Latest Posts

Foxygen’s …And Star Power

October 10, 2014

Back in the before times (in the long, long ago) I wrote an article about Foxygen’s second album, which was audaciously (and a bit pretentiously) titled We Are the 21st Century Ambassadors of Peace and Magic. The basic idea there was that Foxygen was channeling the Ghosts of 60’s-Music Past, through an extremely self-aware present-day filter. The songs on that album sounded less like the legions of bands that have only mimicked that sound in the past 50 years and more like a band that had somehow discovered a crate of unused A-sides from 1969, covered them, and basically begged you to ask: “Doesn’t this guy sound a lot like Mick Jagger?” Part of that effect had to do with how Foxygen seemingly refused to discriminate when it came to sounding like any particular band from that era. They’d shift from the Beatles to Dylan to the Stones to Bowie[...]

DJ Pizza Pizza Serves Up “Slice 34”

October 9, 2014

Quickly becoming one of our favorite Buffalo personalities, DJ Pizza Pizza has released his 34th song this morning, aptly titled “Slice 34.” Yung Zza is not only a cut and splicer, but produces organic instrumental tracks a la Madlib or Flying Lotus. “Slice 34” turns it down a bit and seems more reflective in nature rather than previous DJ Pizza Pizza releases, which pair well with slinging shots at 2am in Allentown and saying “SWERVE” on repeat. Check it out below.

Arvid Releases First Song From Forthcoming Album

October 9, 2014

We haven’t heard much from Rochester act, Arvid, since this past spring when he released the 90’s alt-rock tinged album, Old Factory Living. Early this morning, the one man band returned to tease his forthcoming album with a new song titled “Fever Dream.” Moving away from the garage rock sounds of his past work, “Fever Dream” has a dreamy rockabilly feel, recalling early Girls or some of the more accessible yet lo-fi sounds of Ariel Pink. Arvid gave no word on when the album may drop, so in the mean time, listen to the track below.

Vince Staples – Hell Can Wait

October 8, 2014

One thing that can be said about Los Angeles rapper, Vince Staples, for certain is that he does not have a bad verse to his name. Although he is a friend to the Odd Future crew, musically he couldn’t be more different. The 21-year-old has the soul of one of his West Coast gangsta-rap forefathers, notably rapping last year on Earl Sweatshirt’s “Hive” “If this was ’88 I would’ve signed to Ruthless, ‘9-4 woulda had me walking down Death Row,” a nod to some of the most famous, dark labels in hip hop history. Whether it was on either of his Shyne Coldchain mixtapes or last year’s Stolen Youth, a collaboration with Mac Miller’s production pseudonym Larry Fisherman, Staples has consistently brought introspective gangsta rap to his bars. Hell Can Wait continues this style, and this EP is a strong prelude to the debut album that Staples says is coming next year. Buzz for[...]

Newish Star Shares Previously Unreleased Track, “Food Chain”

October 8, 2014

After a fairly busy morning, we thought this today’s content would be suffice enough to take the afternoon off to go grab a Chippy Sandwich down in South Buffalo. Turns out, Newish Star debuted to the internet an unreleased b-side from their original Look Both Ways recording sessions and we decided we couldn’t sleep on it.  Titled “Food Chain,” the track is slowed down a bit from the band’s usually upbeat repertoire, but the crunchy, menacing chords should let the track fit in quite nicely among some of your favorite college rock tunes. Listen to “Food Chain” below.

Bryan Johnson & Family Signs to Admirable Traits, Releases “Dead Fox” Single

October 8, 2014

Local lake-pop act, Bryan Johnson & Family, have announced that their new EP, Cool Your Jets, will be released next month via Admirable Traits, a record label with Buffalo and Brooklyn roots. The album’s first single, “Dead Fox,” just premiered this morning, and BJ & crew absolutely kill it. The guitar and vocals are pristine, the melody as bouncy as expected, and the production is wonderful. The song is a fantastic power-pop jam that refuses to let summer die. Bryan Johnson & Family will be celebrating the release of Cool Your Jets on Thursday, November 6th at the Waiting Room’s newly opened upstairs studio. The $10 cover includes a physcal copy of the EP. Mallwalkers and Del Paxton will be providing support. Listen to “Dead Fox” below.

Danimal Cannon Drops Latest Chip Tunes Single, “Love Live New Fresh”

October 7, 2014

Buffalo’s most popular chiptunes producer, Danimal Cannon, released early this morning his first material in close to ten months. The single “Long Live New Fresh” stays in Cannon’s realm of expertise, with glitchy, gameboy music combined with upbeat tempo’s, providing more of an 8-bit journey rather than a surface level song. Listen below.

Weezer – Everything Will Be Alright in the End

October 7, 2014

Make no mistake: despite the well-trodden narrative of 21st century Weezer as the sad, emotionally dead carcass of a once-great rock institution, the past 14 years have been good to Rivers Cuomo and co. Though critical and fan consensus regards their work in the 2000s as unequivocally terrible (which it is, by and large), none of that really affected the band in any discernible way, either commercially or emotionally. They continued to pump out shit albums with shit covers and shit lyrics, and even managed to find their biggest hit along the way with 2005’s “Beverly Hills.” They continued to tour, they sold Snuggies, they had their own goddamn yearly musical cruise. You saw them live when they came to town, you rolled your eyes as they played “We Are All on Drugs,” and then you started screaming when the iconic opening drum fill to “Undone (the Sweater Song)” kicked[...]

A Hotel Nourishing – Empty Gesture EP

October 6, 2014

For those of you who still cannot comprehend how A Hotel Nourishing is just two people—guitarist Sonny Baker and drummer Cameron Rogers—you’re not alone. I, too, have struggled with this concept since the band’s conception over seven years ago. Anyone who has seen the duo play a live show knows what I am talking about; it sounds like there are four or five of them onstage. Yet with a single guitar, a pedal or two, and a drum kit, the pair pulls off a sound so rich and intricately arranged that your double take will do a double take. That roughly equates to a quadruple take, mathematically speaking. This past Friday saw the release of A Hotel Nourishing’s long-awaited Empty Gesture EP, a six-song scorcher that, like their 2007 debut Deux Ex Machina, features that familiar original blend of “almost” math rock and post-punk artistry that made them so buzzworthy[...]

Thom Yorke – Tomorrow’s Modern Boxes

October 3, 2014

Over the years, Radiohead frontman Thom Yorke has garnered attention as a sort of outspoken purveyor of electronic music. Upon being asked what he would pick if he had to choose between using a guitar or the medium of electronic production for the rest of his life, he infamously responded with the latter. Eight year after his first solo album debut, The Eraser, Yorke has finally released another, Tomorrow’s Modern Boxes, for all to access and purchase via Bit Torrent (a sort of statement on digital music circulation in itself) late last week. The 8 track album, teeming with choppy and subdued production and foreign yet string-like synthesizer arrangements, ambiguously fuses human expression with the paradigm of technology. It’s Yorke in his most experimental leanings, the score to the anatomy of a loading motherboard. As a digital manifestation, these shadowy, slightly paranormal instrumentals prove to be the ideal backdrop to[...]

She Keeps Bees – Eight Houses

October 1, 2014

She Keeps Bees is a homemade band. Essentially an alias for minivan loving front woman Jessica Larrabee, the act has been self-releasing EP’s and LP’s alike on their own since 2008. Eight Houses, the third LP release from the Brooklynite ex-pats, marks only the second LP released on a proper label. In the past, Bees have glided between folk and blues garnering comparisons to Patti Smith and Cat Power. As flattering as that may be, it is a bit of a lackadaisical nod. A more accurate comparison would be The Heartless Bastards and even Bad Company. What works on this record is its simplicity, with the main focus being Larrabee’s booming and penetrating vocals. Her gentle, supple guitar riffs, and the drumming of Andy LaPlant take side stage to the golden goose that are Larrabee’s vocal chords. She manages to deliver strong mono harmonies, which is a feat on its[...]

Sunny Union Premieres New Single, “Wild Mountain Thyme”

September 30, 2014

Late last week, Rochester born folk act, Sunny Union (the moniker of Sunny Zaman), released the first track from his forthcoming album, Wollstonecraft II, the follow up to the January released Wollstonecraft. Titled “Wild Mountain Thyme,” the rustic number is full of gorgeous, Fleet Foxes harmonies, and contemplative acoustic plucking. The song was originally written by folk singer Francis McPeake and has been covered by White Antelope, the solo project of Robin Pecknold (speaking of Fleet Foxes). The now Brooklyn-based musician plans to release the full album sometime next month, so keep an eye out. Listen to Zaman’s take of “Wild Mountain Thyme” below.

The Architects – Border Wars Episode II

September 30, 2014

The Architects, the four piece who hail from Kanas City, MO, jog back and forth between classic rock and melt-your-faces-off dirty, grimy punk rock on Border Wars Episode II, the latest installment of their elaborate concept album endeavor which comes equipped with a coinciding comic book with art by Mallory Dorn. Its predecessor, Episode I, was more straight forward rock n roll with a few grimy tracks thrown in there. Episode II, though, is the Architects album that you may think twice about taking home to your parents. With songs like the sappy “Killer Crush,” “In the Snow,” and “Criminal,” Episode II really lets the Architects talent shine through, stating “hey, we can write super catchy pop rock songs with depth and substance, but why do that all the time?” The central force behind this record is the vocals of Brandon Phillips, driving song after song up the city on the hill. This album[...]

Machine Gun English – I’m Too Tall For My Time Machine These Days

September 29, 2014

“They” say that rock n’ roll is dead; I think the Stainds and Creeds and Puddle of Mudds of the world are just getting smarter. Rock music is now led by bands like Black Keys and Cage the Elephant – its less about machismo and brain dead guitar distortion and more about bluesy goodness. Machine Gun English is kind of like a mix between the Arctic Monkeys and Wild Beasts. The Rochester three-piece is all about rock n’ roll and good times, and it shows through their music. “Body Shots” is an accurate representation of the band and a great way to open the EP. A chorus chant of “Are you ready to go?” coupled with a classic rock guitar riff is plenty to power through the four-minute banger. The band hits their stride hardest on “Thanks, But No Thanks,” the Wild Beast-iest of their tracks. I am reminded of[...]

Wild Bear Drops New Track, “Bloody Lips”

September 29, 2014

After getting our attention with the Grizzly Bear/CANT-esque debut single, “Glass Ceilings,” the intriguing new electro project, Wild Bear, quickly returned with its follow up track over the weekend.  Titled “Bloody Lips,” the song is eerie and vocalless, with an air of menace that never quite surfaces, reminding me quite a bit of former Buffalo project, Camp Counselors. Check out the song below.