Latest Posts

Kate Teague – “Good to You”

August 2, 2018

There’s something undeniably holistic about Kate Teague’s latest track, “Good to You.” Striking hard after the rise of her debut single “Low Life,” Teague delivers breezy guitar lines and sweeping vocals reminiscent of delicate ‘90s singer-songwriter ballads. This might be the only indication of her small town Alabama roots, as her luminous vocals are joined with independent bass lines and spunky drum work, leaning more towards the indie rock side of the spectrum than full-out folk. Teague has managed to make an impact with only two tracks from her solo project gracing the air waves thus far. Already, she’s gotten recognition from big players in the game including Gorilla vs Bear,  The Line of Best Fit, and GoldFlakePaint. It’s clear she has all of the qualities of a homegrown hitmaker, and we’re eager to see where her next release takes her.

Tonight: Past Life

July 26, 2018

Philly’s indie rock sweethearts Past Life breeze through Buffalo tonight with a stacked lineup at Sugar City. The four-piece is currently riding the wave of their recently released EP The Loudest Sound, featuring their stalwart single “Apollo” at the forefront. Banding together in the city of brotherly love, Past Life’s music has a connectivity that boasts of childhood camaraderie and intuition, even with just two years as a band under their belt. Meeting wispy falsetto with bleary distortion and spirited group vocals, these headliners promise a kinetic show saturated in guitar rock and sweat. Past Lives are joined on tour with Montreal’s Molly Drag, whose dismal crooning takes a page out of the Teen Suicide-Dandelion Hands book. Michael Hansford’s dusky melodies and morose lyricism provide a form of catharsis that gradually lulls you into introspection, which will likely be found on his upcoming album Thumper, out this September. The two acts are joined[...]

Overjoy – “Same”

July 9, 2018

L.A.’s Overjoy provide a dose of ethereal, groove-ridden production in their single “Same.” Dripping in resounding synths, airy vocals, and crisp percussion, this track paints pictures with stark imagery that is simultaneously matchless and accessible. The electronic trio know how to play to their individual strengths, tying together earthy instrumentation, time-tested melodies, and misty vocal lines in a way that hits home. The band has come a long way since their 2015 outset, and seem to have reached new levels of refinery in their delivery without coming across as overly manufactured or artificial. “Same” is half of Overjoy’s recently released EP under the same name, their premiere release on One/Half Records. Check out the track below, and find more swirling and spiritual releases like this from the band here.

Her’s – “Low Beam”

July 9, 2018

Liverpool duo Her’s pave the way for their upcoming debut full length with a dusky and introspective single, “Low Beam.” The track captures their classic eerie slacker rock sound while mulling over feelings of isolation in a world that praises ‘tough guy’ masculinity. Their driving lyricism takes root in a bed of jangly surf rock guitars, sharp drum lines, and gloomy vocals, meeting playfulness with nostalgia. Her’s has already stirred up quite a name for themselves in the indie rock world with their last release, Songs of Her’s, with nods from BBC Radio 1, The FADER, Stereogum, and more. If “Low Beam” is any indication of what’s to come, this upcoming album could make an even bigger splash. Take this narrative Brit-rock single for a spin below, and keep an eye out for Invitation to Her’s, set for release on August 24th via Heist or Hilt.

Eldoradio – “City Lights”

July 8, 2018

Eldoradio have a classic Brit-rock sound, despite their Swedish origins, that is as distinct as it is invigorating. The proof lies in their recent single “City Lights,” telling the well-worn tale of long nights and youthful indiscretions. There’s a hint of a punk flare there in the layered vocals and bombastic drum work, matching well with the band’s distortion and scrappy guitar lines. Eldoradio previously hit their stride with a singles “Black & Blue” and “Youth Cult,” but this track could prove the third time really is the charm. Already making a name for themselves across Scandinavia and Europe, it might be time we spread the craze over here in the states. Be sure to feast your ears on “City Lights” below – this definitely isn’t a band you want to sleep on.

Hovzter – “Left Me Broken”

July 5, 2018

Swedish producer Hovzter plays into his strengths with a classic electro-dance track, “Left Me Broken.” Featuring vocals by Mariana Lin, the single’s impact lies in its stark dynamic contrasts and beat drops. Hovzter works with instrumentation in a way that leaves you on the edge of your seat, gradually cascading levels down, only to soar back up with the return of the chorus. It’s a good mix of lulling vocal harmonies and ballad-like piano lines, piled up against buzzing synths and steadying beats. As Hovzter’s sixth single release to date, he has already manifested a developed and expressive sound. Only time will tell where his refined brand of EDM will take him next. Until then, get hooked on “Left Me Broken” below.

Poster Parents – “Hostility”

July 5, 2018

Garage-punk quartet Poster Parents grapple with passivity in their latest single, “Hostility.” The Phoenix, AZ natives combine punk rock angst with mellower indie rock instrumentals, giving the track a bite that’s still easy enough to swallow. Citing inspiration from the likes of PUP and Joyce Manor, the troupe harness the quiet intricacy only indie musicians can bring, alongside a raucous energy that never quits. If you like what you’re hearing, be sure to check out Poster Parents’ bandcamp page for more from the band, including their debut EP Demo. “Hostility” could be just the boost of sonic caffeine you need to get through the day.

Vandelux, Marc 7 – “That Look”

July 4, 2018

The collaboration between Vandelux and Jurassic 5’s Marc 7 is testament to musical worlds colliding, blending a classic hip hop flow with pulsing electronica in their track “That Look.” This partnership stemmed from Vandelux’s original remix of Jurassic 5’s track “What’s Golden,” eventually bringing the two together and resulting in what will soon be a full collaborative album. Whatever these guys are doing in the studio, it seems to be working. Get a feel for their evolutionary brand of electro-hip-hop below, and stay tuned for more tracks from Vandelux and Marc 7 on the horizon.

Bacall, FrankK – “Ferarra”

July 4, 2018

A funky electropop collaboration between Swedish producer Bacall and solo artist FrankK has produced the catchiest of summer tracks with “Ferarra.” The single acts as commentary on today’s instagram-driven fame and the carefully posed artificialness of it all. Since 2016, Bacall has created a name for himself around the house and EDM scene, charting high on Swedish radio with his single “Africa.” This track could give that record a run for its money, combining 1970s disco-pop with sunny electronica, amidst FrankK’s dynamic vocal stylings that know how to draw out an impact. This could certainly be the start of a long and prosperous partnership, and only time will tell what the duo come up with next. In the meantime, get a taste for “Ferarra” below.

Massage – “Lydia”

July 3, 2018

Some of the best bands stem from a group of friends hanging out and playing around with instruments in their spare time. That pretty much sums up the story of Massage, a band of five pals in L.A. that seemed to come together both accidentally and out of necessity. Their mellow brand of indie rock features rolling melody lines and meandering guitar tracks, specifically in the band’s recent single “Lydia.” There’s a perceivable 90s rock touch to the song’s production, while simultaneously paying homage to Massage’s musical idols like The Feelies, Twerps, and The Go-Betweens. It’s got a campy, down-to-earth quality that will have you singing along in no time. Check out “Lydia” in all its homespun garage rock glory below, and be on the lookout for the band’s upcoming LP, Oh Boy.

Ben Browning – “Even Though”

July 3, 2018

Riding the high of his recently released sophomore album, Australian producer Ben Browning scouts his sound as a solo artist with title track “Even Though.” Drawing a perceivable tie to the melodic stylings of ‘70s psychedelia hit makers like Paul McCartney and Brian Wilson, Browning’s sound lands somewhere between breezy surf rock and spacey psych-pop. Harmonized vocals lines dive through waves of synth, bubbly guitars, and cavernous percussion, becoming more and more celestial with each passing beat. The track’s vintage sound is due in part to rewound tape effects, adding only to the song’s prismatic quality. As his second full-length release, Browning is setting the tone for his trademark aside from his work with Cut Copy, and we’re liking what we hear so far. Test the waters with this track below, and find the rest of Even Though here.

Faults – “Should’ve Been”

May 28, 2018

Toronto’s art rock four-piece Faults produce a cavernous wall of sound in their latest single “Should’ve Been.” Astral guitar strains, spitfire drum fills, and ambient synths fill the air as frontman Aidan Belo-Nascimento’s seeping vocals weave it all together. This track is as much of a lament as it is a call to arms. There’s a lot of mull over with “Should’ve Been,” and that only makes the listening experience that much more captivating. If this is the first you’ve heard of Faults, you’ve come just in time for the band’s sophomore self-titled EP release, coming up on June 1st.

Basement Revolver – “Baby”

May 28, 2018

The atmospheric indie rockers in Basement Revolver know how to pull the heartstrings, especially in their newly minted single “Baby.” Songwriter Chrisy Hurn delves into her past experiences in a way that’s deeply personal and universally felt all at once, ruminating over regrets and should have beens. Meanwhile, the band strums up a sturdy foundation of rippling fuzz guitar, robust drum lines, and a cementing bass, all covered in a foggy layer of reverb. Despite the song’s sonic force, there’s something undeniably tender about the delivery that’s equal parts apologetic and wistful. Get a taste for “Baby” below, and stay tuned for the band’s upcoming album Heavy Eyes, due out August 24th on Sonic Unyon/Fear of Missing Out.

Cellars – “All The Time”

May 28, 2018

Dazzling electropop act Cellars draws up an 80s-inspired dance track for the ages with her single “All The Time.” The mix of bubbly percussion, strident synths, and circular melodies conjure visions of leg warmers and scrunchies, when neon-hued pop was king. The brainchild of singer/songwriter/multi-instrumentalist Allene Norton, Cellars has taken shape in a variety of forms over a 5 year lifetime, but has never strayed from its sparkly synthpop roots. Citing influence from the likes of Madonna, Yaz, and Prince, it’s hard not to catch some of the infectious energy Norton channels our way. After a life-threatening health experience nearly a year ago, she is back and ready to light up the Austin, Texas music scene once more. Get hooked on “All The Time” via Manimal Vinyl Records below.

Charlotte & Magon – “Yes I Am”

May 28, 2018

Parisian pop duo Charlotte & Magon are back with another historically campy music video for their track “Yes I Am.” Their vintage-inspired cosmic pop sound sets them apart from the crowd, along with their expressive and accessible lyricism and delivery. The video manages to highlight the song’s playfulness by way of their unhampered dance moves and vibrant doodling. There’s something purely feel-good and unrefined about this track that’s hard to get enough of. Get a feel for “Yes I Am” in motion picture below.