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Soul Butchers – Second Death

Buffalo’s Soul Butchers have always been a force in the local scene, known for their high-octane live shows that leave ears ringing and soles smoking. Three years in the making, their latest full-length album, Second Death, has finally arrived, soaked in all things that give the four-piece rock band their signature snarling edge. The 13-track effort is another blistering document of the band’s unique blend of noise rock and garage punk, bottling the raw energy of their stage presence into a calculated and surprisingly diverse collection of songs this time around. Second Death is our album of the week.   The album’s sound is immediate and raw, not unlike previous Butchers releases, but this time around the band recorded and engineered the entire project themselves before handing it over to John Angelo for mixing and mastering. The result: an album on which the band had the breathing room to do[...]

Urge Surfer – Misnomers

Urge Surfer, the moody electro-pop project of Jordan Maelyn Smith and Chelsea O’Donnell, are back with their third release, a three-song EP they’re calling Misnomers. Continuing their trend of creating literate music with a well-thought-out thesis, Misnomers picks up where previous release Alphabet Archive left off. Where AA dove into themes of language and self-identity, Misnomers explores “how misunderstandings can lead one through the haze of heartache and awe.”   Smith and O’Donnell’s chemistry is on full display right from the get-go, as lead song “Responsible” dissects relationship ennui. Dark instrumentals become an immediate theme – more of a dirge than a melt-your-face single, “Responsible” pairs a gently-plucked acoustic guitar with bitcrushed electronic drums. O’Donnell’s one-of-a-kind vocal is set off by a feature by Sheena Ozzella of Lemuria fame – about as close to a Buffalo legend as you can get.   “Public Exits” gets a lot grittier – a sludgy bass feature takes center-stage[...]

Westside Gunn – HEELS HAVE EYES 2

Westside Gunn always delivers what he promises. Back in his pushing days on the seedier sides of Buffalo, that was crack or another illicit substance. Throughout his steady rise to the top of the rap game, it’s been addicting gun impersonations, endless pro wrestling references, and depictions of high fashion items that you’ll never own yourself.    Throughout a decade of increasing notoriety, the Griselda member’s collaborative CV includes the likes of MF DOOM, Danny Brown, Tyler, the Creator, and Rick Ross alongside some of the greatest beatmakers we’ve had going (Alchemist and DJ Premier to name a couple). Gunn and Griselda’s status has grown, but their essence remains the same – Buffalo scenes and faces have graced the covers and lines of countless pieces from the group through the years, with at least one significant project dropping every single year since 2016.    Gunn’s high workrate continues through 2025,[...]

Besta Quadrada – S/T

Buffalo’s Besta Quadrada are back to break some balls with their brand new bratty and in-your-face self-titled debut LP.   Founded just two years ago by bassist Carol Mags (Outrage Factor) and guitarist John Toohill  (Science Man, Alpha Hopper), the two set out to form a band with an abrasive sound akin to Black Flag and the Jesus Lizard. After recruiting drummer Steve Kerfian (Science Man), the final and pivotal piece of the puzzle fell into place with the addition of vocalist Bailey Arena, who surprisingly had no prior experience as a singer nor performer. With their line-up set, the band fast-tracked their first EP, 2023’s The First Four Weeks and Besta Quadrada was born.   On their full-length follow-up, the band serves up ten new unapologetic garage and egg punk tracks that reek of apathy and attitude. The songs are short, but fierce with Arena’s distinct and snobby vocals[...]

Spiria – Amateur’s Garden

Listening to Amateur’s Garden, the second album from Buffalo’s art pop duo Spiria *, feels like stepping into a secret world. It’s a space that’s both carefully tended to and wonderfully overgrown. You can tell that siblings Mikayla and Johnny Manke spent a lot of time with these songs, having written them over a few years before recording them in the summer of 2024. The result is an album that doesn’t rush – one that builds intricate, personal worlds and is more concerned with texture and feeling than easy hooks. It’s an invitation to get lost for a while, and its our album of the week.   The duo officially formed Spiria in 2022 after a lifetime of musical bonding. Their sound is built around the interplay between Mikayla’s piano and passionate, introspective vocals, and Johnny’s dynamic, expressive drumming. They move freely between ethereal, ambient textures and jazzy, experimental passages,[...]

Wylie Something – Up Through the Rust

If you ask Buffalo songwriter Jacob Smolinski, the creative force behind Wylie Something, his music is tied directly to the calendar. “Everything is seasonal to me, revolving around periods of time in our quad seasons of B-LO, NY,” he explains, comparing the seasonal vibes of previous Wylie releases. “Dimes was early Spring. Picnic? Summer. But sometimes… you get something evergreen.” His latest EP, Up Through the Rust, released August 29th, is one of those evergreen moments, but one that feels perfectly suited for the here and now. “It just sounds like early Fall to me,” Smolinski says, and he’s right. The five-song collection is a hazy, scrappy, and distinctly satisfying slice of slacker rock that feels like that first truly crispy day after a long, hot summer. Bust out those denim jackets, folks. Up Through the Rust is our album of the week.   This release, his 14th in 11[...]

deb. – “Ankle Weights”

deb. Is it a statement? Is it a person? Is it a defunct, ’90s-era retail store in the McKinley Mall that specialized in prom dresses?   It’s actually a newish Buffalo band with a pedigree you might recognize – members of Previous Love, Canetis, Slow Animals, and Animal Sounds came together to create this super tight super group… And they’re creating sounds that are exactly what you might expect from these particular members. Springy, watery indie-pop with the perfect polish for 103.3 The Edge – think Young The Giant, The 1975, or Still Woozy. Eternally-nice eternal-front-man Brendan Orr shares the spotlight with his very capable bandmates this time around, including bassist Erik Corrie; lead guitarist Dakota Lord, and drummer John Perdue. They’re happy to share their “deb.ut” single, “Ankle Weights” – it won’t be hard to identify all the sugary-sweet melodies here, but keep your ears peeled from vocal performances[...]

We Were Blank – BLANK

Wouldn’t it be really funny if our review for We Were Blank‘s latest album, BLANK, was just… *blank?*   …   BLANK is out as of August 8th, 2025. Check it out on Bandcamp for a very reasonable “name your price” option, or, find it on your favorite streaming services.   Just kidding.   We Were Blank has been kicking around Buffalo for a while now. They’ve been both a three-piece and a quartet, born out of a Craigslist ad and having too much time on their hands… But perhaps the most important part of their existence is that they simply continue to make music. Buffalo musicians have this habit of borrowing musicians from other bands – you may recognize some of that happening here with fellow emo-ish act (and frequent buffaBLOG feature) Amateur Hockey Club. Whatever it takes, right? Either way, these guys ended up with BLANK – a five-song EP bridging[...]

JOEYB – anything can come apart.

JOEYB’s latest album’s leading song is “the murder of john lennon,” but was originally named “anything can come apart,” the title of the upcoming musician’s complete second LP. The sounds in the singer, songwriter, and multi-instrumentalist’s first track can be compared to that of Alex G – think “The Same” of the seminal indie rocker’s album Race. The “big” first song that accompanies both of JOEYB’s albums features the same kind of intent, featuring explosions of metamorphizing sounds, on what is otherwise a wonderful combination of guitar work and vocals.   While anything can come apart can be catalogued as an over arching indie rock, other tracks call to mind Phoebe Bridger’s work as an indie folk artist. Take “new year,” a carefully finger picked song, that shows anything can come apart is full of carefully embedded craftsmanship. There are also moments where JOEYB blends feedback and heavier sounds which can[...]

Astronaut Head – Meek Moon

A musician’s evolution is rarely a straight line. For Buffalo’s Jessica Stoddard, the path to the ambient dream pop of her Astronaut Head solo project has been a long and patient one, winding from quirky piano pop at Buffalo open mics to full UK tours as a keyboardist for a Scottish indie rock band. Along the way, a different sound was brewing – one built from looped vocals, electronic textures, and cavernous reverb. The result is Meek Moon, a five-song EP where those years of private experimentation finally take the lead.   The EP’s sound is deeply indebted to a certain Scandinavian chill, favoring atmosphere and texture over immediate hooks. Opener “batshit” makes the Björk comparison impossible to ignore, not just in Stoddard’s vocal leaps but in the contrast between its crisp electronics and a restless, jungle-like percussion. Shifting on a dime, the percussion vanishes completely on “egg the snake.” Instead[...]

Stephen Babcock – “Osaka”

It’s a Bab-man summer – Stephen Babcock that is – and our Rust Belt bub is back with yet another banger. Inspired by a late-night moment in Japan, “Osaka” details what it means to get lost, grow up, and let go. Bab/Bub keeps it simmering on “Osaka,” trading his acoustic guitar for a driving bass part, but still keeps that bubbling-under vibe that makes his music so listenable. Keep your ears peeled for some spicy harmonies, and an appreciation for the super tight drum sound that gives the whole affair an extra intimate vibe. Fans of The American Analog Set, MJ Lenderman, or Jack Johnson will surely get down with the vibes here.   Check out “Osaka” in all the usual spots.   Stephen Babcock · Osaka

Amateur Hockey Club – “UPPERCASE!”

Stalwart Buffalo-based emo-punks Amateur Hockey Club are back with a brand new song, “UPPERCASE!,” found on the recently-released (August 1st, 2025) three-song-EP of the same name. The title-track is built around a jaunty lead guitar riff and razor-sharp vocals, playing around with pop-punk undertones, but mostly adhering to a Motion City Soundtrack meets Third Eye Blind kind of power pop… aka “IPA-rock,” as they’ve affectionately (and somehow accurately) deemed themselves. Even though the song’s about battling negative self talk, it’s a fun and engaging ride across its 2:41 run time, which includes a guitar solo, some tasty self-deprecation, and lots of energy.   Check out “UPPERCASE!” on Apple Music, Spotify, or the Soundcloud embed below.   Amateur Hockey Club · UPPERCASE!

Shane Meyer – To the broken coast / on the crystal wave / it’s you, oh / hey

On his latest full-length, Buffalo’s Shane Meyer reaffirms his status as one of the area’s most distinct and disarming songwriters. A veteran of the scene, formerly of the slacker-rock outfit Difficult Night, Meyer’s solo work has found its own lane and cruises there comfortably. His new album, released August 1st on Steak & Cake Records, arrives with the wonderfully unwieldy title, to the broken coast / on the crystal wave / it’s you, oh / hey. Failure to edit? Perhaps. But it seems messy on purpose: across ten tracks of sparkling, minimalist jangle-pop, Meyer continues to perfect his unassuming, heart-on-sleeve style, delivering fractured vignettes of life that are gentle on the ear but carry surprising emotional weight.   The core of the album’s sound is Meyer’s intricate fingerpicked acoustic guitar, which provides the foundation for nearly every track. The arrangements are often sparse, allowing his lyrics and uniquely conversational delivery[...]

Sweet Talker – Summer 2025

Grab some sunscreen and soak up Sweet Talker’s scorching new two songer, Summer 2025. The Buffalo hard rock and rollers consists of members of local Buffalo punk and hardcore acts Buried Alive, Exhibition, and Big. Following up last year’s Not Your Daddy’s Rock and Roll, this brief, one-two punch continues to see the band mix hardcore punk with old school heavy metal.   The opening song, “Someone Like You,” hits like a nut shot with a frenzy of galloping drums, buzzy basslines and barking vocals. The track permeates big circle pit energy and will rough you up before downshifting into a shreddy, halftime bridge. Spin this at your Gallagher Beach party bash and watch things get a little crazy.   Rounding out the release is “Tough Tunes,” a time capsule of the days of VHS, corded telephones and Judas Priest. Sweet Talker energizes this melodic, throwback track with NWOBHM power[...]

Dotsun Moon – Tiger

Buffalo’s Dotsun Moon trades the precise architecture of synthpop for the sprawling, emotive wash of shoegaze guitars on the project’s newest release, Tiger.  The recording project of multi-instrumentalist Richard Flierl, Dotsun Moon has always been prolific, but this eight-song collection feels like a deliberate statement. Drawing a direct line to the grandeur of M83’s Before The Dawn Heals Us and the seminal post-punk of New Order, Flierl swaps programmed beats for soaring textures, creating an album that is expansive, atmospheric, and unique. Tiger is our album of the week.   The album marks a significant turning point for the Dotsun Moon project, not only in its sonic direction but in its execution. For the first time, Flierl handles all vocal duties, a departure from the prominence of female vocals featured on much of his previous work. This shift brings a new, personal-feeling cohesion to the album, with his voice acting as a steady[...]