Latest Posts

Past You – “Faith”

January 21, 2017

New York’s own Past You has crafted a brand of shoegaze-infused dream-pop that’s easy on the ears, if not on the heart. Their latest track, “Faith,” lightly intones through toxicity surrounding a codependency, stitching it all together with the despondent chorus of “I can be the one you used to love/ Let me tell you how I wish you were.” Heavy subject matter, quite in opposition to the song’s production. The track itself takes on an almost whimsical quality with looping synth lines and murmured vocals, making it easy enough to get lost in the trance of it all. Cipher through “Faith” on Past You’s upcoming EP. [soundcloud url=”https://api.soundcloud.com/tracks/296056668″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Written by Cassandra Dailey

Jake Tittle – “Different Language”

January 20, 2017

Singer-songwriter Jake Tittle creates the perfect union of indie rock and folk with his latest track “Different Languages.” Tittle is not the first to take to song about his personal religious perplexities, but his clear-cut vocals convey an inquisition of hardened truths that speak straight from experience. In lines like “Jesus speaks a different language/ We’ve been feeling up the floor just trying to mimic him,” Tittle channels the imagery of a seasoned songwriter coupled with the skepticism of supposedly corrupt power systems that is often a theme of traditional folk music. This track uses it’s entire three and a half minutes to continually build instrumentally, until multiple vocal lines blur together into one cacophonous echo with sparkling synth lines carrying out its final chords. Listen to the artistic musings of Jake Tittle in “Different Languages” below. [soundcloud url=”https://api.soundcloud.com/tracks/295022911″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Written by Cassandra Dailey

Kraków Loves Adana – “False Alarm”

January 20, 2017

Kraków Loves Adana’s single “False Alarm” is the latest dream-pop infused soundtrack for driving off into the sunset. This track features the classic dynamic duo; paired rhythmic guitar and drums, while the vocal line croons overhead. The most unique component of instrumentation is the choral synth, which in any other setting would sound overly tongue-and-cheek, but here gives the hook a driving momentum and a haunting quality. This is the type of song to lose yourself in, as singer Daniz Cicek pleadingly drones over the loss of light. The video artfully captures the Berlin-based duo’s play on movement and lighting, all too relevant to the song without seeming overly blatant. Keep an eye out for the single on the band’s third album, set to be released this March. Written by Cassandra Dailey

Thula Borah – “Confabulation”

January 19, 2017

Scottish four-piece Thula Borah have announced their upcoming EP, Near Life Experience with the release of the single “Confabulation.” The band shows their true affinity for indie rock with layered grungy guitar lines, coupled with fuzzy, reverb-laden vocals. Despite its rocky core, there’s a distinct smattering of classic pop sensibilities that gives this track a universal appeal. Likened to the works of So I Watch You From Afar, Hum, and Silversun Pickups, this band has an undeniable multifaceted draw with its incorporation of various musical styles and influence. Listen to “Confabulation” below, and keep an eye out for the EP, available January 27th via Kill Jester Records. [soundcloud url=”https://api.soundcloud.com/tracks/294565535″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Written by Cassandra Dailey

Chick Quest – “Savant Garde”

January 19, 2017

Chick Quest is quickly becoming the most talked about band on the post-punk front. Their single “Savant Garde” is the suave, yet bombastic prelude to the release of their second album. This band sets itself apart from the rest with the incorporation of a groove-ridden bass and horn lines right out of a vintage western film. The variety of musical elements in this song brings the intrigue, while still holding onto all the cheekiness and sass characteristic of its punk ancestors. Looking for more? Stay tuned for Model View Controller, out February 24th via Triangular Sounds. [soundcloud url=”https://api.soundcloud.com/tracks/286005875″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Written by Cassandra Dailey

Soffía Björg – “The Road”

January 18, 2017

Soffía Björg’s latest single, “The Road,” plays upon the process of returning to the physical and symbolic place that is home. The smattering of folky twangs within a foundation of indie rock is what makes this song sound even more forlorn. The Icelandic singer’s voice lilts gracefully over a moving bass line and rhythmic guitar, all colliding in each repeat of the melody’s original motif. This song’s impact lies in the subtle dynamic contrasts; the strummed swells and accents propelling it forward as we follow Björg on her journey down this road. The video features Björg as the archetypal femme fatale driving her vintage Mercedes down the metaphorical path of no return, as the Icelandic countryside creeps past. Have a listen and you, too, might find yourself mid-existential crisis on a journey through genuine soul-searching. Written by Cassandra Dailey

Le Trouble – “How Was I To Know”

January 18, 2017

The Montreal five-piece Le Trouble is back with their second full-length album out on Indica Records, spearheaded by the single “How Was I To Know.” The track is all rhythm guitars, intrinsic drum fills, and power-driven vocal lines. It’s a whirlwind of tight instrumentals, yet still holds onto a pop influence that’s unmistakably sweet. With only a tinge of sadness, lead singer Michael Mooney sings of that all-encompassing love that ran itself dry. “How Was I To Know” seems to reveal a little more with each listen, and it doesn’t hurt that its hook is deceivingly catchy. Feeling introspective but considerably upbeat? This is your track of choice. Written by Cassandra Dailey

wwoman – “Waste Our Summer”

January 16, 2017

Pittsburgh’s wwoman brings the heat with “Waste Our Summer,” off his latest album Let Us Sleep Together. The classic marriage of spacey synth and lo-fi vocals brings this track appeal, but a prominent groove-infused bass line is what sets it apart. The art of layered contrasting synth is something many strive for, but wwoman can actually claim to achieve in this song without sounding contrived. His self-classified “depression pop” conjures images of sandy beaches, polaroid-captured late mornings, and no worries; something we all gravitate towards this time of year. Track down Let Us Sleep Together over on bandcamp for more summertime-slacker vibes. Written by Cassandra Dailey

The Dropout – “Let It Go”

January 16, 2017

In the modern age of the music industry artists are constantly looking to gain themselves exposure, while streamlining content to their fans in a wholesome and creatively fulfilling way. Andrew Flicker of The Dropout has thrown his hat into the ring with the launch of bi-weekly single releases. The Dropout’s first release, “Let It Go,” is an anthem dedicated to letting the good times roll and sweating the small stuff no more. Through a swirling texture of synth and a spunky drum beat, it’s easy to lose all sense of responsibility, as Flicker chants “All the things you ever wanted, lay it out and disregard it.” This dose of pure indie electro-pop is all fun-in-the-sun-meets-baby’s-first-rave, while those of us in enter into winter-induced vitamin D deficiency. It’s dreamy, it’s dismissive; it’s oddly soothing and invigorating at the same time. Combat the winter chill by checking out for The Dropout’s new[...]

5 Best Artist Discoveries of 2016

December 20, 2016

As part of our year-end wrap up, we decided to make a list of our top five (non-local/regional) artists that we were pumped to find in 2016. Car Seat Headrest  Looking back on 2016 from an indie music fan perspective, this year will be seen as the year that Car Seat Headrest first broke. The Seattle-based now-quartet/project headed by Will Toledo, had a huge year, breaking last winter with hype from major online tastemakers such as Pitchfork and All Songs Considered. The band’s introspective full-length Teens of Denial (Matador Records) offered a glimpse of Toledo’s wallflower nature and deeply reflective lyrics, coupled with raw guitars and minimal synths to make a perfectly packaged indie rock masterpiece. Jessy Lanza  Hamilton, Ontario-based songwriter, Jessy Lanza, made a blip on our radar with last spring’s sophomore break-out album, Oh No. Co-produced by Junior Boys’ Jeremy Greenspan, the retro-pop sound is a mix between French[...]

Hypoluxo – If Language

October 7, 2016

Drawing inspiration from bands like Beach Fossils, DIIV, and Told Slant, it isn’t difficult to figure out the hometown of new Broken Circles signees Hypoluxo. Further building on “that Brooklyn sound,” Hypoluxo’s new record, If Language, takes atmospheric dream pop and jangly post-punk guitar work to the next level with Sam Cogen’s captivating baritone. Comparisons to Matt Berninger are obvious; however, Hypoluxo prove themselves to be much more than “what it’d sound like if that guy from the National sang for Beach Fossils.” On first listen, songs like “Winter” and “Name Game” drift and lilt along as soundtracks to sleepy, freezing days indoors, while quicker paced songs such as the single “Directions” and album opener “Fronts” seem to hazily speed by like a cannabis-fueled summer road trip. What’s special about these moods, though, is their malleability. While those tracks appear as such at surface level, the band’s penchant for both[...]

Just Announced: Lazlo Hollyfeld & Friends Play LCD Soundsystem

August 30, 2016

It’s never too early to plan for Halloween. With Every Time I Die set to hit the road for the spooky season, we had to put our annual Soul Patch Halloween bash on hold for the year and look elsewhere for our yearly rager. In comes Lazlo Hollyfeld. The long time experimental rockers, fresh off tackling Radiohead’s In Rainbows and then some this spring and summer, will next take on the catalog of DFA heavyweights LCD Soundsystem on Friday, October 28th at Mohawk Place. The legendary dance-punk group triumphantly returned to the festival stages this year, and with a new album in the works, it seemed hitting for the Buffalo band to dive into James Murphy and crew’s collection of tracks. Joining the Lazlo crew will be tribute band Girl Jeans. Led by Humble Braggers’ Tom Burtless, the fresh-to-the-scene cover group will cover all of your favorite emo/screamo/scenester hits of the past.[...]

Tonight: The Ataris

August 29, 2016

The Ataris may only have released five albums in their twenty one years as a band, but there’s something to be said for a punk band that has stuck around for that long. Vocalist/guitarist Kris Roe is the only original member on this tour, but they’re still playing the same songs you grew up listening to and is guaranteed to be a fun and nostalgic time. Don’t miss your chance to see them tonight at Mohawk Place because you never know if this might be their last tour. Doors open at 6pm with opening slots from The Barksdales and Younger Then. $15 cover. Written by Derek Neuland

Tonight: See Through Dresses

August 13, 2016

If you have been finding yourself listening to Verucca Salt, The Breeders, Dinosaur Jr., Blake Babies, and other great 90’s “alternative” bands lately, then the lineup tonight at Tudor Lounge can help you scratch that itch. Touring Omahans See Through Dress blends elements from all your favorite bands that Matt Pinfield used to play on 120 Minutes, with a sound that ranges from indie rock to shoegaze to dream pop. Also on the lineup are 80’s gothrock act Orations and raw garage punk band with riot grrrl influences, Trinkit. Doors are at 9pm with a $5 cover. Written by Derek Neuland

Governess – (Let Me Be Your) Governess

August 10, 2016

Have you ever partied so hard that you blacked out? If so, think of that last thing you remembered happening when you woke up the next day. Whatever that may be is what Governess sounds like. The bands’ debut album, (Let Me Be Your) Governess is a foul blast of fresh air to purify your poisoned hearts, and gleefully torch your saccharine souls. The concept of “rock n’ roll” has been twisted into so many different forms over the years but at the root of all the best kinds is attitude, energy, and some sort of lust, which this album is soaked in. You can’t fake this; sure you can try, but the kids always suss out the posers and this should pass any test you wanna throw at it. There are many influences heard on Governess’ debut (hard rock, 70’s sleaze, vintage punk, & a sprinkling of metal, in case[...]