Latest Posts

Belot – “The Good Life”

London native Belot continues her brand of “awkward pop” with her latest single, the title track to her upcoming EP The Good Life, due out October 20th from Submarine Cat Records. Belot’s imaginative song crafting is on display as she wields a glossy spacey pop palette that grooves and soars through technicolor stars. The track is carried by Belot’s ear wormy pop vocals and a seamless funky bass line that fills every beat with an electric elastic momentum. The track delights with those evocatively inventive vocals and bass all while shimmering synths radiate twinkling star light all through the song – even Belot’s vocals find their home skyward as her singing shoots off with rising firework trajectories. Belot’s pop alchemy is working wonders by bringing in a hand clapping beat and a choir belting out our feel good refrain that makes for golden moments that are sumptuous and drives you[...]

Pale Puma – “Down By The River”

Amsterdam-based four piece dreampop band Pale Puma brings us their newest single “Down By The River” off of their recently released album Haunted By Dreams That Were Never My Own (September 8, Excelsior Recordings). Shimmering guitars backdropped by slick bass create a shoegazy vibe with singer Django Duijns’ echoing voice wallowing in (calm) despair. Feeling somewhere between an upbeat Interpol or less upbeat Alvvays, Pale Puma’s sound is unique enough that they stand on their own quite well. The album itself is well worth the listen if you enjoy “Down By The River,” which you can find over on Spotify. My next favorite was probably “Sea of Discontent,” especially for letting bassist Remy de Kok shine a bit more. Be sure to let us know what you think over on our social medias – Facebook or X (aka Twitter, seriously that was the silliest rebranding of all time).

Helenor – “Bad2”

Brooklyn born musician David DiAngelis, the brains behind Helenor, brings us a nice diddly of a bedroom indie pop gem with his newest track “Bad2.” Beginning with a hooky lo-fi synth (that reappears throughout the song) DiAngelis wastes no time establishing a steady pace, bolstered by acoustic guitar, that builds upon itself. Speaking to the track, he had this to say: “This is a soundtrack for pretending you have the ability to be present…. ‘Bad2’ is a ball and a chain and a weighted walk through a vitamin D soaked summer day.” “Bad2” gave me Real Estate vibes, but slowed down and deconstructed. Fans of Alex G, Bonny Doon, or even MGMT would also find a lot to enjoy with “Bad2” and the rest of DiAngelis’s impressive catalogue. You can find that and more over on Spotify or YouTube if that’s your music listening preference.

GRRL GANG – “Better Than Life”

Grrrl Gang, a power punky trio from Indonesia, brings us their latest track “Better Than Life” off of their new album sharing the same name. We previously covered them here, and had nothing but good things to say then… But to be fair that was mid August and we generally don’t turn on a band that quickly! You’re immediately assaulted with the full force of the entire band playing their hearts out and singer Angeeta Sentana droning and screaming into the mic a la Karen O. Just when the song reaches its peak, it’s over and you’re onto the next song. I can definitely get behind a song that grips me like that and manages to simultaneously give me what I need while leaving me wanting for more. I got some Sonic Youth noise vibes with with a touch of Ramones with this track, especially with it coming in at[...]

The Lovelines – “May Be Love”

Mysterious sister/brother duo, by way of Germany and Florida, The Lovelines bring us their latest single “May Be Love.” I found in it a fun, meandering piece that was honestly *so* relaxing to listen to that I felt like I was on vacation. The wavy guitars interspersed with the sister’s (no idea of their names, unfortunately) singing creates a soothing atmosphere that dream pop aficionados will most definitely enjoy. It’s a perfect, sauntering, dog days of summer vibe for that one last hangout by the pool. I think the most accurate comparison is probably Alvvays with the jazz vibe turned up like 30%. This was honestly a great stepping off point and I found some of their other tracks such as “1-800-LOVELINE” and their biggest hit “Strange Kind of Love” to be equally awesome. Be sure to check out “May Be Love” over on Spotify or Apple Music.

TELLL – “Garlic”

Mysterious collective TELLL, coming by way of Austria, brings us a slow burn, folk-tinged indie gem with their single “Garlic.” Morose to a fault (in the best ways), it’s the perfect end of summer slow jam and an easy shoe-in for an end of summer playlist. Big Thief with Adrianne Lenker turned up to 11 (on the morose monitor) is the best comparison I can think of, specifically the observations as the singer looks back on a failed relationship. This part of the song really gutted me: Did you cut your hair or leave it Like I always said you should Is your cat still on a diet Or did you give up on that plan? Do you sometimes, sometimes think of us? The subtle instrumentals give singer Änn plenty of room to shine and leaves room a instrument to shine at points (spoiler, it’s a trumpet). It’s obvious the[...]

Goalie Fight – “Kids’ Table”

Like many Midwest-emo inspired acts (think Modern Baseball; American Football; Football, etc.), Goalie Fight started with a sports-inspired name and gradually started pumping out some tasty riffage. We’re recommending their latest single, “Kids’ Table,” for your listening pleasures. Spindly guitar twinkling here is in the forefront – equally sparkly, mathy, and jangly, it produces a surprisingly driving beat that the drums and bass accompany perfectly. Bringing to mind the wordsmith narratives of The Front Bottoms or the aforementioned Modern Baseball, the mile-a-minute musings here are witty and intriguing, perfect for any basement show-going wallflower. You can find “Kids’ Table” on Spotify and Apple Music as well. On Ice! by Goalie Fight

Personal Style – “False Memories”

Personal Style is a three-piece punk band from Buffalo made up of Bryan Johnson, Evan Wachowski, and Stephen Floyd. Their latest jam is a crunched-out indie-punk song they’re calling “False Memories” – with ultra chunky guitar distortion, punchy drum sounds, and nimble bass plunking, the trio brings to mind fellow genre luminaries like Parquet Courts, LVL UP, and Cloud Nothings. Of particular note here is Johnson’s soaring vocals, which he uses perfectly to cut through the angular punk grime with plenty of tasty melodies. “False Memories” was recorded at Mammoth Recording Studio here in Buffalo with Justin Smith and Mike Santillo. Be sure to check it out (as well as song two, “Heartbeat Memorial”) on Bandcamp below. False Memories b/w Heartbeat Memorial by Personal Style

Daniel Ryn – “Boketto”

Daniel Ryn brings his genre-bending alt-pop to the masses with latest single, “Boketto.” The song started like many others – a COVID era experiment that came about as an “indie computer” prototype; soon, Daniel transformed the project into what it is today, including a unique live band set up. The song was inspired by rock and grunge but sounds very 2023 to us – here’s what Daniel had to say about it: “My next release ‘Boketto’ is a special one, as it’s the first time I bring the recording home to the label I’m in. We produced this at the label’s studio, what started out as a pop tune gravitated into a rock alternative one. It’s the song that reminds me that I used to like this type of music so much and I’m glad to finally have a rock song again.” You can find “Boketto” on Spotify, Apple Music,[...]

Soft Punch – “My Head”

Washington DC’s Rye Thomas is a journeyman who has toured with multiple successful bands and wrote for big publications like Rolling Stone and The Washington Post, that is, before a mysterious illness left him home bound in 2013. His unwavering need to make music persisted, even if scraping 30 minutes of creativity in a day is all he could muster. Recording under the moniker Soft Punch, Thomas cobbled and labored for years – eventually he got healthy enough to record the album Above Water which is due out September 15th. The lead single “My Head” is a bombastic power-pop banger that pleas for clarity and transcendence to push through the beguiling weight of ones own mentality. Buzzing guitar expands and radiates through your chest while Thomas sings effecting lyrics that stick in your head and linger as each phrase passes. Every verse has a catchy and creative cadence that goes[...]

ELLiS•D – “I AM HERE”

The solo artist ELLiS·D is a multi-instrumentalist from the UK who has an upcoming EP whose first single is the twisting and atmospheric art-rock jam “I AM HERE.” The track blends some of music’s most creatively rich genre’s into a singular and indelible experience. The ambiance and colour of New Wave pulse from the track like club lights pouring from the seams of a weary building, barely containing the show throbbing in its underbelly. Art rock paints the track in vibrant and exciting colors, bending your ear and brain with curling movements, crushes of sound and warping guitars. Indie tones gives the song an earnest voice that bolsters the emotional ambiance the New Wave provides with effecting song writing. The new cut from ELLiS·D is an urban nocturnal necromancy that quickens a deadened pulse and animates the toes of any body that hears it. Fans of Simple Minds, Arcade Fire,[...]

Nick Cosic – “Submerged”

“Submerged” is the latest single from Serbian based musician and modular/vintage synth fanatic Nick Cosic. An electronic music producer and DJ by trade, leaning into techno and progressive house, he is a leader in the Serbian music scene and helps develop artists and is a frequent collaborator. Musically the song is… pure synth and drum machine with a noted modular sound – you’d be hard pressed to find any failings as it is impeccably produced and, outside of it’s total electronic vibes, evokes Daft Punk and/or post-punk Give “Submerged” a listen on Apple or Spotify. If you like what you hear, definitely check out his wealth of other tracks or his YouTube channel. Be sure to let us know if you’d like more electronic music too, over on our Insta or X.

SHIA – “Something’s Behind Me”

Shia Shania, the Shia behind SHIA, is self-professed history buff, sword collector… Not to mention running a talent agency. She somehow finds time to make some boppin’ beats. She brings us a drum machine and synth drenched pop track with “Something’s Behind Me” off of her Doom EP (August 18). While the lyrics are partly inspired by Netflix Horror sensation Stranger Things (itself an ode to 80’s horror), the fear of something behind you could unfortunately easily translate to the experience of any woman ever. I may be grasping at straws, but the cover art of the EP brings to mind the Japanese horror manga Uzumaki by Junji Ito. Despite the horror-inspired sensibilities, “Something’s” is actually a pretty upbeat track with an ultra-catchy bassline. Fans of Grimes looking for some more indie sensibilities or even Metric would find a lot to enjoy with SHIA, or anyone looking for that fun[...]

Coma Girls – “Candles”

LA transplant Chris Spino, better known under his project name Coma Girls, brings us his newest single “Candles.” Wearing many hats – from lo-fi to psych-folk to now more folk rock flavor, this is a fun way to make music and a great way to bring in fans of differing tastes into the fold. Fairly straightforward but showing his vulnerable side through lyrics, the back third of the track shows Spino turning up the distortion and putting on a real show. Fans of the folkier bits of Connor Oberst/Bright Eyes would find a lot to enjoy here, as well as Big Thief. Be sure to give “Candles” a listen on your streaming platform of choice (Apple, Spotify, Soundcloud) and check out the forthcoming album Crystal Pistol if you like what you’ve heard so far!

Honeycrush – “Stars”

“Stars” is another recently dropped single, this one from New York based Alexandra Antonpoulos – better known by her stage moniker of Honeycrush. This is released in support of her upcoming EP, Milk Teeth, due out October 17. The gently strummed guitar stays just beneath the surface of the song, giving room for Antonpoulos’ wry vocals to shine, evoking similarities to to Fiona Apple or a stripped down boygenius. The emotional kick is tempered a bit by the quieter vocals, but that approach still hits hard. Speaking to the track, Antonpoulos had this to say: “When I was writing Stars, I was dealing with a months long episode of severe anxiety which left me feeling completely detached from my physical self. It also recalls a very late, very hazy night I found myself by the Hudson River in some park where I was definitely not supposed to be in the state I[...]