Ryan Adams – 1989
When Taylor Swift finally dropped 1989 last year, it’s success was hardly a surprise. The singer’s new album had felt like the final chapter in her carefully cultivated image as pop’s biggest underdog. Going back to her debut as a teenage country star who’s lyrics read with the vulnerability of a livejournal entry, she was pop music’s ultimate good-girl. But the moment Kanye stepped up on that stage, both were cast in roles in the public eye that would define them for years: Kanye the asshole and Taylor the victim. With every successive album since then, using her every girl persona her private life as the base of her lyrics, Swift increasingly drew a portrait of her life as someone constantly downtrodden, defiantly picking themselves up. In the process, her music became increasingly poppy and her songwriting grew sharper. This finally culminated in 1989, the triumphant pop album that with the[...]
