Latest Posts

Taxidermy – “Rot”

Copenhagen’s Taxidermy describe their new song, “Rot,” as “marked by an unrest, a journey through doubt.” Sometimes, a band just knows themselves best, and in the case of this unique act, they’ve described it perfectly. “Rot” is dark, post-punk at its finest, channeling Pile, Unwound, and Sonic Youth with its guitar-driven neuroses that threatens to dip into dissonance but always remain palatable. The song ultimately explodes into a distorted energy, a lovely juxtaposition against “Rot’s” icy and calculated intro. Check out the video for “Rot” below, or, check out this link for all the different streaming options.

Pilot Field – Counterfeits

Pilot Field, Buffalo’s resident 90’s to 2000’s nostalgia pop-punkers, are back with their latest release, Counterfeits. For more information on the band check out our last review of their 2023 demo. In summary, a typical Pilot Field song is fast, loud, and catchy. The intro “Heart Attack” is just that. Clocking in under a minute and a half, it builds quickly into a hard-hitting yet melodic piece of rapid, juiced-up pop-punk. Lead singer, Dan McCormick’s catchy yet combative hollering in the verses is balanced out by candied singalong choruses. It strikes the right balance making for some meticulously good pop punk. “Don’t Need” is heavier and comes on strong with a relentless drum beat and speedy riffage. Even in more aggressive moments like this, McCormick, also in the Buffalo hardcore band SPACED, has that thing about him where every line sounds like a never-ending, effervescent hook. The song refers to the[...]

frog team – “KAMIKAZE!!”

There are rare occasions where buffaBLOG’s words are just… less effective than an artist’s own description of themselves. This is one of those times: “Frog Team is The Front Bottoms meets The Fall of Troy meets Family Guy, and that’s supposed to be an insult.” The absolutely blistering, buzzsaw emo of “KAMIKAZE!!” caught us off guard with its unbelievable blast of energy. Gravelly vocals and a breakneck runtime keep you on your toes throughout the entire listen. Inspired by everything from The Hotelier to My Hero Academia, this Denver trio isn’t afraid to do whatever the F*#& they want. In fact, if a math rock band was tasked to write an anime intro, let’s just say frog team would be the perfect act for the job. You can enjoy “KAMIKAZE!!” on Spotify, Apple Music, or YouTube (embedded below).

maxime. – “Quitting Time”

buffaBLOG mainstay maxime. is back with yet another slice of bedroom-pop wizardry, this time in the form of “Quitting Time.” ICYMI, we’re maxime. stans here at the blog (see here, here, and here for proof), and “Quitting Time” is yet another gem that he’s slotted into his growing catalogue of greatness. Fuzzed-out woofy bass tones, curious keyboard blips, and maxime.’s half-slurred vocals give this a mysterious feel, full of vague warnings to give up on what we can only assume is some semblance of a relationship. It’s nebulous and cool and we think you’re going to like it too. You can find “Quitting Time” on Soundcloud (below) and Spotify. maxime. · quitting time

RAINSONG – “Coma Baby”

London based RAINSONG brings us their latest with “Coma Baby.” Chock full of effects for that reliable shoegaze tone, RAINSONG plays around with faraway/breathless sounding lyrics with a touch of the melancholia. This honestly sounds how I think a new Goo Goo Dolls could sound if they made an album with My Bloody Valentine for some random reason. That isn’t to say this sounds like it’s pulled from the 90’s, far from it: everything sounds fresh and new, even if there’s a strong Cure influence here. There was a tone or two that put that idea in my head, along with the lead singer’s voice sounding vaguely reminiscent of the Goos’ John Rzeznik. The track ends on a long fadeout with all of the instruments intermingling, like what some bands do when they go off stage before an encore. You can hear “Coma Baby” on Spotify, or wherever else you[...]

Makeout City – “Everytime”

Philly based Makeout City brings us their latest single, “Everytime,” and it’s a poppy shoegazy banger. The band refers to themselves as “Mid-Atlantic Dreamgaze” – upbeat guitars and tight drums drive the song forward, while some synth is thrown in for additional flavor. Everything meshes together well into a shoegaze/dreampop concoction, starting slow and picking up tempo as the track progresses. It’s upbeat and twee, but with some deeper underpinnings, as the band discusses below: “‘Everytime’ is an introspective track about trying to understand your own thoughts and emotions when navigating life’s uncertainties. We often find a sense of comfort in nostalgia and express that in a lot of our writing. The line ‘drive me back to where I want to be’ touches on wanting to escape the anxieties of adult life and return to a simpler and more carefree time.” Fans of Alvvays, Far Caspian, or Beach House would[...]

Sofia Bolt x Stella Donnelly – “Bus Song”

Sofia Bolt and Stella Donnelly teamed up for a dreamy new single in the form of “Bus Song.” Not to be confused with the Jay Som song of the same name, “Bus Song” finds the duo playing with swimmy guitar chords, plunking bass, and a ruthlessly catchy call-and-response chorus. Fans of Big Thief, Alvvays, and the aforementioned Jay Som will like the smooth and creamy indie found here – keep your ears peeled for the tasteful sax and cool guitar plucks in the chorus. Check out “Bus Song” below via the YouTube embed, or, on Spotify.

Garage Sale – “Movie”

Melbourne’s Garage Sale specialize in heartbreaking shoegaze/emo – we’re recommending their latest single, “Movie,” for your listening pleasure.. Sounding like a perfect mix of Smashing Pumpkins, OVLOV, and Duster, the band seems to have mastered the quiet/loud songwriting method with downtrodden verses that explode into fuzz-filled glory. Diary-esque lyrics about borderline disassociation cut straight to the bone, as the dirty and angry guitar tones offset the ennui with their punishing presence. Perfect for fans of Midwest emo, shoegaze, and everything in between. You can find “Movie” on Bandcamp (below), Movie by Garage Sale

Heddy Edwards – “black tunnel”

Singer/songwriter Heddy Edwards is here with her latest single, “black tunnel.” Recalling ’90s luminaries like The Cranberries and Garbage while channeling modern-day juggernauts like Alvvays and Hazel English, “black tunnel” feels timeless and fresh all at once. Gauzy synths, effected vocals, and a very palatable indie-rock sound are some of the features you can expect here. Fun fact – Heddy worked with Alan Day (of Four Year Strong fame) on “black tunnel,” and while you won’t hear any chugging pop-punk breakdowns here, his experienced touch surely helped to bring this one to the next level. You can find “black tunnel” on Spotify and Soundcloud (below). heddyedwards · black tunnel

Glom – “Below”

Glom and buffaBLOG go way back (see here, and here, and here, and here). We’re adding to our Glom collection with their latest single, “Below.” While Glom surely knows how to get upbeat and ebullient, “Below” takes a more mid-tempo route made popular by contemporaries like Slow Pulp or Goon. Deep, plucky guitars and charming synth tones pair perfectly with Glom’s simple-but-effective lyrical style. We’ll let Glom take it away with a perfect explanation of how “Below” came to fruition: “To me, ‘Below’ almost materialized out of thin air. I picked up my guitar and tuned it down— lower than I’ve ever tuned it before with this project… Something about the low pluck of the strings brought out the melody and lyrics about me coming to terms with what I thought was expected of me as I grew up. I was 29 and creeping up on the next decade of[...]

Little Oil – “I Wanna Know”

California’s Little Oil is fresh off the release of their latest single, “I Wanna Know.” Driven by a dirge-like tempo and twinkling acoustic guitars, “Know” brings to mind acts like Elliot Smith and Duster with its lo-fi ethos and chill-out vibe. Of particular note here is the chorus of cacophonous guitar bending – it feels like a much-needed explosion of energy after the otherwise reserved verses. Here’s a bit more about “Know” from Little Oil himself: “[“I Wanna Know” is inspired by the] type of person we all know and marvel at who just goes with the flow, never worries about anything and everything just works out for them. The kind of person who makes you wonder ‘what do they know that I don’t know?’ I wanna know…” You can find “I Wanna Know” via Bandcamp (below) or on Spotify. Check out their Linktree for even more listening options. Twelve[...]

Russian Baths – “Split”

Indiana-based Russian Baths have mastered the quiet/loud song structure on latest single, “Split.” Quirky, pitch-shifted guitars and haunting vocals power the verses before plunging into a doom-drenched chorus, lush with fuzz tones and angular drum patterns. While lightly abrasive at times (in a good way), “Split” never loses the backbone of pop songwriting, with plenty of interesting melodies and sounds to dive into. You may be expecting an absolute maelstrom of noise to erupt at some point, but Russian Baths keep the song spring-loaded without ever exploding, adding to the tasty feelings of urgency and unrest. Like The Cure meets DIIV at their gothiest (their words, not ours), we think “Split’s” noisy simmer is going to be one of your newest favorites. Preview “Split” via the YouTube embed below, or, find it on Spotify or Apple Music.

Howdy, Cherry – “Georgia (again)”

Howdy, Cherry channeled true heartache into the longing, low-key indie rock of latest single, “Georgia (again).” Pairing vintage organ sounds, gentle guitar twang, and lightly distorted strums with her sugar-sweet delivery, “Georgia’s” slow-but-sure tempo brings to mind luminaries like Phoebe Bridgers, Clairo, and Plains. While the song overall is quite endearing, scathing lyrics like “Why am I hoping that you might be fucking someone else – need a better reason to replace your picture on my shelf” highlight the deep pain Cherry must be hiding within. Here’s a bit about the song’s origins from Cherry herself: “I wrote the lyrics to ‘Georgia’ in the midst of an emotional breakdown seeing my ex walk into a bar with a potential new lover. It’s meant to be nostalgic, a little sad, a little hopeful – and truly means whatever it means to you ♥” You can find “Georgia (again)” via Soundcloud (below)[...]

HEAR ME OUT – “Borderlands”

Embracing a tight post-punk sound, Germany’s HEAR ME OUT are here with the icy-cold “Borderlands.” Pairing thick bass chords, spindly guitars, and calculated synth work, “Borderlands” has a gothy undertone with nods to classics like Joy Division and Depeche Mode. Skittering drum beats keep the vibe neurotic, while the instrumentals twist and turn around it, giving off an aching feel while still embodying that glassy-eyed feel that makes post-punk so endearing. Here’s a bit about the song’s origin from the band themselves: “[‘Borderlands’ is] a product of our singer’s thoughts drifting away during a university class about migration, taking a critical point of view on nations as constructs and showing sympathy with those who have to abandon their homes.” You can find “Borderlands” below via YouTube, or, here via Spotify.

Mia Day – “Severed”

Mia Day is due for a little redemption. After a string of stinging losses, she’s risen like a phoenix with latest single, “Severed.” After a year of hell (a “hell year,” if you will), Mia channeled her pain and angst into a new album, Hellier, Forever, upon which “Severed” resides. Taking cues from the grunge greats of the ’90s with plenty of fresh, 2024 energy, “Severed” is an amalgamation of crunchy guitars, raw emotion, and her heart-on-sleeve vocal prowess. Here’s a powerful quote from Day herself explaining where she’s coming from: “For months I didn’t know what to do with myself, so I would just write songs every day… It’s me saying, ‘I will not disappear and I will not let a single person destroy me.’” You can find “Severed” via the YouTube embed below, or, stream it on Spotify.