Latest Posts

Chick Quest – “Savant Garde”

January 19, 2017

Chick Quest is quickly becoming the most talked about band on the post-punk front. Their single “Savant Garde” is the suave, yet bombastic prelude to the release of their second album. This band sets itself apart from the rest with the incorporation of a groove-ridden bass and horn lines right out of a vintage western film. The variety of musical elements in this song brings the intrigue, while still holding onto all the cheekiness and sass characteristic of its punk ancestors. Looking for more? Stay tuned for Model View Controller, out February 24th via Triangular Sounds. [soundcloud url=”https://api.soundcloud.com/tracks/286005875″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Written by Cassandra Dailey

Soffía Björg – “The Road”

January 18, 2017

Soffía Björg’s latest single, “The Road,” plays upon the process of returning to the physical and symbolic place that is home. The smattering of folky twangs within a foundation of indie rock is what makes this song sound even more forlorn. The Icelandic singer’s voice lilts gracefully over a moving bass line and rhythmic guitar, all colliding in each repeat of the melody’s original motif. This song’s impact lies in the subtle dynamic contrasts; the strummed swells and accents propelling it forward as we follow Björg on her journey down this road. The video features Björg as the archetypal femme fatale driving her vintage Mercedes down the metaphorical path of no return, as the Icelandic countryside creeps past. Have a listen and you, too, might find yourself mid-existential crisis on a journey through genuine soul-searching. Written by Cassandra Dailey

Le Trouble – “How Was I To Know”

January 18, 2017

The Montreal five-piece Le Trouble is back with their second full-length album out on Indica Records, spearheaded by the single “How Was I To Know.” The track is all rhythm guitars, intrinsic drum fills, and power-driven vocal lines. It’s a whirlwind of tight instrumentals, yet still holds onto a pop influence that’s unmistakably sweet. With only a tinge of sadness, lead singer Michael Mooney sings of that all-encompassing love that ran itself dry. “How Was I To Know” seems to reveal a little more with each listen, and it doesn’t hurt that its hook is deceivingly catchy. Feeling introspective but considerably upbeat? This is your track of choice. Written by Cassandra Dailey

wwoman – “Waste Our Summer”

January 16, 2017

Pittsburgh’s wwoman brings the heat with “Waste Our Summer,” off his latest album Let Us Sleep Together. The classic marriage of spacey synth and lo-fi vocals brings this track appeal, but a prominent groove-infused bass line is what sets it apart. The art of layered contrasting synth is something many strive for, but wwoman can actually claim to achieve in this song without sounding contrived. His self-classified “depression pop” conjures images of sandy beaches, polaroid-captured late mornings, and no worries; something we all gravitate towards this time of year. Track down Let Us Sleep Together over on bandcamp for more summertime-slacker vibes. Written by Cassandra Dailey

The Dropout – “Let It Go”

January 16, 2017

In the modern age of the music industry artists are constantly looking to gain themselves exposure, while streamlining content to their fans in a wholesome and creatively fulfilling way. Andrew Flicker of The Dropout has thrown his hat into the ring with the launch of bi-weekly single releases. The Dropout’s first release, “Let It Go,” is an anthem dedicated to letting the good times roll and sweating the small stuff no more. Through a swirling texture of synth and a spunky drum beat, it’s easy to lose all sense of responsibility, as Flicker chants “All the things you ever wanted, lay it out and disregard it.” This dose of pure indie electro-pop is all fun-in-the-sun-meets-baby’s-first-rave, while those of us in enter into winter-induced vitamin D deficiency. It’s dreamy, it’s dismissive; it’s oddly soothing and invigorating at the same time. Combat the winter chill by checking out for The Dropout’s new[...]

MELT – “Rewind”

November 25, 2016

MELT’S newest single “Rewind” off the band’s new album is the current earworm for emo enthusiasts and lo-fi lovers alike. The New Jersey-based foursome tells the tried and true tale of youthful restlessness coupled with nostalgia over lost love. Through waves of hazy, layered vocals, singer Dylan White laments the best of times over a bedrock of powerful guitar arpeggios and a steady drumbeat. This song has all the makings of the soundtrack to a good Friday night existential crisis. If you’re hungry for more, the full album Riffer drops today via Danger Collective Records. [soundcloud url=”https://api.soundcloud.com/tracks/292590871″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Written by Cassandra Dailey