Buffalo

Fear Of Sleep – “Quirks”

Fear Of Sleep combine the flashiness of math rock with a penchant for punk rock energy on their first two singles – “Quirks” and “Crimes.” Fans of previous Buffalo-born stalwarts Feverbox may recognize a few members, and while those super-tight and familiar aspects return with Fear Of Sleep, the group is forging new ground with blistering fretwork, super-sweet melodies, and a fun guitar-driven energy. “Quirks,” with it’s sub-two-minute run time, is packed with nimble riffs, packaged up neatly in a pop rock package, complete with big choruses and overall anthemic vibes. “Crimes” leans more into their punk rock energies, leaning more into riff-rock territory, without sacrificing any of the tasty riffs that make “Quirks” so fun.   Check out “Quirks” via the YouTube embed below – you can find both available songs on Spotify if that’s more your speed.  

Hal & Pals – “Not the Champ (I’m Alright, Ma)”

Former WNYer Halle Ruth Cook’s folk outfit Hal & Pals blends eras on the new single “Not the Champ (I’m Alright, Ma).” The track marries 60s Greenwich Village folk instrumentation–fingerpicked guitar and harmonica–with Cook’s distinctively light and quirky vocal delivery, which adds a contemporary charm to the mix. In just over two minutes, the song paints a picture of strained family ties with evocative, personal lyrics. Fans of legends like Joan Baez and Joni Mitchell with feel at home here, but it won’t be lost on fans of contemporary folk artists like Sierra Farrell or The Tallest Man On Earth, either. A refreshing folk sound with local roots, “Not the Champ” is a compelling listen. Check it out below.  

Thought Trials – EARTHRISE/GAIA

Buffalo post-metal act Thought Trials are here to blacken your heart with their latest, two-song EP/split, EARTHRISE/GAIA. If you’re expecting a quick, six-minute listen – think again… This quartet specializes in the kind of epic, meandering, atmospheric black metal that journeys on and on through a never ending abyss… or at least 17 minutes worth of the abyss.   Guttural vocals from singer Lauren Davis ring out angrily over drop-tuned guitars from Josh Martin and Erin Malone, while an epic drum performance from Chris Wall thunders underneath. Track one “EARTHRISE,” may be the archetypal Thought Trials song – it crescendos endlessly, with an epic (if aptly creepy) climax that cuts straight to the bone. “GAIA” shows the wide width of the band’s range, running the spectrum from ambient to crushing, channeling everything from Explosions in the Sky to Deafheaven along the way.   As with most sprawling and/or atmospheric projects, this[...]

Red Sun 1981 – “Walking in a Daydream”

Red Sun 1981 may tout themselves as lo-fi dreampop act (and they’d mostly be correct), but we think they’re underselling themselves a little bit with that classification. A listen through their latest single, “Walking in a Daydream,” is the aural equivalent of literally walking in a perfectly-produced daydream. Swirling synths surround you like you’re sinking into a bed while sighing vocals support your woozy head like the fluffiest pillows known to man. All the while, punchy drum machine hits carry the song along at a perfect tempo. There’s plenty of room in Buffalo for refreshing and gauzy synth acts like RS81, so get used to hearing about them.   Get acquainted with this fantastic new song via the bandcamp embed below.   Walking in a Daydream [Single] by Red Sun 1981

Bryan Dubay – “Call Your Mother”

Man of many talents/genres Bryan Dubay is back with another song – this one called “Call Your Mother.” Not known to pigeonhole himself into one genre, Bryan’s latest is folk-forward, showcasing sighing steel guitars and acoustic strumming as the buttresses for his pleasant vocal timbre. His influences, think Elliott Smith and Fleet Foxes, come together perfectly here, melding the former’s intimate singer/songwriter presence with the modern-day folksy sensibilities of the latter. “Call Your Mother” is more for an evening spent fireside (since we’re all still freezing up here in Buffalo) rather than a dive bar barnburner, so brew yourself a nice cup of cocoa, bundle up, and enjoy Dubay’s latest this evening.   “Call Your Mother” is available now via your preferred streaming service.  

Torture Agenda – Another Fine Day

Irreverent Buffalo grindcore favorites, Torture Agenda, have unleashed their bruising debut full-length, Another Fine Day. For the uninitiated, band members Bryan, Adria and V tangle sludge, grind, and hardcore influences together into a blood knot of raw, sonic physicality. Their brutal sound, dubbed “Rust Belt Wrath,” is confrontational and chaotic and not for the weak of heart nor hearing. Listen for Bryan’s overdrive guitar riffs quaking under Adria’s frenzied blast beats while V screams socio-conscious verses with the intensity of a rabid pitbull.   Standing at 13-tracks, 38-minutes, Another Fine Day includes abrasive new material as well as fresh recordings of oldies such as “Occupational Hazard” and “Skull Magnet.” The record opens with “Ravenous,” a foreboding ambient noise track from featured Arizona artist ScreamingLake that sets an ominous tone before kicking into high gear with the raging “Marlboro Man Smokes Turkish Royals.”   Throughout the album, Torture Agenda skillfully balances[...]

Silver Proof – Polarity / Sixth Sense

Newly-minted trio Silver Proof released a split single today – Polarity / Sixth Sense encapsulates the group’s penchant for big sugary melodies and emo-punk energies. Guitarist/singer Bryan Williams; bassist Evan Tol; and frequent buffaBLOG protagonist, drummer Rafi Bloomberg specialize in honest and heartfelt songwriting, sure to catch the ears of fans of The Story So Far, Teenage Wrist, or Knuckle Puck.   “Polarity” takes aim at the inevitability of chronic illness. The band’s frustration is evident – pairing thick and angry guitar layers with Williams’ throat-shredding screams and rock-solid root notes from Tol. “Sixth Sense” is more of an introspective jam, highlighting Bloomberg’s nimble drumming with an impeccable snare roll-heavy beat. The chorus on “Sixth Sense” is one of the best moments on this split EP – bringing to mind Boxcar Racer-era Tom Delonge (but maybe if Mark Hoppus was still involved)… The band still finds a way to explode with energy[...]

Overgrowth – Rat Shovel

Buffalo metal punks, Overgrowth, drop the sledgehammer with their pulverizing debut EP, Rat Shovel.   Comprised of vocalist Anthony Muroff, guitarists Timothy Domes and Paul Mietlicki, bassist Jake Whitefield and drummer Roy Draves, this quintet makes a great first impression with this suffocatingly-heavy five-track tour de force.   Overgrowth fuses hardcore, sludge metal, and grindcore for a punishing listen that showcases lightning-fast tempos devolving into brooding, slow-motion breakdowns. Both Domes and Mietlicki lay down cinderblock riffs over Draves riotous drums and Whitehead’s thunderous basslines. Gluing these nefarious elements together is Muroff’s commanding and impressive mixture of guttural bellows and high-pitched shrieks.   Lighting the EP’s fuse with a burst of mayhem is the opening track, “End of Time.” The song is a great scene-setter and fully encapsulates Overgrowth’s sound as it slams between grindcore noise and melodic hardcore punk before culminating in a heavy breakdown that oozes out of your[...]

Dumb 100 – All of the Money (Just Like You) / Patience

Do we ever stop covering Jacob Smolinski’s musical endeavors (see here, here, and even here)?! The answer is no, because he’s back with another adventure, this time with collaborator Alex Behrens (who we’ve ALSO covered – here), for a project they have dubbed Dumb 100. This two-song mini EP is stuffed with intriguing sounds, beautiful harmonies, and impressive production work, rooted down by a jangly guitar-based backbone.   “All of the Money (Just Like You)” is a stunning intro – a waltz that mashes squiggly synths into electric and acoustic guitar work. Despite the song’s genuine beauty, Behrens and Smolinski don’t shy away from unique sounds – the hum of electric guitar feedback peeks through during the slow acoustic-guitar bridge, while borderline-discordant plunks of guitars smash through the mix like a gigantic 8-bit, bitcrushed bell. Puffs of electronic drums power the acoustic jangle of follow-up song, “Patience,” a song that[...]

gas station. – “More, or Less”

In a triumphant few weeks for Triple Hammer Records, gas station. is the latest of their crew to drop a new song. “More, or Less” isn’t quite the pop punk banger you might be expecting if you’re familiar with their canon – instead, the scrappy three piece put down the electric instruments (and their drums, for that matter) in exchange for a tender, acoustic offering. Heavy lyrics about falling down with a fork in your mouth and penning your will at 29 are powerful and are performed with a fittingly somber emotion, set off by the lone acoustic guitar accompaniment plucking its cyclical patterns. The band explains “More, or Less” simply:   “A song about age, meaning, and what have you.”   You can find “More, or Less” on bandcamp (below), or on Spotify or Apple Music. Also, keep up with all of gas station.’s goings-on with this helpful little[...]

Razorface – Razorface

There’s a new face in the Buffalo hardcore punk scene and it’s one only a mother could love. Meet Razorface, an enigmatic six-piece who have unleashed an unrelenting audio assault with their debut self-titled LP.   Born out of the demented psyche of Lucas Kaleta (K-Hole, Muddle, Lowest Form), Razorface has been stalking stages and terrorizing venues for the better part of a year with their killer brand of in-your-face, take-no-prisoners punk.   The band captures their special kind of mayhem on this ferocious eight-track rush that will make your head bang and your ears bleed. With help from Biff of Pallet Town who recorded, mixed and mastered the project, each crusty and spastic song feels like an all-out brawl. An example of the band’s sonic physicality is the single, “Self-Inflicted.” The song puts its boot firmly on your neck with wild outbursts of frenzied riffs and trashy drums that[...]

Sleep Debt Ceiling – “Misery is My Calling Card”

Buffalo’s emotionally-witty act Sleep Debt Ceiling has returned with their latest single “Misery is My Calling Card.” Similar to the angsty punk sound of SDC’s Demo EP, this track tunes into the raw emotions that come with self-sabotaging. In contrast to their previous release, “Misery is My Calling Card” features fuller production that provides a more studio-quality feel. The new dynamics increase anticipation for the April release of their second EP, Dead Air Trap.   Project head James Stephenson shines a spotlight on the deep-cutting lyrics while staying true to the genre with guttural vocals. This stunning combination is comparable to the works of iconic folk punk artists like The Mountain Goats and AJJ. Following the pattern of SDC’s sarcastic banter, this track deals with anxiety-induced overthinking that ultimately leads to avoiding humanity.   “I don’t deserve your kindness Secretly I hope That you will never realize I am a misanthrope[...]

Velvet Bethany – “Forbidden Fruit”

Buffalo-based punk project Velvet Bethany is back with a new music video for their single, “Forbidden Fruit.” Velvet Bethany is the band moniker for singer/songwriter Allison Mitchell, who has been on the scene for close to a decade, playing many  noteworthy indie bills and underground gigs throughout their tenure. The current line-up includes Romcom Victims members Kam Plotner and Nate Miller, who are both featured in the video.   “Forbidden Fruit” begins with a semi-monotonous conversation about different types of fruits then spins into an 8-bit intro where the track finally launches into the punk-y body of the single. The driving sound of “Forbidden Fruit” is coupled with playful vocals, reminiscent of surf-y Le Tigre with a B-52’s staccato delivery. Lyrics-wise, the song is about being excited about a new love, being head-over-heels in the honeymoon stage of a relationship/situationship.   The video was edited and directed by Jacob Smolinksi[...]

Jacob King – Drink From a Fox’s Head

Buffalo-based music scene staple Jacob King released two singles under his solo name earlier this month and it’s full to the brim with freak-folk psych-pop elements. Jacob King may be a familiar face/name, as he’s been gaining much buzz with his project T.T.T.T., as well as numerous stints in different bands throughout the local scene (most recently with Hal & Pals and Cramps tribute act, Side Stitches). The new batch of singles highlights King’s dexterity as a musician and ability to chameleon his style.   The first song, “Drink From A Fox’s Head,”  has a sun-soaked start that leans heavily into the more psych-y elements of the release, showcasing a bit of a Blind Melon tinge with some Burger Records parallels. Let’s hope the lyrics are a metaphor, as the chorus has King wailing “I drink my tea from a Fox’s head…” That’s just gross if it’s true and it’s[...]

Mark the Aquarius – “SEV ONE SIX”

Buffalo’s very own Mark the Aquarius is back on the scene with “SEV ONE SIX” – a timely anthemic single for the city as we rebound from a particularly disappointing end of season. Filled with swagger, Mark’s venomously delivers himself and the city as the “Us” in an “Us Against the World” conflict. His intense wordplay is the strength of the track, dropping fervent city, wrestling, and Sway references in the same breath. “SEV ONE SIX” features bombastic production – giant MOP-style horns and swirling strings, matching and elevating the intensity. The “SEV ONE SIX” music video features vintage Buffalo scenes intermixed with Mark’s local performances – check it out for a nice nostalgic experience. Listen to more from Mark the Aquarius on Spotify and check out him and more up and coming artists on our Underground Hip Hop Playlist.