Latest Posts

Ismatic Guru – An Incredible Amount of Overwhelming Information

January 23, 2025

Buffalo’s Ismatic Guru, the hyperactive prog-punk brainchild of John Toohill (aka Science Man) and Bran Schlia (aka Helmsley), has finally unleashed their long-awaited full-length album, An Incredible Amount of Overwhelming Information. This isn’t your typical album release; it’s a culmination of a years-long recording project, a sonic archive of the duo’s relentless creativity. Over the past few years, Toohill (guitars, vocals, lyrics) and Schlia (bass, organ, drums, production) have meticulously crafted and released a series of numbered EPs, each a limited edition cassette run, building a following through their respective labels (Swimming Faith & Steak and Cake) and beyond. Now, those EPs, along with five brand new tracks, have been compiled into a 26-song, breakneck journey that encapsulates their self-described “idiot-prog punk adventure.” The band’s growing fanbase is well-deserved; with over 15k monthly listeners on Spotify and a dedicated Bandcamp following, it seems Ismatic Guru’s brand of chaos is striking[...]

Carmen & Lizzy – Dissolving

January 16, 2025

For the better part of a decade, Buffalo folk-duo Carmen & Lizzy have quietly woven themselves into the fabric of Buffalo’s music scene, having built a following with their heart-on-your-sleeve songwriting, finely-tuned vocal harmonies, and a sound that blends folk intimacy with indie sensibilities. Now a recognized force, the duo–made up of cousins Carmen O’Keefe and Lizzy Bassler–has just released Dissolving, their first substantial offering of new music in over 5 years. This 6-song EP finds the duo gently pushing the boundaries of their established folk aesthetic for a sound that matures alongside their songwriting and keeps the mystifying qualities that put them on Buffalo’s map. Dissolving is our album of the week.   Dissolving widens the scope of Carmen & Lizzy’s discography. While their earlier work, like the 2019 full-length Climate, leaned into a starry-eyed folksy vulnerability, the new EP is a bit more enigmatic and exhibits growth in[...]

Raybees – Reaper, Take My Life For Free!

January 9, 2025

It’s a new year, and what better way to shed that holiday lethargy than with a blast of sonic mayhem? Buffalo’s own basement psych-rockers Raybees are here to deliver just that with their sophomore EP, Reaper, Take My Life For Free!, out January 3rd. This self-released, self-recorded, six-track onslaught picks up where their debut left off, but cranks the intensity and noise up by a good margin. If you’re a fan of the noisy, psychedelic punk rock of bands like Osees and The Jesus Lizard, then buckle up. Reaper, Take My Life For Free! is our album of the week.   Raybees is led by the core duo of Jacob Smolinski (guitar/vocals) and Dan Keegan (who replaced the drum machine of the project’s debut), along with featured players Matthew Danger Lippman (guitar), Kam Plotner (synth), and Brandon Schlia (bass). Something of a star-studded side project, Raybees showcases a completely different[...]

Romcom Victims – Rainy Days

December 27, 2024

Buffalo’s resident jangly powerpop group Romcom Victims have released their sophomore EP Rainy Days – a buzzy, four-song ripper that has found itself on a shortlist of the best Buffalo releases of the year.   The EP opens with “Absent Minded,” which sets a fun, surfy pace right out of the gate. Anchored by floating guitar lines over a tight rhythm section, the vocals instantly command your attention with their light and airy delivery. Dipping in and out of the spaces present in the reverbed-soaked textures, “Absent Minded” is an immediate earworm. The second track “Street Rat” is a churning offering, led by earnest vocals recalling a hypocritical scumbag, or more appropriately, a rat.   The EP is anchored by the title track “Rainy Days.” A definite EP standout, “Days” is a bouncy two-stepper that alternates through slower orchestrated parts with blasts of shuffling drumbeats and an impossibly nimble bass[...]

Makeout Tactics – Skunk House

December 23, 2024

Buffalo indie-pop outfit Makeout Tactics has released their first EP, Skunk House. Waxing philosophical, we are presented with a slice of life view of a group of friends in their 20s. Seemingly mundane, these stories and experiences are elevated through their eyes, creating a compelling story that captures our attention.   The EP opens with “311,” laced with a heartfelt urgency that draws you right in. Anchored by the haunting vocals of Akasya Croiser, lyrics float ethereally over the jangly and enveloping guitar lines. The banality of placing a 311 call becomes a plea; a call to action. Second is the driving “Laundromat Thief” which opens with guitars that could play against a gunslinger showdown in a Western. We are then presented with a scenario in which someone has stolen our narrator’s underwear (amongst other things). “Laundromat Thief” is a driving track that underpins our narrator’s struggles. While the drums[...]

the Old Sweethearts – “Miles”

December 20, 2024

Coming off the heels of their hotly anticipated reunion at the 20th Anniversary of Harvestsum Records, The Old Sweethearts have dropped an alternate version of their song “Miles.”   Originally appearing on their 2005 record Arms of the Town, “Miles” is a a radio-ready single with buzzy verses and anthemic choruses. This previously unreleased version stands in stark contrast, stripping things back and slowing it down. Roger Bryan’s vocals sit in the front of the mix, giving an earnest and pleading quality to the previously uptempo song which remains anchored by Mark Nosowicz’s hypnotic synth lines. The toy piano interludes call back to early Wilco, particularly Yankee Hotel Foxtrot’s “I Am Trying to Break Your Heart.”   The release also includes two tunes previously on 2005’s Harvest Sum B-Sides collection. “Lost You” plays perfectly alongside “Miles,” leaning into the stripped back production that really lets the delicate instrumentation shine. The[...]

Urge Surfer – “Happy Xmas (War is Over)”

December 18, 2024

Buffalo electro-pop duo Urge Surfer are back with their take on a holiday mainstay, the John Lennon & Yoko Ono classic “Happy Xmas (War is Over).” Featuring singer Chelsea O’Donnell’s distinctive voice in the forefront; bandmate Jordan Smith’s tasteful backups; and a bevy of modular synths and percussion; this particular version of “Happy Xmas” is a delightfully fresh take on a well-worn standard. Born out of the innocent desire to just put out a Christmas cover, the duo pumped this out in just about a week, harnessing the ramshackle and jangly energy of the original and giving it a fun, electronic spin.   You can purchase Urge Surfer’s version of “Happy Xmas (War is Over)” via bandcamp (below) for a very reasonable “name your price” rate.   Happy Xmas (War is Over) by Urge Surfer

Ashford – Pictures of Places I’ve Been

December 16, 2024

Buffalo pop punk/emo rockers, Ashford, close out the year on a high note with their dynamo debut LP, Pictures of Places I’ve Been.   The record is a nine-track patchwork of new material and singles released earlier this year including the tracks “Temperance,” “Gorilla Glue” and “The Painter & the Patient.” Expect a variety of clean yet rough-around-the-edges vocals; powerful, overdrive guitars; and hefty, punctuative drums for a listen that will make your hair stand up.   Variety is what Ashford does best on this album. Like a pop punk buffet, the band cooks up a deeply satisfying mix of tones, textures and tempos that keeps Pictures of Places I’ve Been fresh and engaging. You’ve got your choice of softer, more poignant songs like “Bliss,” or heavier, crunchier songs like “Crown.” No two songs sound the same with each having their own distinct flavors to chew on for hours.  [...]

Gatto Black – (Not) Ready to Die

December 13, 2024

The cat’s out of the bag with (Not) Ready to Die, the bombastic new sophomore EP from feline-friendly Buffalo post-hardcore project, Gatto Black.   Featuring singer-songwriter, Sal Mastrocola (EXNATIONS, No Net), this 7-song collection is a powder keg of emotions triggered by screamo vocals, chaotic drum beats, and third-rail riffs that will shock your system.   “But the thing about cats… they’re never afraid of their shadows,” and neither is Mastrocola, as he wails introspectively on the opening track, “Bitch I’m a Cat.” The singer-songwriter wears his heart on his sleeve and spills his guts via snotty emo-punk vocals that shake with anger and sadness. Each song is impressively unique, robust and layered, and runs a gamut of feelings that wallow in angst and insecurities.   You can feel these difficult, dizzying emotions on tracks like “No One Can Ruin Me.” This absolute tornado of a tune lashes out with[...]

Matt Smith’s Nervous System – Today and Tomorrow Too

December 12, 2024

Matt Smith’s Nervous System, a Buffalo-based project led by scene veteran Matt Smith (guitar/vocals) alongside Roddy Potter (drums) and Colin Pratt (bass/vocals), returns with Today and Tomorrow Too, a six-track EP stealthily released on October 18th. Following two full-length LPs (Close Down The Dream in 2021 and The Age of Reasonable Expectations in 2023), this concise offering marks a shift in approach, focusing on atmosphere and texture. It feels like a compelling next step for a project that started as a mere outlet for Smith’s extraneous ideas. Today and Tomorrow Too is our Album of the Week.   The EP conjures the understated groovy cool of The Velvet Underground and serves it up with a simmering intensity not unlike the sounds of indie rock stalwarts The National. The result is an effort that strays a bit from the bluesy power-pop vibes of their debut in favor of a more introspective,[...]

JEWELTONE – Visions of Heaven

December 9, 2024

Buffalo hardcore trio, JEWELTONE, bring the pain with their new EP, Visions of Heaven. Following up their demo release last year, this bruising EP features four new tracks of stripped-down, no-frills hardcore punk that will have you two-stepping and stagediving.   With an endearing band statement of unity and inclusivity, JEWELTONE have spent the last year building a name for themselves in the city’s hardcore scene. At their shows you’ll find a melting pot of all ages and backgrounds pinballing off heavy riffs, punishing drums, and howling vocals.   Consisting of Christian Adams on bass/guitar, Jordan Walker on drums and Neftali on vocals, each member brings their own unique perspective and influences to the project. These influences, acting as their north star, are wide-ranging and far-reaching, especially Nef’s whose roots are firmly planted in Buffalo’s hip-hop community.   Their spotlighted single “IDFWY,” puts all these influences in a blender for[...]

Black & White Cat / Black & White Cake – S/T

December 2, 2024

Throw on a leather jacket and mirror shades and let Buffalo deathrockers Black & White Cat / Black & White Cake be the soundtrack for your cemetery dance party with their debut self-titled album.   Inspired by the 1977 horror flick, The Sentinel, and formed six years ago by vocalist Dan Oh and guitarist John Toohill, this gothic five-piece delivers lo-fi melodic post-punk that’s cloaked in darkness and apathy. Rounding out the group and helping to bring their sound back from the dead are guitarist Dave Ward, bassist Paul Morin and synthesist Kelly Morduant.   Opening up this brooding collection of songs is the track “Useless” that encapsulates B&W Cat / B&W Cake’s macabre spirit. Oh’s cold, near-death vocals play perfectly against Toohill and Ward’s warm-blooded guitars; perfectly reflecting of the duality of life and death. It’s a great and catchy introduction to the band and their brand of punchy[...]

Welks Mice – BLUB BLUB

November 28, 2024

Six years, a pandemic, and a whole lot of life later, Buffalo’s Welks Mice have re-emerged with BLUB BLUB, an EP that trades some of the anxious energy of their 2018 debut for a sound that is softer around the edges, but no less genuine. This time around, songwriter Max Weiss and vibraphonist Andre Welks-Fabretti hone in on themes of optimism and openness, their delightfully economical indie-pop providing the perfect backdrop. It’s honest, it’s tender, and it’s our Album of the Week.   Welks Mice’s unique approach to minimalism is a refreshing breath of air in a local scene dominated by distorted guitars and crash cymbals. Welks-Fabretti’s charming vibraphone melodies make up the majority of arrangements, and Weiss’ unabashed ‘cards face-up’ lyrical delivery is disarming and accessible. The combination is distinct in style, blending the best elements of bedroom pop and anti-folk for a sound that would sit nicely next to[...]

Hundred Plus Club – “Get Away From Me Jack”

November 25, 2024

The Hundred Plus Boys are at it again. Fresh off a sweet streaming success in their previous single “Gobsmacked,” Buffalo’s post-punk outfit drops their follow-up “Get Away from Me Jack.” HPC’s has featured bright guitars and earworm hooks taking influence from the great acts of 2000s indie rock, but lately things have gotten darker. “Gobsmacked” started down a gothy-er path that’s continued with the rollout of “Get Away from Me Jack.”   On this single, frontman Zain Shirazi’s baritone vocals hide within a heavy bottom half featuring some pounding bass guitar and a drum section that flips between understated live playing and New Order in-your-face “Blue Monday”-styled drum machine, continuing the band’s experimentation with percussive elements. Shirazi’s brooding vocals menacing backing voices compound the feeling of being under a sinister spell, as Zain tries to resist:   “You want people to come to your show … / But I don’t[...]

Elemantra – “The Problem”

November 18, 2024

Perpetually-whirring Buffalo shoegazers Elemantra are back with a fresh new single, “The Problem.” Their impeccable pedalboard curation is on full display here, ranging everywhere from ghostly clean guitars to monstrous blasts of fuzz. Elemantra’s patented brand of all-consuming ambiance is on full display here, lush with nimble basslines, tight drumming, and those far-off vocals that make your favorite ‘gazers sound so mysterious – think Slowdive or MBV. Fans of all waves of emo, anywhere from Appleseed Cast to Citizen, will also enjoy “The Problem,” for its excellent execution of somber emotions and quiet/loud dynamics.   You can find “The Problem” via Bandcamp below, or, stream it via your preferred listening service – Spotify or Apple Music. The Problem (single) by elemantra