Latest Posts

Facility Men Release New Four Song Collection, Futility Men

It really goes without saying that Buffalo’s punk / hardcore scene has been, and still is, one of the best around. From hardcore vets Snapcase and trailblazers Every Time I Die to the raw sounds of newer bands like Pentimento and The Traditional, B-town is home to some pretty talented acts. Maybe there’s something in the water. Local garage punks, Facility Men, a quartet including current and past members of White Whale and the Orphans, have just put out Futility Men, an energetic 4-song EP that fits in well with that Buffalo standard. The EP, recorded at Hi/Lo studios, sits somewhere between the old school punk vibe of Dead Boys and the discordant energy of The Vines. The songs all riff pretty hard and are surely capable of inducing some good whiplash at higher volumes. Check out the bass-driven hook of highlight “Strange Places” below, and head over the bandcamp[...]

Ezamädi Releases New Fire Following Performance at Teamwork 2014

Back on the 20th, he performed with Chae Hawk and Nameless at Teamwork 2014, and earlier this week, Buffalo rapper Ezamädi released the new track, “Coltrane.” Just the second song we’ve heard from him on his soundcloud,  Ezamädi’s baritone voice speculates on philosophy and human interaction on an understated jazzy beat. Featuring lines like “I could paint a picture so vivid that you could live up in it, and I don’t like you looking in that’s why my soul is tinted,” it’s got the lines that will make a rap head go “Sheesh,” and the lyricism that can get respect from fans of all music. Complete with a dope beat switch up halfway through, this song is  can’t miss for one of the city’s up-and-comers. [soundcloud url=”https://api.soundcloud.com/tracks/160274547″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Orcales – Divination

There is something so satisfying about exploring the darker side of things. From Houston, Texas, Leroy Bella – monikered SINES – has released the Divination compilation, under the Oracles label. The compilation features a variety of artists that bring a heavier and hauntingly intriguing vibe. This album is not the type where I am going to break down each track one by one. The tracks, unique in their own way, makes the compilation just that: a product of previously separate items coming together to create something bigger. This one specifically inspires visions of dark alleyways strewn with faint, hazy light. One you would want to dance down. “As the influx of cross mutations of club music became more and more evident to catch the ears of party goers. I wanted to bring my take with a spin on it and see how it would do showcasing a label with predominately[...]

Tom Petty & The Heartbreakers – Hypnotic Eye

When you woke up on the morning of Tuesday, July 29th, 2014, you might have noticed that the grass was a bit greener, and the air was a bit cleaner. There’s an easy explanation for that: Tom Petty & The Heartbreakers released a new album! Ok, that might be a bit of an exaggeration, but after four years since the last Heartbreakers record, it was about time for one of the most consistently great rock bands in the world to finally get back in the studio. I can happily report that the results are good: Hypnotic Eye is yet another strong Heartbreakers record, and furthers Petty’s status as the most reliable songwriter in rock (if you’re wondering, Jack White is second, Dave Grohl is third). The buzz about this album in the months before its release centered around the idea that Petty would be returning to the sound of his[...]

Jenny Lewis – The Voyager

“The voyager is in every boy and girl, / if you want to get to heaven / get out of this world.” On July 29th, Jenny Lewis released her first solo effort, The Voyager, since the sensual alt-country album Acid Tongue of 2008. I expect a lot from Jenny Lewis. I expected sci-fi to blast us off and let us escape, I expected sex to ground us, I expected sliding guitars to remind us of where we come from. Yet, squarely in the middle of the album, she croons, “Forgive me my candor.” The Voyager probes, sent on their mission in 1977, are the furthest that human-made objects have ever been from planet Earth. They famously contain a disc, a Golden Record each, an audio-visual capsule of life on our planet. These records are at once extraordinary and accessible: they contain greetings, mathematics, measurements, silhouettes, and songs. Yet, in order for their beauty to be unpacked,[...]

SW/MM/NG – “All I Want”

If you were one of the few people who caught Arkansas five piece, SW/MM/NG, last fall at Nietzsche’s, you were treated to one of indie rock’s best up and coming acts. Nearly a year later, the band is prepping the release of their forthcoming debut LP, Feel Not Bad, as its first single debuted yesterday. Titled “All I Want,” pleading, worn down vocals are backed by celestial dream pop guitars and steady percussion, sounding like a spacier version of Real Estate or Beach Fossils. Feel Not Bad will be released on Tuesday, August 26th. Listen to “All I Want” below.

Common – Nobody’s Smiling

Longtime G.O.O.D. music signee and legend in his own right, Common, is an interesting player in the rap game. His career started a couple decades ago under the name Common Sense, and his song “I Used to Love H.E.R.” is looked at as one of the greatest achievements in rap music history. He has a host of Grammy nominations, and a couple of wins. He’s also a successful actor, currently starring on the T.V. show Hell on Wheels, a Don Moretti favorite. He’s got borderline classic albums like Be (executive produced by Kanye, those were the days) and The Dreamer/The Believer, but he’s also had a few duds on his discography, especially when he tries to go instrumental like with 2008’s Universal Mind Control. Whenever Common sticks to the script, you can count on a thoughtful, poetic effort from perhaps Chicago’s most lyrical emcee ever besides maybe Lupe. Black history, activism, and Chicago social commentary plus a[...]

Cages – Vivipary

Under the tag of “punk” on bandcamp, but self-described as a “cohesive and undefinable act,” Buffalo-based Cages exists outside of any typical structure or classification. The group consists of vocalist Nola Ranallo, guitarist David Bailey, and now bassist Patrick Bolger, but until recently, Cages has had no major release. Their previously unreleased 2012 album Vivipary has just made it’s debut through Black Dots record shop, however, and it is considered by the band to be their their “most defining output to date.” Void of any specific form of style, Vivipary draws more upon the experimentation of tonal harmonies, shared primarily by the guitar and vocals. Immediately from the start, Ranallo’s vocals stand out as highly expressive, sometimes exploding into shrill cries, other times resolving in low end atypical melodies that fade in and out of the mix. The harmonies present in many of the tracks (particularly “Into Germination”) personally bring[...]

Alleys Release Sophomore EP, One Day I’ll Find A Solution To All Of My Problems

Buffalo NY’s Alleys are a band that embraces sadness, and judging by the recent successes of quasi-discordant emo bands like Dads or The World Is A Beautiful Place And I Am No Longer Afraid To Die, their new EP is bound to bring them places. Running Around Records has just released One Day I’ll Find A Solution To All Of My Problems, yet another great EP recorded at GCR with Jay Zubricky. The five-song EP highlights Alley’s penchant for hyper-depressing lyrics over blasts of clean-ish guitar and spastic drums (with only a hint of a bassist, who they tend to borrow from other Buffalo emo kingpins Figurehead). Check out the quick finger work in “Dusty Sings the Blues” below.

Alvvays – Alvvays

Entering through the indie pop door by way of Vivian Girls and Best Coast, Toronto’s Alvvays have arrived on the tinny, reverb-loving scene with their first LP. Like CHVRCHES, Alvvays recognize the Google-friendly potential of the letter “v” when borrowing a common word and stylistically recasting it as a band name. Unlike CHVRCHES, Alvvays rely strictly on a traditional rock n’ roll set up, mostly avoiding synthetic sounds in their garage-twee tunes. For a debut record, Alvvays is modest but consistent. The band is young, taking its first tentative steps out. As they jangle forward into the unknown, they move lightly and carefully, never stumbling. Lead singer Molly Rankin has the sort of sweet, near-childlike voice that indie music lovers have always been welcoming of. Rankin’s lyrics populate the emotional ambiguities she delves into with concrete details. The band’s lead single, “Marry Me, Archie,” opens with a memorable jab at a marriage-allergic boyfriend: “You’ve[...]

Chill Ali’s Dope Debut before the Debut

There are so many different styles in hip-hop, but there’s always refreshing about songs that take a personal, narrative approach. Buffalo hip-hop artist Chill Ali flexes his empirical muscles on T H R O W A W A Y S, a mixtape of tracks that didn’t make the cut for his upcoming album #FREEYAMIND. One of the standout tracks, “Shit on You,” is Ali’s description of his special relationship his boo. Over a chill instrumental, Ali talks of how superior she is to the other ladies. It’s honest and genuine. He even goes as far as saying he wishes for her every night at 11:11, which is not only a cool bar, but also pretty damn meaningful because there’s so many things to wish for. “Fake 1z” is a gripping story about chasing success and avoiding betrayal. No spoilers, but it’s an impressive feat in songwriting and a track that I can’t[...]

Small Signals Drops Music Video to “Whiskers” Single

Yesterday, Small Signals, aka Rochester-based, multi-instrumentalist Stephen Roessner, released the first single, “Whiskers,” off of his debut EP, The Aimless. Currently operating as the drummer to jangle-rock band, Pleistocene, Roessner heads in a different direction with his Small Signals project, channeling aspects of Rivers Cuomo, Archers of Loaf, and Fugazi on the seven track release. The video to “Whiskers” finds Roessner fighting the urge to cut his very impressive beard until he finds some hairy, kindred spirits to boost his self esteem. If you are feeling uncomfortable about having a beard, you’re more than welcome to come to Buffalo. I’m sure there are a number of girls at the Pink that wouldn’t think your beard is weird. You can stream the entire EP over at Small Signals’ bandcamp page and in the mean time, watch the video for “Whiskers” below.

Mr. Boneless Releases Debut LP, Cutting Teeth

The great Howlin’ Wolf once sang the words, “…if you want me baby, you got take your time, because I’m built for comfort, not for speed.” Now, truer words couldn’t have been graveled out into raspy excellence, however, why do we have to choose? Can’t we be fast and comfortable? Why yes, yes we can, and the proof is in the puddin’ pop. The figurative pudding pop I am referring to is the first full length release by Queen City juke joint marvels, Mr. Boneless. Cutting Teeth, the debut from the Buffalo steam folk quartet, is the follow up to their 2012 EP, Shame, all hopped up on dirty coke and Tullamore Dew. The ten tracks take you for a ride on their zooped up 1932 Ford as it hugs the midnight curves of a bootlegging road. Mr. Boneless doesn’t only take us for a joyride. They also manage to transport us to[...]

Buffalo Sex Change Premieres New Single, “Black Circle”

Upstart Rochester label, Dadstache Records, has been keeping busy this summer with solid releases from bands like Pony Hand and Fat Africa. Their next release will be the debut full length from post-punk act, Buffalo Sex Change, a Rochester based group (don’t let the name fool you) who has been on our distance radar for a little while as their inclusion on some solid 585 area bills has peaked our interest. The first single from Buffalo Sex Change, which is set to drop on August 5th, debuted today on bandcamp. Titled “Black Circle,” the crawling, reverb drenched track sounds like Okkervil River’s Will Sheff moonlighting with Crystal Stilts, or even Ariel Pink at his less weird of moments. Check it out below.

Teenage Satan Releases Debut EP

It’s difficult to pin down the sound of Teenage Satan’s self-titled EP, which places dissonant vocal melodies over a mixed bag of distorted guitars and synths, but the sound is hauntingly dreamy. Daniel Bauer, the sole player behind the release, bares his raw instrumental and vocal style, which works well with the lyrical content as well. Due to the increase in Buffalo DIY labels such as Steak & Cake Records, the city has seen a rise in experimental bedroom projects such as these, thankfully bringing a new brand of non-commercialized independent artists to the forefront. Despite the dense landscape of weird psychedelic sounds that fills each of these songs, there is clear attention to detail in terms of representing the record’s overall feeling of bummed out frustration (I’m homesick and I’m sick of home/ I’m wallowin’). Bauer’s vocals bring this out in a surprising way, though, bringing to mind early[...]