”

September 19, 2014

On the heels of news that debut album Unknown Memory has leaked (!!!!!!!!!!!!!!!!), Lean has blessed his emotional disciples with “Ghosttown,” the album’s second single. With a seriously good feature from GOOD Music’s Travis Scott, “Ghosttown” is likely Lean’s greatest achievement in music. By collaborating with his signee, Yung Lean is literally one degree of separation from Kanye West. Think about that. Will Yung Lean appear on a Kanye album in the future? Probably not, but I’m just happy to be able to ask that question. This track is seriously excellent. Lean attacks it in his usual autotuned droning sing, and it’s as surprisingly refreshing as ever. Travi$ Scott is currently dominating the autotune singing game, something that he probably learned from Ye. “Ghosttown” is a true collaboration between the artists, somewhat surprising due to the disparity in their fame. After exchanging verses, the two serenade each other as the track[...]

The Pains of Being Pure at Heart – “Poison Touch”

September 18, 2014

The Pains of Being Pure at Heart have reached that “can’t do wrong” status with me. Their fuzzy and sometimes reverb heavy take at indie pop is near perfection in my eyes, and it may not be better exemplified than on their latest track, the shimmering and peppy, “Poison Touch.” Set to be included in the expanded edition of 2014’s Days of Abandon, the song once again features Jen Goma of A Sunny Day in Glasgow on lead vocals. “Poison Touch” stands up well next to Days of Abandon‘s best track, “Kelly,” also featuring Goma after former member Peggy Wang moved on from the band. The expanded edition of Days of Abandon will be released next week on September 23rd. [soundcloud url=”https://api.soundcloud.com/tracks/168036509″ params=”color=ff5500″ width=”100%” height=”166″ iframe=”true” /]

Overhand Sam Releases Debut EP

September 18, 2014

We’re a little late to the game on this one. Rochester multi-instrumentalist (and Maybird member) “Overhand” Sam Snyder released Debut EP back in July, a deliciously fresh take on contemporary blues rock that gives off a faint Besnyo vibe. The four-track banger contains a few previously released songs, including single “For Better / For Worse” and an excellent full-band version of the formerly acoustic “Feel So Bad.” Stand-out track, “Just Don’t Know,” pairs a light, ghostly piano riff with a soaring guitar lead comparable to the sounds of Fuse.tv-era band Snow Patrol. However, OHS’ studio effort comes off as more than your typical blues-tinged alt rock, blending lush, piano-peppered instrumentation (highlighted by Snyder’s quality guitar leads) with a wispy vocal style and elements of blues, folk, and even R&B. It’s refreshing how much ground the four tracks are able to cover. Check out the NYC-mobster vibes of “For Better /[...]