Latest Posts

¡Ponce! – “The Anatomy of Emotion”

¡Ponce! is a mysterious indie/emo mathcore band from…somewhere. As per their Spotify bio: “¡Ponce! is a band formed at the dawn of time and eternity. They are well established among the canthrian plains of nerfisec as the greatest arithmetic based group of heroic musically inclined magic users to ever exist.” I won’t even bother explaining emo mathcore because I forgot my protractor in my locker from the early aughts, but if you’ve ever listened to anything remotely emo and imagined it sped up you’d have an idea of ¡Ponce!. That’s an incredibly oversimplified explanation, but the best contemporary comparison would probably be something like Tiny Moving Parts, Cap’n Jazz, or Algernon Cadwallader. Give ¡Ponce! a listen over on Spotify and let us know if you’d like more emo mathcore in your life!

Sarah Crean – “Wasted Youth”

Dublin-based musician Sarah Crean‘s latest single “Wasted Youth” off of her August 2 EP Death By Laundry. Drawing inspiration from acts such as Japanese Breakfast and Men I Trust, Crean has crafted a smooth, guitar forward track that feels a bit 90’s to me (in the best ways). Spearheaded by a steady acoustic guitar with hints of piano and punctuated by a fun meandering electric riff, Crean croons throughout “Wasted Youth” about the duality of youth/older selves. Speaking to that, she had this to say: “The song itself goes back and forth between acceptance and rejection of the fact while processing as the song progresses – almost like I’m trying to reach out to my younger self from my current state as an adult. I myself have (and always have had) a hard time forgiving people and letting things go…” Be sure to check out “Wasted Youth” and the rest of the[...]

Candy Moore – “Laugh at Nothing”

“Laugh at Nothing” is the newest single by Candy Moore – the stage name of Australia-based musician Calum Newton. The song is a pop-forward track about dating someone dealing with depression and recognizing that their happiness is outside of your control. Even with the heavy subject matter, his background in mixing and producing shines throughout with a very well-put-together lo-fi gamut of guitar and understated bass. Fans of Day Wave would find a lot to enjoy here, production value being chief among that. Be sure to check out “Laugh at Nothing” on Spotify or Bandcamp, you’ll certainly enjoy it and some of his other tracks – especially “Afterglow” (another catchy banger).

Peach Cooler – “You Talk Too Much”

Retro, sun-soaked, sassy, and fun are four perfect ways to encapsulate the newest single from Peach Cooler, “You Talk Too Much.” Punctuated blasts of retro guitar energy kick this one off before launching into “I’m feeling spicy, I’m real hot right now.” PC repeatedly tell someone who is ostensibly annoying to “shut [their] pretty little mouth” while keeping things lighthearted and fun with their beachy, guitar-driven energies. Fans of The Beths, Vampire Weekend, and a happier Clairo will go crazy for this one. You can find “You Talk Too Much” on both Apple Music and Spotify. Enjoy a live session of the song below via YouTube.

TANDM – “Sirens”

“Sirens” is the newest single off of Toronto duo TANDM‘s EP of the same name. Made up of Maxine Beck-Sinderby and drummer Thomas Franklin, their flavour of indie-pop scratches a lot of itches with Maxine’s heartfelt vocals leading the charge. While their indie rock speaks for itself, woodblock plips and organ-soaked explosions help to separate this one from the pack. Speaking to their music, she had this to say: “…the music is much more about the transition, post teenage angst. The upcoming songs are about the progress and the ‘moving on’ of past troubles, and how we overcame them.” Fans of Alvvays, Men I Trust, and Foyer Red would find a lot enjoy here, between the impeccable song composition and pop-forward guitar (not to re-mention the heartfelt vocals). You can find their EP and past works on Spotify or Apple Music.

The Slashes – “Dead Majesty”

Hailing from So-Cal, self-described “borderland post punk” group The Slashes brings us a goth-tinged delight with “Dead Majesty.” The bass does much of the heavy lifting with some sick riffs, but singer Esteban Rene keeps things spooky with his haunting voice and ethereal sounding guitar. Fans of Interpol, She Wants Revenge, or The Cure will find lots to dig into on this one… Evoking the usual Cure and Interpol comparisons is easy to do, and even accurate to a point, but The Slashes put forth a good case with enough to differentiate them from contemporaries in the genre. You can hear “Dead Majesty” and more of the band’s tracks over on Spotify or Bandcamp. Be sure to let us know if you’d like to hear more from this band or post punk in general! Dead Majesty by The Slashes

Bogan Via – “Everything’s Ok”

Bogan Via is an Arizona-based duo comprised of Bret Bender and Madeleine Miller and “Everything’s Ok” is their latest single (and synth pop is their game). Delightfully twee upon the first listen, “Everything’s Ok” has a bit more bite as you pull it apart and reveals a bittersweet song dealing with grief, goodbyes, and eventually healing. Bender and Miller harmonize together seamlessly and drift apart as they trade verses and play off of gossamer synth repeating throughout, reminiscent of Beach House or Still Corners. This contrasts nicely with past works which include some tracks with less emotional oomph and more musical oomph, along with light hip hop influences. Bogan Via honestly looks like a riot to hang out with, a quick perusal of their Insta has everything from brooding album cover looking filtered pics, to Eric Andre, to fun live shots. Be sure to check out “Everything’s Ok” over on[...]

MÒZÂMBÎQÚE x Destiny Molina x The Philharmonik – “Embrace”

Laden with effects, gratuitous synth, and collaborating with Destiny Molina and The Philharmonik, “Embrace” is the glitzy, impeccably produced single off of artist MÒZÂMBÎQÚE’s EP Peril 1998. There is a lot to unpack here and multiple listens are rewarding, so I would definitely recommend using that repeat button for a few takes. Born Andrew Smith, MÒZÂMBÎQÚE came about after a post-college backpacking trip to Africa. Drawing from that experience and his love of the outdoors, MÒZÂMBÎQÚE likes to translate that for his listeners; “It’s like passing on a nostalgic experience or good memories.” If you’re reading this and thinking “Well Chris, I only like the freshest indie music with guitars and stuff, why this?”  I’d probably say something like “Give it a listen, it has great beats and a fantastic jumping off point, even if you’re not much of an electronic music listener. You should go to Spotify or Apple Music and[...]

Mali Velasquez – “Tore”

“Tore” is lead single off of Mali Velasquez‘s forthcoming debut album Green, which drops October 13. Introspective but not to the point of excess, “Tore” is Velasquez’s ode to her own self-sabotage and, as she put it: “… I have no idea how to combat being embarrassed all the time still, but explaining it some has helped…I put a lot of my ideas of not knowing how to feel or what to do or eat or wear into this song.” The understated instrumentals enhance Valasquez’s strong vocals throughout the track and invite comparisons to sad-girl indie darlings Phoebe Bridgers or Lomelda without being a carbon copy. We’ll hopefully see another single before October 13, but for now feel free to check out “Tore” over on Spotify or the 90’s vibe music video available on Youtube.

Rilo Wye – “Cold Front”

“Cold Front” is the latest single from LA artist Riley Sieverts and his newest project, Rilo Wye, and it is anything but cold. A diddly of a guitar intro gives way to a tight bass line and Sieverts’ relaxed vocals; the latter certainly informed growing up around Rastafarian and surf culture in Honolulu. As he put it, “Surfing was my first passion. As a kid I spent hours watching old surf videos, and that vibe hovers in the background of every track I make.” His straightforward yet relaxed style is reminiscent of Rex Orange County, Crumb, or a slightly less whispery/depressing Sufjan Stevens. Fans of all three and everything in between would certainly find something to enjoy with “Cold Front,” which you can find on Spotify along with his 2022 EP Better for Whatever Reason. Be sure to let us know your thoughts on “Cold Front” and if you’d like more[...]

Le Big Zero – At Arm’s Length

The perpetually rotating (but nevertheless crucial) members of Le Big Zero (LBZ) have persevered through a lot… Think cross-country moves; DIY tours; and the aforementioned revolving door of necessary-but-temporary bandmates. Since you’re reading this review, it’s clear they’re still alive – the band’s proverbial heart kept beating by mainstays Michael Pasuit and Ben Ross. They’ve been joined by Katie Cooney and Lukas Hirsch, who have been with the band since 2022’s A Proper Mess. In case you missed it, we wrote about the excellent “Beach Séance” from that offering last year – be sure to check it out here. But we’re not talking about 2022 right now – we’re here to talk about Le Big Zero’s most recent output, At Arm’s Length. For a band named after literally zilch, nil, nada, this quartet pumps out a lot of sound… And uniquely too. Fans of Speedy Ortiz; Foyer Red; Pavement; and Les[...]

Far Caspian – “Pool”

Irish singer, multi-instrumentalist, and producer Joel Johnston, aka Far Caspian, has evolved into an musical auteur, rising in popularity on the back of a pair of EPs and debut album Ways to Get Out, the artist has become fully self-contained. He directs his own videos, shoots his press shots, creates his own artwork, and started a record label (Check our previous features on Far Caspian Here, Here, and Here). His debut album has garnered over 30 million streams since its release late in 2021, which is all the more impressive as the project started in 2020; the impetus of Far Caspian being as a Soundcloud feature to garner interest in Johnston’s production talents. He continues the momentum with sophomore album, The Last Remaining Light and with the ineffable and captivating single, “Pool.” The single pulls on your heart and entrances like an Elliot Smith cut, dazzles you with production and[...]

Les Gold – “All My Good Friends”

Les Gold continue their dominance as the progenitors of the “gloom disco/bummer fun” genre with their latest cut “All My Good Friends” (check our previous feature on them here). The new song has a revelatory progression as the warm tones and harmonies grow and layer on top of one another, each phrase describing the behavior of the people you are closest to. These friends sound worse and worse as the lyrics progress – like most things you hold close, problems only reveal themselves with a little distance and examination. Here are Les Gold talking about it and the track: “At the end of the day, one can’t exist without the other – we are our good friends, and they are us. With a poppy, summery, sing-along vibe to accompany the whole track, we wanted to create something that everyone will shout along to in celebration of the dumb decisions we[...]

Gilded Creatures – “Delusions”

Gilded Creatures are the worst country band to have ever existed… Their words, not ours! Growing out of a failed genetic experiment by Johnson and Johnson to create the perfect country band, these misfit mutants withstood being a country music catastrophe, having persevered their dereliction while holding onto the birth boons of electric guitar, electric bass guitar, electric key board, and an acoustic drum set that J&J gave them in the winter of 2013. Yet, this pharma-failure is a triumph for rock as the latest single from Gilded Creatures, “Delusions,” encapsulates inner strife and the varied ways one wants to drown out the answerable “dark waves” of the mind, “the undertow that never lets go.” Slick rock rhythms that slink and sway, reminiscent of Radiohead, impact your chest as the lyrics belted out evoke discord, using metaphors of androids and how their existence of being is facsimile to human in[...]

B. Miles – “Different Pages”

B. Miles has her sophomore album coming out on September 30th and leading the way is the title track, “Different Pages.” An alt pop hit dripping with allure, “Pages” channels 90’s alternative pop masterpieces from Miles’ past that helped her grapple with her current life-changing events (check our previous feature on B. Miles here). Miles found inspiration in her favorite playlist stored on her first iPod, the bygone cultural touchstone that so many readers can close their eyes and wistfully reminiscence how formative it was to them. Miles finds herself at the end of a relationship and worldview that she carried through the entirety of her 20s – the break up anthems of the 90’s hibernating on her iPod manifest in a lingering pang and cathartic release like no other. Miles taps into the powerful, emotionally intelligent 90’s stars like Natalie Imbruglia, Dolores O’Riordan, and Hope Sandoval using them as[...]