Latest Posts

Ignorant Owls Drop Debut Single

July 2, 2014

It’s pretty rare that a Buffalo band pops up on the internet that we have not been clued in on. With that being said, we were delightfully surprised with the debut single “Space Invaders” by Ignorant Owls. Comprised of Joseph Wright, Josh Jager, and Wyle Lukow, the trio’s single channels the lo-fi indietronic hybrid perfected by Wild Nothing/DIIV, meanwhile alluding hints of Harlem Shakes or Passion Pit. Keep an eye out for further music from this new act. In the mean time, listen to “Space Invaders” below.

Landlady – “Girl”

July 1, 2014

Fresh off one of the stand out performances of the Silo Sessions Launch Party last month, Brooklyn buzz act, Landlady, have released the latest single from their forthcoming album Upright Behavior. The driving song, which sounds like a nice blend of Peter Gabriel, Future Islands, and Sunset Rubdown, continues to enforce the band’s captivating, if not off beat, blend of jagged, toe tapping indie-rock. Those who caught the band’s set under the shadows of the grain mills a few weeks ago can certainly vouch. Upright Behavior is set to drop on July 15th, but in the mean time, listen to “Girl” below. [soundcloud url=”https://api.soundcloud.com/tracks/156153884″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Mikaela Davis Releases “Out There Alone” Single

July 1, 2014

With a lengthy US tour on the horizon, Rochester-raised harp player, Mikaela Davis, has released her latest single, “Out There Alone.” One of her poppiest numbers yet, the track features fluttering, sunny harps backing Davis’ whistful cooing that should put her the category of indie-pop contemporaries like Joanna Newsom and Regina Spektor. Keep an eye out for Davis as she brings her tour through Buffalo on Friday, July 25th at Buffalo Iron Works.

Robin Thicke – Paula

July 1, 2014

It’s been almost a year since Robin Thicke released his most successful, self-titled album to date, which notably scored him countless radio airplay, Grammy nominations, and multiple Billboard Music Awards. Now, he’s back at it, eying up the top of the charts by following up last year’s summer hit “Blurred Lines” and “Give It 2 U” with an album so entirely consumed by heartache over his estrangement with actress wife Paula Patton that he went along and titled the whole project Paula. Whether you believe the album is a heartfelt plea to win her back or another marketing scheme to garner interest, one thing is for sure, Paula is a misguided collection of remorse and humility that certainly misses the mark in almost every way possible. If this is indeed a charade, Thicke is  pulling out all of the stops to keep it alive including: a very public acknowledgement of[...]

James Rapp – “In Your Tomb”

June 30, 2014

Steak and Cake Records is to set to release the debut solo LP from James Rapp, whose primary band, The Rotaries, you may or may not remember was part of a SnC anniversary show a couple years back at the Vault. Titled Islander, the self-recorded album is set for release next Tuesday, July 8th, and features Rapp on every instrument. Lead off track and first single, “In Your Tomb,” sets the tone for the laid back affair: think Little Joy without the international flair or a less beat driven Islands. Islander is pleasant, summer soundtrack whether you are sweating out your Saturday Night at Bidwell Park or cooling off over at the harbor (pro tip: the best spot is behind the Outer Harbor stage). Keep an eye on Steak and Cake’s bandcamp page next week for the full album stream/download, and in the mean time, listen to “In Your Tomb” below.

Every Time I Die – From Parts Unknown

June 30, 2014

Do I really need to introduce Every Time I Die? Maybe I should, because every person who listens to them winds up with a melted face. I’m not kidding, check any comment section on any reviews of any of their albums. Anyone who has ever been to their perpetually sold-out Christmas shows knows what ETID is all about: brutal, guitar smashing, oft-hilarious dudes playing ugly chords on Lisa Frank guitars. What isn’t amazing about that? All that aside, ETID is nothing short of legendary. Album number seven is called From Parts Unknown, and this time around, ETID have enlisted Converge guitarist Kurt Ballou as a producer. Let me tell you something. It shows. This is ETID’s heaviest stuff yet. Album opener “The Great Secret” was my personal favorite song, probably because it was like two minutes of getting punched in the face. I like to listen to music to relax and drown out the[...]

Ab-Soul – These Days

June 27, 2014

Towards the end of 2012, Kendrick Lamar brought him and his crew into the mainstream with the masterpiece Good Kid, Maad City. Kendrick, ScHoolboy Q, Ab-Soul, and Jay Rock had been releasing high quality free projects and independents albums for the last few years as the collective Black Hippy, and after Kendrick’s success, it became a waiting game to see who was going to follow him into the spotlight. ScHoolboy released his first major album, the well received Oxymoron a few months back, and saw some notoriety with singles like “Studio” and a feature on one of Macklemore’s singles. Ab-Soul has been looked at as perhaps the best lyricist in the crew, and his previous project, Control System, lets listeners into his warped thoughts and conspiracy theories, while demonstrating great technical ability. He’s proven time and time again that he has the talent to be one of the best rappers on the planet, so[...]

Mink Releases Debut EP, Point Break

June 27, 2014

From the brains behind Inquiring Mind comes Mink, a new three piece band featuring members of the former said band and Tony Rocky Horror. The trio’s debut EP, Point Break, a surf rock nod to the great(?) Patrick Swayze/Keanu Reeves vehicle, is a fun, yet tense collection of attitude filled vocals and playful bass lines. With a growing surf rock scene on Buffalo’s West Side (Aaron and the Burrs, the Hamiltones), Mink will be in good company. Surf’s up.

Grimes – “Go”

June 26, 2014

I would be lying if I said I didn’t get chills while listening to the latest Grimes release for the first time. “Go,” released today, has that ethereal sound and angelic vocals that the Canadian musician is iconic for. The production work for the track, however, hits much harder and heavier than her usual dreamspace sound. The lyrics are powerful, the build-ups are perfect, all with an overall XXX feeling. The track features Blood Diamonds, a DJ and producer from Los Angeles, who has collaborated with Grimes in the past. A perfect match with a clear ability to diversify, a year later and their collaboration for “Phone Sex” is a tune I found myself never losing interest in. [soundcloud url=”https://api.soundcloud.com/tracks/156075705″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

RIFF RAFF – NEON iCON

June 26, 2014

Gonzo internet rapper RiFF RAFF has achieved the kind of success that is uniquely 21st century; his distinctive look, humorous Twitter account, and cartoonish brand of materialism have made him something of an absurdist icon within the rap community, despite his remaining unsigned for the majority of his career. In this way and others, he is similar to Lil B – both have become popular through Twitter, developed a distinct lexicon (RiFF RAFF with his constant Versace references, and Lil B with his Based terminology), and been given beats by Mac Miller. Another thing the two have in common is the skepticism with which they have been greeted by rap traditionalists. Neither have much in the way of technical skills, and volley between serious rapping and humorous swag rap. But while Lil B has a clearly defined personality in his music, RiFF RAFF has always been harder to peg –[...]

Pony Hand Releases Debut Album

June 26, 2014

Raucous Rochester-based three-piece Pony Hand has been on radar for a bit since we’ve been spotting them on showcases with 585 located bands we are into for the greater part of a year. We finally associated a sound with a name last week with the trio’s debut self-titled release. The band’s sound is both psychedelic and garagey, sort of like if the Donnas shot dice in the alley and were produced by Jack White or if Karen O. had creative freedom on a Death From Above 1979 collaboration.  With plans for a physical tape release via Dadstache Records, you can grab a tape deck before the price is massively inflated due to the influx of bands releasing tapes/increasing demand, or stream on bandcamp. Check it out below.

Lone – Reality Testing

June 25, 2014

British producer Matt Cutler began recording as Lone in 2007 and has since been responsible for the some of the most inventive, dynamic tracks in dance music in recent years, layering hip hop drums with 90’s rave-inspired synths  to create a maximalist sound that feels equally suited for a solitary headphone trip as it does for the club. Reality Testing, Cutler’s fifth full length and second LP for the esteemed, rehashed dance label R&S Records, delivers much of the same kaleidoscopic bliss as 2012’s Galaxy Garden, but with more concision and emphasis on texture and reflective atmospherics than its’ predecessor. As a result, the album presents itself as synthesis of 90’s hip hop grooves and jazzy, melodic house, two genre’s that share both a common past and formative purpose. When last year’s J-Dilla referencing single “Airglow Fires” was released along with the ethereal b-side “Begin To Begin,” it was apparent Lone’s return would be marked[...]

New Music from SLPCLSDTH is Great for Sad Ears

June 25, 2014

If you want to listen to a happy song, “The book of plans were not doing,” is not the right choice for you. SLPCLSDTH talks of loneliness, disappointment, and suicide before letting the instrumental take over the conversation. His tone of despair while providing thoughtful lyricism is something we’ve seen in the past, and is a characteristic of his artistry. The beat also has a mystique to it, with swindling strings and nonsensical vocal samples. There’s music for every mood, and SLPCLSDTH continues to refine his conveyance of sadness. Check it out:

Pogo – Younghood

June 25, 2014

Mostly everyone understands the idea of a sample or snipped included in a piece of music. The point, if the musician gets it right, is to relate the clip to the thematic vibe of the music or lyrics. Many hip-hop artists do this successfully (Wu-Tang Clan, Aesop Rock) as do electronic musicians (Ratatat, Ott). One unique thing about Australian electronic artist Pogo is his usage of strictly taking samples from movies, television shows, and film scores to create a new composition. He is certainly a master at collage, and perhaps a Pop artist. A few years back, he created a famous mash-up of the score of Alice In Wonderland simply titled “Alice.” The YouTube hits skyrocketed, and I even remember stumbling upon the shocking goodness of the piece. With his latest release, Younghood, he doesn’t stray too far from his down-right trippy instrumentals. First track “Kermit Clouds” samples the voice of Kermit The[...]

Total Control – Typical System

June 24, 2014

Just when the world thought it had enough modern 80’s synth-rock reincarnations to sort through, Australia’s Total Control releases Typical System, an album that churns out all the goth-rock nuances in all the right places. But with any genre-replicating album, it matters more what the band does to update the style, rather than what they do to pay homage to it. With that being said, Typical System is a good listen, however hampered by a lack of innovation. Speaking of what Total Control does to sway from their 80’s inspirations, the most prominent difference is in the album’s production. Instead of toting reverb soaked drums and overly compressed instruments, the band utilizes a more modern mix style, bringing the vocals and guitar to the forefront while keeping the backbeat and groove more secondary. This results in making the songs sound more present and reminiscent of Depeche Mode’s more plug-and-play records.[...]