Latest Posts

Florence + the Machine – How Big, How Blue, How Beautiful

June 2, 2015

As humans we would never wish personal turmoil, i.e. a tough breakup, on anybody, most of us having gone through a lot of that shit ourselves. As music-fans, however, there’s nothing better than a breakup, divorce, death of a loved one or mental breakdown, as tragedy has inspired so many artists’ best music. For baroque-y British soulstress Florence Welch, the personal turmoil included a “complicated, on-again-off-again relationship” with both a man and the bottle, culminating in a near mental breakdown during her time off following her astonishing sprint to the top with 2009’s Lungs and 2011’s Ceremonials. It’s also, thankfully for us, culminated in How Big, How Blue, How Beautiful – the most intimate, powerful album yet from this vocal powerhouse. She matches soul-barring, confrontational lyrics (see “You were on the other side, like always / You could never make you mine” from lead single “What Kind of Man”) with[...]

Maybird Releases New Single, Music Video For “Turning Into Water”

June 1, 2015

Rochester/Brooklyn psych rockers, Maybird, have released its first single in nearly two years and an accompanying music video to go long with it. The track, “Turning Into Water,” has some Tame Impala freak outs mixed with just a touch of early 90’s Brit Pop (think Supergrass), and is set to be included on the band’s forthcoming Turning Into Water EP, with a proper full length to follow. Directed by band member  Adam Netsky, the video for “Turning Into Water” features the band playing in front of some rather trippy green screens and backdrops as the projections wash over the members while performing. “‘Turning Into Water’ is about a melting feeling of being ignored by someone you admire, and the self consciousness and anxiety that accompany it. The video uses clips of rushing water to visualize that feeling, they start as projections and gradually take over the visual plane in superimposed layers[...]

Unknown Mortal Orchestra – Multi-Love

May 28, 2015

Love is a topic that has been represented in music countless times, and there is no doubt that it will stay that way for years to come. It is also one of the most influential emotions, making you feel so many different and drastic ways, many times leading to an artistic release. In this case, New Zealand’s psych-indie rock outfit, Unknown Mortal Orchestra, shares its take on love’s many complications with the new album, Multi-Love. The opening vocals on the title track are a great indicator of what’s to come. Lead vocalist Ruban Nielson floats in over some simple keys and croons “Multi-Love / Checked into my heart and trashed it like a hotel room.” In general, Neilson tackles the topic of love as a whole (not how love can make himself feel, but how it can make anyone feel), and he does it in a way where he is[...]

Pappy Stardust Reveals Fresh Single “Want You to Know”

May 28, 2015

Pappy Stardust, the Buffalo based/Rochester bred psychedelic garage rock outfit for the solo work of songwriter Steve Leszyk, just unleashed a fresh track upon the masses last week. The leisurely track, titled “Want You to Know,” offers flavorful guitar riffage that grooves, shreds, evolves, combines, separates, and repeats. Leszyk peppers the track with his blues-tinged hound dog vocals, but usually lets the guitarwork do the singing for him, striking a satisfying balance of slack, garage, and psyche. The track reminds me of something an ambitious Devendra Banhart might put out, maybe if he started throwing back shots with Mac Demarco and hit the studio for a day or two. “Want You to Know” is the first single of the band’s upcoming album and is available for free download on their bandcamp page. Keep your ear to the ground for more from these guy(s) in the near future, and blast that[...]

VWLS Releases Soft Block EP

May 27, 2015

Multi-platform artist, Bobby Griffiths, has released his latest collection of ambient drone under the VWLS moniker through his record/media label, Bad Drone Media. The 7-track Soft Block opens with the warm “Early Prighs” and continues to change pace between the ominous “Glass Of Water, Fork In The Sink,” abrasive “Weathervane,” and hopeful “Words Used.” Its a moving collection of experimental music (something the drone genre rarely does to me), and fans of fellow local noise musicians like Logan Locking and Kevin Cain, the latter of whom previously collaborated with Griffiths on last year’s Low Prospects EP, would be wise to give it a spin. Listen to the EP standout “Words Used” below.

Thee Oh Sees – Mutilator Defeated at Last

May 27, 2015

It’s something we’ve heard plenty of times in the last few years: John Dwyer has shit out another Thee Oh Sees album. Shit out is not to say that the product is less than grand, rather Shit out is to say that he is some sort of a lo-fi, tape-mongering, fuzz-fanatic who was crafted by the big god upstairs for the sole purpose of creating garage rock masterpieces Religious speculations aside, Dwyer has bestowed upon us the sixth Oh Sees album in the last five years. This one is titled Mutilator Defeated at Last, and it packs the typical Oh Sees punch we’ve been accustomed to being battered with in recent years, just a little bit more relaxed when compared with the previous release by the band, Floating Coffin. Just as past albums have done, Mutilator takes the listener on a journey,  from creeping along with eerie squeaks of echoey electric guitars and cymbal taps to, without warning[...]

Neon Indian – “Annie”

May 26, 2015

Summer is definitely starting to jump, with show announcements and new music, and Neon Indian (aka Alan Palomo) is doing his part with his first new material since 2011’s excellent Era Extrana in the funky and reggae flavored “Annie.” It’s been far too long since we’ve been treated to the expressly psychedelic sounds of Alan Palomo, and even longer since we’ve seen him live in these parts (5 years since Soundlab), and even though there’s no word yet on a new album, this delightful morsel just might be enough to hold you over until beach season.

THICK WINTER BLUD Releases Music Video for “Garden Face”

May 26, 2015

Wondering what to do with all of those leftover Memorial Day condiments? Take a page out of THICK WINTER BLUD‘s book – they made the best of their surplus in the music video for the new song, “Garden Face.” TWB excels at keeping things simple; think the best parts of I Can See Mountains mixed with ear-candy pop rock along the lines of Third Eye Blind or Guilt Show-era The Get Up Kids. There’s also a subtle “Banana Phone” reference… For all you Ebaumsworld alumni.

Hania Yiska – The Beauty Within

May 25, 2015

You could be listening to one of two different artists if you’re giving our latest album of the week a spin. Well, kind of. One of Rochester’s primo electronica artists, Jeffery Hull, writes under a slew of various pseudonyms, his name contingent upon the style and mood under which he is writing. For the purpose of this article, which highlights his latest release The Beauty Within, I’ll be focusing on two: Hania Yiska, which explores his sonic creations with vocals layered on top, and Mad Hugs, which is the artist’s instrumental side of things. It should come as no surprise that Hania Yiska and Mad Hugs are actually very similar; both projects are brainchildren of the same brain. Yet, where there are obvious and innate similarities, there are also small differences that mark an interesting variety in Hull’s electronic craft. While Yiska delves into vocal territory with a pseudo-experimental fervor[...]

Eskimeaux – O.K.

May 21, 2015

I remember a couple of years ago when I stumbled across a collection of demos from Eskimeaux on an “album” titled Igluenza. Eskimeaux was a name I had heard mentioned constantly, being interested in many bands in the budding lo-fi scene out of Brooklyn.  I almost instantly fell in love with the innocence, honesty, and simplicity of those demo recordings.  Digging farther back into the project’s catalogue, I could tell that founding member Gabrielle Smith was certainly onto something from the beginning. When Smith first started what would become Eskimeaux, she was making tracks which were much more avant garde in nature, featuring ambient, drone inspired, experimental electronics.  Out of these humble beginnings, Smith began to embrace more of a bedroom pop, glo-fi sound. After enlisting the help of members of the art collective, Epoch, including Felix Walworth of Told Slant, the project really seemed to find itself After seeing[...]

Faith No More – Sol Invictus

May 19, 2015

Even while experi-metal rockers Faith No More helped inform so much heavy music of the 90s and early Aughts, they always seemed to be miles removed from it. In the early 90s they were too abrasive for the alt-rock crowd, too weird and unpredictable for grunge, and by the late 90s too arty for the likes of KoRn and System of a Down, the nu-metal freaks they’d helped inspire. But the group still maintained a sizable cult following that’s proven impervious to critical panning and total lack of chart hits – sans “Epic” and “Midlife Crisis” – and one that only seems to have grown since their temporary disbanding in ’99. It seems only now the band’s getting the dues they deserve, and they couldn’t have proven themselves with a finer, so-called “comeback” disc than Sol Invictus. Rather than try and build on their enormously varied body of work, the[...]

Teenage Satan Releases Latest Song “She Was My Ocean”

May 19, 2015

Experimental bedroom project, Teenage Satan (now performing under the name Kimmy), sneakily dropped a new song a couple days before the fully fleshed band open from Krill last night at the Glitterbox. Fronted by local writer, Dan Bauer, the now four-piece’s latest tune, “She Was My Ocean,” sounds like Bob Dylan fronting mewithoutyou. With a newly expanded band, and new name, keep an eye out for future releases from Teenage Satan/Kimmy at the band’s bandcamp page. Listen to “She Was My Ocean” below.

The Slums Debut New Song “Craw”

May 18, 2015

Something about the word “craw” reminds me of The Slums – it’s almost as if I can envision them using the word regularly in conversation. Regardless, I think we’ll all be seeing the word “craw” around more often now. Fresh off their show with PILE this Sunday, The Slums have pumped out another half-hardcore, half-garage rock anthem. These dudes have been buzzin’ around town for just about a year now – articles and blogs are mentioning The Slums at every turn. If you’re late to hop on the bandwagon, imagine the dirtiest, sludgiest rock song from the 1950s with a whirling dervish for a front man… I hope that’s an apt enough description. “Craw,” the lead single off the band’s upcoming summer album, is available for your streaming pleasure below. Enjoy.

OHS – Long Legs

May 18, 2015

It stands to say that Sam Snyder is about as DIY as they come. The Rochester-based musician, commonly referred to as “Overhand Sam” on the local band circuit, is the emblematic jack-of-all-trades—writing, playing, recording, and engineering his own sonic outpourings. But his musicianship is not the only facet that defines him—Snyder also runs a local record label / production team hybrid called Turtle Phonic that records artists in his attic studio and subsequently promotes the shit out them. (Have a look at #turtlephonic on Instagram.) Snyder’s latest release under his OHS moniker—a “mini LP” titled Long Legs— is a stylistic potpourri, drawing influence from a grand multitude of artists and ultimately cohering into his most stimulating material to date. It’s tough to lay down an all-encompassing classification on such an eclectic bunch of tracks, though most of the songs share elements of psychedelia at its most basic of definitions. Sam[...]

The Tallest Man On Earth – Dark Bird Is Home

May 13, 2015

“Every day a growlin’ storm, but they’re kind somehow…” chirps Kristian Matsson, or The Tallest Man On Earth as he is so endearingly known, on the title track of his newest record Dark Bird Is Home, his lyrics still soaked with the stoic isolation that so beautifully sets the man apart from his contemporaries. While modern ‘folk’ artists (I’m looking at you Mumford and Sons, Lumineers) set their scopes on hand-clappingly accessible sing-along hits, Matsson continues to write songs for himself—unearthing his inner poeticisms and bearing them over songs with increasingly lush instrumentation. Though I’m reluctant to compare Tallest Man to anything that can be considered “modern,” his newest album does re-embrace the full-band jubilance of 2012’s There’s No Leaving Now. That’s not to say Dark Bird is without the profound simplicities that Matsson is known for, but the album does strike an interesting balance between the two. That balance[...]