Buffalo

Damian Preps Remix Album, Releases Re-Worked “They Fill The Space They Believe In”

Earlier this year, local mumblecore artist, Damian Weber, released one of our favorite local releases in You Don’t Need It, which, as the year starts to near its completion, has the staff over at the blog already arguing over which track should make our year end, best of list. I personally am pulling for the title track… Regardless, over the past weekend, Weber released a re-working of one of the album’s many standout songs, “They Fill The Space They Believe In.” The song is the first leaked track of a complete remix album he plans to release soon, titled You Don’t Need Shit. The new take is layered with nervy guitar picking and warm, subtle keys, adding a dreamy quality to the already celestial slow-burning rocker. Listen to the original take on “They Fill The Space They Believe In” over at Damian’s bandcamp page, and check out the remixed version below.

The Tins Release NSFW Video For “Let It Go”

Does a 4-song EP need a video for every song? Maybe not, but at least the Tins are making them interesting. From Freddie Mercury impersonators to violence on watermelons, the three-piece indie duo has been getting some major burn out of its latest release, Young Blame EP. The latest video comes from a pretty unlikely partnership in local motion picture artist, Malt Disney. The abstract visionary, who normally works with acts like Jact Toft and Dr. Ooo, took the reigns on the video for “Let It Go,” setting the single to sexy, topless shark girls walking around Outer Harbor/First Ward area, in addition to a lot of other really odd stuff. Regardless, its a fresh vision for the band, and anything Malt Disney gets his hands on is worth a peak. The video is NSFW so maybe wait a couple hours and watch the clip for “Let It Go” when you are safe at[...]

Andy Pothier Releases New Track, “Signs”

Earlier this week, local folk troubadour, Andy Pothier, released the first single from this forthcoming, untitled album. The bare boned “Signs” is another lovely number from the Pine Fever drummer, sounding like hushed Conor Oberst or weary, stripped down Hiss Golden Messenger. Keep an eye out for future tracks from Pothier’s new album, and in the mean time, listen to “Signs” below.

Stepfriends Releases New Album, All We’ve Got

The dudes (and dudettes) in Buffalo emo-pop collab-group Stepfriends have just digitally released their debut full-length album All We’ve Got. The eleven-track record, mostly recorded at The Square Studio in Syracuse, gives emo a little soul–think a jazzier Into It. Over It. with a dash of Circa Survive. Vocalist Johnny Lucas has a smooth and solid range, and his clear, handsome tenor takes the forefront in many of the songs. The tracks are expertly arranged; some of my favorite points on the record are the atmospheric bridges and breakdowns that give All We’ve Got it’s unique sound. Check out the angular riffs and crisp drumwork on track “Renovation” below, and go visit the band’s Bandcamp page for digital downloads and vinyl preorders.

Frigid Giant Releases Spicy New Video Complete with Luchadores and Tequila

There are very few things in the this world more entertaining than a good music video, and lucky for us rising Buffalo emcee Frigid Giant has released exactly that with “I Didn’t Wanna.” Following “Shuma Gorath” as the second video off of From My Cold Dead Hands, “I Didn’t Wanna” follows the adventures of Giant after he awakens from a deep booze slumber to find himself shirtless on Hamburg beach with an empty bottle of Patrón to his side. As he finds his way through “Tijuana,” he re-ups on more alcohol at Don Tequila, meets up with guest artist MCKP, and discovers his new identity through a lucha libre mask. In between this cinematic adventure we also get some spliced in luchador action, really helping drive home the south of the border vibes. The song itself narrates a lot of the vid, and features a killer hook that is now stuck[...]

Falconcat Releases Debut Single Via LIPS Records

This morning, Buffalo/Philadelphia based label, LIPS Records, announced the release of the debut album from Falconcat, the new project/moniker of Buffalo musician Tylor Colby (Imperials, Victory for Poland). The forthcoming album, titled Year of the Wooden Horse, is set to drop via LIPS on November 4th. Also this morning, LIPS debuted the album’s first single, “Death of a Patron St.” While the record was inspired by smaller pysch pop projects and folk rock acts, “Death of a Patron St.,” seems to favor the latter influences, ditching the youthful pop sounds of V4P for bouncy, folk stylings that recall stripped down yet uppity Okkervil River or Neutral Milk Hotel. Listen to “Death of a Patron St.” below.

Edwang and Duce return with some Gold

Buffalo producer Edwang is back with another dope collaborative effort with rapper Duce. A few months back, we covered The Duce Bootlegs, a wonderfully enjoyable project of happy hip hop. Their latest release together, Fifty Shades of Gold, switches things up a bit on the way to being another great tape.  Edwang kicks off the tracks with the title track, and a distinctly grimier beat than anything we heard last time ’round. Ed continuously keeps us guessing with his styles behind the beats. “Rumble Pack III” uses some traditional video game bleeps and bloops to create a base for which Duce to cram countless gaming references over a span of three and a half references. The name itself is a shout-out to the device that allowed your N64 controller to vibrate whenever you crashed in Tony Hawk Pro Skater, thereby making the game 20% better than it already was. Duce is particularly on[...]

DJ Pizza Pizza Serves Up “Slice 34”

Quickly becoming one of our favorite Buffalo personalities, DJ Pizza Pizza has released his 34th song this morning, aptly titled “Slice 34.” Yung Zza is not only a cut and splicer, but produces organic instrumental tracks a la Madlib or Flying Lotus. “Slice 34” turns it down a bit and seems more reflective in nature rather than previous DJ Pizza Pizza releases, which pair well with slinging shots at 2am in Allentown and saying “SWERVE” on repeat. Check it out below.

Newish Star Shares Previously Unreleased Track, “Food Chain”

After a fairly busy morning, we thought this today’s content would be suffice enough to take the afternoon off to go grab a Chippy Sandwich down in South Buffalo. Turns out, Newish Star debuted to the internet an unreleased b-side from their original Look Both Ways recording sessions and we decided we couldn’t sleep on it.  Titled “Food Chain,” the track is slowed down a bit from the band’s usually upbeat repertoire, but the crunchy, menacing chords should let the track fit in quite nicely among some of your favorite college rock tunes. Listen to “Food Chain” below.

Bryan Johnson & Family Signs to Admirable Traits, Releases “Dead Fox” Single

Local lake-pop act, Bryan Johnson & Family, have announced that their new EP, Cool Your Jets, will be released next month via Admirable Traits, a record label with Buffalo and Brooklyn roots. The album’s first single, “Dead Fox,” just premiered this morning, and BJ & crew absolutely kill it. The guitar and vocals are pristine, the melody as bouncy as expected, and the production is wonderful. The song is a fantastic power-pop jam that refuses to let summer die. Bryan Johnson & Family will be celebrating the release of Cool Your Jets on Thursday, November 6th at the Waiting Room’s newly opened upstairs studio. The $10 cover includes a physcal copy of the EP. Mallwalkers and Del Paxton will be providing support. Listen to “Dead Fox” below.

Danimal Cannon Drops Latest Chip Tunes Single, “Love Live New Fresh”

Buffalo’s most popular chiptunes producer, Danimal Cannon, released early this morning his first material in close to ten months. The single “Long Live New Fresh” stays in Cannon’s realm of expertise, with glitchy, gameboy music combined with upbeat tempo’s, providing more of an 8-bit journey rather than a surface level song. Listen below.

Wild Bear Drops New Track, “Bloody Lips”

After getting our attention with the Grizzly Bear/CANT-esque debut single, “Glass Ceilings,” the intriguing new electro project, Wild Bear, quickly returned with its follow up track over the weekend.  Titled “Bloody Lips,” the song is eerie and vocalless, with an air of menace that never quite surfaces, reminding me quite a bit of former Buffalo project, Camp Counselors. Check out the song below.

Mags Drops Debut Singles

A couple weeks ago, we wrote about The Slums EP, a new group led by The Malones ex-frontman, Steven Floyd. He is not the only former member with the creative bug brewing. Former Malones bassist, Elliott Douglas, formed a new solo project of his own under the moniker, Mags. Unlike the Slums harder, more aggressive sound, Mags continues the crunchy catchiness that the Malones left off with last year. Mixed and mastered with Paul Besch of Quiet Country Audio, “I Won’t Talk,” is an indie rock jam, easily syncable for your fall playlist.

Transfer in Jamaica Releases Speculative Party vol. 1

Buffalo producer/mashup artist, Transfer in Jamaica, creates music that, at it’s most compelling, can shift our perception of two seemingly unrelated styles and reveal an unlikely common ground, reminding the listener that genres are dynamic as a result of this eclectic creativity. The artist’s latest release,  Speculative Party vol.1: “Cry If I want To,” is part left-field DJ mix, part mashup album, divided into three parts that spans styles from indie rock to r&b, trip-hop, soul, electronic, and mainstream pop. The first track includes transitions from a pitched-up Beyonce sample to Radiohead’s “Lotus Flower” along with an surprisingly fluid segue from Salt-n-Pepa’s “Shoop” to Pixies’ funky, guitar-led track “Hey.” The third part of the release finds Transfer in Jamaica leaning towards a more hip-hop/club music approach with tracks from Disclosure, Kendrick Lamar, Pusha T, Rihanna, and Kanye West making appearances. Speculative Party Vol. 1 offers a pretty comprehensive snapshot of pop music over the[...]

Hot Tip Releases Simple, Fitting Video for “Human Cage”

Some of the best music videos (any maybe pieces of art in general?) are single concepts carried out simply and directly. I’m thinking of one in particular, the video for The Pixies’ “Velouria,” but Hot Tip‘s new video for “Human Cage” is pretty much in the same vein. It’s a single, claustrophobic shot following singer Katherine Goewey through some cornstalks. That’s also not a bad way to describe the song: there’s all this noise closing in and Katherine’s wails are all you really have to hold on to and even then, it’s not like she’s waiting for you. Check the video out below: