Latest Posts

Soft Mothers – Hysterical Love

San Antonio’s Soft Mothers (SM) were formed in 2016 by Luis Rocha. Since then, they’ve released a steady stream of alternative-rock flavored music full of angsty guitar energy, heavily inspired by mid/late ’90s and early 2000’s post-hardcore and grunge. Their latest offering is the quasi-full length release, Hysterical Love – an eight-song LP that has plenty in common with all of your favorite throwback acts with enough gritty, basement-show vigor to feel fresh. There’s lots to dive into here – you’ll hear hints of acts of various intensities, ranging all the way from At the Drive In through Citizen through Pedro the Lion. Hysterical Love opens with “Leave Me;” guitar chords ring out in a dirge-like pace, soaked in lovely shimmer effects. SM leans into this crawling tempo, allowing the song to breathe as it crescendos into a roiling bridge. Here, the drums pick up with jazzy snare hits and rolls around the[...]

Memorial – “Silver”

UK-based duo Memorial specialize in heartfelt indie folk songs like their latest single, “Silver.” A stunning showcase of the band’s ear for melody; beautiful harmonies; and a tried-and-true acoustic guitar backbone, “Silver” is beautiful and somber without ever dipping into true ennui territory. Fans of Pinegrove, Elliot Smith, and Big Thief will find lots to dig into here. About the song, Memorial says: “Silver is about betrayal within friendships. This centres around how some friendships, particularly working relationships, feel so important that there can be a heavy focus on protecting it, which can lead to isolation. Being within that involves sacrifice in other important aspects of life such as romantic relationships, pastimes and opinions.” ICYMI – here’s our writeup from a previous Memorial single, “Corduroy” Check out “Silver” below via the Spotify embed, or, check out other listening options via this Linktree link..

LB Beistad – “Dogma”

LB Beistad makes religious trauma sound stunning on the alt-pop of her latest single, “Dogma.” Having grown up in rural Tennessee, Beistad’s childhood was rather isolated. She discovered a world of beautiful music when her family purchased a computer at age 10 – the rest is history. With gauzy synths; chuggy guitar and bass; and Beistad’s soulful delivery, “Dogma” reckons with the stifling box that religion can often stuff us in… LB is thankful for the proverbial doors that computer opened, and now, so are we! You can find “Dogma” on Soundcloud (below), or, listen via Spotify. LB Beistad · Dogma_Mastered_unreleased.wav

Taxidermy – “Rot”

Copenhagen’s Taxidermy describe their new song, “Rot,” as “marked by an unrest, a journey through doubt.” Sometimes, a band just knows themselves best, and in the case of this unique act, they’ve described it perfectly. “Rot” is dark, post-punk at its finest, channeling Pile, Unwound, and Sonic Youth with its guitar-driven neuroses that threatens to dip into dissonance but always remain palatable. The song ultimately explodes into a distorted energy, a lovely juxtaposition against “Rot’s” icy and calculated intro. Check out the video for “Rot” below, or, check out this link for all the different streaming options.

Jovi Skyler – Call It A Day

Last time we checked in with Sydney’s Jovi Skyler, we were reviewing the ten-song LP Nothing To Do, full of Jovi’s unique blend of punk and psychedelic rock with a fun, raw approach. Having embodied the spirit of the ’90s with a DIY twist, we found his music to be charming underneath all the grit and wild, mind-bending antics and visuals. Jovi’s back with a brand new EP, the succinct, four-song Call It A Day, which finds the Sydneysider vegetarian punk-rocker singer-songwriter experimenting with more traditional song structures, sharper mixes, and a honed-in approach on straight up punk fervor. Jovi opens the EP with the four-chord onslaught of “Asshole.” A four-on-the-floor tom beat pummels your ear drums as a swarm-of-bees guitar jams a simple chord progression down your throat. Jovi seems to have foregone the psychedelic influence of his last offering in favor of candid songwriting simplicity. Reminiscent of early[...]

frog team – “KAMIKAZE!!”

There are rare occasions where buffaBLOG’s words are just… less effective than an artist’s own description of themselves. This is one of those times: “Frog Team is The Front Bottoms meets The Fall of Troy meets Family Guy, and that’s supposed to be an insult.” The absolutely blistering, buzzsaw emo of “KAMIKAZE!!” caught us off guard with its unbelievable blast of energy. Gravelly vocals and a breakneck runtime keep you on your toes throughout the entire listen. Inspired by everything from The Hotelier to My Hero Academia, this Denver trio isn’t afraid to do whatever the F*#& they want. In fact, if a math rock band was tasked to write an anime intro, let’s just say frog team would be the perfect act for the job. You can enjoy “KAMIKAZE!!” on Spotify, Apple Music, or YouTube (embedded below).

maxime. – “Quitting Time”

buffaBLOG mainstay maxime. is back with yet another slice of bedroom-pop wizardry, this time in the form of “Quitting Time.” ICYMI, we’re maxime. stans here at the blog (see here, here, and here for proof), and “Quitting Time” is yet another gem that he’s slotted into his growing catalogue of greatness. Fuzzed-out woofy bass tones, curious keyboard blips, and maxime.’s half-slurred vocals give this a mysterious feel, full of vague warnings to give up on what we can only assume is some semblance of a relationship. It’s nebulous and cool and we think you’re going to like it too. You can find “Quitting Time” on Soundcloud (below) and Spotify. maxime. · quitting time

Sofia Bolt x Stella Donnelly – “Bus Song”

Sofia Bolt and Stella Donnelly teamed up for a dreamy new single in the form of “Bus Song.” Not to be confused with the Jay Som song of the same name, “Bus Song” finds the duo playing with swimmy guitar chords, plunking bass, and a ruthlessly catchy call-and-response chorus. Fans of Big Thief, Alvvays, and the aforementioned Jay Som will like the smooth and creamy indie found here – keep your ears peeled for the tasteful sax and cool guitar plucks in the chorus. Check out “Bus Song” below via the YouTube embed, or, on Spotify.

Garage Sale – “Movie”

Melbourne’s Garage Sale specialize in heartbreaking shoegaze/emo – we’re recommending their latest single, “Movie,” for your listening pleasure.. Sounding like a perfect mix of Smashing Pumpkins, OVLOV, and Duster, the band seems to have mastered the quiet/loud songwriting method with downtrodden verses that explode into fuzz-filled glory. Diary-esque lyrics about borderline disassociation cut straight to the bone, as the dirty and angry guitar tones offset the ennui with their punishing presence. Perfect for fans of Midwest emo, shoegaze, and everything in between. You can find “Movie” on Bandcamp (below), Movie by Garage Sale

Heddy Edwards – “black tunnel”

Singer/songwriter Heddy Edwards is here with her latest single, “black tunnel.” Recalling ’90s luminaries like The Cranberries and Garbage while channeling modern-day juggernauts like Alvvays and Hazel English, “black tunnel” feels timeless and fresh all at once. Gauzy synths, effected vocals, and a very palatable indie-rock sound are some of the features you can expect here. Fun fact – Heddy worked with Alan Day (of Four Year Strong fame) on “black tunnel,” and while you won’t hear any chugging pop-punk breakdowns here, his experienced touch surely helped to bring this one to the next level. You can find “black tunnel” on Spotify and Soundcloud (below). heddyedwards · black tunnel

Glom – “Below”

Glom and buffaBLOG go way back (see here, and here, and here, and here). We’re adding to our Glom collection with their latest single, “Below.” While Glom surely knows how to get upbeat and ebullient, “Below” takes a more mid-tempo route made popular by contemporaries like Slow Pulp or Goon. Deep, plucky guitars and charming synth tones pair perfectly with Glom’s simple-but-effective lyrical style. We’ll let Glom take it away with a perfect explanation of how “Below” came to fruition: “To me, ‘Below’ almost materialized out of thin air. I picked up my guitar and tuned it down— lower than I’ve ever tuned it before with this project… Something about the low pluck of the strings brought out the melody and lyrics about me coming to terms with what I thought was expected of me as I grew up. I was 29 and creeping up on the next decade of[...]

Little Oil – “I Wanna Know”

California’s Little Oil is fresh off the release of their latest single, “I Wanna Know.” Driven by a dirge-like tempo and twinkling acoustic guitars, “Know” brings to mind acts like Elliot Smith and Duster with its lo-fi ethos and chill-out vibe. Of particular note here is the chorus of cacophonous guitar bending – it feels like a much-needed explosion of energy after the otherwise reserved verses. Here’s a bit more about “Know” from Little Oil himself: “[“I Wanna Know” is inspired by the] type of person we all know and marvel at who just goes with the flow, never worries about anything and everything just works out for them. The kind of person who makes you wonder ‘what do they know that I don’t know?’ I wanna know…” You can find “I Wanna Know” via Bandcamp (below) or on Spotify. Check out their Linktree for even more listening options. Twelve[...]

Stinkus – 23

Stinkus (aka Tyler Thompson) is gearing up to release their first true body of solo work, a magnum opus of hazy bedroom-pop-meets-slacker-rock called 23. Having previously had success with their other bands WILD and girlhouse (and some stints producing for other bands like Smallpools, The Mowgli’s, Timothy Edward Carpenter, and Jon Bryant), Stinkus is no stranger to songwriting. If you’re like me, you may have incorrectly assumed that 23 was a reference to Stinkus’ age. In actuality, Stinkus’ inspiration for this album came after a split with their fiancé of seven (7) years. And while Stinkus is surely tapped into the zeitgeist of warmly-produced-indie-folk-with-quirky-lyrics that fits in so well now in 2024, their songcraft dives so much deeper. There are plenty of metaphors referencing mental illness, drug abuse, and the like… But at its heart, especially musically, 23 is just Stinkus finally being Stinkus. And it rips. “I am” introduces the[...]

Russian Baths – “Split”

Indiana-based Russian Baths have mastered the quiet/loud song structure on latest single, “Split.” Quirky, pitch-shifted guitars and haunting vocals power the verses before plunging into a doom-drenched chorus, lush with fuzz tones and angular drum patterns. While lightly abrasive at times (in a good way), “Split” never loses the backbone of pop songwriting, with plenty of interesting melodies and sounds to dive into. You may be expecting an absolute maelstrom of noise to erupt at some point, but Russian Baths keep the song spring-loaded without ever exploding, adding to the tasty feelings of urgency and unrest. Like The Cure meets DIIV at their gothiest (their words, not ours), we think “Split’s” noisy simmer is going to be one of your newest favorites. Preview “Split” via the YouTube embed below, or, find it on Spotify or Apple Music.

Howdy, Cherry – “Georgia (again)”

Howdy, Cherry channeled true heartache into the longing, low-key indie rock of latest single, “Georgia (again).” Pairing vintage organ sounds, gentle guitar twang, and lightly distorted strums with her sugar-sweet delivery, “Georgia’s” slow-but-sure tempo brings to mind luminaries like Phoebe Bridgers, Clairo, and Plains. While the song overall is quite endearing, scathing lyrics like “Why am I hoping that you might be fucking someone else – need a better reason to replace your picture on my shelf” highlight the deep pain Cherry must be hiding within. Here’s a bit about the song’s origins from Cherry herself: “I wrote the lyrics to ‘Georgia’ in the midst of an emotional breakdown seeing my ex walk into a bar with a potential new lover. It’s meant to be nostalgic, a little sad, a little hopeful – and truly means whatever it means to you ♥” You can find “Georgia (again)” via Soundcloud (below)[...]