Album Reviews

Ashford – Pictures of Places I’ve Been

December 16, 2024 Matt Burgerhoff

Buffalo pop punk/emo rockers, Ashford, close out the year on a high note with their dynamo debut LP, Pictures of Places I’ve Been. The record is a nine-track patchwork of new material and singles released earlier this year including the tracks “Temperance,” “Gorilla Glue” and “The Painter & the Patient.” Expect a variety of clean yet rough-around-the-edges vocals; powerful, overdrive guitars; and hefty, punctuative drums for a listen that will make your hair stand up. Variety is what Ashford does best on this album. Like a pop punk buffet, the band cooks up a deeply satisfying mix of tones, textures and tempos that keeps Pictures of Places I’ve Been fresh and engaging. You’ve got your choice of softer, more poignant songs like “Bliss,” or heavier, crunchier songs like “Crown.” No two songs sound the same with each having their own distinct flavors to chew on for hours. [...]

Gatto Black – (Not) Ready to Die

December 13, 2024 Matt Burgerhoff

The cat’s out of the bag with (Not) Ready to Die, the bombastic new sophomore EP from feline-friendly Buffalo post-hardcore project, Gatto Black. Featuring singer-songwriter, Sal Mastrocola (EXNATIONS, No Net), this 7-song collection is a powder keg of emotions triggered by screamo vocals, chaotic drum beats, and third-rail riffs that will shock your system. “But the thing about cats… they’re never afraid of their shadows,” and neither is Mastrocola, as he wails introspectively on the opening track, “Bitch I’m a Cat.” The singer-songwriter wears his heart on his sleeve and spills his guts via snotty emo-punk vocals that shake with anger and sadness. Each song is impressively unique, robust and layered, and runs a gamut of feelings that wallow in angst and insecurities. You can feel these difficult, dizzying emotions on tracks like “No One Can Ruin Me.” This absolute tornado of a tune lashes out with[...]

JEWELTONE – Visions of Heaven

December 9, 2024 Matt Burgerhoff

Buffalo hardcore trio, JEWELTONE, bring the pain with their new EP, Visions of Heaven. Following up their demo release last year, this bruising EP features four new tracks of stripped-down, no-frills hardcore punk that will have you two-stepping and stagediving. With an endearing band statement of unity and inclusivity, JEWELTONE have spent the last year building a name for themselves in the city’s hardcore scene. At their shows you’ll find a melting pot of all ages and backgrounds pinballing off heavy riffs, punishing drums, and howling vocals. Consisting of Christian Adams on bass/guitar, Jordan Walker on drums and Neftali on vocals, each member brings their own unique perspective and influences to the project. These influences, acting as their north star, are wide-ranging and far-reaching, especially Nef’s whose roots are firmly planted in Buffalo’s hip-hop community. Their spotlighted single “IDFWY,” puts all these influences in a blender for[...]

Black & White Cat / Black & White Cake – S/T

December 2, 2024 Matt Burgerhoff

Throw on a leather jacket and mirror shades and let Buffalo deathrockers Black & White Cat / Black & White Cake be the soundtrack for your cemetery dance party with their debut self-titled album. Inspired by the 1977 horror flick, The Sentinel, and formed six years ago by vocalist Dan Oh and guitarist John Toohill, this gothic five-piece delivers lo-fi melodic post-punk that’s cloaked in darkness and apathy. Rounding out the group and helping to bring their sound back from the dead are guitarist Dave Ward, bassist Paul Morin and synthesist Kelly Morduant. Opening up this brooding collection of songs is the track “Useless” that encapsulates B&W Cat / B&W Cake’s macabre spirit. Oh’s cold, near-death vocals play perfectly against Toohill and Ward’s warm-blooded guitars; perfectly reflecting of the duality of life and death. It’s a great and catchy introduction to the band and their brand of punchy[...]

Society of Beggars – Levitator

November 30, 2024 Nick Sessanna

Society of Beggars is a Melbourne-based act who just released their latest album, Levitator, a ten-song offering full of dark and brooding rock tunes. Inspired by a period of grief due to the loss of frontman Yianni and brother Jim Michalopoulos’ father, the band holed up in Birdland Studios with over thirty (!) demos to choose from. They whittled the tracks down into the ten songs you hear on Levitator, and the deep emotions attached shine through in the final product. Here’s a little more from Yianni about what Levitator means to the band: “When you’re feeling that manic energy that comes with grief, it can be all-consuming… Our drummer Dibi and bassist Zoë Alexa’s friendship and musical connection provided the foundation we needed to create.” The title-track and intro to the album, “Levitator,” feels like the perfect way to kick off this album. A punctuated guitar riff pounds out[...]

Boy Jr. – I Love Getting Dumped

November 29, 2024 John Smigielski

Boy Jr. is back in a big way with their new record I Love Getting Dumped. A collection of 13 breakup songs, frontperson Ariel Allen-Lubman (they/them) commands your attention as strongly as ever with their trademark genrefluid style. They speak to us on a heartfelt level, connecting with us in a nostalgic, at times comical way that speaks to anyone who has ever dealt with the death of a relationship. The album opens with the haunting “Your Mom Is Disappointed In You.” The vocals are delivered so earnestly, you can feel the pain in their voice, expertly underscored with sparse electronics. “I Hope You Feel Terrible” is truly a standout, easily drawing parallels with “good 4 u” by Olivia Rodrigo, or contemporaries like Kim Petras or Billie Eilish. Allen-Lubman sets the scene with a fuzzy, bouncing riff that really lets the vocals shine. Slowly building the texture, by the[...]

Sir Jay – Running From Yourself

November 25, 2024 Nick Sessanna

Sir Jay is a Helsinki-based musician who has been gearing up for the release of his latest album, Running From Yourself (RFY), since the pandemic. With that much time to tweak, tweez, and polish your magnum opus, it’s borderline ironic that RFY sounds so effortless. Taking queues from electronica, soft rock, and psychedelic rock, Sir Jay’s nine latest songs are a group of whirring gems – stuffed with nuance and texture in a way that makes it perfect listening-music for many moods. Jay was smart to start the album with the swirling ambiance of “Box Animal.” A slow-burning start introduces the listener to Jay’s sonic palate – expect gauzy bleats of synth, simmering string accompaniments, and drums that percolate at a pleasant, reserved pace. “Box” inspires feelings of being underwater – whether it’s Jay’s all-encompassing instrumentals or a poolside vibe is up to the listener to decide. Throughout its three[...]

Love Ghost – Love Ghost x Skold

November 22, 2024 Nick Sessanna

LA-based act Love Ghost is one of the most perfectly-named acts I’ve ever come across. Colloquially known as Finnegan Seeker Bell, he’s been making music since he was barely double-digits, cutting his teeth (and probably losing them simultaneously) at backyard gigs, small venues, and anywhere else that would have him. It’s led to this point in his journey – a collaborative, 13-song LP called Love Ghost x Skold (LGXS). Full of dark alt rock that slaps heavily of mid-aughts emo, Bell, alongside Tim Skold (who co-wrote all the songs and music on the album), tackles heavy topics, like death, witchcraft, and war with a dagger-wielding hand that cuts straight to the bone. LGXS opens with a mysterious intro before launching into “Nightshade and Cocaine” – here, we’re first introduced to the hallmarks of LGXS’ sound. A tape-aged piano taps out haunting chords before a trap-inspired smattering of electronics creep out[...]

Bat Ring – A Spectre Prepares

November 11, 2024 Raigan Martinez

Brianna Battista, frequent Little Cake collaborator and former Skirts co-lead, has released her debut album under new solo-project Bat Ring. With production by Bran Schlia (Steak & Cake Records), A Spectre Prepares introduces a beautifully creative sound into the world of experimental post-rock. In addition to the haunting vocals by Battista, this album utilizes synths and distortion in a truly unique way. The five tracks are inspired by a series of painful experiences Battista summated in a personal essay regarding the album. After a poor-fit college program, her creativity was stunted by an inability to express herself the way that she wanted. As Battista continued to experience a power imbalance between herself and her classmates, she began to question her reasons for creating. She writes, “My goal was directly tied to everything these men in my acting program thought of me, and said about me, and said TO me,[...]

Idaho Green – Gems of the High Plains

November 10, 2024 Nick Sessanna

As purveyors of predominantly WNY-based music, it makes complete sense that we’d review a double LP from Montana-born, Brooklyn-based act Idaho Green (IG). Sarcasm aside, Idaho Green is one of those wacky bands that we would champion over here at buffaBLOG – we’re not intimately familiar with the group, but they seem like the type of loud, lightly-wacky act that pumps out good, passionate songs at a frighteningly efficient pace. Full disclosure, Idaho Green reminds me of a few beloved local acts (see here, or here), and I find that endearing. Buffalo is a secondary market (much like Billings, Montana I’d imagine), so we usually have to create our own fun. A place like Brooklyn seems like an obvious home for a quartet like this, but thinking about IG dressing up in stage outfits and getting wild in some dive bar in Montana makes me smile. The double album[...]

Aberrant Kingdom – AK

November 10, 2024 Nick Sessanna

Sure, as bloggers, we’re supposed to be the wordsmiths. But Pittsburgh-adjacent-based stoner sludge act Aberrant Kingdom seem to have hit the nail on the head: “We play loud, heavy, strange songs in sweaty rooms.” One listen through their latest album, the 10-song AK (ostensibly, short for Aberrant Kingdom) and you’ll see what they mean… This hard hitting trio of James May (guitar/vocals), Ian Tepper (drums), and Pat Herron (bass) craft the kind of music that seems tailor-made for sweaty basement venues and sweltering attic shows. Falling somewhere on an intangible spectrum between Black Sabbath, early Nirvana, and Primus, AK is full of quirky compositions delivered through a prog-rock lens with a dash of that wild, Les Claypool energy… And of course soaked in a grunged-out, Big Muff (TM) style fuzz. The album opens with an eerie whirring of feedback as Herron starts hammering out a sludgy bass line. Soon the[...]

Wylie Something – Picnic

November 4, 2024 London Nickolai

Buffalo local, Wylie Something, the songwriting vehicle for musician Jacob Smolinksi, is inviting you to a BBQ of freshly grilled tunes for the soul, with an all new record titled Picnic. For an appetizer, we’re served our first track “Feel Like Jake.” For listeners looking for a classic taste, they may find that the jam-band like vibes of this song call back to the sounds of The Grateful Dead or the bluesy swing of Bob Dylan, while more modern-day listeners might enjoy the heavy indie-psych influence. “Jake” listens like a blue sky with whisky clouds on a slow day, where the smiles are warm and drinks are iced cold. This feeling is captured perfectly in the slow swaying guitar strums, the woozy bongo blips, and Jake’s soulful baritone belting – feeling like a hazy meditation without a care in the world. This feeling continues into track two, “Stuck[...]

Carter Brady – Shopping Cart

November 3, 2024 Nick Sessanna

Nostalgia is a powerful feeling, and the 90s influenced music coming from Carter Brady harkens back to those halcyon days of JNCO jeans and Pogs. His latest offering is the 13 song Shopping Cart, a guitar-forward LP full of upbeat and sunny-dispositioned songs that are reminiscent of simpler times. When the topic of 90s rock comes up, dark and moody grunge-era bands typically come to mind – think Alice in Chains or Nirvana… But Brady doubles down on that sunshine-y, late-90s sound (think Third Eye Blind, Weezer, or lighter Foo Fighters fare) that thrives in its four-chord simplicity, allowing for earworm melodies and rhythms to develop. Expect Brady’s music to go down real easy – the kind of songs that you’d hear at a dive bar on a Friday night, when you’re a few drinks deep and ready to dance. Brady kicks things off with “We’re Talking” – a great[...]

Shutter – Above Us All

October 30, 2024 Nick Sessanna

Emo isn’t dead, and New Jersey quartet Shutter is living proof. Every few years, a new wave of emo cascades through the airwaves – bringing heartfelt lyrics, dark vibes, and a new generation of emotionally-in-tune kids who turn to this poignant genre of music as a way to define themselves. Whether you’re a late 90s aficionado, a mid-aughts holdout, a Midwest fan, or anything in between, there’s a part of this genre that sticks with you for life. Shutter is a great band in a line of great bands who are making great music – Their latest EP is the five-song Above Us All, a “kinda rock” offering of cathartic, guitar-forward songs. Fans of the heavier variety of emo that flirts with hard rock and grunge – think Citizen, Balance and Composure, and/or Superheaven – will find lots to sink their teeth into here. Above Us All kicks off with[...]

flora cash – behind every beautiful thing

October 27, 2024 Nick Sessanna

flora cash is a duo who have made a buffaBLOG appearance before – needless to say, when their newest offering, behind every beautiful thing (BEBT), ended up in our inbox, we knew we’d have to give it a thorough listen. BEBT is the duo’s fourth proper studio album, and on it, they craft nostalgic and ethereal textures, exploring the juxtaposition between darkness and light with sounds ranging from orchestral to lo-fi in a brilliantly nuanced dark-pop package. Shpresa Lleshaj and Cole Randall, were once long-distance penpals connecting over Soundcloud… It’s astounding to think of the journey they’ve had so far and the near three million (!) monthly listeners they’ve garnered along the way; BEBT feels like a natural extension of that adventure – here’s why: BEBT kicks off with “Should Have Dressed for the Event,” a ballad-coded intro that symbolizes so much more than a token slow song. Vulnerable-sounding vocals[...]