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Super American Drops New EPYOBWOC

Pop punk duo Super American just dropped their newest EP YOBWOC. Where their 2017 release Disposable gave us an angsty unabashed pop punk sound, their 2018 full length Tequila Sunrise showed us a more mature, refined sound. Clocking in at just over five minutes, YOBWOC is a perfect hybrid of their two previous releases. Super American 2.5 shows us their ability to write deeply infectious and energetic pop punk songs, that still have the nuance a maturity of Tequila Sunrise. YOBWOC opens up with the blistering “Chlorine Fight Song” which at only :40 definitely leaves us wanting more, in the best possible way. Next up is “Untitled” which blends early Blink-182 energy with the nuance of a band like The Story So Far. Finally, “Tangerine + Guava” simmers along with energetic outbursts in the midst of a restrained energy. I sincerely hope that YOBWOC is leading to another full-length release[...]

Tonight: Allison Pipitone and Kevin Lewis

Back beyond the tall grass and among the ghosts of Buffalo’s silos sits the rustic venue Duende. A burgeoning spot for Buffalo’s cream of the crop musicians has a ‘must-see’ show this evening. Buffalo songbird and leader of the Alison Pipitone Band, Alison Pipitone, and Kevin Lewis, lead-singer and guitarist of The Space, present an evening of acoustic originals. The two share a unique relationship that had been forged through the Buffalo music scene, as Pipitone has taken Lewis under her wing. Both talented musicians and storytellers will delight and conjure up spirits of the past and present. Doors at 6:30pm. Written by Kevin Prentice

Soviet Dolls Release Cover of 80’s Classic “Cruel Summer”

Rochester synth-pop act Soviet Dolls has released a cover of the classic Bananarama hit “Cruel Summer.” Set to clips of Night of the Comet, the Dolls’ take on “Cruel Summer” keeps the synthy magic but gives it a polished, 2020 feel. Their take on the song is just a bit darker, with a slightly more industrial feel. Listen for yourself – check out the vid below and check out their latest release here.

Phobia Quartet – “1995”

Something about “1995” screams late 90s. Maybe its the charming lo-fi mix or the emo-pop musings of singer Adam Hood, but Phobia Quartet really seem to have captured a moment here. Full of the charming indie rock you’d expect to hear on Vagrant or Deep Elm Records in the early 2000s, “1995” nails it with blistering guitar leads and vaguely nostalgic lyrics – check it out below.

Hanter Dro – “Turtle Man”

It’s been a hot minute since we’ve heard an inspiring slice of post-hardcore angst. Hanter Dro is a talented Swiss act whose “Turtle Man” has been a mainstay on our playlists. Full of discordant guitars, powerfully emotional vocals, and huge drums, “Turtle Man” is perfect post-hardcore for fans of La Dispute, Balance and Composure, or Pile.

Kadeema – “Gotta Get It”

Out of the ashes of Ascot Royals comes Kadeema – the longtime songwriting partnership of Jimmy Chauveau and Tal Vaisman have come together to create “Gotta Get It.” Inspired by the underwhelming monotony of the day-to-day grind, “Gotta Get It” is more about dancing away your problems than letting them get the best of you. This one is certainly full of danceable energy – check out the music video below and see for yourself.

Mint Julep – “Stray Fantasies”

Last time we checked in with Mint Julep, we were jazzed on the lovely synth-pop of “Blinded.” Their latest offering, “Stray Fantasies” is the title track from their upcoming LP – it stays on-trend with pulsing synth textures, ethereal vocals, and a hint of wintry energy. “Fantasies” and “Blinded” are both going to be included on Stray Fantasies, out later this month (1/31/2020). Stay up to date with the married duo via their Instagram.

Stray Fossa – “Are You Gonna Be Okay

If you’re an avid buffaBLOGGER, you know we’ve been paying close attention to shoegazy VA act Stray Fossa for at least a few years now. Their latest jam is “Are you Gonna Be Okay” – continuing their trend of bedroom-pop greatness, the trio pairs hush-hush vocals with blasts of synth, warbled out guitar twinkling, and big snazzy basslines. Stick around for the end of the song for an exceptionally cool aural treat – check it out below or snag it from Bandcamp.

Valentin Marx – “Fair”

Brooklyn based trio Valentin Marx aren’t messing around – their latest banger is “Fair,” a big indie rock jam that owes as much to Wilco as it does Sufjan Stevens. A rip roaring electric piano opener leads into impassioned, wistful vocals before finally breaking into a guitar-based chorus. Full of surprisingly melodic moments, “Fair” is an excellent listen start-to-finish – check it out below or give them a little lovin’ via Bandcamp.

Future Ghost – “Took My Chance”

We think Florida indie pop duo Future Ghost are onto something – their debut single “Took My Chance” is full of sugary melodies and a beautifully sunny disposition. Powered by bursts of crunchy guitar and squiggly synth flourishes, “Took My Chance” is reminiscent of Charly Bliss, Diet Cig, or even Speedy Ortiz with a delightful sheen of shiny pop-minded greatness. Check it out below and then add it to your Spotify playlist.

Olmsted Debuts New Singles

Buffalo bedroom pop newcomers Olmsted have emerged onto the Buffalo DIY scene with their first single, “The Storm.” The duo, composed of bassist/vocalist Lydia Beinhauer and former Halo Nellie guitarist Nathaniel Miller, co-write dreamy, raw pop music with contemplative lyrics. “The Storm” is a building, ethereal waltz. It starts out simple, with a guitar track and Beinhauer’s lone voice. The song becomes more fleshed-out as it continues, with gossamer synth, a drum machine, experimental noise sampling, and vocals from Miller as well. Beinhauer and Miller’s pleasant voices complement each other, which we also see on the single’s B-side, “The Eye.” The songs are approachable and calming, even though the words suggest a little more unease. From both tracks, we get a good idea of what to expect from Olmsted in the future: relaxed, organic, and endearing lo-fi pop. Olmsted plays January 31st with Modest Mouse tribute act Pompous Rat on[...]

Eastern Exit – “More Than I Could Know”

Eastern Exit‘s “More Than I Could Know” is a lovely indie rock song that has been rubbing us the right way. It’s washy with just the right amount of ambiance, but still makes you want to dance with it’s funky bass lines and dreamy vocals. Fans of Tame Impala, Phoenix, or Death Cab for Cutie are certainly going to dig this one. Check it out below.

Fanclub – “Tresspassing”

Fanclub caught our attention with the airy, synth-filled vibes of “Tresspassing.” Utilizing a gauzy, almost-shoegaze approach with tight, electronic drums, this one wormed its way into our hearts by fully embracing its simplicity. Fans of Charly Bliss or Girlpool will definitely dig this one – check it out below and give them a follow on the ‘Gram.

Heart Bones – “Open Relations”

Heart Bones is a unique duo whose home base is split between Texas and Minnesota. This unique partnership has produced one of our new favs, “Open Relations.” This one is a nu-disco-ish pop tune about needing a bit of extra lovin’ outside the confines of monogamy. Fans of Daft Punk, Scissor Sisters, or the 1975 are gonna dig this one – check it out below.

John Moore And Missing Star Release New Single, “Work It Out”

John Moore and Missing Star‘s latest single “Work It Out” recently caught our ears in a lovely way. Moore has been hanging around Buffalo for a while – previously fronting the WNY-based act 53 Days. This time around, he and the Missing Star has pairing a twinkly guitar riff with spacey keys and haunting vocals, revolving around a haunting but catchy refrain of “Gonna work it out, gonna work it out again.” Check it out below and pick it up his latest album on Bandcamp if you’re feeling  this jam as much as we are. All In Your Head by John Moore And Missing Star