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I.O.D. – “Round Here”

July 1, 2016

Brownsville is a tough part of New York, but that doesn’t stop B’ville native I.O.D. from being inspiring when he talks about the truths of his home. On “Round Here” I.O.D. describes in vivid details the scenes his crew has seen, giving insight into their methodologies and exactly why the “fire forming in their bellies” to succeed. In addition to providing commentary, I.O.D. proves his he can rap his ass off. Riding the midnight-saxophone beat with incredible flow and cadence, I.O.D. is everywhere from melodic to bulleted on this track. Press play below.

nIgel, NePh & Xany – “Morphine”

July 1, 2016

Chicago is currently a hotbed for up-and-coming rappers. The drill scene and the Save Money movement are well-covered in the blogosphere, but talent lurks elsewhere too. In a collaboration with producer Xany, we find two such emcees in nIgel and NePh. With natural chemistry, the two rappers utilize clever wordplay to float between talking on “morphine” and “more fiends.” Their raps are drugs, and their listeners are fiends for more. On the production side of things, Zany comes through with a lovely, hazy landscape to flow over. It’s higher energy than the Xanax and morphine tags would suggest, but the general smokiness of it all results in a great substance track from all angles.

200 Kids Outside Drop Off Neetchy’s The Old Me

June 30, 2016

200 Kids Outside is one of the most interesting rap acts in Buffalo. The duo usually features Neetchy on the mic with Minel covering production, though on this tape much of the production is handled by Neetchy. Neetch is a melodic rapper, at times straight singing, with lyrics that ride from tongue-in-cheek to romantic, stopping in many places in between. The group last hit us in the winter with Y’all Need a Drink, and kicked off the summer with Neetchy’s mixtape The Old Me. The Old Me is in primarily Neetchy’s work, though Minel does production and mixing on a handful of tracks. It kicks off with “Did You Wrong,” a pretty awesome Minel production. The wonky accordion beat is perfectly offset by the smoothness of Neetchy’s vocals. His subject matter on a lot of tracks is heavily influenced by love, as is the case here. The iconic “It’s Neetchy” ad-lib is nice to[...]

Cafe Disko Covers “One Dance” & “Can’t Stop the Feeling”

June 24, 2016

Pop music is fun to play with. Concrete melodies and digestable lyrics make for a good canvas to draw on, and that’s exactly what Cafe Disko has done with a pair of the biggest pop tracks of the year. Drake’s “One Dance” is the most successful of the wave of tropical house-influenced music we’ve gotten from a lot of pop’s biggest players. In Cafe Disko’s hands, “One Dance” becomes an electronic disco track, with a big horn hook to accompany the original chorus. Though it starts off in a similar blueprint to Drake’s track, Disko’s “One Dance” takes off to include builds and drops, more tropical drums, and Jameson in our vocalist’s hand rather than Hennessy. Disko gives the song a club groove, rather than the unique plodding of Drake’s OG version. It is a cover, but Cafe Disko’s “One Dance” has an awesomely different sound that can be enjoyed in its[...]

Bill $aber’s Creative Trap Sound Shines on Newest Project

June 22, 2016

Erie County rapper Bill $aber kicks off his latest project with a chorus of “If I fuck your bitch, my n***a do not get to stressing.” Its bold, nonchalant nature relays the confidence of the man behind the mic. On I.P.I.C $aber is a junkyard dog, dropping intense, aggressive floetry in a calculated manner. Opening track “Kum and Go” sets the standard, but the blueprint for $aber’s sound seems to happen on “You Talk it I Live it.” Atdenn’s sparse production leaves clean space for head nods and for $aber to preach his gospel of weird raunchiness, evidenced on lines like”If I don’t fuck she gonna pout.” Atdenn and Boyfriend make appearances on several cuts on here too and work right in with the aesthetic. The $aber crew are a raunchy, odd outfit perfectly comfortable saying exactly what they want. Playful keys are building blocks for a ton of these beats (“Homicide $aber[...]

IDE – “Flight Patterns”

June 10, 2016

Brooklyn’s IDE lays down some ferocious lyricism on his new track “Flight Patterns.” Produced by Lucky Loopiani, “Flight Patterns” has a wonderful, classic hip hop beat centered around some plucked Asian strings. It sounds heavily influenced by the work of Wu Tang leader RZA. Behind the mic IDE is boastful, contemplative and gritty, relaying his New York spirit in lines like “I’m just lost in the maze, but I’ll find my way.” His flow weaves between crass and rapid as he lays down a fiery performance. For hip hop heads looking for more IDE, his newest project “Breathe Easy” drops this month. Give “Flight Patterns” a listen below.

C.L. Smooth (feat. Skyzoo & DJ Devastate) – “Perfect Timing (Max I Million Remix)”

April 26, 2016

Sweden’s Max I Million has cooked up a re-imagination of the Coalmine Records’ classic cut, “Perfect Timing,” featuring both C.L. Smooth and Skyzoo. DJ Devastate adds to the remix by scratching up the original chorus, in an ode to the craft. The beat is a good fusion of newer electronic production and classic hip-hop, and also features some Dr. Dre-type keys interspersed. Check it out below.  

Saga ft. Blu – “Up”

April 2, 2016

Brooklyn’s Saga has been a king of loosies of late. His latest standalone “Up” is a perfect rap track to transition from the depths of winter into warmer vibes. The warm, easy production is handled by France’s 20syl and is perfectly complimentary to the smooth flows of the rappers. Saga’s well-rounded attack features some really dope rhyme schemes and lyricism, and the song has a great structure. It’s a collaboration with noted emcee Blu, who along with a guest verse brings vocals to the chorus and throughout the song. Working with Blu and headed on a tour with Asher Roth soon, Saga is well on his come-up. Get your spring on and give it a listen. [soundcloud url=”https://api.soundcloud.com/tracks/254754559″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Stream YLXR’s Magnificent “Stream”

March 9, 2016

Buffalo producer YLXR has a million different sounds in his pocket. Drawing influence from ambient, electronic, hip hop and countless other genres of music, YLXR’s releases can be counted on to surprise you musically in the best way. Latest release “Stream” is another win for his track record. The front half of the track features fluttering with synths and plucked strings, punctuated with a sparse but thoughtful bottom half. In the manner of an emotional transition, sounds come and go. The sampled words “In a moment, everything can change,” are expertly reflected in the song, and after they drop the track gets a gust of air before exhaling in the outro. The track is a full experience start to finish, with the each sound thoughtfully included. Per usual with YLXR, it’s a must-listen. Stream “Stream” in the stream below.

Chill Ali Drops “Paypa Thin” Video

March 4, 2016

Chill Ali remains a model of consistency within the Buffalo rap scene. Within the Rich Slave umbrella, Ali has been a beacon of consistently chill releases for the last couple of years. Much like in his previous work, “Paypa Thin” has the dichotomy of smooth music but striking lyricism. Extremely personal lines, like Ali’s relationship with his mother and their struggles in finding safe places to stay, can get lost with your natural inclination to bob your head to his music. “Paypa Thin” in particular has a great beat to get lost in, with vocals samples from the same world as Ty $’s latest work with Kanye appearing within the production. Always chill, but multifaceted at the same time, Ali has come through again with a nice track. Peep below.

Dr. Ooo Remixes Usher and Pharrell for “1050”

February 24, 2016

Buffalo rapper and EKL associate Dr. Ooo is one of the city’s most refined wordsmiths. His lyrics and flow shine on in each track he releases, and when he’s having fun on a track the feeling is contagious. This is the case on “1050,” a remix of the 2001 Usher joint “U Don’t Have to Call.” 2001 was primetime for the Neptunes, but Pharrell and Chad Hugo’s work is timeless. The beat for “UDHTC” is just groovy and drum-heavy, setting up Dr. Ooo for a fun freestyle of sorts. Ooo tests out all sorts of flows while talking acidic fruits and high numbers. And he’s also juggling for most of the video. Entertaining, lighthearted, impressive and sexy, just the way Usher would want it. Watch below.

Don Scuzz Hits on Love and Let Die

February 18, 2016

Buffalo rapper and Hooligang member Don Scuzz is a hard hitter. Best recognized by his gruff, intimidating flow and ability to rap the hell out of a chorus, Scuzz comes into the middle of February with another project under his belt. In Valentine’s Day spirit, Love and Let Die is a Scuzzian fusion of street sounds and lyrics with surprisingly great depth to them. Project highlight “50 Facts” stands as one the best tracks we’ve heard from the Don. Built off of a Zaytoven-esque descending piano, Don and guest Meechy El Camino stick to a melodic flow reminiscent of throwback stuff from Dipset and even French Montana’s non-mainstream work. Meechy asserts himself on the first half of the track, dropping a verse with some really great flow switches and all around solid lyricism. Whether he’s on “Genesee faded off Hennessy” or “pulling off in the Jag with the MTV hat to the[...]

200 Kids Outside Drop Thirst-Quenching Album

February 5, 2016

For being a relatively newer act, 200 Kids Outside have got their formula nailed down. It’s not a conventional one either. Across three projects dating back to last spring, the duo of producer Minel and vocalist Neetchy have been making music drawing from influences in alt-hip hop, southern trap and R&B, and have owned it the whole way. Minel’s been a maestro on the boards providing crisp production of varying styles for Neetchy’s signature melodic vocals which float between singing and rapping. YA’LL Need a Drink is a great seven-song taste of what the duo have been working on since last August’s AutoPilot.  Album opener “WiFi” sonically is a quintessential 200 Kids song. Minel takes no time getting into his vault of swirling synths and melancholic keys, and Neetchy’s layered vocals serve as the opening bell that their project is here. “I don’t wanna cry, but the water clears my eyes,” sings Neetchy, taking[...]

Short Moscato Releases Spree of Songs

February 3, 2016

Buffalo hip hop mainstay Short Moscato started off the New Year strong with four new quick-hitters in the month of January. Moscato dropped the 13 song Whatever/Forever project in the last quarter of 2015, an album filled with great tracks from he and his talented friends in the scene. This year’s loosies work off of the Short Moscato blueprint: a hard flow, personal lyrics, and beats of all sorts. The string was lead by “Turquoise,” an ethereal track with a heavy psilocybin influence. In between moments of reflection and revelation, Moscato cuts through with refreshing poignancy, as seen in the line “a Dutch should never ever cost more than $1.50.” Much of the track stays true to the titular theme though, as Moscato questions his need and habit and is guided by a narrator suggesting the use of turquoise as relief. Moscato goes on to appear on the Lucky Seven track “Netlfix &[...]

1996 Drops “Activist” for Weekly Series

December 18, 2015

1996 of Buffalo’s Valor Club released “Activist,” the second installment in a weekly series called “Immaculate Monday.” Last week saw the rapper drop the soulful, electric “Regal Adonis”, and this week the beat mellows out but 1996 stays charismatic. Built around a muted horn instrumental courtesy of producer Sigma, the beat is a great base for 1996 to mix his flow up. 6’s delivery is intentionally erratic, filled with fluctuations that play off the beat. When the bass pounds, his voice goes up and the hype builds and builds. 1996 does a great job on this song sticking with flow themes, like in the first verse when he rolls through “a” and “b” sounds with some nice controlled assonance. Lyrically, 6 talks of drugs and his reasons for them on lines like “Everything I do, just reflections of the ‘endo, where I’m hoping for the end-o cause the darkness is surrounding[...]