Latest Posts

Wife and Kids – Magnesium

June 9, 2024

Wife and Kids, a newer name in the scene (with some familar faces), have been gaining traction with their candid alt-folk balladry and sweet sense of melody. The duo is composed of Alex Behrens and Joe Morganti (also in SPACED and gas station.) and a quick stream or two of their music shows these guys are downright talented. Wife and Kids’ tender yet poppy strain of indie-folk and strong singer-songwriter chops are on full display in their first two singles, “Possible” and “Way Back When.” Even still, the duo’s latest, “Magnesium,” might be their best yet. The lyrics on “Magnesium” have a real, personal, and weighty quality to them. The singer touches on brief yet sentimental ideas throughout the track, giving the feeling of flipping through a scrapbook of related but separate memories. Despite the lyrical ideas feeling somewhat disparate at times, them being together feels quite important to the songwriter’s[...]

Jesse & the Spirit – a

May 16, 2024

Buffalo to NYC transplant, Jesse James’ experimental project Jesse & the Spirit is back with a new single titled “a” set to release on April 26th. Their Bandcamp bio breaks down Jesse & the Spirit’s sound well: With collaboration from an unexplainable presence known simply as “The Spirit,” Jesse James creates emotional soundscapes in a maelstrom of electronic and acoustic drums, ambient synths, classical guitar, and otherworldly samples, touching on a variety of genres from trip hop, cold wave, and witch house to folk, noise, and raw atmospheric metal.” It’s a true melting pot of cross-genre collusion. If you’re looking to get a good idea of James’ chaotic musical combinations, compare their 2018 gothic avant-folk project, Clairvoyance to the grating experimental noise and dark electronic psychedelia on their project, also from 2018, When the Spirit caught up, I laid face down in the crossroad, clutching the ground with every ounce[...]

the niagara river – complain to the creators

May 16, 2024

This just in, naming yourself after a well-known local landmark may be a cheatcode for getting people to check out your experimental electronic project. You’d have to ask Buffalo-Brooklyn ambient duo, the niagara river if that’s a legit strategy. The two musicians, James Lotterer (Auxcab, Cylo) and Jesse James (Jesse & the Spirit, Dolly Sods) share the name James, as well as an aptitude for creating standout, off-beat electronic music, both in different capacities. Check out our review for Jesse & the Spirit, to get to know the related project’s sound. The niagara river’s recent release, complain to the creators, is a two-song EP that starts with the sprawling, over 17-minute track, “did she exist?” In the first part, a chiming sound that sounds like a reversed piano note acts as the track’s foundation. A cycling key melody and contemplative bell-like synth part creep overtop. At the three-minute mark, a foggy ambient[...]

Luno J and Neftali – The Dramatic

May 16, 2024

Rapper Neftali and producer Luno J have an intriguing history in the local music scene, prior to releasing their recent six-song collaborative project, The Dramatic. Neftali, who started in the scene seven years ago, was a member within the now defunct alternative hip-hop group, FREAK THE MIIGHTY. Lately, he’s releasing solo music as well as fronting Buffalo hardcore band, JEWELTONE. Luno J, a recent transplant to the city in 2021, joined local powerhouse rap group Free Music Party soon after. He began making a name for himself with his unique production style fusing influences from EDM, R&B and hip hop.  Luno said of a specific musical inspiration for The Dramatic, “I really like Flume and in particular the tracks he does with rappers because it’s kind of an untapped genre of EDM-influenced experimental tracks with rapping over top.”  This influence is evident in the intro track, “Too Late,” which combines hip hop[...]

Gatto Black – “Escape You”

May 6, 2024

A recent poster for a show at Amy’s Place in Buffalo described Gatto Black as SSRI post-hardcore and it’s pretty spot on. Sal Mastrocola, the group’s main songwriter, has an anxious and very emo take on hardcore. Mastrocola popped onto the scene a few years back with two 2021 singles and the 2022 EP, 2 Stressed 2 B Blessed, released through local label, Triple Hammer Records. The group’s sound is nostalgic for the emo side of 2000s skramz, but takes it to the next level by moshing it with modern sounds of hardcore, post-hardcore, and even alt-metal. The group’s latest release “Escape You,” explores the apathy of enduring toxic relationships, especially those that find pleasure in the pain of overstaying their welcome. In the song’s opening verse, Mastrocola demands the listener’s attention with an emotionally charged vocal delivery that trembles with palpable rage. Listening to Mastrocola stutter, yell and cry his way[...]

OG Sole – “DEEP END”

April 12, 2024

OG Sole’s latest release “DEEP END” starts with a hair-raising string sample. Shortly after, the drums come in heavy, and OG pounces on the instrumental with confidence and style. “DEEP END” has a hard edge and braggish tone as OG raps about grinding on his craft over a self-produced instrumental. This type of musical confidence is more than warranted. OG has been making a name for himself for quite awhile as he’s been an independent artist for ten plus years. Recent releases like Sushi and “Freestyle 2023” are both worth checking out.  OG Sole is a triple threat, artist, producer, and engineer. He has rapped alongside the likes of Billie Essco, Jae Skeese and Camoflauge Monk, as well as engineered Conway the Machine and Westside Gunn’s 2015 Big Ghost Ltd project, Griselda Ghost. So there’s a reason for the hard-nosed boasting on “DEEP END.” OG Sole’s relentless bars delivered with a uniform[...]

Hundred Plus Club – “Gobsmacked”

April 10, 2024

Hundred Plus Club combines intense, often dark, emotions with an upbeat indie rock style that perfectly mixes the negative and positive. It’s an easy-to-get-into sound applicable to life’s many uncertainties and in-betweens. In their earlier discography, the group often drew inspiration from early 2000’s post-punk revival and indie rock groups such as The Strokes, Interpol, or MGMT. Check out our previous posts on the band to learn more. Yet their most recent release, “Gobsmacked,” finds a bit more in common with 80’s alternative and post-punk groups like The Cure or Echo & the Bunnymen. Sticking to the shadows with an edgier sound, Hundred Plus Club evolves their style substantially on “Gobsmacked,” delving deep into a modern and groovy goth rock sound. An 80’s drum machine loop acts as the rhythmic foundation, while lead singer Zain Shirazi’s open-ended lyrics jump off the page: “I see those menacing eyes / I wanna[...]

puh-GEEZ – LEVELS

April 10, 2024

If you’re out exploring record shops in Buffalo, you might run into local hip hop artist puh-GEEZ who calls music havens like Soul Stop, Black Dots, and Apples and Oranges his home. He shops for his own enjoyment as well as picks up records for his DJ sets which he performs under the name, Knew’d. Inspired by physical media, puh-GEEZ recently released his 2-sided project, LEVELS in segments. The first side dropped on September 21st of last year while the second half came out on March 17th this year. For Bandcamp listeners the entirety of the project has been available in full since the fall. About the release, the rapper and producer said: “I think I made Side 1 available everywhere cause it just seemed like the right thing to do. Side-B was a little more personal in a way and I think I just wanted it to be more[...]

Robbery Club – SHARP AIR / ALONE

April 5, 2024

Robbery Club is Buffalo-style punk rock done right. The group is hot off a killer set on a stacked show at Casa Di Francesca’s on March 7th, and a debut release of two singles released just a few days prior. It may seem like Robbery Club is coming out of nowhere, but that’s not the case. Members within the current lineup have been impressing the local scene with their aggressively catchy blend of pop-punk and emo for quite some time under their previous title, Ghostpool.  Check out our 2018 review, which touched on the “crunchy guitars and hooks aplenty” in their debut EP. Just one nostalgic stream of their 2019 track, “Bug,” will guarantee it to be stuck in your head all day. It’s a chokehold angsty emo melody on a song that still feels punk as hell. Their debut tracks as Robbery Club, “SHARP AIR” and “ALONE” build upon this[...]

MONOMANIAC – Dysphoria / Destined to Question

April 5, 2024

MONOMANIAC are the youngbloods of Buffalo hardcore. Their latest two-song release, Dysphoria / Destined to Question, solidifies the group’s grimy, cacophonous metallic hardcore style. The first of which, “Dysphoria,” is chugging, meaty-riff metal with tortured and fiendish lead vocals. A short verse with a bit of a hip-hop cadence in the middle breaks up the raging track well and must be killer in a live setting. After a seamless transition, “Destined to Question” ups the ante with chaotic, static-like guitar leads that splinter out of control, before the group’s vocalist, Derek Maniscalco, comes in at an eyes-blood-red intensity. An edgy, grating metallic guitar lead cuts through in the middle portion before the group knocks back into another unhinged harrowing hardcore chorus. A strong breakdown at the end of the song closes the two-song EP appropriately. It’s no secret that Buffalo hardcore has been exploding with new bands lately, but MONOMANIAC[...]

Pilot Field – Counterfeits

April 5, 2024

Pilot Field, Buffalo’s resident 90’s to 2000’s nostalgia pop-punkers, are back with their latest release, Counterfeits. For more information on the band check out our last review of their 2023 demo. In summary, a typical Pilot Field song is fast, loud, and catchy. The intro “Heart Attack” is just that. Clocking in under a minute and a half, it builds quickly into a hard-hitting yet melodic piece of rapid, juiced-up pop-punk. Lead singer, Dan McCormick’s catchy yet combative hollering in the verses is balanced out by candied singalong choruses. It strikes the right balance making for some meticulously good pop punk. “Don’t Need” is heavier and comes on strong with a relentless drum beat and speedy riffage. Even in more aggressive moments like this, McCormick, also in the Buffalo hardcore band SPACED, has that thing about him where every line sounds like a never-ending, effervescent hook. The song refers to the[...]

Jaugust – Be My Echo, Always

March 26, 2024

Buffalo’s latest electronic duo, Jaugust, specializes in a catchy, relatable indie-pop sound inspired by early 2000s electronica-meets-emo bands like The Postal Service, American Football, and The Appleseed Cast. The duo is composed of Nick Sessanna of the Buffalo indie-emo band Cooler (check out our previous review) and Anthony DelPlato of indie meets alt-pop act Everything in Waves (previous reviews here). Their debut release, Be My Echo, Always, came out on September 8th, 2023. The project’s opener, “Racing the Shadows,” is a perfect modern take on upbeat synth-pop. It’s a “running away” song that sounds like the band is trying to beat out past mistakes by turning a blind eye to them. The second verse, however, dives into what Jaugust is running from – the project’s main theme, and its source of conflict. Jaugust tends to keep lyrics pretty generalized to heartbreak as Sessanna sings of things like being haunted by[...]

Previous Love – Sleepwalking

March 9, 2024

Buffalo’s finest grungy alternative pop-rock band, Previous Love is back after a period of inactivity. Their latest single, “Sleepwalking,” is one of their best yet, fitting neatly into their already-established style. The band is often known for their accessible, yet heavy alt-rock sound, often mixing 90’s influenced reverb-heavy guitar riffs with hypnotic dream-pop elements. Get a feel for the group’s style by checking out our previous review. “Sleepwalking” starts with a dark guitar part whose beautiful melody wavers like the light of a candle in a dim room. They build up the sound towards an explosive chorus that dazzles with shoegaze distortion as well as charismatic lead vocals from Gary Sheedy. About “Sleepwalking,” the band said: “The lyrics hold a lot of nostalgia for the band. This song is about the idea of the next day not being a guarantee and to enjoy the time you have while you have it.”[...]

Garden Closet – cicada breath

February 19, 2024

Shoegaze is thriving. Scenes in eastern cities like Pittsburgh, New York City, and especially Philadelphia are having surges of creativity and success, yet the sound is relatively untouched in Buffalo. Garden Closet is often in a scene of their own in the 716. The three-piece leans hard into the heavy and dark side of shoegaze, drawing on influences from both classic 90’s bands and the genre’s contemporary forerunners. The lead singer, Kay Stuitje, said: “When I started this project I was really inspired by a movement in shoegaze that’s highly localized in Philadelphia… bands like They Are Gutting A Body of Water, Knifeplay, Bleary Eyed… all those bands. They’re doing this cool shoegaze sound that’s less polished, [and] less clean than a lot of shoegaze that you hear.” “jaundice,” the lead single for the group’s debut project cicada breath was released as a demo in 2022. The album features an updated[...]

Well Kept Things – Weathered For Better

February 15, 2024

Buffalo emo-rock outfit, Well Kept Things, has an interesting history. The group got traction in the local scene with well-loved releases in 2015 and 2016, before they ended up shelving the band for seven years. Check out this older post from 2015 about the band in their early days. It seemed unlikely that the group would ever get back together, but when one of the members, Kody Fintak, moved back to the Buffalo area, the Well Kept Things spark was back in full effect. After this long period of inactivity, the group returned with a release, Weathered For Better, on December 14th. The intro “Pick Scratch” is heartfelt, goofy, and catchy, three common ingredients that make up many great emo tunes. The band mentions that they drew inspiration from Latterman, a melodic punk four-piece from Long Island while recording the intro song with Jay Zubricky at GCR audio. Loud call-and-response[...]