Latest Posts

Stay South – “If You Leave LA”

January 28, 2018

Fullerton, CA solo-act Stay South nailed it on her latest single, the sad dreaminess of “If You Leave LA.” The song is indie-rock at its heart, but is genre-blending at its finest, injecting tinges of emo and indietronica into an otherwise straightforward song. She pairs frantic rim clicks with ethereal guitar strumming for a calm, but yearning vibe. Perhaps most notable is Stacey Park’s sweet, unassuming vocal delivery… She does a great job at encapsulating the feelings of tension that you might experience when being abandoned. Be sure to give it a listen below. “If You Leave LA” is available via Bandcamp.

ANNALIA – “Wavelength”

January 28, 2018

Pure-pop vibes are nothing to be ashamed of, especially in the case of LA’s ANNALIA. Her new single “Wavelength” combines real instrumentation with unparalleled pop songwriting, resulting in a song that should impress the indie-rock purists while simultaneously making them want to dance. Beyond that, the song is ultra-relatable, tugging on heartstrings and playing with the nostalgia of memories both happy and painful. Don’t miss out on this one – add “Wavelength” to your feel-good-pop playlist on Spotify.

Grand Courriers – “Tempted”

January 28, 2018

The uncannily cinematic indie rock from Grand Courriers has been rubbing us in just the right way, especially lead single “Tempted.” Combining vibes from indie-rock mainstays The Killers with a wistful, disco feel, this jam is set off by a deeply emotional vocal performance and simmering synth work. This Minneapolis quartet has a bunch of songs on the horizon, so keep your eyes peeled for more great tunes in 2018. Keep up on Courriers happenings by following them on Instagram.

Chromeo – “Night By Night (Callback Funk Remix)”

January 27, 2018

Get ready for a nu-disco night out with Callback Funk’s remix of Chromeo’s “Night by Night.” The beat features a fresh digital waxing that transports you to the driver’s seat of an ’86 Ferrari Testarossa with neon lights dancing across the windshield as it cruises down the Miami strip. Turn it up with this track that will keep your hands clapping and your platform shoes dancing. You can find more of Callback Funk’s techno-funkadelic beats and remixes here.

A View of Earth from the Moon – “One Thousand Miles Apart”

January 27, 2018

Turn this one way up! Seattle’s A View of Earth from the Moon releases his high-voltage power pop anthem that will leave the hair on your arms standing on end. Off his debut LP, Closer to a Ghost, this catchy track evokes a montage of memories of partying in your friend’s garage with melodic guitar work and upbeat vocals that sugarcoat heartaching lyrics. Crack another beer, throw your arm around a friend and get ready to sing along. A View of Earth from the Moon will be touring next month and you can find dates here.

Kraków Loves Adana – “Rapture”

January 27, 2018

If Rodin’s the Thinker were wearing headphones, he’d be listening to Kraków Loves Adana. The Hamberg-based duo’s latest single off their upcoming April 6th debut LP, Songs After the Blue, reflects the deep and mysterious connection we all have with music. Moody, sultry vocals embrace a simplistic, introspective beat for a hauntingly personal listen that will leave you lost within yourself. Check out the official video below and head over to Kraków Loves Adana’s SoundCloud for more ruminating tracks here.

Hibou – “Fall Into”

January 26, 2018

Hibou sent us the retro-flavored music video for “Fall Into…” Beyond the striking visuals and retro flavor, “Fall Into” is a poppy and dreamy preview of his latest endeavor, Something Familiar (due out on Barsuk Records March 2nd). A funky, rolling bassline propels this song forth, peppered with Hibou’s distinct vocals and synth flourishes. The song ends in a beautiful, washy climax – better heard than read about. Check it out via the video below. There are many ways to consume “Fall Into,” check them all out here. Be sure to keep your eyes peeled for Hibou’s next release, Something Familiar.

Russian Baths – “Slenderman”

January 26, 2018

Russian Baths specialize in incorporating dissonance into traditional song structures. “Slenderman” makes this perfectly evident by blending atonal noise, 70s space rock, and modern indie punk sensibility into a three minute wall of sound. This NYC four-piece has jammed their songs full of big muff driven guitars, rolling tom beats, and cavernous female vocals… Dirty, but beautiful. Russian Baths’ new EP is out 2/23/2018 via Good Eye Records. Check it out on iTunes.

Abbot Kinney – “It’s the Middle of the Night (NRVS LVRS Remix)”

January 26, 2018

Abbot Kinney is an alternative rock band that specializes in big melodies, big choruses, and accessible songwriting. We’re bringing attention to a remix of their latest single, “It’s the Middle of the Night.” This song features a huge chorus with memorable vocal hooks and lots of frantic drum and synth work… Check this out if you’re a fan of MGMT, Foster the People, or Neon Trees. Do you like this song? Be sure to add it to your Spotify playlist.

Sorrytown – “Know”

January 26, 2018

New Mexico act Sorrytown infuses the desolation of their hometown into their particular brand of heart-on-your-sleeve emo rock reminiscent of Hum, Sunny Day Real Estate, and Superheaven. “Know” is our recommendation of where to start… Between the gut-wrenching lyrical content and the in-your-face grit of the guitar tone, this one is sure to get your emotions churning. “Know” is available on Bandcamp. Too by Sorrytown

OKKAH – “Concrete Murder”

January 24, 2018

If the title “Concrete Murder” isn’t enough to draw you into this new song from Utah alternative pop group OKKAH, perhaps its bursting rhythm will do the trick. OKKAH’s sound possesses noticeable influence from eastern cultures, a touch derived from their time spent in East Asia and sculpted with the universal appeal of amorous vocals and a catchy, electronica-like melody. Check out the track below:

Language Arts – “With Me”

January 24, 2018

“With Me,” a new track from Canadian art pop duo Language Arts, is pleasing beyond belief. The song is a full-bodied, engrossing concoction. The deep-seated bass, sparkling keyboards and gentle vocals make for a delightful four-minute listening endeavor that will relax and energize you at the same time. The music video for “With Me,” which can be viewed below, is a dazzling visual that arouses psychedelia and the stylings but not the downfalls of the rave scene. The band is currently on a small tour and in the process of putting together their third album.

The Fontaines – “Good Times”

January 23, 2018

Ringing in their new track “Good Times” with charging drums and an ensuing melody similar in the coolest way to the Law & Order theme song, Los Angeles brother-sister duo The Fontaines are a breath of fresh air.  The simultaneously sultry and powerful vocals of Charlotte Fontaine are put through an amp here, giving the song a gritty and unique appeal.  The brief instrumental solo in the latter half of the track is like a surge of high voltage, and the following breakdown shows the band’s mastery of different dynamics.  Fresh off a sold-out gig at The Troubadour in Hollywood, The Fontaines will also be appearing at South by Southwest in March.

Hear the Taste – “Lost”

January 23, 2018

The new tune “Lost” from the Idaho-based recording artist assuming the pseudonym Hear the Taste is a mesmerizing and memorable stab at experimentation. Recorded in the artist’s practice space at the Boise Bomb Shelter from the middle portion of 2017 and this newly welcomed year, “Lost” opens with a thumping rhythm joined with a heavenly aura of instruments. Then, in come layered fresh and passionate vocals hurdling over perfectly jittery piano.  Midway through, on the final utterance of the chorus, we get a climactic rise in the song before the instruments take it from there. A barrage of quickened percussion leads into a somewhat murky melody guided by piano and analog synth.  The track fades off with a more upbeat and funky batch of classic rock guitar riffage. Check out Hear the Taste’s “Lost” down below.

Eric Beeny – Glass, the Wall’s Ghost III

January 22, 2018

Local indie folk singer-songwriter Eric Beeny’s latest project is part three in a series of albums under the moniker Glass, the Wall’s Ghost. The self-titled record (Glass, the Wall’s Ghost III) is his most unified piece yet, with a cohesive and polished flow throughout. Using only an 8-track digital portastudio and a condenser microphone, the album was recorded entirely at Beeny’s home. Engineered, produced and performed completely by himself, the album feels inherently all his own and extremely intimate. The songs are meditative and melancholic, reckoning with themes of death and despair. Throughout his GtWG series of albums, he has brought the listener on an emotional journey through his own personal trials and tribulations. This third installment is no different, and finds his words more contemplative and story-like. Musically, the record is steeped in hushed bedroom folk akin to Bon Iver, with ornamental elements of dream electronica in the vein[...]