Latest Posts

Freedom Fry – “Party Down”

Los Angeles’ own Freedom Fry are keeping the ball rolling with another track off their recently released EP, “Party Down.” Taking cues from the indie pop greats like Passion Pit and Grouplove, the duo set the vibe with bright rhythm guitar, glowing synth lines, and energizing vocals. It’s a surrounding experience, touching all bases with expert track layering and engaging interplay among both vocalists. “Party Down” is the kind of track that’s hard to get enough of, and luckily there’s more where this came from with Strange Attraction, out now and available everywhere.

Opal People – “2 Channel”

London’s Opal People bring their track “2 Channel” to life with the help of Ruf Dig in their recent music video release. The band blends together synthpop and lo-fi for a uniquely enticing sound, featuring soaring choruses and tropical/dance influence. The video plays up the effect with a psychedelic backdrop of warped imagery, neon colors, and intermittent subtitles. On the video, director Ruf Dig comments, “I don’t really understand it myself – sometimes it’s best not to question these things. All I know is Opal People changed my life.” Allow Opal People to change your life too with their video for “2 Channel” below.

Seazoo – “Shoreline”

Welsh quintet Seazoo head up their looming album release with a second single, “Shoreline.” The band melds jangly guitar lines with strident synths and an energetic beat with precision, staying true to their DIY background while still standing out as polished indie pop. Taking cues from acts like Super Furry Animals, Grandaddy, and Yo La Tengo, Seazoo channel a rosy lightheartedness that’s akin to worry-free fun in the sun and impossible to sit still through. Keep tabs on this band as they build up momentum towards their approaching debut album release, set for this November.

Des – “Don’t You Worry”

Long Island indie pop newcomer Des brings the electronic spirit to alternative with a video for his single “Don’t You Worry.” As the latest brainchild of long-time songwriter Mike Desmond, Des’ work underlines catchy choruses and enduring hooks, adding some synth-driven sparkle to running bass lines and slick drum tracks. The video takes on the fuzzy aesthetic of old VHS home videos mixed with the kaleidoscopic whimsy of a green screen – definitely an experience for the eyes. “Don’t You Worry” comes from Des’ recently released debut EP Eighty-Six, where you can find more major-league melodies like this one.

GGOOLLDD – “Excelsior Springs”

Milwaukee-based GGOOLLDD gives powerful synthpop vibes on their newly released “Excelsior Springs.” The single comes off the band’s debut EP TEETH, which will be out in December via Roll Call Records. Coming off two sold-out shows at Turner Hall Ballroom in Milwaukee, the band is currently in the midst of a North American tour. “Excelsior Springs” provides the basis for the roots of synthpop. There’s gentle synth work throughout the song, ranging from the catchy chorus to the solo towards the end of the single that drives at a peaceful tone. Listen to “Excelsior Springs” below via SoundCloud.

Joshua Moriarty – “All I Want Is You”

Joshua Moriarty of Miami Horror released his brand new track “All I Want Is You,” a single from his solo project War Is Over. The first single “R.T.F.L.” strayed away from the influences of Miami Horror and focused on newer pop influences. While the first single serves as a change in style, “All I Want Is You” comes as a return to Miami Horror’s influences. The dance-able disco vibes set the stage for Moriarty’s falsetto. While there are influences from the group, Moriarty expanded his creativity and add new depth to his music. Check it out below.

morgxn – “xx”

L.A. indie pop artist morgxn made waves with the recent release of an official video for his track “xx.” In a heady mix of feathery vocals, ethereal synths, and a pounding beat, the song bares all and hits straight to the core. It’s as much a party anthem as a call to self acceptance, filtering in triumphant lyricism through a bass-driven groove. The video is a play on light and dark, intermittently showcasing an intimate warehouse rave while effectively capturing the song’s zest for life. Get the full dose of morgxn’s velvety vocals and musical stylings here, and catch him on tour with Pheobe Ryan this fall.

Cults – “I Took Your Picture”

New York duo Cults explore the wonders of 80’s power pop with their latest single “I Took Your Picture.” Drawing inspiration from new wave heroes like The Motels and The Cars, the track filters in ripples of vitalizing synths, crisp percussion, and sparkling vocals, capturing depth in both the listening experience and the message. Through compelling lyricism they lament their struggle with a note of optimism, keeping it light while working to let go of the past and make room for the present. “I Took Your Picture” comes straight from the duo’s upcoming album Offering, their first full-length release since 2013. Keep an eye out for its October 6th release via Sinderlyn.

Seapony – “What’s Gonna Happen”

Fresh off a recent EP release, Seapony hit the ground running after their brief hiatus with their highlight track “What’s Gonna Happen.” Featuring the band’s signature surf-rock foundation topped with silky smooth vocals, the track leaves it up to fate with the help of a dreamy dose of reverb and a hint of distortion. After their 2010 start, the Seattle natives planted their roots in a solid career of global tours and three album releases, when they later decided to call it quits in 2015. Their new EP Be Here Again is their first release in two years, making an otherwise seamless transition into Seapony’s latest chapter. Catch “What’s Gonna Happen” below, and hit up the full EP to find more where that came from.

Damian – Back When I Was Marc Bolan

“It don’t fuckin matter / it’s so fuckin absurd.” This line repeats several times on the track “To Never Get Back Home Again,” the second track from Damian Weber’s new album, Back When I Was Marc Bolan. It is a sentiment that seems to define the record, as well as Weber’s own outlook. The moody and introspective singer-songwriter, who goes simply by Damian, possesses an unencumbered and carefree unrest that oozes from his music. Weber is a veteran of the mumblecore folk scene, having released several records that, at their heart, embody a bashful yet charismatic, understated quality. Having been bred by the Buffalo indie scene, he now (reluctantly) resides in Brooklyn. With the new scenery comes a new approach; Back When I Was Marc Bolan operates as a sync to the film Eternal Sunshine of the Spotless Mind. When viewing his synched up version of the film, it is[...]

B00TY – “Loosen Up”

Los Angeles based electro-funk-soul duo B00TY dropped their latest music video for the single “Loosen Up” earlier this month. The outfit is composed of vocalists and producers Edan Freiberger and Adam Epelbaum. “Loosen Up” is in between the genres of funk and analog music pairing well with style of Sly and the Family Stone and sharing production style with Daft Punk. There is a deep looping electric guitar riff that pairs with perfectly the drum beat in the background. Check out the video for “Loosen Up” where B00TY mimics the spontaneous nature of the song as they head through a night of partying and hijinks.

SEE TAI – “Brother Sun”

Dream pop artist SEE TAI introduces his latest misty masterpiece, “Brother Sun.” The alias of former ambient rocker Jamey See Tai, the project stays laid back in nature, funneling in breezy synth lines, rambling guitar melodies, and steady vocals that come off as alluringly effortless. Among another original single, SEE TAI has gained some recognition for his remixes of artists like Daughter, Jim James, and Beni. Be on the lookout for more original tracks on the way, and in the meantime keep calm and stay cool with “Brother Sun” below.

KARMS – “River”

If you’re in the mood for some kick-ass rock and roll, we suggest you look no farther than the thundering four-piece that is KARMS. The Dublin-based quartet hit us up with the swagger of “River,” a four-minute, guitar-driven face puncher that is sure to get you feeling amped. Fans of Billy Talent and Biffy Clyro will dig KARMS’ chunky riffs and accessible vocal melodies (which remind us of Weezer’s “Hash Pipe” in the best possible way). Give “River” a whirl below. Swing by Bandcamp for some purchasing options if you dig “River.”

The Slums – Bloodsucker

The Slums describe their band as ‘loud rock ‘n’ roll’ and their music as ‘loud songs,’ a pair of phrases that perfectly describe their latest EP, Bloodsucker. In fact, they’re pretty much the hallmarks of the record. Bloodsucker explodes like a house of fire on the opening title track; a barrage of powerful swagger, cacophonous screams and jarring cymbal crashes.. However, the Slums quickly pump the brakes on the subsequent “Black Dress,” proving they aren’t mere pomp and circumstance by tempering the pace with angular riffs and soaring hooks. This goes until the final 40 seconds or so, when the band brings the noise back to your speakers once the track devolves into a sea of discordant shrieks, wailing guitars and loud percussion. The closing “Eight Months” represents the best of Bloodsucker’s trio of tunes, effectively combining the bands ability to craft stirring melodies and still crank everything to 11[...]

LOST BEACH – “Classless Man”

Los Angeles’ LOST BEACH churn out sunny indie rock in their latest toe-tapper, “Classless Man.” The five-piece troupe cite inspiration on a spectrum from James Brown to Otis Redding to Bob Dylan, shooting for the timeless endurance of vintage classics while maintaining a DIY mindset. The result is breezy vocal harmonies, driving bass lines, and roving guitar tracks to set the groove. It’s the kind of feel-good jam that takes its self deprecation in stride, only leaving room to get lost in its upbeat, celestial vibes. So far the band has amassed quite the collection of singles and EPs, all in preparation for a self-produced full length album, set for release later this year. Start the countdown now with “Classless Man” below.