Latest Posts

Raybees – Reaper, Take My Life For Free!

January 9, 2025

It’s a new year, and what better way to shed that holiday lethargy than with a blast of sonic mayhem? Buffalo’s own basement psych-rockers Raybees are here to deliver just that with their sophomore EP, Reaper, Take My Life For Free!, out January 3rd. This self-released, self-recorded, six-track onslaught picks up where their debut left off, but cranks the intensity and noise up by a good margin. If you’re a fan of the noisy, psychedelic punk rock of bands like Osees and The Jesus Lizard, then buckle up. Reaper, Take My Life For Free! is our album of the week.   Raybees is led by the core duo of Jacob Smolinski (guitar/vocals) and Dan Keegan (who replaced the drum machine of the project’s debut), along with featured players Matthew Danger Lippman (guitar), Kam Plotner (synth), and Brandon Schlia (bass). Something of a star-studded side project, Raybees showcases a completely different[...]

Five Buffalo Acts We Want to Reunite in 2025

January 7, 2025

We’ve taken the office Christmas tree down and it’s back to business over here at blog headquarters. 2024 had its ups and downs with the local scene. We launched buffaBLOG version 4.0, witnessed the usual band break-ups/venue closings, but also saw the emergence of new artists that we are excited to listen to and share. With that, we’ve brainstormed Buffalo musicians that we would like to see reunite in 2025. We understand some of these may be a pipe dream, but think of this as more of a fantasy draft rather than an open letter.  Don’t get us wrong however, if any of these acts return in 2025, we are taking full credit. (photo via Unlisted Projects)  Jack Toft / Jack Topht Duh-duh-duh-duh-duh-duh-duh-duh don’t you miss Jack Toft? A wishlist for acts we would like to see reunited in 2025 would not be complete without the kookiest rapper of the[...]

Chores – Tender As A Wound

December 19, 2024

The Rochester local music scene has had a damn good year. Rounding out our Album of the Week column for 2024 is Rochester trio Chores‘ debut album Tender As A Wound, which delivers a dose of ’90’s-inspired indie rock that’s both familiar and refreshingly off-kilter. The band, consisting of Ian Egling (vocals, bass, synth), Scar Markham (drums, vocals), and Jenn Wameling (guitar, vocals), skillfully blends their prowess for a sound that would be especially palatable to fans of Pixies, Miracle Legion, and Pavement. With that 90’s influence worn proudly on its proverbial sleeve, Tender As A Wound places a well-deserved exclamation point at the end of Rochester’s excellent 2024 run.   The album seems to be in conversation with its influences, sometimes echoing them affectionately (“Rocks In Your Pockets” in particular is steeped in a Malkmus-esque eccentricity), other times acknowledging them with a simple, friendly nod (“Tripwire” ditches the fuzz[...]

Matt Smith’s Nervous System – Today and Tomorrow Too

December 12, 2024

Matt Smith’s Nervous System, a Buffalo-based project led by scene veteran Matt Smith (guitar/vocals) alongside Roddy Potter (drums) and Colin Pratt (bass/vocals), returns with Today and Tomorrow Too, a six-track EP stealthily released on October 18th. Following two full-length LPs (Close Down The Dream in 2021 and The Age of Reasonable Expectations in 2023), this concise offering marks a shift in approach, focusing on atmosphere and texture. It feels like a compelling next step for a project that started as a mere outlet for Smith’s extraneous ideas. Today and Tomorrow Too is our Album of the Week.   The EP conjures the understated groovy cool of The Velvet Underground and serves it up with a simmering intensity not unlike the sounds of indie rock stalwarts The National. The result is an effort that strays a bit from the bluesy power-pop vibes of their debut in favor of a more introspective,[...]

Welks Mice – BLUB BLUB

November 28, 2024

Six years, a pandemic, and a whole lot of life later, Buffalo’s Welks Mice have re-emerged with BLUB BLUB, an EP that trades some of the anxious energy of their 2018 debut for a sound that is softer around the edges, but no less genuine. This time around, songwriter Max Weiss and vibraphonist Andre Welks-Fabretti hone in on themes of optimism and openness, their delightfully economical indie-pop providing the perfect backdrop. It’s honest, it’s tender, and it’s our Album of the Week.   Welks Mice’s unique approach to minimalism is a refreshing breath of air in a local scene dominated by distorted guitars and crash cymbals. Welks-Fabretti’s charming vibraphone melodies make up the majority of arrangements, and Weiss’ unabashed ‘cards face-up’ lyrical delivery is disarming and accessible. The combination is distinct in style, blending the best elements of bedroom pop and anti-folk for a sound that would sit nicely next to[...]

Jon Lewis – Exquisite Corpse

June 12, 2017

Jon Lewis is a pretty much a staple in the Rochester music scene. The hard-working musician is more or less a fountain of new material, be it from his well-rounded solo project Jon Lewis Band, or his Wiggles-inspired educational alter-ego Mr. Loops. This week we’re checking out his brand new full-band album Exquisite Corpse, which proves Lewis’ shining time as a musician and songwriter is all but fleeting. Exquisite Corpse drives home the idea that unadulterated indie rock is not dead. So many mainstream acts today aim to reinvent the genre–often times favoring decadence over organic musicianship–in an effort to distance themselves from the ordinary; the result can barely be considered indie rock. This exodus of sorts has left a void–a void that Lewis seems to fit perfectly. With a pop rock sensibility to rival that of Matthew Sweet and hooks around every corner, there is no shortage of catchy material[...]

Sonny Baker – Easier

May 22, 2017

There’s not much to say about Sonny Baker that hadn’t already been said. The Buffalo musician has been a staple of the local scene for over a decade now, having had associations with more musical acts than I can count on one hand. Between full-band freak outs and introspective singer-songwriter pieces–and everything in between–Baker’s musical resume is impressive for a man only just nearing his 30s, and he just keeps churning it out. Baker’s latest release Easier, a collaborative effort with Chris Groves (Fourem, Applennium) follows suit with his 2015 full-band EP Flesh it Out in that the songs seem to widen the gap between what would otherwise be considered Sonny’s “solo material.” Groves’ role in the batch of songs is as integral as it is backgrounded, providing multi-instrumental support on most of the tracks that propels the music beyond the boundary of a typical singer-songwriter affair. Groves also recorded[...]

Tonight: Delicate Steve

February 10, 2017

Nietzsche’s will play host to New Jersey indie rocker Delicate Steve tonight. It’s not an easy feat to classify Delicate Steve; his guitar lead and afrobeat-driven songs dance on the line of otherworldly in most cases, but effortlessly deliver something fresh to today’s music scene. You may have caught him when he rolled through Buffalo with Mac Demarco at the Tralf in 2014. Set to open are the space-exploring psych rockers Aircraft and Witty Tarbox (formerly Annasun).  Tickets for the show are $13 at the door, with doors opening at 9pm. 21+.

Mammal is a Mountain Teases Two Singles

January 20, 2017

Central NY folk rock ensemble Mammal is a Mountain is gearing up for the release of their debut full-length Memory Albums, having shared the first single of the new record, along with a solid B-side. The often-rotational outfit of musicians, helmed by songwriter Dan Lynch, melds folk / Americana influence with an unrestrained songwriting style akin to Conor Oberst. The new single, a studio version of a previously acoustic track titled “Thick Mud,” has been fittingly renamed “Ode to Dirty Lovers” and given the full-band treatment. The song’s driving upstroke and gradual crescendo brings out the personal intensity of the lyrics, all topped with blasts of electric organ. A second track, “Backed by the Bank,” complements the single release with somber acoustic vibes not unlike those of the late, great Elliott Smith. Both tracks, though inherently different in tonality, work well together to deliver some A-level hype for the forthcoming[...]

Staff Picks

December 15, 2016

To begin our Best of 2016 coverage, we asked a handful of our staff writers to submit their favorite albums and songs of the year. Cliff Parks Favorite Album: The Avalanches – Wildflower The joy and pleasure this album gave me this year is incalculable. The elusive Australian DJ collective saved the day with this next level sonic adventure into boom box urban funk and ear tickling psychedelia, featuring a wicked sense of humor, a killer collection of guest stars (Danny Brown, Toro Y Moi, Biz Markie, Mercury Rev’s Jonathan Donahue, Father John Misty..) and some of the greatest crate diving ever, creating a thoroughly satisfying journey into the sounds of summer and of our lives, and an ode to walking down the music filled mythological NYC streets of our shared popular imagination. Favorite Song:  Anderson .Paak “Put Me Thru” This year was far from spectacular, but Anderson .Paak was incandescent,[...]

Safe Search – Hobby

August 29, 2016

Here at buffaBLOG, we love it when a release takes us by surprise. With so much of our time spent keeping tabs on forthcoming releases and projects that *are* on our radar, it is to be expected that some things slip through the cracks. So when something impressive seemingly comes out of nowhere, naturally, we’re excited. Enter Hobby, the sophomore effort from the Rochesterian home-recording project of Brian Buggy, or Safe Search. Specializing in an endearing vein of lo-fi freak folk, the album makes a name for itself with its exceptional diversity among the tracks. A full listen-through highlights a multitude of influence; comparisons to Paul Baribeau, Grizzly Bear, Owen, and Radical Face really only grazes the top layer. Safe Search gathers this influence and takes it a step further, melding acoustic fragility with a captivating electric prominence. “Crows” exemplifies this hybridization at its core, capitalizing on an ebbing electric[...]